Netflix Review – Aggretsuko (Season 2): Life Is Bleak and Horrible, But Also Unique and Adorable

Aggretsuko returns for a second season, addressing dating, co-workers, and the generation gap in the new millennium.

SUMMARY (SPOILERS)

Retsuko (Kaolip (Japanese); Erica Mendez (English)) is still working in accounting after breaking up with her boyfriend Resasuke (Shingo Kato; Max Mittelman) at the end of last season. However, her Mother has decided that Retsuko is not moving forward with her dating life enough and starts signing her up for matchmaking services, much to Retsuko’s annoyance. Soon after, a new hire, Anai, starts in Retsuko’s department and is revealed to be a slacker who responds to any implication that he’s doing something wrong by recording conversations and making them formal complaints, terrifying everyone. When Retsuko takes driving lessons so that she and her friends Gori (Maki Tsuruta; G.K. Bowes) and Washimi (Komegumi Koiwasaki; Tara Platt) can take a trip, she meets slacker white donkey Tadano (Griffin Burns), who she likes but thinks is a failure. Tadano drops out of driving school, disappointing her further. She does eventually run into him again and he asks her out, which she accepts due to her underlying feelings for him. However, it’s revealed that Tadano is actually a Tech CEO Billionaire, which delights Retsuko, but she realizes that they might not quite see eye-to-eye on some things.

Aggretsuko2 - 1Mom.jpg
Her mom is so freaking adorable but also I don’t want to be on her bad side.

END SUMMARY

Holy hell, this show doesn’t shy away from hitting at the problems of people in their late 20s and early 30s. I mean, if you have never worked with a crazy a-hole co-worker who tries to get you in trouble for doing things that you would never have imagined would be a problem, then you should consider yourself extremely fortunate. If you’ve never had a great relationship with someone that just didn’t work out because you were after different things in the long run, then consider yourself fortunate. If your parents have never called to ask how you are going to find Mister/Miss Right and you don’t really want to explain to them that dating has changed since they were single 40 years ago and not everyone is looking to have a family and buy a house and fill it with 2.5 kids, consider yourself fortunate unless it’s because your parents have passed in which case I am sorry for your loss. In this season, we see Retsuko deal with all of this at the same time, and it’s sometimes almost hard to watch due to the accuracy, even though it’s cartoon animals.

Aggretsuko2 - 2Anai.png
Anai is so very, very awkward even when he isn’t being a douche.

Most horrifying of all is that none of these people are actually “Bad” people. Retsuko’s mom just wants her to be happy but doesn’t understand that happiness doesn’t mean the same thing to Retsuko as it does for her. Anai seems annoying and mean, but it’s really just that he’s scared and hasn’t had experience dealing with people. That doesn’t mean he’s not an asshole, but it does at least give you an idea that maybe assholes don’t have to stay assholes. Tadano loves Retsuko, but he believes that marriage and children are bastions of the past that no longer need to be the default, something that Retsuko just disagrees with. Their breakup is sad, but he’s completely understanding about it, just like she is. They just don’t have the same future in mind.

Aggretsuko2 - 3Tadano.png
That feeling when the guy you like turns out to also be rich. I can’t relate.

No matter what happens, Retsuko keeps going, because she does know that it’s good to at least find out what you want. A lot of the current people in Retsuko’s generation, like her, feel like they’re drifting, because unless you are lucky you are likely looking for a job to help pay off the debt you had to accrue to get the degree you had to have to get the job. Even then, the job probably doesn’t pay enough for you to dig yourself out of your hole in any reasonable amount of time, but you also see all of the people out there on the internet doing so well and, even though you know it’s a curated image that they aren’t really living, it still makes you feel inferior and like you’re not making use of life, but you also don’t want to be irresponsible and the world’s possibly actually going to end in our lifetime and ohgodimsadnow. Somehow this show has more accurately pointed out much of the modern existential crises that this generation faces than almost anything else, and it’s a f*cking Red Panda that sings Death Metal.

Aggretsuko2 - 4Singing.png
Tadano mostly deals with the Death Metal revelation well. 

What’s particularly interesting is the gap between Retsuko, Puko, and Tadano. Tadano represents the people who are hopeful for the future, who want to bring about the grand social change that allows humanity to achieve self-actualization. He has a self-driving car, but hires a driver just so the driver can have a job. He is a developer of automation, but is doing so with the hope that it will bring about the end of late stage capitalism. He’s even developing the neural-net software that is intended to replace Retsuko, but wants to pay her to quit her job and do what she wants with her life. The problem is, his vision fails unless most of the other rich people also think it’s noble to pay people do do what they want. Even Retsuko ultimately turns him down because she prefers the independence that she gets from her miserable job from a life of freedom that’s dependent upon Tadano if he’s never going to be her husband. She’s not afraid of living within her current structure. Meanwhile, we’re shown that Retsuko’s flaky pink panther pal Puko (Allegra Clark) has opened the store she wanted to set-up during the last season and that it is slow and difficult due to her not being able to pay people for help and her employees ducking out on her. Despite this, she’s still happy because she’s doing what she wants, even if it’s hard.

Aggretsuko2 - 5Puko.png
She learns what it’s like to deal with her.

Despite all of this bleakness towards life and corporate wage slavery, the show does manage to present some hopeful moments, mostly coming from Retsuko’s small improvements that remind us that some kinds of change are within our grasp if we want them. Yes, the world sucks and you’re likely to spend most of your time on the Earth doing something that’s unfulfilling and horrible, but hey, at least you can sing with your friends or maybe write a movie review blog. Also, Red Pandas still exist, so we should fight for a better future.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

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Netflix Review – Aggretsuko: The Only Anime To Nail Modern Life (Spoiler-Free)

Guess what tomorrow’s review is?

The Joker On The Sofa

It’s a Red Panda singing Death Metal. If you aren’t intrigued, please call a doctor.

SUMMARY (Spoiler Free)

Retsuko (Kaolip and Rarecho (Japan)/Erica Mendez and Jamison Boaz (Eng.)) is a 25-year-old red panda who works in the accounting department of a large company with her friends Fenneko, a fennec fox (Rina Inoue/Katelyn Gault) and Haida, a hyena (Shingo Kato/Ben Diskin). She is constantly beaten down by the monotony of the work, the harassment of her boss, Mr. Ton (Souta Arai/Josh Petersdorf), and the treachery of her senior accountant Tsubone (Maki Tsuruta/Debra Cardona). To cope with all of the stress in her life, Retsuko lets out her frustrations by going to karaoke and busting out Death Metal songs about her life. Most of the series is just her dealing with things like dating, meeting new friends, trying to lose weight, and trying to find a way out of her job.

Aggretsuko - 1Cast.png Such…

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Netflix Review – Murder Mystery: No, Seriously, It’s Not That Bad (Spoiler-Free)

Adam Sandler and Jennifer Aniston reunite to play a married couple caught up in a… well, you read the title.

SUMMARY (Spoiler-Free)

Nick Spitz (Adam Sandler) is a police sergeant who has aspirations of being a detective but performs poorly under test conditions. His wife, Audrey (Jennifer Aniston), is a hairdresser who loves murder mystery novels. He forgets to do anything really romantic for their 15th wedding anniversary, so he quickly books the trip to Europe that he promised for their honeymoon. On the flight over, Audrey meets Charles Cavendish (Luke Evans), a billionaire who invites the couple onto the yacht of his uncle Malcolm Quince (Terence “Kneel Before” Stamp) for a party. The boat is filled with a menagerie of archetypal murder mystery characters from Agatha Christie and Ellery Queen and, of course, someone gets murdered. Nick and Audrey quickly become the prime suspects and have to figure out who is killing off the cast before they become the next victims.

MurderMystery - 1Boat
Aniston just remembered that Friends royalties mean that she had to CHOOSE this film.

END SUMMARY

Okay, so, most critics have pretty much been using Adam Sandler’s recent Netflix films as punching bags and, I’m gonna be honest, they’re pretty damned bad. The Ridiculous Six has like one joke in it and the rest of the film killed my soul. The Do-Over was an awkward buddy comedy that made me miss Chris Farley. Sandy Wexler at least had the feeling that Sandler was kind of invested in it, which apparently is because the main character was based on Sandler’s manager and friend Sandy Wernick, but it was boring as f*ck. The Week Of at least had some fun performances, but was so lazily written that I honestly felt like they stabled 3 old movie scripts together to make it. So, aside from Adam Sandler 100% Fresh, which is one of the funniest stand-up specials on Netflix and you should watch it, pretty much all of these films were either epically bad or just forgettable. This one almost actually works.

MurderMystery - 2Ridiculous6
You made me pissed at Terry Crews, you f*cking monsters.

Yes, it’s a cliche film set-up, but it’s intentionally cliched. The characters are all such exaggerated archetypes that it actually becomes kind of fun to watch how the two main characters, who are fairly normal, comment on the absurdity of their interactions. The murders are ridiculous, bordering on parodic, which, again, kind of works. The old-school Clue-esque trope of using different methods for each killing always adds a level of amusement to me. Sandler and Aniston do have some nice chemistry when they’re portraying a bickering couple that still care for each other and most of what they do in this film is bicker. There are some decent homages to other, better, films, and honestly some of the scenes are pretty clever, particularly when they just flat-out avert the expected movie tropes.

MurderMystery - 3JAccuse
The J’Accuse scene contains much J’Accusing, but some of it’s really fun.

But, then there are the problems. First, the subplot of Nick and Audrey being suspects in the murders drove me insane. The film tries to have the incompetent detective following the murders justify why he suspects them, but it really just never makes sense for him to pick them over a room full of extremely motivated people who ACTUALLY COULD HAVE DONE IT. They do it to isolate the characters and add more stakes, but it’s a comedy so that’s not necessary. Second, there are a lot of wasted moments on scenes that don’t add to the plot and also just aren’t that funny and a few subplots that are just for the sake of following some sort of screenwriting rules (the couple breaks up briefly and then gets back together in the next scene, making it moot). Third, it follows Adam Sandler’s tendency lately to play characters that are somehow supercompetent and also failures, like in Pixels, where he plays a TV repairman who manages to talk down to the Joint Chiefs because he’s good at video games. Did I actually see Pixels? No, but people talked about that scene and it’s an appropriate example. I think this stems from him playing Happy Gilmore and Bobby “the Waterboy” Boucher and deciding those were the only way to play heroic characters.

MurderMystery - 4QBert
I also know that Josh Gad has sex with QBert in it.

Overall, I will say this movie isn’t terrible, but I would watch a lot of things before touching it if I didn’t write this blog. Still, it has some fun moments. I will say, if you want a much better version of this same idea, watch The Private Eyes with Tim Conway and Don Knotts or Murder By Death starring Peter Sellers and Maggie Smith and Truman Capote and Peter Falk and Alec Guiness and holy hell that movie had a lot of great actors in it. Yeah, watch those instead.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2 E6 “The Lesser of Two Evils”

The Joker On The Sofa

Bender finds out he has a Star Trek mirror universe-esque twin, complete with goatee.

SUMMARY

Bender (John DiMaggio), Fry (Billy West), and Leela (Katey Sagal) go to visit “Past-O-Rama,” a theme park which celebrates the 2000s, but with an insane amount of anachronisms, such as Einstein and Hammurabi being in a hot-air balloon. As they go through the park, seeing various exhibits of the hilarious inaccurate interpretation of the 20th century by the 31st, until finally Fry tries to drive a car, despite never having driven much, and runs into another Bending unit named Flexo (DiMaggio).

S2E6 - 1EinsteinHammurabi.png Hammurabi’s catchphrase is “Dy-No-Mite!” As it was written.

Flexo, who looks identical to Bender except for his goatee, quickly becomes close friends with Bender. Fry immediately comes to dislike him due to his pranks and insults, despite the fact that they’re basically the same as the ones that Bender does to him. The rest…

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Futurama Fridays – S2 E5 “Why Must I Be A Crustacean in Love?”

The Joker On The Sofa

This season we start getting episodes focused on the other Planet Express employees and this one features the Decapodian Doctor, John Zoidberg.

FuturamaZoidberg Why not indeed?

SUMMARY

Amy (Lauren Tom) and Leela (Katey Sagal) guilt the Planet Express crew members into joining a gym. While there, Dr. Zoidberg (Billy West) starts to become enraged, attacking everyone and having to be restrained. It’s determined that Dr. Zoidberg has entered the mating period of his species, so Fry (West), Leela, and Bender (John DiMaggio) take him back to his home planet of Decapod 10 so that he can participate.

S2E5 - 1Pool.png This is how men look when horny. All of them.

When they get to the planet, Zoidberg gets to work trying to attract a mate but fails miserably. He then sees Edna (Tress MacNeille), a high school classmate of his who is, by Decapodian standards, apparently super hot. She rejects him, but Fry offers…

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Futurama Fridays – S3E11 “Insane in the Mainframe”

Fry gets involved in a crime and committed to a mental institution which drives him crazy.

SUMMARY

Zoidberg (Billy West) is being honored for his ten years in service to Planet Express. During the proceedings, Hermes (Phil LaMarr) mentions that Zoidberg’s retirement fund is zero, as he’s never paid into it. Hearing this, Fry remembers that he hasn’t paid into his plan either. He spends ninety-four of his $100 on lotto tickets then decides to put the rest in the bank. While there, Fry and Bender (John DiMaggio) run into Bender’s friend Roberto (David Herman), who proceeds to rob the bank, but gives Bender and Fry some of the money. They’re immediately arrested and convinced to plead insanity by their lawyer, the Hyper-Chicken (Maurice LaMarche), after Fry is threatened by Roberto. Bender is sentenced to a robot mental hospital, but so is Fry after the judge is told that the human facilities are full.

S3EB - 1Franklin
We also find out that Franklin’s still on the one-hundred dollar bill.

Once they get to the robot asylum, Fry is labeled a robot by the head doctor, Dr. Perceptron (LaMarche). Fry is put in a closet with his “roommate” Malfunctioning Eddie (Herman), who keeps exploding. Fry is starved due to the lack of human food, harassed by crazy robots, and later attacked by Roberto when he replaces Eddie. After a few weeks of this, Fry is finally released but is now convinced that he is, in fact, a robot. He attempts to determine what kind of robot he is, failing at being a calculator, a tool bot, and a food-mo-tron.

S3EB - 2Hal
The birds would be tweets if it was made later.

Meanwhile, Roberto breaks Bender out of the asylum and heads to Planet Express to hold them hostage. Fry, however, decides that he has finally determined what kind of robot he is: a battle droid. He attacks Roberto who stabs him in response, but the knife hits an oil can that Fry has in his pocket, which convinces the crazed Roberto that Fry is, in fact, a Robot. Roberto flings a knife at Fry and flees. The knife wounds Fry, making him bleed, which leads him to realize that he’s human after all.

S3EB - 3Stab
Bigger question: What’s the extra .1415926535…?

END SUMMARY

This is an episode that was actually much better than I remembered it to be. It’s a great example of having two plot ideas and letting one feed into the other. The first plotline is the asylum and it’s filled with a bunch of gag characters which represent the traditional Futurama twist on established archetypes through making them all robots. When I first saw this episode, I hadn’t seen Girl, Interrupted or One Flew Over the Cuckoo’s Nest or most of the other films that revolve around mental health facilities, so I didn’t understand what most of these are satirizing. Now that I do, holy heck, some of these are on point. I think the best one is the guy who thinks he gets CIA radio signals through his teeth, which are revealed to be the announcements from the CIA cafeteria.

S3EB - 4CIA
It’s crazy how funny this is.

The second plotline of Fry believing he’s a robot is a great subversion of the typical Blade Runner-esque trope of a robot believing that it’s a human. It’s made much funnier by the fact that Fry cannot do anything as an android. He doesn’t just fail at the tasks, but he fails at doing anything remotely robotic, to the point of not consistently beeping or using robotic language.

Overall, it’s a pretty solid episode.

FAVORITE JOKE

It’s clearly when Fry spontaneously decides that robots talk like fake medieval citizens. Specifically, he believes that they say “ye.” It’s such a random and insane moment that still stands out in the midst of a montage of random and insane moments. It has no basis in any logic whatsoever, except perhaps that in Fry’s already dim and now addled brain, he has decided that since robots talk funny and olde timey people talked funny, they’re basically the same thing. It makes me laugh every time.

S3EB - 5RobotsDon'tSayYe

Backup joke would be Frankie, the robot that Fry is told has the specific delusion that he works in the lunchroom, so he… works in the lunchroom. The other insane robots even seem to pity him. It’s never confirmed that he’s not, in fact, just a normal person who chooses to work in the lunchroom at an insane asylum and the gag is that it would be impossible to tell the difference. In other words, if your life’s ambition is just to perform a menial task, you’re the real crazy one.

S3EB - 9Frankie
I’m gonna go cry now.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 42: Where the Buggalo Roam

NEXT – Episode 44: The Route of All Evil

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2 E4 “Xmas Story”

The Joker On The Sofa

Welcome to the first Futurama ho-ho-holiday spectacular! Prepare to die!

SUMMARY

It’s Christmas, now pronounced “X-Mas,” and Fry (Billy West) is feeling lonely at his first holiday season in the 31st Century. The rest of the Planet Express crew try to cheer him up, but he ultimately keeps complaining, even after Leela (Katey Sagal) is also feeling down because she’s the only one of her species. Meanwhile, Bender (John DiMaggio) pretends to be homeless to get free stuff and attention from the press down at the soup kitchen. Fry feels guilty for making Leela sad, so he decides to go downtown to buy a pet.

S2E4 - 1Parrot.png He gets her one hell of a parrot.

What Fry doesn’t seem to really understand, despite being told directly, is that in the year 2801 scientists built a Robot Santa (John Goodman) who comes to Earth every year to decide who was naughty and who…

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