Netflix Review – Tuca and Bertie: Energetic, Stylistic, and Fun

Lisa Hanawalt, the production designer from BoJack Horseman, gives us a show about two women dealing with their lives in a strange, strange world.

SUMMARY

Tuca (Tiffany Haddish) is an irresponsible and formerly alcoholic toucan. Bertie (Ali Wong), a robin, is her neurotic best friend. At the start of the show, Tuca has just moved out so that Bertie’s boyfriend Speckle (Steven Yeun) can move in with Bertie, but she still lives in the building. Tuca is unemployed while Bertie works for Conde Nest magazine publishing. The general theme of any episode is “something happens, hilarity ensues or doesn’t.”

TucaAndBertie - 1Pamphlets.png
Sometimes they distribute flyers for a spontaneous workplace seminar.

END SUMMARY

So, everyone who reads this is aware that I think BoJack Horseman is one of, if not the, best shows currently on television. It’s smart, it’s funny, it’s subversive, and it’s stylistically unique. This show is also all of those things, just in very different ways. Do I think it’s as good? No, but I can see some people thinking it’s much better. It really just comes down to taste. Part of it is that I think women will relate to this show more than men.

TucaAndBertie - 2Leads.jpg
Though it is not solely made by women, the majority of the crew is female.

The art style of the show is very frenetic and extremely variable. The coloring, movement, and even character designs can alter from scene to scene depending on what’s happening. The movements can be extremely quick, as can the cuts, even compared to other animated shows. This is largely used because the two main characters are often energetic, bordering on manic, although in very different ways. For the most part, though, you never lose track of the plotlines even when the quick cuts and style changes are happening.

TucaAndBertie - 3HandOfGod.jpg
They also sometimes insert random things like the hand of the grocery store.

The gags in the show run basically the full gamut of humor. There are sight gags, often based on the anthropomorphic characters, as well as brick jokes, puns, gross-out humor, dirty jokes, and slice-of-life observations. Part of what makes this work is that the world that the show takes place in is so off-kilter and wacky that literally anything feels like it could happen. While BoJack (yes, the comparisons are going to happen, just deal with it) has anthropomorphic animals, this show has anthropomorphic everything. There are plant people, potato people, bird people, lizard people, car people, building people, body part people, and honestly I think at one point I saw an anthropomorphic representation of the concept of loneliness but that might just have been my cold medicine. Anything can be alive if it can be used for a gag.

TucaAndBertie - 4PlantLady.png
For example here’s a topless plant lady who uses turtles for decoration. Because why not.

A few other things set the show apart. For example, things that would normally just be one-off gags that animation uses that would be undone in the next shot, like a character’s boob talking or a mirror image commenting on their appearance, are not only not undone but are sometimes plot elements. It’s like watching Family Guy using the cutaway gags to actually accomplish something aside from filler. It’s not quite the same as BoJack Horseman’s “canon ensues,” where things that would be reset in a sitcom are instead incorporated into later episodes (most famously “Hollywoo”), but it’s similar. The show also is more than willing to feature nudity and sexuality, exemplified by the building with bare breasts that is part of the opening sequence.

TucaAndBertie - 5ChipDance.jpg
And sometimes they’re just dancing around corn chips.

The other thing that the show does well are the dramatic moments. While, like I said, most of the series is fast-paced and off-kilter, when there are actual serious things to address, such as sexual harassment, the show does treat them with the gravitas that they deserve, even if they quickly follow it up with a joke. The show’s focus is often on issues facing women as well as people in their thirties and people with anxiety issues, many of which are not really “resolved” within the episode, which is somewhat more realistic than other ways of handling it.

The voice talent is all superb, particularly the leads and recurring guests Richard E. Grant and Reggie Watts.

Overall, I liked the show. I recommend giving it a try. It takes a bit to really give you an idea of how it works, and it’s not going to work for everyone, but I look forward to more of it.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

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