A mind-bending horror story by Stephen King and his son Joe Hill gets adapted by Netflix.
Becky Demuth (Laysla De Oliveira) and her brother Cal (Avery Whitted) are driving across the country. Becky is six months pregnant and trying to find a way to get rid of the baby. They stop by a cornfield near an old church in what I think was Kansas in the book and hear a small boy named Tobin (Will Buie, Jr.) calling out for help. The two go into a field of tall grass and get separated quickly. They discover that the cornfield warps time and space, keeping them from finding each other or a way out. They discover that Tobin’s mom (Rachel Wilson) and dad (Patrick Wilson) are also in the grass field, as is Travis (Harrison Gilbertson), the father of Becky’s child. As madness and confusion start to set in, the group has to find a way out of the field.
So, the story this is based on is ironically much more simple and straightforward than the movie, the opposite of what usually happens with adaptations. This ends up making the movie more in line with the themes of the story involving confusion and uncertainty, with Becky’s uncertainty about her pregnancy mirrored with the uncertainty of the people in the grass. The book attempts to throw off the reader by having characters take actions they know to be logical only to get impossible results. The film has the advantage of being able to show an objective viewpoint of the unimaginable physics of the grass, with some of the shots being extremely unnerving. While the fact that we aren’t as close to the feelings of the characters as we are in the book, the acting and the cinematography still get the point across.
Most of the film isn’t traditionally scary. You’re not dealing with monsters or zombies or whatever. Instead, it’s the fact that the world that our characters are in does not follow any laws that we base our reality on. Events don’t happen in order. Time doesn’t flow at constant rates. Directions mean nothing. Standing still doesn’t mean you aren’t moving. Everything is broken and there’s nothing you can do about it. It’s extremely off-putting and eerie, leaving you feel uncomfortable the entire time. The one thing that is certain in the film is death, revealing that the only thing that is beyond the reach of the grass are dead things.
The acting in the movie is solid, though I admit that it’s the atmosphere that makes it scary. Patrick Wilson remains a treasure and his ability to play batsh*t crazy makes for a lot of entertainment. The thing that he ends up finding inside of the grass isn’t exactly explained, but that’s part of the horror. The movie ends significantly differently from the book, although it does contain one of the most disturbing elements in the book’s ending. If you read the story, this is still worth seeing.
If you like psychological horror or, to a lesser extent, cosmic horror, give this one a watch.
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