One of the best short series of last year returns with a different lead and a different goal.
After being separated from Season 1 protagonist Tulip (Ashley Johnson), Mirror Tulip or “MT” (also Johnson) is on the run from the Reflection Police or “Flecs” for leaving her mirror world. Pursued throughout the Infinity Train by Agents Mace and Sieve (Ben Mendelsohn and Bradley Whitford), she encounters a young man named Jesse (Robbie Daymond) and a magical deer named Alan Dracula. Together, the three make their way through the train to lower Jesse’s number so he can get out and hopefully so that MT can find her freedom.
So, the last season of Infinity Train contained the revelation that the purpose of the train was to help people work through their issues until they’ve resolved their personal problems, represented by the number that appears on their hands. For example, Tulip, the protagonist of the first season, had to work through her issues involving her parents’ divorce. At the end of the season, having realized that she was not at fault for their problems and that she had been suppressing their fights for years, she finally came to terms with it. The show also revealed that the numbers don’t only go down. If someone, like the first season antagonist Amelia (Lena Headey), fights repeatedly against moving forward on their issues, then their number can grow, to the point that Amelia’s number was literally wrapped all over her body.
In this season, we see that not everyone necessarily believes that getting off of the train is a good thing. We witness people deliberately fighting against self-improvement with a borderline religious fervor, claiming that the train is meant to serve them. It’s basically a perfect picture of one of the fundamental problems with humanity: We will rewrite what is considered right and wrong more often than we will change our behavior to be right. It’s a powerful message that is conveyed really well within the series. It’s not even the focal point, but it’s such an important thing to tell people that I have to applaud the show for it.
I don’t want to spoil the actual primary messages, because in a show like this they’re inherently tied to character development, but let me say that they’re great choices for a show aimed at teens. The creativity of the train from the first season continues, but I have to give them extra props for Alan Dracula, the magical deer. He seems to be a representation of the train itself. He’s unpredictable, he’s hilarious, he’s helpful, but he also is slightly indifferent to the people around him.
Overall, I love this show and I want them to keep it going as long as they can.
If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time, Collection of TV Episodes, Collection of Movie Reviews, or the Joker on the Sofa Reviews.
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