Dragon’s Dogma: It’s Formulaic, But A Guilty Pleasure – Netflix Anime Review

I take a look at an adaptation of a medieval fantasy video game series.

SUMMARY (Spoiler-Free)

In the medieval land of Gransys, Ethan (Yūichi Nakamura/Greg Chun), a hunter, loses his wife Olivia (Miyuki Sawashiro/Cristina Vee) and his surrogate son Louis (Yūko Sanpei/Jeannie Tirado) to an attack by a savage Dragon (Takayuki Sugō/David Lodge). The Dragon, sensing Ethan’s hate, takes Ethan’s heart and revives him as an Arisen. He is soon joined by a magical humanoid creation called a Pawn, whom he names Hannah (Nana Mizuki/Erica Mendez). Together, the two head through Gransys to slay the Dragon, and all of the monsters they meet along the way.

It’s good Ethan was a hunter rather than a baker. It’d be hard to cook the dragon.

END SUMMARY

This show’s apparently an adaptation of a video game, and that’s kind of what it feels like. Every episode feels like the next level that slowly gets to the “boss” Dragon. While this provides some boost to the structure and pacing of the show, it does get a bit repetitive, mostly because the characterization of Ethan and Hannah is really thin until the very last episode. Even the episode that fleshes out Ethan’s backstory doesn’t really do it in a way that evokes a lot of emotion. The monster designs are pretty solid, but only a handful of them are particularly creative. The rest are just picked from a DnD Monster Manual.

The Hydra works exactly like you’d think a hydra does, until suddenly it doesn’t.

Every episode is named after a particular sin representing one of the monsters in it or the general theme, which, at times, feels a little like a PSA. This is particularly true of “Sloth,” which generally comes off as being a Reagan-esque “Winners Don’t Do Drugs” fable. This vibe conflicts with the fact that the violence and nudity give the show a distinctly adult feel. This tonal inconsistency is only matched by the character inconsistency, with several supporting characters seeming to change motives at a moment. It’s particularly noticeable with Ethan and Hannah, who both seem to fluctuate between “help the people” and “kill the dragon, screw the people” depending on what the current episode needs.

Winners don’t use drugs; they use magical arrows.

In positives, the fight scenes are pretty good. Some of them are creative or at least have nice visual elements. I will say that the last episode does make me want to see more of this show, because they open it up for a completely new direction. At seven episodes, some of which are under 20 minutes, the show isn’t a major investment if you just have some time to kill. 

The Dragon has some of the best characterization.

Overall, if you like hack and slash, give it a try, but if not, maybe wait until we find out if Season 2 is any better.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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