Birdman: The Unexpected Virtue of Ambiguity – Amazon Review (Day 9)

A former superhero actor puts his career back on track by reminding people that he’s a heck of an actor.

SUMMARY

Riggan Thomson (Michael Keaton) is an actor and the former star of the Birdman superhero series in the 1990s. He has started to go insane and hears the voice of Birdman telling him how he’s wasting his potential in his current venture: writing and starring in a Broadway adaptation of Raymond Carver’s “What We Talk About When We Talk About Love” with his girlfriend Laura (Andrea Riseborough). Riggan appears to display telekinesis and levitation superpowers, but only when alone. When a lighting fixture hits Riggan’s male co-star, Ralph (Jeremy Shamos), a day before previews are supposed to start, one of the leads, Lesley (Naomi Watts), recommends replacing him with her boyfriend, method actor Mike Shiner (Edward Norton). 

Bit of a generation gap.

The previews go horribly. Mike wants to drink real alcohol during the show and gets into a fight with Riggan while onstage, while the next night Mike attempts to have sex with Lesley onstage despite her refusal and ends up showing his erection to the audience. When Mike does an interview with the New York Times and steals a story he heard from Riggan, Riggan attacks him and tries to fire him. Riggan’s lawyer and producer Jake (Zach Galifianakis), convinces him to continue. Riggan’s daughter and assistant,  Sam (Emma Stone), who is fresh out of rehab, gets caught smoking pot by Riggan and proceeds to insult his entire life and ambition. She and Mike then start to flirt and eventually sleep together. 

When your daughter has a five-minute monologue to attack you with, that’s bad.

During the last preview, Riggan gets locked out of the theater in his underwear and walks through Times Square, becoming a viral sensation. Riggan goes for a drink and encounters critic Tabitha Dickinson (Lindsay Duncan), who tells him that she hates Hollywood celebrities pretending to be real actors and promises to kill his play. Riggan then insults her and claims she’s just biased. Riggan then gets drunk and passes out on a stoop. While heading back to the theatre, Birdman appears to him and tries to convince Riggan to do another Birdman movie because audiences love spectacle and will praise him as long as there are big action scenes. Riggan flies to the theatre… or takes a cab, maybe.

Okay, I admit that I would see this movie.

On opening night, Riggan gives a command performance and apologizes to his ex-wife Sylvia (Amy Ryan) for his behavior during their marriage, admitting that he tried to kill himself once out of guilt. As Sylvia wishes him luck, Riggan grabs a real gun and does the final scene in which his character kills himself, shooting himself in the head to applause. Riggan wakes up the next day in the hospital with a new nose and a glowing review from Tabitha, who claims Riggan’s suicide to be “super-realism.” Sam visits with flowers and new respect and love for her father. Riggan goes to the bathroom and tells Birdman goodbye before climbing out on a ledge to watch the birds. When Sam comes into the room, she runs to the window and looks down to see Riggan’s body, but then, confused, looks up and smiles at something she sees.

END SUMMARY

When I saw that the prompt was “Film with Great Cinematography,” I immediately knew that it had to be this movie. Not only are almost all of the shots in this film perfectly constructed, but the film itself is designed to seem like it’s mostly only a single take. It serves as a way to give the experience a feel more akin to a theatrical performance. While there are a few visible cuts, they roughly correspond to the “dream sequences” that apparently Riggan worked into the stage production. The single shot nature of the film is reminiscent of Alfred Hitchcock’s film Rope, which used a number of long-cuts and editing tricks to disguise the fact that the movie was shot on reels that could only hold 10 minutes of film at a time. While Rope is depicted as taking place mostly in real-time, Birdman instead uses transitions between parts of the theater or the city to move us forward in time, often connecting the shots thematically. 

Such beautiful framing even in seemingly unimportant scenes.

Similar to a play, too, the film will often focus on interactions between side characters, such as Lesley and Laura or Mike and Sam, in order to allow for Riggan’s story to move forward. Some of those scenes, while they are interesting and well-performed, often wind up reminding me more of a Shakespearean monologue crafted to buy an actor time for a costume change. They end up seeming even more blatant on re-watch when you realize that many of these side stories have no real resolution. Laura and Lesley begin to seemingly find an attraction to each other, but nothing further comes of it. Mike has no character arc and his relationship with Sam doesn’t move anything forward for either of them, aside from setting up the scene of Riggan getting locked out of the theatre. This makes the movie feel like everyone really exists to support Riggan’s story, which is exactly what his daughter accuses him of believing.

Jake makes stuff go away, somehow.

Keaton was really the perfect pick for this and, honestly, I can’t imagine it working with anyone else. Riggan Thomson is a thinly-veiled substitute for Keaton and Birdman for Batman. I was shocked to find out that this movie was in production without Keaton in mind at first. Riggan, like Keaton, is a great actor whose career suffered due to being typecast as a superhero. Despite the fact that superhero films are no longer treated as complete popcorn fare, with some getting critical acclaim or even Oscar wins, Riggan still hasn’t been allowed back in bigger dramatic roles. Birdman seems to represent Riggan’s love of celebrity, wanting Riggan to abandon his dreams of “real acting” and instead focus on spectacle. 

Which is what we see him constantly imagine, amidst a ton of flashy ads for plays.

The characters in the film tend to try and draw a distinction between spectacle films and real dramatic acting. Birdman even delivers a monologue directly into the camera during a fake action sequence, saying “[the audience members] love this shit. They love blood. They love action. Not this talky, depressing, philosophical bullshit.” When Tabitha tells Riggan that she intends to close his play, she describes it as being because she hates what he represents, film actors trying to appear on Broadway. Without any regard to whether or not Riggan actually can act, the fact that he once appeared in a popcorn film disqualifies him from any claim to actual artistry. This actually works even better under the final cast, because most of the leads in the film had all appeared in superhero/comic films (Norton – The Incredible Hulk; Keaton – Batman; Emma Stone – The Amazing Spider-Man; Naomi Watts – Tank Girl) and yet all of them give command performances in this film. Despite pointing out that studios will often conflate art with spectacle (they aren’t mutually exclusive, though), the film makes a point of showing that actors can do both. 

These men have range.

Overall, this movie is a masterpiece. I cannot recommend it highly enough. Rent, steal, whatever you need to do.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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10 Shows That Nailed The Finale – Joker Op-Ed

How you start is important to getting popular, but how you finish is the key to being a legend. After all, who wants to sit through 75 hours of a show for a giant letdown? Here are ten series that managed to really stick the landing.

Runner-Up: My Finale (Scrubs)

The Show: John “J.D.” Dorian (Zach Braff) is a doctor at Sacred Heart Hospital with his best friend Chris Turk (Donald Faison), Turk’s wife Carla (Judy Reyes), his girlfriend and fellow doctor Elliot Reid (Sarah Chalke), his mentor Dr. Cox (John C. McGinley), the head of the hospital Bob Kelso (Ken Jenkins), and his nemesis the Janitor (Neil Flynn).

The Finale: Okay, this is only a runner-up because I am not willing to deal with people sending me messages that say “technically, the show had another season,” followed by me slapping my face in frustration and saying “Then why did they call it Scrubs: Med School? How come it changes location, most of the cast, and central character?” But, the DVD release still says Season 9, so… fine. It’s not the “finale.” That’s particularly sad because I think it would be a strong contender for the number one spot here if it was. Unlike many great finales, this one didn’t rely on any kind of subversion or loss. Instead, this episode gives its main character, J.D., the exact send-off that we probably hoped he’d get. 

A vision of a good life ahead.

It probably stands out because of the last 5 minutes of the episode, when J.D. starts to walk out of the building, and the show, and is suddenly surrounded by every guest from the show’s run that they could manage to fit and afford. As he walks down a literal memory lane, he finally stands at the exit, and we see a projection of the future he’s headed for, filled with love, happiness, and friendship. It’s a happy ending that never feels too cheesy or overdone. 

10) The Last Show (The Mary Tyler Moore Show)

The Show: Mary Richards (Mary Tyler Moore) is a single woman who is an Associate Producer for WJM’s 6 o’clock news, starring Ted Baxter (Ted Knight). She works alongside Executive Producer Lou Grant (Ed Asner), and head writer Murray Slaughter (Gavin MacLeod). Mary’s best friend is Rhoda Morgenstern (Valerie Harper), Rhoda’s nemesis who is also Mary’s friend is Phyllis Lindstrom (Cloris Leachman), and Mary’s friend who works at WJM is Sue Ann Nivens (Betty White). The other main character, introduced later, is Georgette Baxter (Georgia Engel), Ted Baxter’s girlfriend.

Betty White has murder in her eyes.

The Finale: For a show that contains what I consider to be the single best episode of all time, it’s pretty impressive that it managed to end with what was, for a while, considered the “gold standard” of finales. It was a regular exhibit in screenwriting courses. The creators of Friends said it was a major influence in how they wrapped their show. The key is that it really is an ending for the characters as well as the show. When a new station manager (Vincent Gardenia) takes over WJM, he decides he wants to fix the 6 O’clock News ratings. Unfortunately, he determines that the only person worth keeping is Ted, the person who repeatedly causes the show to tank. Everyone else is fired, devastating Mary. To cheer Mary up, Lou Grant arranges for Rhoda and Phyllis to visit her (both now had spin-offs), with both offering vastly different methods of support for Mary (and hatred for each other). Ultimately, Ted tries to do a sincere send-off, but instead quotes the song “It’s a Long Way to Tipperary.” Everyone says goodbye, resulting in a group hug that no one wants to break, giving rise to the hilarious image of the entire team moving together in order to get tissues. Mary ends up smiling at the good times and turning off the lights on the set.

Yes, you could drink at work back then.

The key to this ending is that everything goes wrong for all the right people. Everyone who has spent years cleaning up Ted’s mistakes gets fired because of Ted, but because they kept making him look good, Ted keeps his job. He tries to protest the firings, but ultimately backs down when threatened, leading to Murray saying “When a donkey flies, you don’t blame him for not staying up that long.” When Lou tries to cheer Mary up, she calls in two of her friends… who hate each other and fight viciously. When Ted tries to be sincere, he just quotes a completely unrelated song. That’s what made the show great, watching people deal with all of life’s crap and unfairness with a laugh and a joke. It was the best way to end the show.

9) Come Along With Me (Adventure Time)

The Show: Adventure Time follows the journeys of Finn, the last human (Jeremy Shada), and his adopted brother Jake the dog (John DiMaggio), through the land of Ooo. They usually are accompanied by Princess Bubblegum (Hynden Walch) and Marcelline, the Vampire Queen (Olivia Olson), and sometimes the Ice King (Tom Kenny). 

Plus a lot of supporting cast.

The Finale: The last episode of this show takes place far in the future from the normal timeline and the show now apparently stars two new characters named Shermy (Sean Giambrone) and Beth (Willow Smith), who appear to have a similar relationship to Finn and Jake. They go to meet with the King of Ooo, who is revealed to be BMO (Niki Yang), Finn and Jake’s AI game system. BMO tells them the story of the “Great Gum War,” what the show had been building to for a season, then tells them of the coming of GOLB, the anti-God of that universe. Ultimately, the war is averted and the world is saved, and Shermy and Beth take up the mantle of Finn and Jake.  

Behold the coming of GOLB, he who needs a manicure.

The reason this is on this list is mostly because it contains three great elements. First, the Great Gum War is literally averted, rather than fought. Finn ends up convincing both sides of the war to stand down, and does so by forcing each side to view the situation from the other’s point of view. This represents the culmination of Finn’s growth from a boy to a man, finally realizing that violent solutions propagate violence, but that forgiveness can bring true peace. Afterwards, Shermy, now representing young Finn, complains that he thought the War would be more important, like the end of the world, only for BMO to casually say “no, that’s what happened next.” Second, after the apocalypse is averted, Shermy and Beth, acting as audience surrogates, ask BMO what happened next, only for BMO to respond with “Eh, y’know. They kept living their lives.” I think this may be one of the most perfect summaries to end a show. It’s not a bland “happily ever after,” but it is a way to tell everyone that, even though life goes on, this story has hit the end. However, the true ending is Shermy and Beth taking the pose that Finn and Jake take in the title screen, meaning that the adventure will always continue. Lastly, we see Marceline and Princess Bubblegum finally become a couple. Given how much crap the show had gotten in the past for even hinting at this, I love that they decided “we’re at the end, let’s go for it.” This finale summed up everything that was good about this show.

8) One Last Ride (Parks and Recreation)

The Show: The series follows the lives of all of the people who work for or are associated with the Parks Department of Pawnee, Indiana: Idealist Leslie Knope (Amy Poehler), her husband Ben Wyatt (Adam Scott), her Libertarian boss Ron Swanson (Nick Offerman), her coworkers Tom (Aziz Ansari), April (Aubrey Plaza), Garry (Jim O’Heir), Craig (Billy Eichner), and Donna (Retta), as well as April’s husband Andy (Chris Pratt), and Leslie’s best friend Ann (Rashida Jones) and her husband Chris (Rob Lowe). 

So. Much. Talent.

The Finale: By the end of the series, everyone is leaving and no one works for the Parks Department anymore. However, Leslie asks everyone to help her when a man asks them to fix a swing near his house. As they work together to navigate the bureaucracy to repair the swing, the show flashes forward and shows how almost every characters’ life progresses. We see Garry get a happy ending after being the sad sack for most of the series, Donna turn her success into helping children with her husband (Keegan-Michael Key), and Tom become a celebrity through writing a bestseller. Ron is shown to retire from his business to run a major park with Leslie’s help. April and Andy start a family and Leslie and Ben both become successful politicians, with one of them implied to eventually be president. 

My money’s on Leslie.

This episode should be terrible. It’s saccharin beyond anything else the series had done up to this point and it’s little more than an extremely elaborate “and they all lived happily ever after.” However, the way in which their flash-forwards are told give us a real picture of how all of these people, despite drifting apart, are always bonded by the events of the show. Even though they live in different parts of the world, they’re still a family and they always will be. Moreover, the world we see in the future is a hopeful and just one, with Leslie, who has always been thwarted by the stupidity of Pawnee, becoming governor of Indiana. We see a world where, despite still having problems, we find a group of people who are fighting for the right thing, even if they all disagree on what that is. To drive it home, Leslie even quotes Teddy Roosevelt’s line “Far and away the best prize that life has to offer is to work hard at work worth doing.” We see a future where that kind of dedication is celebrated, and that’s what really makes this episode work. 

7) Basil the Rat (Fawlty Towers)

The Show: Basil Fawlty (John Cleese) and his wife Sybil (Prunella Scales) run a hotel in England. Basil is an angry jerk obsessed with class mobility, always trying to become one of the elite, but his own incompetence usually dooms him. His staff includes the sensible Polly (Connie Booth) and the hapless Spanish waiter Manuel (Andrew Sachs). 

Cleese was married to Booth for season one, divorced by season two.

The Finale: A health inspector (John Quarmby) informs Basil that the state of Fawlty Towers’ kitchen is below standard. If they don’t fix the problems in 24 hours, the hotel will be closed. At the same time, Basil discovers Manuel is keeping a pet rat, named Basil, in the kitchen, having been sold it as a “Siberian Hamster.” Basil tries to get rid of it, but Manuel protests and he and Polly hide it in the shed. After Manuel foolishly lets the rat back into the hotel, Basil the human poisons a veal shank in an attempt to kill the rat, but the shank gets cooked by accident. After every customer, including the returning health inspector, orders the veal, hilarity ensues. Eventually, the health inspector is handed the rat, but the cast attempts to cover for it as the episode ends.

Not enough rat in the diet nowadays.

The key to Fawlty Towers was the incredible combination of tight writing and amazing physical performances. Each episode typically took Cleese and Booth six weeks to write, which is probably why there are only twelve of them in two seasons over five years. This episode is the pinnacle of that, because all of the beats in the episode have to be precisely timed in order to keep the tension building. In the meantime, all of the characters have to keep scrambling and covering for their actions as they keep trying to find Basil the Rat. It also helps that this episode is the opposite of what Basil Fawlty had been hoping for. Rather than becoming an elite establishment, his hotel is almost closed down for being a dump, and at the end of the episode, it seems extremely likely that it will be shut down. Rather than a happy ending, we get a shot of Basil, having passed out from stress, being dragged unceremoniously from the room. 

6) Weirdmageddon (Gravity Falls)

The Show: Gravity Falls is a town filled with strange happenings and mysteries. When two kids, Dipper and Mabel Pines (Jason Ritter and Kristen Schaal), come to stay with their Great Uncle “Grunkle” Stan Pines (Alex Hirsch) for the Summer at his Mystery Shack, they get caught up in the town’s weirdness, along with Stan’s two employees Wendy (Linda Cardellini) and Soos (Hirsch). Their greatest enemy is a dream demon named Bill Cipher (Hirsch). 

Mabel’s sweater game is on point.

The Finale: The final episode begins with Bill winning. He has finally figured out a way to enter the real world in his true form and he immediately reveals himself to be one of the most horrifying villains ever to be featured in a show for kids. He and his gang start to wreak havoc upon the town, until Dipper, Mabel, and the surviving cast fight back. Ultimately, they’re able to trick Bill into entering Stan’s mind, which they then wipe, destroying him as Stan’s dream self punches the demon out of reality. Then, finally, the Summer ends and the kids have to go home in a tearful goodbye.

Bill does this to a character offering to help him. Again: KIDS SHOW.

The greatest strength of Gravity Falls was that it always focused on how the characters felt and what they were going through internally more than externally and this finale is no exception. The strength of the episode isn’t just in finally showing us the power of Bill Cipher and having the team overcome him, it’s that the last 20 minutes is just having a slow, sad, emotional goodbye from all of the characters to the two kids that changed the town so much. We see some nice flash-forwards explaining that most of the characters will be okay, and still be the eccentric oddities that we came to love, but also that everyone will be separated in their own lives. Maybe they’ll be together again one day, but it seems likely that this is the end of this story. It ends with a cryptogram that deciphers to: FADED PICTURES BLEACHED BY SUN. THE TALE’S TOLD, THE SUMMER’S DONE. IN MEMORIES THE PINES STILL PLAY. ON A SUNNY SUMMER’S DAY. I’ll admit that I still tear up reading that, because it’s just that adorably sincere. 

5) All Good Things… (Star Trek: The Next Generation)

The Show: It’s the 24th Century and mankind has spread itself among the stars, meeting new life forms and threats along the way, and forming the United Federation of Planets. The top ship among the Federation fleet is the Enterprise-D, captained by Jean-Luc Picard (Patrick Stewart). Along with crew members William Riker (Jonathan Frakes), Data (Brent Spiner), Worf (Michael Dorn), Geordi La Forge (LeVar Burton), Dr. Beverly Crusher (Gates McFadden), and Deanna Troi (Marina Sirtis), Picard explores the unknown along the Final Frontier.

Troi’s the one who isn’t in a uniform, which drives some fans nuts.

The Finale: Picard finds himself unfixed by time, his mind jumping between the present, twenty-five years into the future, and seven years in the past, just before the show’s pilot. These jumps are random, making people think he’s going mad. In the present, he goes to investigate a space anomaly. He then uses a jump to convince his future ex-wife Beverly to travel to the same anomaly, which is happening in the future as well. In the past, he declines to go to the anomaly so that he can have the encounter at Farpoint with Q (John de Lancie), an omnipotent being who threatens humanity. However, it turns out that Q is actually causing Picard to jump through time, telling him that solving the mystery of the anomaly is the only chance to save humanity. Picard discovers that investigating the anomaly is actually what causes it, and sacrifices all three different versions of the Enterprise to stop it. This is revealed to be Q’s test and that Picard passed, saving humanity. 

Q: All powerful and fashion forward.

It’s one thing to manage to tie in the themes of a show with the finale, it’s another to literally tie the entire series together into one single cohesive expression of what the show is about. Star Trek has always been about humanity at its best; challenging the unknown, exploring the unexplored, bettering themselves for the sake of being better. This episode reveals that the entire series, from the Pilot to the end, was a test of whether humanity can evolve, with Picard as its focus. Picard proves not only that he can solve a four-dimensional problem, but that he and his crew are willing to sacrifice themselves in three different time periods in order to save the universe. It proves again that humanity has limitless potential both scientifically and socially, if only we can evolve beyond our selfishness.

4) Meanwhile (Futurama)

The Show: I seriously do a review of this show every Friday, episode by episode, due to a vote by my readers almost two years ago. I’m not describing this series again. Read one of my reviews if you want a description.

Two. YEARS. Never again.

The Finale: Fry (Billy West) decides to propose to his longtime flame Leela (Katey Sagal), and uses a device that rewinds time by 10 seconds (and has a 10 second recharge time) to set up the perfect proposal. Unfortunately, he ends up breaking the device, trapping him and Leela in a frozen world. Together, they live a long and happy life, until they’re discovered by the Professor, who fixes the device. He warns Leela and Fry that when he undoes the time freeze, it’ll take them back to before the episode started, with no memory of the events. Fry and Leela agree that, while they enjoyed growing old together, they both want to do it all over again. 

I’m amazed Fry kept all his limbs.

This show gets bonus points because Futurama actually had four separate finales: “The Devil’s Hands are Idle Playthings,” “Into the Wild Green Yonder,” “Overclockwise,” and then this one. Despite having tried to wrap the show up multiple times, I am always impressed that this one is, in my opinion, the best of the four. It’s not just telling us that Fry and Leela will ultimately find happiness, we get to see them being happy together, with each of them clearly influenced by the other for the better. It helps that so much of the episode is really funny before that. We see Fry messing around with time in a number of fun gags, a throwback to the pilot, and Fry dying multiple times to the point that Leela starts to get bored with it. It’s a solid set of comedic scenes that turn into a sincere and emotional third act, which is basically what Futurama did at its best. 

3) Goodbyeee (Blackadder Goes Forth)

The Show: Each season of Blackadder featured Rowan Atkinson as a different descendant of the Blackadder family. This one was a Captain in the British Army during WWI. He was commanded by the incompetent General Melchett (Stephen Fry) and his nemesis Captain Darling (Tim McInnerny). Each episode features his attempts to get out of actually having to fight, usually involving Blackadder’s incompetent aides George (Hugh Laurie) and Baldrick (Tony Robinson). 

Who doesn’t like a bit of Fry and Laurie?

The Finale: Blackadder finds out that there’s going to be a full-scale attack the next day, meaning that he, along with all of his soldiers, will be running all-out into No Man’s Land. Since all of them will likely die, Blackadder pretends to be crazy in order to get sent home, but it fails. He tries to contact the British High Command to get sent home, but it fails as well. Darling is sent to the front line, despite his attempts to protest, while Melchett sits miles back. George and Baldrick discuss their losses during the war in a humorous way, until finally George admits that he’s afraid of dying. Blackadder and the rest of the group go over the top and are killed, with the shot fading to a silent poppy field. 

This field grew from blood.

Some of you might be asking how this can’t be my number one finale since it’s in my top ten greatest episodes of all time. Well, the answer is that this is a better episode of television than it was a finale, but it’s still a great final episode. 

It was a tradition for each season of Blackadder to end with death, usually that of the entire cast, but it was always done in a comic fashion. This entire season had frequently played off the massive casualties of World War One as a dark joke, which set everything up to do a similarly humorous or absurd conclusion to this season, but instead, they played it perfectly straight. It’s a sad, somber, painful ending to the show. It’s a subversion of the nature of the series, but it fits the theme of the season, that war is hell. The show sacrificed its own cast to make sure that people remember that the price of war is blood and tears.

2) Felina (Breaking Bad)

The Show: Walter White (Bryan Cranston) is a chemist who finds out he has terminal cancer. He decides to partner with his ex-student Jesse Pinkman (Aaron Paul) to make meth in order to provide for his wife Skyler (Anna Gunn) and his son Walt, Jr. (RJ Mitte). He does surprisingly well, eventually becoming a kingpin.

For some reason, Cranston isn’t Lex Luthor.

The Finale: Having managed to lose most of his money and betraying Jesse in the last season, Walt threatens former partners to leave a fortune to his son and decides to “make things right.” He rigs a machine gun to a mechanical arm and tries to make amends to his wife for all of his misdeeds, having a conversation in which she points out that his actions were always about him, never the family. Walt goes to meet the Aryan Brotherhood members holding Jesse hostage and uses the machine gun to kill almost all of them, with him and Jesse killing off the survivors. Walt is mortally wounded, but dies smiling surrounded by meth cooking equipment as Jesse escapes. 

He got shot where the cancer was. Fun.

This episode works on so many levels. First, the title is an anagram for finale and a reference to the song “El Paso,” which mirrors the events of the third act. Like the subject of “El Paso,” Walt dies in the arms of his beloved: Meth. Second, it mirrors the pilot, both beginning and ending with sirens headed for Walt. In the pilot, Walt declines to shoot himself, but here, he dies by a shot from his own gun. Walt even dies in the same outfit he wore in the pilot. Third, it provides a satisfying conclusion to a series that was constantly escalating tension by doing exactly the opposite, being a quiet denouement for Walt after one last blaze of glory. The show was always building towards his death, and Cranston’s final moments on-screen send the character off in exactly the right way. 

1) The Last Newhart (Newhart)

The Show: Dick Loudon (Bob Newhart) is a writer who moves to Vermont to run an inn with his wife Joanna (Mary Frann). While Dick is a relatively normal and sane person, the town is populated by eccentric people whose inability to operate within the bounds of reality constantly drives Dick crazy.

All of these people are crazy.

The Finale: After years of putting up with the locals, the entire town is purchased by a Japanese tycoon who wants to turn it into a golf resort. While Dick and Joanna make a show of wanting to keep the town the same and refuse to leave, literally everyone else takes a huge payout and vacates. Years later, Dick and Joanna now run their inn in the middle of a golf course. All of their former neighbors pay them a surprise visit, but quickly drive Dick crazy until he gets hit in the head with a golf ball. He then wakes up in bed… as Dr. Bob Hartley, the main character of The Bob Newhart Show, next to his wife Emily (Suzanne Pleshette). He reveals that the entire series of Newhart was just a dream he had, something that annoys his wife when he reveals that he was married to a beautiful blond. 

That feeling when you wake up in a different show.

This finale should be terrible, because the idea that the whole series was a dream would normally be stupid or seem like a cop-out. However, The Bob Newhart Show was a series about Bob Hartley questioning his own reality and Newhart was a series where everyone somehow played by rules that defied any established rules of logic, except for Bob Newhart’s character. It not only made sense that Newhart was a dream of someone who constantly questioned reality, it made MORE sense than any other explanation. Bob Hartley always defined himself as the “only sane man” in his life, so he still does that in his dreams. Bob Newhart essentially spent 20 years setting up this punchline across two different series and it served as a perfect finale for both of them. I think it’s telling that after Breaking Bad ended, Bryan Cranston did a “fake ending” where he wakes up as Hal on Malcolm in the Middle that was inspired by this. When the second best ending has to pay tribute to something, you know that thing has to be the best. 

Let me know if there are any others that you think I should have added by posting in the comments or on my Facebook or Twitter.