Netflix Review –Touch of Evil: Orson Welles’ Other Masterpiece

Just a reminder: This is still on Netflix. Give it a shot!

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I admit, the title’s a little off. Welles actually made several amazing films, it just happens that one of them was Citizen Kane. That movie overshadows the rest because it’s usually considered one of the greatest films ever made, if not the greatest. I think that film’s a lot like the works of Shakespeare: You don’t have to love it, or even like it, but if you don’t at least acknowledge how much it shaped the future of the medium, well, then you are just being an asshole. It’s like Fritz Lang’s Metropolis or Psycho or even The Matrix. These are films that contain things so original that they simply didn’t exist before the directors created them. Sure, nowadays they seem obvious, but, at the time of their creation, they were revolutionary.

TouchOfEvil-1KaneMirrors.png Come on, this was 1941. Who the hell would think of this?

But, Citizen Kane‘s not…

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Netflix Review – The Dragon Prince: Book 1 (Spoiler-Free)

Season 2 of The Dragon Prince comes out in less than 2 weeks. If you were a fan of Avatar: The Last Airbender, you owe it to yourself to find time to give this show a shot.

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Comedy. Action-Adventure. Child-friendly. Dramatic. Long ago, the four animation show types lived separately. Then, everything changed when Nickelodeon ordered a new series. Only Avatar: The Last Airbender, master of all four styles, could revive their animation department, but when the network needed it most, the show ended, gloriously. A sequel series followed a new Avatar, a waterbender named Korra. And although a lot of the elements were there, it never quite lived up to its predecessor. But I believe the team can strike gold again.


Shut up, I spent like 5 minutes on that, that’s more effort than I usually spend on one of these jokes.


Asshole. Anyway, Netflix hired Aaron Ehasz, who was the head-writer (but not creator) from Avatar: The Last Airbender and also a Futurama writer (including “Future Stock”, one of my favorite episodes). He and Justin Richmond (director of Uncharted 3) created this show…

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COBRA KAI: Strike First, Strike Hard, Be Awesome (SPOILER-FREE)

Getting pumped for Season 2 later this year!

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What if the key moment in your life has passed? What if there was one thing that defined everything that came after it and could never be overridden? This isn’t an idle question, it’s probably something that everyone addresses at some point in their lives. Well, Cobra Kai manages to address it on several levels, and I’ll be damned if that isn’t impressive for a show that’s a spin-off of one good movie with two terrible sequels, one decent sequel, a weird animated series, and a re-make that didn’t have karate in it. Especially since Pat Morita (Mr. Miyagi), sadly passed away in 2005.


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The show starts 34 years after the original Karate Kid. Johnny Lawrence (William “I have a well-deserved Academy Award nomination” Zabka), the “bad guy” from the movie is now a stereotypical unemployed drunk. He’s a little racist, a little sexist, is…

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Reader Request: Revenge of the Ninja: Flipping Out and Killing People Made Fun

Reposting the awesomeness that is Revenge of the Ninja. If you haven’t seen the film, it’s a masterpiece.

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This was one of the more considerate reader requests I’ve gotten, as this reader actually provided me with a copy of the movie. Granted, it appears to be a VHS ripped to DVD, but I still appreciated it greatly.

This movie was the completely unrelated “sequel” to the 1981 film Enter the Ninja and, along with Ninja III: The Domination, is part of the “Ninja Trilogy” featuring the legendary ninja actor Sho Kosugi (who plays a different role in all three films). However, unlike the last film, which took place in the Philippines, this film takes place in the good ol’ U.S. of A. Interestingly, the Salt Lake City council begged them to shoot the movie there instead of L.A. by promising them the ability to shoot in any public place without a permit or location fee. I can only assume they were hoping that it would spawn a…

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Best Groundhog Day Episodes

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You know that movie Groundhog Day? If you don’t, please go watch it now.  Then watch it tomorrow, if you get there.

But, there have been a ton of TV episodes that have used the set-up of repeating the same series of events over and over again, and I’ve decided to list my 5 favorites.

Runner Up: Same Time Last Week (Angry Beavers)

This one has the premise that one of the Beaver Brothers, Norbert, can get so upset that he literally knocks his brother Daggett into last week, restarting the loop. Daggett tries to game the system, but is ultimately too stupid to pull it off. He finally breaks the loop by being so annoying that Norbert is angry enough to “bop him back to the dawn of time” so he meets his own cave-beaver ancestors.

Runner Up: Cause and Effect (Star Trek: TNG)

Space Explosion sends everyone back…

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The End of Joke-uary

Well, my New Year’s Resolution was to post 1 article every day in January, so that today’s article, the rhyming Aquaman review, would be the 300th review (and the 328th Post overall, not counting hints and minis).

300 might not seem like a lot, but so far this is almost half a million words. That IS a lot.

I appreciate everyone that has stuck with me this far. For February, I’m going to be going back to the 3-5 times a week schedule, so that my sanity can be recovered. If you have requests, I’ll try to be taking them again (requests are taken through the link in the menu), but other than that I don’t plan on stopping this until I can’t handle it anymore.

Though, I am also trying to start some new stuff now that I have some time to work on side-gigs.

I’m also going to try and review all the Oscar films this month, so… enjoy that.

Jolene Cover

I was inspired by a Facebook post (it’s at the bottom) to compose a cover of the song Jolene by Dolly Parton that depicts Jolene as a monster. It didn’t take long, but I enjoyed it, so I’m publishing it here.

Jolene, Jolene, Jolene, Jolene

I’m begging of you please don’t take my man

Jolene, Jolene, Jolene, Jolene

Please don’t eat him just because you can

Your fury is beyond compare

With flaming locks of brimstone hair

And eyes that fire bolts of emerald green

Your breath is like the fires of hell

Your roars drown out my loudest yell

I cannot help but run from you, Jolene

On sight of you, I tear my eyes,

Weep bloody tears ‘neath bloody skies,

My wails will always bear the name Jolene

The mortals scream and roil in pain

But sound won’t reach her native plane

The many-angled one they call Jolene

Our world is but her dinner plate

You cry and scream, bemoan your fate

But nothing hungers like the dread Jolene

Darkness Falls across the land

Mankind’s last hour is at hand

Damnation hath but one name, that’s Jolene

Jolene, Jolene, Jolene, Jolene

My soul is being shredded by your hand

Jolene, Jolene, Jolene, Jolene

Please grant me the swiftest death you can

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A Tribute to Stan Lee

I don’t usually do tributes, because the number of my heroes who are dying lately would require me to compose paeans on a daily basis. But, this is Stan Lee, so I’m doing one. I know there are millions of tributes to him on the internet, some from greater writers than I will ever aspire to be, but the man’s work meant a lot to me, so I’m going to add my voice to the mournful wail that the world has produced at his passing.

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While he did work on Captain America and he created some characters during the Golden Age of Comic Books, it’s probably inarguable that Stan Lee’s heyday was the Silver Age. The Golden Age had been filled with simpler heroes: Hercules-esque men and Amazon women who punched hard and always did the right thing. Even when DC Comics revived Superheroes by introducing a new Flash (Barry Allen) and new Green Lantern (Hal Jordan), both of whom were considerably more nuanced than their predecessors, the heroes were still unambiguously good and fought for justice for justice’s sake. Lee, however, worked with various artists to introduce different kinds of heroes. The Fantastic Four, a family of heroes, one of whom feels constantly like a social outcast, and all of whom were full of fears, weaknesses, and insecurities; Spider-man, a kid for whom superpowers were a burden, not a blessing; The X-Men, people who were shunned for the way they were born (no metaphors here, obviously); Iron Man, an alcoholic who constantly lived on the edge of death. These were characters that changed our perception of how stories could be told.

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Besides the heroes, his villainous creations showed that the bad guys no longer were the snickering bald mad-scientists and gangsters of the Golden Age. Magneto was a holocaust survivor who (possibly correctly) believed that mutants couldn’t live peacefully with their human oppressors; Doctor Doom was a super-genius who, though driven by personal hatred, actually KNEW that the only successful future for humanity was under his rule; Galactus was a God-level entity that heroes had to stand up to, despite being little more than ants to him.

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The Kingpin is so good that I think the character’s portrayal merits an Emmy.

Additionally, Lee was willing to break social barriers with his stories. He famously did an anti-drug comic arc featuring Spider-man which the Comics Code Authority refused to approve (because drug use was banned, period). He co-created the first mainstream black superhero, Black Panther, and the first African-American superhero, the Falcon. He knew that the audiences for his works were mostly kids, and he believed that introducing heroes of color would lead fewer people to just blindly accept the bigotry that had permeated the past. He famously penned a “Stan’s Soapbox” dedicated to addressing Bigotry:

Let’s lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are. The bigot is an unreasoning hater—one who hates blindly, fanatically, indiscriminately. If his hang-up is black men, he hates ALL black men. If a redhead once offended him, he hates ALL redheads. If some foreigner beat him to a job, he’s down on ALL foreigners. He hates people he’s never seen—people he’s never known—with equal intensity—with equal venom.

Now, we’re not trying to say it’s unreasonable for one human being to bug another. But, although anyone has the right to dislike another individual, it’s totally irrational, patently insane to condemn an entire race—to despise an entire nation—to vilify an entire religion. Sooner or later, we must learn to judge each other on our own merits. Sooner or later, if man is ever to be worthy of his destiny, we must fill out hearts with tolerance. For then, and only then, will we be truly worthy of the concept that man was created in the image of God–a God who calls us ALL—His children.

This was a man speaking to millions of kids and telling them that heroes weren’t going to stop this particular evil. It was up to all of them to refuse to fall victim to it.

I’m not going to say that Lee was without his faults. Like most people, he did some shitty or stupid things from time to time. However, unlike most people, he created amazingly interesting stories that tried to show people how to be better, or to get them to empathize with classes of people that they would never have known otherwise. He didn’t give us Superman saying “always be good and bulletproof,” he gave us Spider-man saying “it’s hard to do the right thing, but if you don’t do it and something bad happens, you’ll feel terrible about it.” He didn’t give us the Justice League saying “let’s go punch aliens,” he gave us the X-Men saying “we will overcome the hatred against us through the power of our own willingness to help those who hate us.” In the end, those are the lessons I learned from being a kid reading those comics or watching the animated shows: The world isn’t simple and it isn’t pleasant, but it is fixable. One heroic act at a time. 

Ever upward, Stan. Thanks for a lifetime.

P.S. Thanks for She-Hulk. No other character ever led me to drunkenly write a screenplay at 1 AM.