Hubie Halloween: It’s Adam Sandler, What Did You Expect? – Netflix Review

I mean, it’s definitely not the worst thing he’s done.


Hubie Dubois (Adam Sandler) is a deli worker and the local loser of Salem, Massachusetts. Every Halloween, Hubie takes it upon himself to be the town monitor to ensure that Salem enjoys a safe and happy Halloween. This, naturally, gets him mocked by everyone from the local rich jerk (Ray Liotta) to the principal (Tim Meadows) and his wife (Maya Rudolph) to the local policeman (Kevin James) to his own junior co-worker (Karar Brar). Only local hot-girl-turned-hot-woman Violet Valentine (Julie Bowen) stands up for him. Unfortunately, this year, an escaped mental patient (Rob Schneider) and a possible wolfman (Steve Buscemi) threaten the celebrations and it’s up to Hubie to stop them.

These kids apparently think this is a fun idea.


Did you guys watch Uncut Gems? That movie where Adam Sandler plays a man who keeps having to live on the edge and risk it all because he just can’t be happy otherwise? I think that character was based on Sandler, except that Sandler keeps wanting to test exactly how little effort that he can put forward in order to get a movie to get more watches than the average Best Picture Winner. At least that’s how I explain Jack and Jill and The Ridiculous 6. This movie is not as bad as those, mostly because this movie tries to pull much of its style and humor from Sandler’s older work like The Waterboy, but it suffers from the fact that, at 54 years old, it’s harder to consider Sandler a viable scrappy young outsider. Also, his performance which had previously been the oddball has now devolved into the person who clearly has been avoiding any attempts at maturing. The movie attempts to justify it by saying that Hubie is sweet and honest, but you can be both of those things without being the level of awkward and off-putting that Hubie is. It becomes even more bizarre because the film depicts him as simultaneously socially inept but also hyper competent. I’d say that it’s a form of autism, but since most of the movie’s “humor” is laughing at Hubie’s inherent awkwardness, I’d like to dissociate the performance with any real human conditions.

They use the sheet from the Waterboy for this gag.

The film is a needlessly complicated mess at times as an attempt to conceal the “mystery” of what is actually threatening the town. Hubie also randomly encounters minor sub-plots that require him to pull out his “Swiss Army thermos,” one of the most ridiculous conceits in an Adam Sandler film. It’s a thermos that can do anything the scene requires, from vacuum cleaner to grappling hook, and yet somehow the rest of the movie is pretty grounded in reality. The fact that Hubie built something that defies all practical engineering should have made him wealthy and famous, but everyone chooses to ignore the literal magic bag he holds. The film also suffers from the Sandler trope that the most beautiful woman in the area is already in love with him for no reason.

He also wields a paddle. Don’t ask.

Despite all of these problems, it’s nowhere near the bottom of the barrel for an Adam Sandler production. The cast is filled with talented people who are somehow able to pull a laugh every now and then out of even the most inane lines or scenarios. Sandler himself has several quality moments, mostly when he’s trying to be sincere rather than goofy. The end of the film was actually one of the more surprisingly wholesome ones we’ve seen and it does have a pretty decent message. 

There’s a good Harley Quinn joke.

Overall, I still would recommend watching something else, but if you’re an Adam Sandler fan, this will make your Halloween spooktacular.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Netflix Review – Murder Mystery: No, Seriously, It’s Not That Bad (Spoiler-Free)

Adam Sandler and Jennifer Aniston reunite to play a married couple caught up in a… well, you read the title.

SUMMARY (Spoiler-Free)

Nick Spitz (Adam Sandler) is a police sergeant who has aspirations of being a detective but performs poorly under test conditions. His wife, Audrey (Jennifer Aniston), is a hairdresser who loves murder mystery novels. He forgets to do anything really romantic for their 15th wedding anniversary, so he quickly books the trip to Europe that he promised for their honeymoon. On the flight over, Audrey meets Charles Cavendish (Luke Evans), a billionaire who invites the couple onto the yacht of his uncle Malcolm Quince (Terence “Kneel Before” Stamp) for a party. The boat is filled with a menagerie of archetypal murder mystery characters from Agatha Christie and Ellery Queen and, of course, someone gets murdered. Nick and Audrey quickly become the prime suspects and have to figure out who is killing off the cast before they become the next victims.

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Aniston just remembered that Friends royalties mean that she had to CHOOSE this film.


Okay, so, most critics have pretty much been using Adam Sandler’s recent Netflix films as punching bags and, I’m gonna be honest, they’re pretty damned bad. The Ridiculous Six has like one joke in it and the rest of the film killed my soul. The Do-Over was an awkward buddy comedy that made me miss Chris Farley. Sandy Wexler at least had the feeling that Sandler was kind of invested in it, which apparently is because the main character was based on Sandler’s manager and friend Sandy Wernick, but it was boring as f*ck. The Week Of at least had some fun performances, but was so lazily written that I honestly felt like they stabled 3 old movie scripts together to make it. So, aside from Adam Sandler 100% Fresh, which is one of the funniest stand-up specials on Netflix and you should watch it, pretty much all of these films were either epically bad or just forgettable. This one almost actually works.

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You made me pissed at Terry Crews, you f*cking monsters.

Yes, it’s a cliche film set-up, but it’s intentionally cliched. The characters are all such exaggerated archetypes that it actually becomes kind of fun to watch how the two main characters, who are fairly normal, comment on the absurdity of their interactions. The murders are ridiculous, bordering on parodic, which, again, kind of works. The old-school Clue-esque trope of using different methods for each killing always adds a level of amusement to me. Sandler and Aniston do have some nice chemistry when they’re portraying a bickering couple that still care for each other and most of what they do in this film is bicker. There are some decent homages to other, better, films, and honestly some of the scenes are pretty clever, particularly when they just flat-out avert the expected movie tropes.

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The J’Accuse scene contains much J’Accusing, but some of it’s really fun.

But, then there are the problems. First, the subplot of Nick and Audrey being suspects in the murders drove me insane. The film tries to have the incompetent detective following the murders justify why he suspects them, but it really just never makes sense for him to pick them over a room full of extremely motivated people who ACTUALLY COULD HAVE DONE IT. They do it to isolate the characters and add more stakes, but it’s a comedy so that’s not necessary. Second, there are a lot of wasted moments on scenes that don’t add to the plot and also just aren’t that funny and a few subplots that are just for the sake of following some sort of screenwriting rules (the couple breaks up briefly and then gets back together in the next scene, making it moot). Third, it follows Adam Sandler’s tendency lately to play characters that are somehow supercompetent and also failures, like in Pixels, where he plays a TV repairman who manages to talk down to the Joint Chiefs because he’s good at video games. Did I actually see Pixels? No, but people talked about that scene and it’s an appropriate example. I think this stems from him playing Happy Gilmore and Bobby “the Waterboy” Boucher and deciding those were the only way to play heroic characters.

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I also know that Josh Gad has sex with QBert in it.

Overall, I will say this movie isn’t terrible, but I would watch a lot of things before touching it if I didn’t write this blog. Still, it has some fun moments. I will say, if you want a much better version of this same idea, watch The Private Eyes with Tim Conway and Don Knotts or Murder By Death starring Peter Sellers and Maggie Smith and Truman Capote and Peter Falk and Alec Guiness and holy hell that movie had a lot of great actors in it. Yeah, watch those instead.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (, follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.