Drifting Dragons (Kūtei Doragonzu): A Fun Take on the Seafaring Story – Netflix Anime Mini-Review

Netflix gives us an anime adaptation of a steampunk series about hunting dragons.

SUMMARY

Welcome aboard the Quin Zaza, an airship crewed by a group of “Drakers” or people who hunt dragons for a living. Far from the typical depictions of monstrous fire-breathing lizards that destroy villages, dragons in this world are preyed upon by humans who use their oils for various resources and feast on their delicious meat. Takita (Sora Amamiya/Cassandra Lee Morris) is the enthusiastic new recruit aboard the vessel, serving alongside/under her sister Vanabelle (Kana Hanazawa/Colleen O’Shaughnessey). Other crew members include the gluttonous gourmand Mika (Tomoaki Maeno/Billy Kametz) and the cool and collected Jiro (Sōma Saitō/Johnny Yong Bosch). Most of the series is following their attempts to travel between the distant human settlements and keep the ship afloat by draking. 

They’re an eclectic bunch of personalities.

END SUMMARY

I honestly wouldn’t have thought I’d like this show, but I’ll have to admit that it grew on me quickly. The set-up and setting are both pretty solid surrogates for the whaling cultures of the 18th and early 19th centuries. However, in order to simulate the same conditions of whalers, having to go weeks or months stuck on a boat, this society has human settlements spread apart in a mostly feudal society (similar to Japan’s Tokugawa Shogunate, which ruled during the 18th and early 19th centuries). As such, coming back to port is a big deal, despite the fact that they’re largely over land all of the time. The setting is kind of a perfect blend of steampunk elements with Western and Eastern history, but without all of the worries about historical issues complicating the narrative.

And people think Alaskan crab fishing is hard.

The nature of the show allows much of the story to focus less on the action of catching and killing dragons, but more on the slow character moments that take place aboard the ship. It has a lot of scenes dedicated to things like cooking and tasting the dragon meat, and I have to give the animation full credit here, it looks freaking delicious. Mika’s enthusiasm towards the subject and his very colorful descriptions of the taste and texture help sell it. In addition, a lot of the time on the ship is just spent trying to avoid boredom, filling it with chores and scheduling, just like you would imagine was true on a real whaling vessel. Much like Moby Dick, this forces the stories to be more character-driven and introspective. 

When you try to kill something bigger than your vehicle, you are probably a little nuts.

Overall, if you like Anime, this is probably a good one to check out. The episodes that are up really feel like a prelude, so I hope they keep the series going. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Netflix Review – Aggretsuko: The Only Anime To Nail Modern Life (Spoiler-Free)

It’s a Red Panda singing Death Metal. If you aren’t intrigued, please call a doctor.

SUMMARY (Spoiler Free)

Retsuko (Kaolip and Rarecho (Japan)/Erica Mendez and Jamison Boaz (Eng.)) is a 25-year-old red panda who works in the accounting department of a large company with her friends Fenneko, a fennec fox (Rina Inoue/Katelyn Gault) and Haida, a hyena (Shingo Kato/Ben Diskin). She is constantly beaten down by the monotony of the work, the harassment of her boss, Mr. Ton (Souta Arai/Josh Petersdorf), and the treachery of her senior accountant Tsubone (Maki Tsuruta/Debra Cardona). To cope with all of the stress in her life, Retsuko lets out her frustrations by going to karaoke and busting out Death Metal songs about her life. Most of the series is just her dealing with things like dating, meeting new friends, trying to lose weight, and trying to find a way out of her job.

Aggretsuko - 1Cast.png
Such adorable characters in such soul-crushing existences.

END SUMMARY

First of all, Red Pandas are the greatest animal on Earth and my strongest case for my belief in a higher power, as nothing that cute can possibly have evolved naturally (Note: This is a joke, I get how natural selection works). As such, it made sense that Sanrio, the company famous for making Hello Kitty, would eventually use them as the basis for one of their characters. However, I could never have believed that they would have come up with this series, which, while the characters are mostly adorable, is about as bleak and unforgiving as… reality, I guess.

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Behold, the greatest of all the Earth’s Creatures.

Retsuko’s public persona is unimpressive in almost every way. She makes a lot of mistakes at her job, she has social anxiety, she’s insecure, she isn’t good at dealing with her bosses or her co-workers, and that’s sort of what puts her in the situation we find her in at the beginning of the series. She’s become so unhappy that it actually starts to lead to her making bad decisions that end up getting her in even more trouble at work, but, like most people, she absolutely can’t afford to lose her job. I hope that this doesn’t resonate with any of you, dear readers, but this does seem to resemble many people I know… and am. She doesn’t really have any hope of promotion in the near future, particularly since the people being promoted aren’t necessarily the people who do the best work, but she doesn’t really have anything else she can do. Even if she looks for another job, it’s likely to be a similar position within another massive company that will have the same problems. The only people who seem to be avoiding it are people who have parents helping them up. Basically, she’s most people between the ages of 25 and 40.

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Including her living space. 

Retsuko’s only respite is that she secretly goes and sings Death Metal in an amazing voice and generally takes on the appearance of a demon while she does (becoming Aggressive Retsuko, or Aggretsuko). At first, she tries desperately to hide the fact that she does this, but as the series goes on, she becomes more open about it, particularly after she befriends Washimi (Komegumi Koiwasaki/Tara Platt) and Gori (Maki Tsuruta/G.K. Bowes), two high-powered women within the office. By the end of the series, she’s sung in front of almost everyone, although several people think they were just drunk and hallucinating Retsuko busting out super-loud metal. There are usually 1-2 songs per episode and they’re all pretty amazing, particularly the ones where Retsuko is complaining about her boss.

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CHOKE ON HER RAGE!!!!!

I do have to give them credit for how they made the animals representative (for the most part) of the characters. For example, Mr. Ton is a pig (because he’s a chauvinist), Fenneko is a fennec because she overhears everything like a fennec fox, Washimi is a secretary bird (she’s the head of secretarial), and Gori is a gorilla (because she’s head of marketing… guerilla marketing). I still haven’t figured out what, if any, meaning there are to some of the other animals, but I’m betting there’s some pun in Japanese.

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Destroying her pig boss.

This show is good in both Japanese and English, so don’t let people pressure you to only do subtitles.

Overall, I like the show, mostly because it’s just representative of the bleak nature of adulthood in the modern era. We spend all of our time working and most of us don’t even talk to people about the things that we love to do for fun because it might not be “socially acceptable.” Give it a shot sometime.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.