Steve Carrell stars as the first commander of the US Space Force.
Four-star General Mark Naird (Steve Carell) is appointed by the President to be the first head of Space Force, a newly-created branch of the military. His only directive is that he is supposed to have “boots on the moon” in the near future. With that in mind, Naird moves his family, including his daughter Erin (Diana Silvers) and his wife Maggie (Lisa Kudrow) to Colorado. A year later, Naird and his chief scientist Dr. Adrian Mallory (John Malkovich) are ready to finally start launching stuff into space, but it turns out that rocket science is… well, rocket science. Despite the usual government incompetence, Naird’s team, including Captain Angela Ali (Tawny Newsome), scientist Dr. Chan Kaifang (Jimmy O. Yang), and his social media advisor F. Tony Scarapiducci (Ben Schwartz) needs to shoot for the moon.
I admit that I had low expectations of this show, because almost any media that is based on something topical like this is likely to be rushed. Remember that show based on the Geico cavemen? You probably don’t, because it only aired six times and the ratings on it dropped so fast that it dented the floor of the ABC building, but that WAS a thing. However, since I honestly think Steve Carrell could read the phone book in a way that would make me laugh, I gave it a shot.
This show is extremely hit-and-miss. Some of the jokes and performances are laugh-out-loud funny, particularly some of the scenes with John Malkovich. However, those scenes are often punctuated with long bouts of unfunny attempts to take shots at the current state of America. I get why they wanted to do them, but that kind of humor ages poorly and really doesn’t lend itself to scripted comedy that well, outside of topical shows like SNL or late-night TV. Saying “haha, this politician we’re parodying is a dick” isn’t a joke in itself, and the show tends to just say that and then not actually come up with a real joke. The best scenes are the ones that are based around the actual difficulties related to getting people into space or about the difficulties of dealing with how insane politics can be, not the ones where you can feel the screenwriters shouting “see, we made the female representative AYC, like AOC, get it?”
However, since this is Netflix, the show probably does a great job of being really easy to follow and binge while also posting on Instagram or browsing a blog weighing the merits of various taco chains. The leads are all solid, there are a few funny running gags, there’s a monkey at one point, and some of the recurring actors, like Fred Willard (R.I.P. you funny genius), Jane Lynch, Patrick Warburton, or Kaitlin Olson manage to take even some mediocre lines and turn them into solid gold because they can go all-out.
Overall, I would recommend not putting it on top of your list of must-see-TV, but if you just want something in the background, it’s a good choice.
The Gold Standard of Reboots continues upholding its standard.
SUMMARY (Spoilers for Seasons 1 and 2)
Welcome back to Duckburg, where birds are people, but also sometimes are birds. Seriously the opening shot of the series was a normal seagull being shooed off by an anthropomorphic bird. The most prominent citizens are Scrooge McDuck (David Tennant) and his family members: Huey, Dewey, and Louie Duck (Danny Pudi, Ben Schwartz, Bobby Moynihan), Donald Duck (Tony Anselmo), Webby Vanderquack (Kate Micucci), Bentina Beakley (Toks Olagundoye), and Launchpad McQuack (Beck Bennett).
In season one, the Duck/McDuck family worked together to defeat Scrooge’s most dangerous adversary Magica De Spell (Catherine Tate), only for the audience (but not the characters) to find out that Donald’s Sister Della (Paget Brewster), the mother of the triplets, was still alive and stranded on the moon.
In season two, Della finally makes it home, only for the Moonlanders, led by General Lunaris (Lance Reddick) to invade Earth. He is thwarted by the Ducks, Darkwing Duck (Chris Diamantopolous), and Scrooge’s rival Flintheart Glomgold (Keith Ferguson), but it turns out that this threat has forced an even greater evil power to escalate their plans: F.O.W.L. (the Fiendish Organization for World Larceny).
Now, the Ducks have set out to locate a collection of the lost treasures of Scrooge’s idol Isabella Finch while F.O.W.L. plots to get them first.
This has been a solid three-stage development for this show. The first season was mostly about acclimating the audience to the new world of DuckTales, which, while it still resembled its 1987 counterpart, had been updated in both tone and animation style to be more in line with Disney’s new animated series like Gravity Falls or Star vs. the Forces of Evil. It also abandoned the original series’ episodic nature and instead was a serial, which allowed the show to build up Magica’s threat gradually over the series, as well as the mystery of what happened to Della.
Season two didn’t expand the adventuring, but instead doubled down on expanding the series emotionally. It showed us the backgrounds of several of the characters from the last season and recontextualized their actions, which is a great storytelling device when done well (like the Ice King in Adventure Time) and expanded on the emotional loss felt by the Duck family over Della going missing. Then, when she returns, it’s not quite the happy reunion with her kids that she’d hoped for, because they’ve spent ten years without her. While they’re fighting giant golems or robots, the show still demonstrated that Della’s return was affecting everyone emotionally and that it was a gradual process to deal with it. It also gave us a little taste of nostalgia by bringing back the Three Caballeros and Darkwing Duck, which was basically a set-up for this season.
The theme for season three is “nostalgia.” It was advertised a while ago that the third season would contain almost every character from Disney’s ‘90s afternoon lineup and so far it has delivered on it and then some. I don’t want to say who has appeared so far, but I can say that making them canon to this show bodes well for future episodes. There’s even an episode which takes place in a ‘90s sitcom, just to make sure that everyone gets a full blast of that extreme pre-financial crisis optimism that is so hard to even remember now.
It’s the fact that the show was willing to be patient with their properties that makes it work. They didn’t bring Della back in season 1, nor was it just a “she’s back, everything’s normal now” situation. Season 2 gave us Darkwing Duck in an amazing reboot, but they only used him sparingly. Similarly, Season 3 is giving us several characters, but even when they appear it’s only ancillary to the storyline. It’s not overloading us on anything, instead just making us want it more. Really, I’m impressed with the restraint.
Overall, still love the show, recommend it highly.
One of the most-hated trailers of all time ended up being a decent movie.
Sonic the Hedgehog (Ben Schwartz) can run fast. As a kid, he was being watched over by an owl named Longclaw (Donna Jay Fulks) until a group of echidnas attacked, trying to capture Sonic for his powers. Sonic used a warp ring to escape to Earth, specifically in Green Hills, Montana. He stays hidden for many years until his presence is detected and the US government sends Dr. Ivo Robotnik (Jim Carrey) after him. Sonic seeks help from the local sheriff, Tom Wachowski (James Marsden), to help him keep out of the Doctor’s clutches.
So, if you are on the internet, you probably saw, or at least heard about, the original Sonic the Hedgehog trailer. It showcased the long-awaited film redesign of Sonic the Hedgehog and, to say the least, it was awful. The production company said that they’d assumed that, while die-hard Sonic fans would dislike it, that the redesign would appeal to the audience at large, like the Michael Bay Ninja Turtles. THEY WERE VERY, VERY WRONG. Not only did it not resemble ANY incarnation of Sonic the Hedgehog up until this point, it was just genuinely unpleasant to look at. The idea appeared to be to make Sonic look more humanoid than his original design, but instead it not only plunged the character into the uncanny valley, it hit the bottom and started digging for Uncanny China. There may have been no more universally despised image on the internet the day that trailer dropped, and that’s saying something since the internet is the place where Lemon Party was born. The use of “Gangsta’s Paradise” in the trailer did not help either, since it seemed out of place for what was clearly a movie for very young children.
Surprisingly, the fan reaction actually did something in this case. In response to everyone calling the film an “abomination,” Director Jeff Fowler agreed to redesign the character and postpone the release of the film, despite the fact that it added $5,000,000 to the budget. The minute they released the second trailer with the redesign, I think most of the world agreed that was money well-spent. The new design pretty much matched up with most of the video game and television versions of Sonic. It was definitely cartoony, but… well, he’s a cartoon. Giving him a more inhuman makeup actually made it easier to believe he was there on the screen. I would advise people to see this movie if only because something like this, delaying a film to correct a mistake, should be rewarded. However, as I pointed out at the time, I still was worried about the movie because it was made by people who thought that the original design was viable for a kids movie, rather than my darkest nightmares. The fact that it was released at the same time as Detective Pikachu’s trailer, which managed to make a solid live-action and animated world out of Pokemon, only added to my unease.
I’ll preface my review with this: I wasn’t drunk enough for this film. My plan was to be just shy of blackout and I was only 2 strong drinks in (effectively 7 shots of liquor). I would recommend everyone else who sees this have a blood alcohol over .125 (don’t drive after). You’ll need it to get through some of the scenes in this movie. If you’re in a state that allows for the legal consumption of cannabis, then that’s probably going to help too. This movie should be experienced with an altered state. If you choose to see it sober, though, I will say it’s not the worst thing.
Thanks to the redesign and Ben Schwartz’s voice acting, Sonic actually is a fairly entertaining character. I should really emphasize Schwartz’s performance, because he makes a lot of terrible lines sound half-decent just through his vocal charisma. While the character does have some issues with being overpowered (he gets two “Quicksilver/Flashtime” scenes), the film does a good job finding ways to keep conflicts legitimate. While he lacks the brash confidence of traditional depictions, the fact that he’s been isolated for 10 years justifies some of his more pronounced eccentricities and they’re played out in clever ways, including having him (somehow) play baseball with himself. James Marsden’s character, while pretty generic, still has some fun lines and moments of sincerity. However, the big standout in the film is Jim Carrey as Dr. Robotnik. He is nothing like his video game counterpart in terms of background, abilities, and appearance, but he almost completely nails the insanity and the need to prove his superiority of the original character. He is so cartoonishly over the top that he perfectly matches the literal cartoonishness of his foe. It’s really entertaining to watch.
The biggest hole in this film is the writing. It’s unsurprising, I guess, but perhaps the two guys who wrote National Lampoon’s Dorm Daze 2 weren’t the best team to give a kids movie. I’m sure it didn’t help that the film has been pitched and worked on since 1993, when Sonic the Hedgehog was actually relevant. Because of these factors, it’s not surprising that this film can’t manage a consistent tone in either the humor or the characterizations. It goes from having relatively clever jokes to base fart humor frequently and Sonic frequently switches emotional states for no reason other than “conflict needs to happen now.” The plot is so generic I could have easily mapped a dozen other movies onto the same outline. Literally every character arc feels forced and sometimes completely ridiculous. There’s a subplot involving James Marsden’s sister-in-law that comes out of nowhere, is recycled from 1950s comedies, and just flat-out feels like filler. It’s not well written, is what I’m saying.
It doesn’t help that I am a massive Sonic the Hedgehog fan. Like, I own a copy of Sonic the Hedgehog comic issue #7. I have strong opinions about who Sonic’s love interest should be (Sally Acorn) and why it was super creepy that they had Amy Rose age herself to an adult magically just so they could use her character as his potential partner in Sonic Adventure (she’s still 12 mentally). I PLAYED SHADOW THE HEDGEHOG. All of my love for the series, admittedly, made it harder for me to enjoy parts of this film. I managed to get past the inconsistencies with Sonic’s traditional backstory and powers, but I also got pulled out of it when they would actually reference the source material. However, my biggest letdown was that part of the film takes place in San Francisco, the inspiration for the City Escape level in Sonic Adventure 2, and they didn’t use the song. Aside from the music created for the series created by Michael Jackson, that was the best musical number in the entire franchise, it would have fit perfectly, and yet… nope.
Overall, though, this movie could have been much worse. Kids are definitely going to like it. I just hope that for the sequel they spend that additional $5,000,000 hiring some decent script doctors (OR ME).
Darkwing Duck, the terror that flaps in the night, is getting a dark and gritty reboot that no one asked for… especially not Darkwing Duck.
This is your spoiler warning. This episode is on Amazon right now. Spend the 2 dollars. It’s worth it.
Within the reboot of DuckTales, Darkwing Duck is a television show from the 90s which starred a stuntman named Jim Starling (Original Darkwing voice Jim Cummings), famous for doing all his own stunts. Most of the world appears not to remember the series, but Launchpad McQuack (Beck Bennett) is a huge fan of the character. His passion is so great that it tends to infect others with an affection for the show. It’s also mentioned repeatedly that the show ended on a cliffhanger.
Jim Starling, the former Darkwing Duck star, is signing autographs. Launchpad, along with another nameless die-hard Darkwing fan (Chris Diamantopoulos) tries to get an autograph, aided by Dewey Duck (Ben Schwartz), but keeps fainting from nerves. When Dewey tries to tag the pair in a photo, he discovers that Darkwing Duck is trending online, because they’re making a movie of the series. Believing that he’s naturally going to be asked to reprise the role, Starling heads to the studio making the movie, which happens to be McDuck Studios owned by Scrooge McDuck (David Tennant).
Scrooge and the director of the Darkwing Duck film, Alistair Boorswan (Edgar Freaking Wright!!!), are having creative issues. When Louie, Launchpad, and Starling bust into the meeting, they’re shown the trailer, which portrays it as a grim and gritty reboot which satirizes a number of terrible superhero movies. Everyone agrees that this movie is terrible, including Scrooge, who puts Dewey in charge of directing the finale of the film. Starling is willing to be in it anyway, only to be surprised when the fan from earlier is introduced as the actor now playing Darkwing Duck in the movie. Starling attacks him, resulting in his and Launchpad’s expulsion from the studio. Starling talks Launchpad into helping him get back in so they can get him in the movie, with Launchpad trying to lock the new actor in his trailer. They fight briefly, but it’s revealed that the actor was inspired his entire life by Darkwing Duck and, while he knows the movie’s bad, wants nothing more than to try and help give another generation of kids the same hero he had. He and Launchpad quickly become best friends. The actor tries to confront Starling and suggests they work together to make the movie great, but Starling refuses to let anyone else be Darkwing Duck. He locks the actor in a closet and goes on set to film the finale.
When told that Darkwing surrenders in the last scene, Starling refuses to follow commands and instead starts wrecking the props, before grabbing the fully functional lightning gun that the film’s villain Megavolt (Keith Ferguson) was using and attacking the crew. The actor, now dressed in his Darkwing Duck costume, shows up to stop him. The two fight, with Starling growing increasingly more insane and villainous, until finally Launchpad tries to convince them to stop. A prop starts to collapse, and after the actor tries to save him, Starling jumps in and saves them both, sacrificing himself.
While the final fight was filmed, it’s revealed that Dewey recorded over it with a video of himself dancing. Scrooge declares that there will never be a Darkwing Duck movie. The actor is saddened that he can’t bring Darkwing Duck to a new generation, but Launchpad tells him he should just do it for real. The actor, revealed to be none other than Drake Mallard, agrees to give it a shot. Unbeknownst to the rest of the cast, it’s revealed that Jim Starling survived the explosion, but now is insane, with the colors being washed out of his costume to reveal that he is now Darkwing’s arch-nemesis: NEGADUCK.
When I first reviewed DuckTales, I mentioned that I consider it one of the more successful reboots I’ve ever seen. It takes everything that was good about the original, adds in some more source and expanded universe material, but also updates, enhances, expands, and, let’s be honest, sometimes corrects the source material (particularly some of the female characters). It strikes the perfect balance between nostalgia and originality, while also being clever and funny. This episode exemplifies that balance even better than the rest of the series.
The concept of Darkwing Duck as a show within the show was an interesting way to reintroduce the character, though it seemed like it mostly closed the door on the actual character ever appearing in the series. However, it seems like, in retrospect, much of this was a carefully planned build-up to this episode. When the original surprise announcement that Darkwing Duck would appear in the new series was made, one of the producers, Frank Angones (who is the best at Twitter), mentioned that it was difficult to introduce Darkwing Duck, because once you put Darkwing in an episode, he just naturally becomes the focus. Despite, or perhaps because of this, they put relatively little of Darkwing Duck in the first season, limiting it to a single scene in a cold open, a fun gag about the catchy closing theme song to the show, and a bobblehead that said “let’s get dangerous.” It was extremely restrained, making this episode even more impactful.
The brilliance of this episode is that it is a reboot of a character within a reboot of a series and the episode is a parody of bad reboots. The most obvious part is the “trailer” for the film, which contains explicit references to the gratuitous slo-mo pearls falling from Batman v. Superman as well as the strange flaming letters scene from Daredevil, both of which have been mocked by everyone who has seen the films. The movie that Alistair Boorswan is making is dark and desaturated, much like Batman v. Superman, and Boorswan’s primary concern is conveying his dark and edgy “study of man’s inhumanity towards man.” Boorswan doesn’t actually care about what made Darkwing Duck good, only about his “artistic vision.” He also dislikes even presenting a heroic character as heroic, thinking that making someone darker and more morally compromised makes them automatically better. I’m not saying that’s a shot at DC films, except that of course I’m saying that. Meanwhile, Scrooge himself is a parody of studio interference in film, being so out of touch that he admits he didn’t see a movie since 1938 and says that “color’s all the rage nowadays.” He then gives the movie to Dewey, who tries to insert a musical number just because he likes it.
The core to this episode, though, is Drake Mallard. In the original series, Darkwing Duck was a hero because he wanted to be one. Sure, he wasn’t perfect, often egotistical, fame-hungry, histrionic, and sometimes just flat-out selfish, but he did have a strong moral center and a desire to be a hero. In this series, Drake Mallard is a hero because he wants to give children something to look up to, the way that he looked up to Darkwing Duck. This is the strongest rebuttal to the type of movie that this episode was satirizing: A movie where the heroes aren’t really heroic. This version of Darkwing wants to inspire the good in the world, rather than just combat the bad, like the well-written versions of Superman, Captain America, Spider-Man, or even Batman. These heroes are supposed to show us what we can do if we believe in fighting for justice and they’re not tied to a person but to an ideal because people fail, ideals don’t. This isn’t a new concept – hell, it’s one of the books of Plato’s Republic – but that’s why even if we have the “grittier, more realistic” heroes, it’s still important to have heroes out there who are focused on inspiring and presenting a better version of the world to fight for. Real heroes make us want to be better.
Just a few more notes: Much like in Into the Spiderverse, the focus in this episode is on the hero always getting back up when they get knocked down. It’s genuinely moving to watch Drake continue to take a hilarious beating and keep fighting to protect everyone, and that’s one of the few things that anyone can relate to: the desire to just fight one more time for what’s right. It’s also appropriate that this would happen in a show featuring David Tennant, a man famous for being such a superfan of a character that inspired him that he grew up to be one of, if not THE, best versions of that character. If you don’t know what character I mean, please read this.
Overall, I loved this episode, if that’s not obvious. I think it gave us a bunch of solid gags, the set-up to a whole bunch of potential storylines and maybe even a spin-off, and it reminded me of why I love some superheroes over others. Plus, it got me to re-read part of the Republic, so that’s fun.
They might solve a mystery or re-write history. DuckTales re-boot!
People constantly complain about reboots, but it’s not like they’re a guaranteed failure. I preferred the new Battlestar Galactica to the original, there have been who knows how many amazing film and television versions of Batman, and From Dusk ‘Til Dawn even did a solid job going from film to television. Hell, I think that Scooby Doo’s best incarnation was the 12th. Still, there’s no denying that, a lot of the time, it feels like reboots are just cash grabs aiming for our nostalgia wallets. Because of that, every time a show comes out that’s just a reboot of an old property, I’m inherently suspicious. So, when they first announced that a new DuckTales was coming out, I didn’t put a huge amount of faith in it.
As time went by, though, I admitted that I started to get excited. First, they announced the cast for the show by having them sing an acapella version of the theme song. This both showcased the insane level of talent they managed to grab and also showed that they were paying their respects to the past series.
Then, they announced that Lin-Manuel Miranda would appear in the series as Gizmoduck, cementing the return of one of the more beloved creations of the original cartoon and having him voiced by a genius composer and playwright. They announced that Tony Anselmo would be voicing Donald Duck, giving the show ties to the regular Disney canon. They released a copy of the show’s intro sequence which was a combination of the original Carl Barks Uncle Scrooge comics with the original cartoon, but updated and redesigned, with the same theme song only a little jazzier. Oh, and they dropped the bombshell during Comic Con, just a month before the show was set to premiere, that Darkwing Duck would make an appearance, a character that people have been begging to get more of for 20 years.
At this point, I was just worried that this was all going to fall apart. Then, they did the last thing I would have expected: They put the pilot on YouTube. Not behind a paywall, not for a limited time, they just put the pilot “Woo-oo!” online, and IT WAS FANTASTIC. Watch it right now!
“Woo-oo!” was a great first episode. It introduced us to the characters, emphasized all the differences between their current and previous incarnations, and put in a ton of wonderful nostalgia references while also being funny and original in its plot. Huey, Dewey, and Louie now had different voices, looks, and personalities, with Huey (Danny Pudi) being the closest to the original version but nerdier, Louie (Bobby Moynihan) having abandoned even the outfit from his previous incarnation and being the greedy one, and Dewey (Ben Schwartz) being a blend of old and new traits and a fame seeker. Scrooge McDuck (David “I’m the f*cking Doctor” Tennant) is now a jaded old man who wishes to rekindle the exciting, adventurous days of his youth. Launchpad (Beck Bennett) is a little dumber than his original version, but still an adorable doofus and an optimist. Donald Duck is pretty much the same, but plays a much bigger role in the series.
Then, there’s Webby Vanderquack (Kate “from Garfunkle and Oates” Micucci) and Mrs. Beakley (Toks “I’m so f*cking amazing” Olagundoye). These two were basically redone from the ground up. Rather than being the young girl who carries around her doll all the time, this Webby is smart, skilled, and more athletic than any of the boys, but is socially awkward due to living in a mansion alone. Mrs. Beakley, rather than being just a live-in nanny with relatively few other character traits, is a retired version of Agent 99 from Get Smart. I’m not even joking, they have an episode that tells you that’s who she’s supposed to be.
The first half of “Woo-oo!” showed us that, in this new universe, magic is real, Scrooge is an almost Batman-level combatant and adventurer, and that he and Donald had a falling out in the past. Flintheart Glomgold (Keith Ferguson) returns as one of Scrooge’s enemies and is shown being even more over-the-top Scottish, almost as a mockery of the fact that his nationality was changed in the original series from South African (because Apartheid). He’s also much more of a comic foil to Scrooge than a serious rival, but his brutality is raised a few levels in this version. In the second half, the group goes on an adventure to Atlantis and, upon returning, the boys and Donald move in with Scrooge.
Now, this would normally be where the Pilot just acts as a set-up for the rest of the series, but, at the last minute, Dewey moves a piece of a painting seen earlier, revealing the figure of a young female duck. Dewey, shocked, says “Mom?” as the episode ends. Yes, at the last second, the show drops the biggest two surprises on us it could. First, they’re actually going to address what happened to Della Duck. Second, holy hell, THIS SHOW IS A SERIAL. There are going to be actual story arcs throughout the series. Again, this is in the last 15 seconds of the episode and it is huge.
The rest of the season was a little mixed. Some episodes were amazing and had fantastic guest stars, but others didn’t really use the characters well, and I was getting a little worried that they were too hit-and-miss. However, the whole time, they were also building up plot-lines and characters, including setting up Magica De Spell (Catherine “I was the best Tennant companion” Tate) as the big bad of the season. Then, we got to the penultimate episode, “The Last Crash of the Sunchaser” which not only had one of the most intense sequences in animated history, but had an ending that led me to sit in stunned silence trying to grapple with what I had just witnessed.
Then, we get to the finale and it took a bit to get going but, once it kicked into gear with Magica De Spell as the villain du jour, it was a hell of a ride. Probably the single best thing was that they had Donald Duck swallow a “Barksian voice modulator” which made him talk like Don Cheadle. He then proceeded to deliver some both hilarious and bad-ass lines (which were turned into hilarious ones by the fact that DONALD DUCK was saying them). The season ends, however, with several plot-lines still up in the air, giving them plenty to work with in the next year.
The main thing that really makes this reboot stand out is that showrunners Matt Youngberg and Francisco Angones basically went through all of the previous incarnations, from the comics to the show to even other Disney cartoons from the 80s and 90s, and kept what was timeless. They didn’t go out of their way to avoid doing things like the old show, they celebrated the things the show did well while correcting the things it didn’t. They tried new things, to be sure, some of which worked better than others, but they gave the show a feel that, while still DuckTales, was still unique. They gave us nostalgia, but they never really relied on it too much and they always made any reference still work even if you didn’t know it.
They also knew that too much nostalgia could overpower the work they were doing, so they did it gently. They did re-introduce Darkwing Duck, but now he’s a character on a show within a show. However, they go out of the way to point out that the actor who played Darkwing did his own stunts, so they have left the door open to have the actor become the superhero in future episodes. This was the right way to do things, because, if you put Darkwing Duck directly into the series, there would be too much pressure to keep putting him in it and any episode he was in would be focused on him.
Overall, I think this is one of the best reboots I’ve ever seen. Check it out, guys!