We see the version of America that we’ll probably teach as accurate in 30 years.
It’s hard to do a movie that’s really based around one main joke, as I recently pointed out with the film Cooties. This film’s main joke is that everything in it is not only inaccurate, but ridiculously so. The thing is, the film is doing this to point out that Americans so over-inflate our history that this movie’s not much less accurate than most of our portrayals of our founding. I mean, if you’re going to deify all of the Founders, then why not also give them superpowers and chainsaw blades?
The plot of the movie is that Benedict Arnold (Andy Samberg) successfully kills off the Second Continental Congress and steals the Declaration of Independence. He then assassinates Abraham Lincoln (Will Forte), the best friend of George Washington (Channing Tatum), who inherits Lincoln’s dream of founding a new nation called America. Washington joins forces with noted beer inventor Sam Adams (Jason Mantzoukas), Chinese immigrant inventor Thomas Edison (Olivia Munn), man raised by horses Paul Revere (Bobby Moynihan), Native American renegade and tracker Geronimo (Raoul Trujillo), and notable blacksmith John Henry (Killer Mike) in order to stop Arnold and the plans of King James (Simon Pegg).
Originally I was told that this movie’s historical inaccuracy was actually based on final exam answers given by US high school seniors. Unfortunately, I’ve found nothing to back that up, so maybe American students aren’t that dumb. That said, some of the gags in this movie based on historical confusion are absolutely hilarious. Probably my favorite is when George Washington introduces himself to his future wife Martha (Judy Greer) and she asks him if he’s the inventor of peanut butter, which he confirms. The joke here isn’t just that she’s confusing him for George Washington Carver, it’s also that George Washington Carver didn’t invent peanut butter. A ton of the humor in this movie is that the thing that they make a joke about is itself based on a common misconception. I found that hilarious, but it did mean that some of the punchlines took more thought than you’d expect.
The rest of the movie is just a parody of every giant action movie trope, including the final climactic fight scene that involves every character and a ton of fast-cut visuals like the end of Avengers: Endgame. Much of the violence is over-the-top, but in a way that successfully cuts down the impact. My favorite is the running gag of a character’s throat getting ripped out and calling them “roadhoused.”
Overall, I’m not going to say this is a great movie, but I thought it was entertaining.
The gold standard for cartoon reboots comes to a glorious, glorious end.
Having spent a season fighting against the Fiendish Organization for World Larceny (F.O.W.L.), Scrooge McDuck (David Tennant) and family finally face off against the assembled forces of villainy. The stakes are not just the future of the McDuck family, but the future of adventure itself. IT. IS. MAGNIFICENT.
Anything else would be a spoiler.
Since it came out I have hailed this show as nothing short of brilliant and that did not change. I’m deeply disappointed with Disney’s decision to end this show after only three seasons, but I cannot help but be impressed with how much effort the team behind it put into this sendoff. Not only does it directly reference multiple shows from the Disney Afternoon lineup (DuckTales, Darkwing Duck, Rescue Rangers, TaleSpin, Goof Troop, The Wuzzles, Gummi Bears), it indirectly references essentially all of the other animated shows that Disney put on in the 1990s, including an insanely funny joke involving Keith David from Gargoyles.
The key to this finale is that it both pays tribute to the huge mythology that this show built and also to all of the history that inspired the show itself. It doesn’t just present an amazing adventure for our characters, it highlights why we love them so much and why we want to root for them. The theme of the show has always been about family, particularly about how family are the people that stand up for you not the people you share blood with, and this finale makes that take the center. It’s got a lot of solid emotional moments between all of the characters, but particularly ones involving Webby (Kate Micucci), a character who often seemed to feel like she was an outsider trying to join a family. I think that’s something that many shows often overlook when doing a finale, that it still needs to have the emotional core to keep us invested in our characters even though we’ve been on the journey with them this far. DuckTales nailed it.
I know that this is a kids show, but I will miss this series. It didn’t just try to hit nostalgia, it dove in and reminded us why nostalgia can be great, because it gives you a feeling of shared love between creator and viewer. It told us that whether it was the original comic books, the ‘87 series, the later comics, or even other shows that were just made by the same company, that we can all be bonded over our love of stories about good triumphing by being smarter than the smarties, tougher than the toughies, sharper than the sharpies, and earning it square.
Overall, I hope that they at least keep the Darkwing Duck show developing at Disney+ in this continuity, because even a few occasional cameos would help soften the blow. They probably won’t, but a man can dream.
A young girl makes the most unusual friend you can find.
Flora Buckman (Matilda Lawler) is a ten year old girl whose parents (Ben Schwartz and Alyson Hannigan) are getting divorced. Her dad is a failed comic book artist who is now working at an office supply store while her mother is an award-winning romance novelist who is suffering from major writer’s block. She is also dealing with her new hysterically blind friend William (Benjamin Evan Ainsworth). Later, Flora’s neighbor has issues with her “evolving” robotic vacuum, resulting in it sucking up a squirrel. Flora adopts the squirrel, naming it Ulysses. Soon, she discovers that the incident with the vacuum has given Ulysses powers. He has the strength of a dozen squirrels, can understand humans, and can even write some poetry. Unfortunately, after an incident at a diner, the public believes that Ulysses is rabid and he now must avoid animal control officer Miller (Danny Pudi), while possibly helping bring a family back together.
I didn’t ever read the children’s book this is based on, but a quick look at the book’s Wikipedia seems to indicate it had nothing to do with superpowers, just a squirrel that got smart enough to write poems. However, since Disney owns Marvel, it seems like a natural way to use your IP. Oddly, though, while there are a lot of mentions of Marvel heroes in the series, as well as the fake superheroes that her father supposedly created, there were more than a few mentions of DC comics characters. I guess even Marvel can’t ignore Batman’s popularity.
This isn’t the best film, but it’s definitely pretty cute. It’s supposed to be a family film, so it has to focus largely on kid-friendly gags. Some of them still work for adults, including some of the jokes about her mom’s profession, and a few are inside gags for people who are fans of Disney. For example, at the beginning of the film, a comic book shop owner played by Bobby Moynihan is reading a DuckTales comic. With Kate Micucci appearing as a waitress, this film features Huey, Dewey, Louie, and Webby from the new DuckTales series. It doesn’t really pay off more than that, but it’s still a nice touch.
Overall, though, it’s still a kids movie. If you aren’t watching with a young child, you’ll probably get pretty bored.
Darkwing Duck, the terror that flaps in the night, gets the true reboot that the franchise deserves.
This is your spoiler warning. This episode is on YouTube right now. Here:
Within the reboot of DuckTales, Darkwing Duck is a television show from the 90s which starred a stuntman named Jim Starling (Original Darkwing voice Jim Cummings), famous for doing all his own stunts. Most of the world appears not to remember the series, but Launchpad McQuack (Beck Bennett) is a huge fan of the character. When Scrooge McDuck (David Tennant) tried to reboot the franchise with a film, the director, Alistair Borswan (Edgar Wright), cast a new actor who idolized Darkwing just as much as Launchpad, Drake Mallard (Chris Diamantopoulos). Starling went insane and tried to destroy the film, leading Mallard to adopt the actual identity of Darkwing Duck and stop him. He has since moved to St. Canard, the city which was the setting for the TV show, and set himself up as a real superhero. Or tried to, at least.
Launchpad takes Dewey Duck (Ben Schwartz) to go and do an interview with Drake as part of Dewey’s online show. They hope to see some crime fighting, but unfortunately new mayor of St. Canard Zan Owlson (Natasha Rothwell) has decreased crime to almost zero. Meanwhile, Scrooge, Huey (Danny Pudi), and Louie (Bobby Moynihan) all go to see a demonstration of a new technology by the great scientist Taurus Bulba (James Monroe Inglehart). Bulba shows them the RAMROD, a device that can seemingly make anything from nothing. A young girl tries to break into Taurus’s building, but is caught by Darkwing. The girl is revealed to be Gosalyn Waddlemeyer (Stephanie Beatriz), the granddaughter of Bulba’s missing partner. Her grandfather tried to warn Bulba of a flaw in the RAMROD then disappeared. Meanwhile, Huey discovers that the RAMROD actually pulls things in from other dimensions, meaning that it could potentially destroy all of reality if used too many times.
Darkwing confronts Bulba and it is revealed that Gosalyn’s grandfather is likely trapped in another dimension. Darkwing and Bulba fight, scarring Bulba. Bulba then uses the RAMROD to release four villains from the original Darkwing Duck show: Megavolt, Liquidator (both Keith Ferguson), Bushroot, and Quackerjack (Michael Bell). He also captures the triplets and traps Scrooge in a dimension resembling the 1987 DuckTales show. Bulba is confronted by Bradford Buzzard (Marc Evan Jackson), the leader of F.O.W.L., one of Scrooge’s chief enemies, but Bulba turns on him. Huey, Dewey, and Louie all escape with Bradford, discovering his identity as a F.O.W.L. leader in the process. Darkwing heads to fight the villains at Bulba’s layer and is defeated, but he is rescued by Launchpad and Gosalyn. Together, the three send the supervillains back to their own dimension, rescue Scrooge, and destroy the RAMROD. Gosalyn decides to become Darkwing’s partner and Launchpad agrees to join them by going back and forth from Duckburg to St. Canard.
If you watched the original Darkwing Duck, you probably recognize this as bearing a resemblance to the pilot for that series “Darkly Dawns the Duck.” In the original pilot, Taurus Bulba (Tim Curry) was a criminal mastermind who killed Gosalyn’s grandfather for his RAMROD device, which was a weapon then. In the original series, he resembled the Kingpin from Marvel Comics, whereas in this reboot he appears to be designed more as a supergenius in the vein of Lex Luthor. I think this is a great decision that matches the increased paranormality of the new DuckTales/Darkwing Duck compared to the original. While there were aliens and superpowers in the original, they were always treated as abnormal, whereas they are commonplace and expected in the new series.
I think one of the better decisions was to age up Gosalyn. Rather than just being a rambunctious tomboy, here she’s a focused young woman who is dedicated to finding her grandfather. Also, she chooses to sacrifice her chance at finding him at the end for the sake of the world, making her much more directly heroic. Having Stephanie Beatriz voice her is basically just icing on the cake of better characterization.
I will admit that the episode does suffer a little bit from focusing overly heavily on callbacks to the prior series, but it stands on its own pretty well. They don’t really explain too much about any of the villains that appear, although I guess it doesn’t take much to understand “electrical guy, plant guy, evil clown, and water guy.” Still, some of the funnier jokes in the episode actually require you to have a decent knowledge of the former show to really hit in full, so I do think they could have cut those down a bit. For example, the Solego circuit is a reference to the Disney Adventures crossover between TaleSpin, Goof Troop, Rescue Rangers, DuckTales, and Darkwing Duck. I recognized it because I had a subscription when I was 7, but that’s a real reach. I do appreciate the research they put into the episode to make the joke, though. Since they have put all of those characters in this season, if this is foreshadowing, it is amazing.
Overall, though, it does a great job of setting up the characters for their own adventures while still leaving crossovers open.
A group of hitmen make a documentary about trying to kill the world’s greatest assassin.
Blake (Taran Killam) is an assassin who is just starting in his career. He decides that he wants to kill the world’s top killer-for-hire, an enigmatic man named Gunther (Arnold Schwarzenegger)… who may have banged Blake’s ex-girlfriend Lisa (Cobie Smulders). Blake hires a camera crew to film his efforts and assembles a team of professionals: His explosives expert friend Donnie (Bobby Moynihan), Sanaa (Hannah Simone) who is the daughter of legendary hitman Rahmat (Peter Kalamis), hacker Gabe (Paul Brittain), Blake’s mentor Ashley (Aubrey Sixto), cyborg terrorist Izzat (Amir Talai), poison master Yong (Aaron Yoo), Blake’s ex-partner Max (Steve Bacic), and psychotic murderous twins Mia and Barold Bellakalakova (Allison Tolman and Ryan Gaul). The group quickly finds out that Gunther knows they’re hunting him, and he is set on humiliating him.
So, when I first saw this movie a few years ago, I thought it was an okay film. It had a lot of flaws, to be sure, mostly because the idea was not designed to fill 90 minutes, but I was overall pretty entertained with how ridiculous it was. Then, I saw the critics and other viewers mostly decimate this film. I wasn’t sure exactly what happened that led so many people to despise this movie to the level that they did. Yeah, it’s not the best mockumentary out there, but it avoided some of the issues that style usually has. For example, the main character is keeping the film crew around through threats of violent retribution. Because of that, you never have to ask the question “why are they still filming this?” It’s a simple explanation, but that issue usually bugs me, so I appreciate it.
However, as I thought about the movie, I realized that the biggest problem might be Arnold Schwarzenegger. Now, I admit Arnold plays more of a comedic role in this film than he probably should, but that’s not what I mean. It’s that he’s too big of a star and too big of a draw not to be included in the marketing and promotion for this movie, but he’s only in like 10 minutes of it. The identity of “Gunther” is treated like a surprise twist throughout almost all of the film, so it should be a revelation when Arnold finally gets there. However, on all of the movie posters, Arnold is front and center. I think a lot of people probably resented the fact that it feels like a deception. It’s compounded by the fact that the movie, which was already a little heavy on the slapstick, moves almost straight into insane farce in the third act, giving Gunther abilities that so far surpass reality that it loses its grounding. I still thought it was kind of fun, but I would definitely understand if people thought it just derailed the whole film.
The “humor,” and it is super niche, mostly revolves around how very incompetent the main team is compared with Gunther, combined with a number of other absurd jokes. For example, Sanaa’s father acts like an overly-supportive soccer parent, having customized shirts indicating his fandom for his offspring. This is despite the fact that he is a notorious cold-blooded murderer. The problem is that they have to keep adding scenes of different hitmen being quirky or failing in order to stretch the premise out to feature length. Eventually, it turns a bit into white noise.
Overall, If you like seeing a bunch of people regularly humiliated, you’ll probably have a good time in this film. If you like a bunch of dark humor combined with Three-Stooges-esque scenes, you’ll probably like it. If not, this probably won’t feel worth it.
The Gold Standard of Reboots continues upholding its standard.
SUMMARY (Spoilers for Seasons 1 and 2)
Welcome back to Duckburg, where birds are people, but also sometimes are birds. Seriously the opening shot of the series was a normal seagull being shooed off by an anthropomorphic bird. The most prominent citizens are Scrooge McDuck (David Tennant) and his family members: Huey, Dewey, and Louie Duck (Danny Pudi, Ben Schwartz, Bobby Moynihan), Donald Duck (Tony Anselmo), Webby Vanderquack (Kate Micucci), Bentina Beakley (Toks Olagundoye), and Launchpad McQuack (Beck Bennett).
In season one, the Duck/McDuck family worked together to defeat Scrooge’s most dangerous adversary Magica De Spell (Catherine Tate), only for the audience (but not the characters) to find out that Donald’s Sister Della (Paget Brewster), the mother of the triplets, was still alive and stranded on the moon.
In season two, Della finally makes it home, only for the Moonlanders, led by General Lunaris (Lance Reddick) to invade Earth. He is thwarted by the Ducks, Darkwing Duck (Chris Diamantopolous), and Scrooge’s rival Flintheart Glomgold (Keith Ferguson), but it turns out that this threat has forced an even greater evil power to escalate their plans: F.O.W.L. (the Fiendish Organization for World Larceny).
Now, the Ducks have set out to locate a collection of the lost treasures of Scrooge’s idol Isabella Finch while F.O.W.L. plots to get them first.
This has been a solid three-stage development for this show. The first season was mostly about acclimating the audience to the new world of DuckTales, which, while it still resembled its 1987 counterpart, had been updated in both tone and animation style to be more in line with Disney’s new animated series like Gravity Falls or Star vs. the Forces of Evil. It also abandoned the original series’ episodic nature and instead was a serial, which allowed the show to build up Magica’s threat gradually over the series, as well as the mystery of what happened to Della.
Season two didn’t expand the adventuring, but instead doubled down on expanding the series emotionally. It showed us the backgrounds of several of the characters from the last season and recontextualized their actions, which is a great storytelling device when done well (like the Ice King in Adventure Time) and expanded on the emotional loss felt by the Duck family over Della going missing. Then, when she returns, it’s not quite the happy reunion with her kids that she’d hoped for, because they’ve spent ten years without her. While they’re fighting giant golems or robots, the show still demonstrated that Della’s return was affecting everyone emotionally and that it was a gradual process to deal with it. It also gave us a little taste of nostalgia by bringing back the Three Caballeros and Darkwing Duck, which was basically a set-up for this season.
The theme for season three is “nostalgia.” It was advertised a while ago that the third season would contain almost every character from Disney’s ‘90s afternoon lineup and so far it has delivered on it and then some. I don’t want to say who has appeared so far, but I can say that making them canon to this show bodes well for future episodes. There’s even an episode which takes place in a ‘90s sitcom, just to make sure that everyone gets a full blast of that extreme pre-financial crisis optimism that is so hard to even remember now.
It’s the fact that the show was willing to be patient with their properties that makes it work. They didn’t bring Della back in season 1, nor was it just a “she’s back, everything’s normal now” situation. Season 2 gave us Darkwing Duck in an amazing reboot, but they only used him sparingly. Similarly, Season 3 is giving us several characters, but even when they appear it’s only ancillary to the storyline. It’s not overloading us on anything, instead just making us want it more. Really, I’m impressed with the restraint.
Overall, still love the show, recommend it highly.
They might solve a mystery or re-write history. DuckTales re-boot!
People constantly complain about reboots, but it’s not like they’re a guaranteed failure. I preferred the new Battlestar Galactica to the original, there have been who knows how many amazing film and television versions of Batman, and From Dusk ‘Til Dawn even did a solid job going from film to television. Hell, I think that Scooby Doo’s best incarnation was the 12th. Still, there’s no denying that, a lot of the time, it feels like reboots are just cash grabs aiming for our nostalgia wallets. Because of that, every time a show comes out that’s just a reboot of an old property, I’m inherently suspicious. So, when they first announced that a new DuckTales was coming out, I didn’t put a huge amount of faith in it.
As time went by, though, I admitted that I started to get excited. First, they announced the cast for the show by having them sing an acapella version of the theme song. This both showcased the insane level of talent they managed to grab and also showed that they were paying their respects to the past series.
Then, they announced that Lin-Manuel Miranda would appear in the series as Gizmoduck, cementing the return of one of the more beloved creations of the original cartoon and having him voiced by a genius composer and playwright. They announced that Tony Anselmo would be voicing Donald Duck, giving the show ties to the regular Disney canon. They released a copy of the show’s intro sequence which was a combination of the original Carl Barks Uncle Scrooge comics with the original cartoon, but updated and redesigned, with the same theme song only a little jazzier. Oh, and they dropped the bombshell during Comic Con, just a month before the show was set to premiere, that Darkwing Duck would make an appearance, a character that people have been begging to get more of for 20 years.
At this point, I was just worried that this was all going to fall apart. Then, they did the last thing I would have expected: They put the pilot on YouTube. Not behind a paywall, not for a limited time, they just put the pilot “Woo-oo!” online, and IT WAS FANTASTIC. Watch it right now!
“Woo-oo!” was a great first episode. It introduced us to the characters, emphasized all the differences between their current and previous incarnations, and put in a ton of wonderful nostalgia references while also being funny and original in its plot. Huey, Dewey, and Louie now had different voices, looks, and personalities, with Huey (Danny Pudi) being the closest to the original version but nerdier, Louie (Bobby Moynihan) having abandoned even the outfit from his previous incarnation and being the greedy one, and Dewey (Ben Schwartz) being a blend of old and new traits and a fame seeker. Scrooge McDuck (David “I’m the f*cking Doctor” Tennant) is now a jaded old man who wishes to rekindle the exciting, adventurous days of his youth. Launchpad (Beck Bennett) is a little dumber than his original version, but still an adorable doofus and an optimist. Donald Duck is pretty much the same, but plays a much bigger role in the series.
Then, there’s Webby Vanderquack (Kate “from Garfunkle and Oates” Micucci) and Mrs. Beakley (Toks “I’m so f*cking amazing” Olagundoye). These two were basically redone from the ground up. Rather than being the young girl who carries around her doll all the time, this Webby is smart, skilled, and more athletic than any of the boys, but is socially awkward due to living in a mansion alone. Mrs. Beakley, rather than being just a live-in nanny with relatively few other character traits, is a retired version of Agent 99 from Get Smart. I’m not even joking, they have an episode that tells you that’s who she’s supposed to be.
The first half of “Woo-oo!” showed us that, in this new universe, magic is real, Scrooge is an almost Batman-level combatant and adventurer, and that he and Donald had a falling out in the past. Flintheart Glomgold (Keith Ferguson) returns as one of Scrooge’s enemies and is shown being even more over-the-top Scottish, almost as a mockery of the fact that his nationality was changed in the original series from South African (because Apartheid). He’s also much more of a comic foil to Scrooge than a serious rival, but his brutality is raised a few levels in this version. In the second half, the group goes on an adventure to Atlantis and, upon returning, the boys and Donald move in with Scrooge.
Now, this would normally be where the Pilot just acts as a set-up for the rest of the series, but, at the last minute, Dewey moves a piece of a painting seen earlier, revealing the figure of a young female duck. Dewey, shocked, says “Mom?” as the episode ends. Yes, at the last second, the show drops the biggest two surprises on us it could. First, they’re actually going to address what happened to Della Duck. Second, holy hell, THIS SHOW IS A SERIAL. There are going to be actual story arcs throughout the series. Again, this is in the last 15 seconds of the episode and it is huge.
The rest of the season was a little mixed. Some episodes were amazing and had fantastic guest stars, but others didn’t really use the characters well, and I was getting a little worried that they were too hit-and-miss. However, the whole time, they were also building up plot-lines and characters, including setting up Magica De Spell (Catherine “I was the best Tennant companion” Tate) as the big bad of the season. Then, we got to the penultimate episode, “The Last Crash of the Sunchaser” which not only had one of the most intense sequences in animated history, but had an ending that led me to sit in stunned silence trying to grapple with what I had just witnessed.
Then, we get to the finale and it took a bit to get going but, once it kicked into gear with Magica De Spell as the villain du jour, it was a hell of a ride. Probably the single best thing was that they had Donald Duck swallow a “Barksian voice modulator” which made him talk like Don Cheadle. He then proceeded to deliver some both hilarious and bad-ass lines (which were turned into hilarious ones by the fact that DONALD DUCK was saying them). The season ends, however, with several plot-lines still up in the air, giving them plenty to work with in the next year.
The main thing that really makes this reboot stand out is that showrunners Matt Youngberg and Francisco Angones basically went through all of the previous incarnations, from the comics to the show to even other Disney cartoons from the 80s and 90s, and kept what was timeless. They didn’t go out of their way to avoid doing things like the old show, they celebrated the things the show did well while correcting the things it didn’t. They tried new things, to be sure, some of which worked better than others, but they gave the show a feel that, while still DuckTales, was still unique. They gave us nostalgia, but they never really relied on it too much and they always made any reference still work even if you didn’t know it.
They also knew that too much nostalgia could overpower the work they were doing, so they did it gently. They did re-introduce Darkwing Duck, but now he’s a character on a show within a show. However, they go out of the way to point out that the actor who played Darkwing did his own stunts, so they have left the door open to have the actor become the superhero in future episodes. This was the right way to do things, because, if you put Darkwing Duck directly into the series, there would be too much pressure to keep putting him in it and any episode he was in would be focused on him.
Overall, I think this is one of the best reboots I’ve ever seen. Check it out, guys!