Addams Family Values: The Creepiest Family in Film Returns – 13 Reviews of Halloween/Amazon Prime Review

One of the few sequels I like better than the original.

SUMMARY (Spoiler-Free)

Gomez and Morticia Addams (Raul Julia and Anjelica Huston) welcome their third child, Pubert (Kaitlyn and Kristen Hooper). Unfortunately, the older siblings, Wednesday and Pugsley (Christina Ricci and Jimmy Workman), don’t take well to the new child, attempting to murder him, as Addams are wont to do. To help, the Addams parents hire a nanny named Debbie Jellinsky (Joan Cusack) who is, in reality, a serial murdering black widow. She seduces Gomez’s brother, Fester (Christopher Lloyd). When Wednesday becomes suspicious, Debbie has her and Pugsley sent to summer camp under relentlessly chipper Counselors Gary and Beck Granger (Peter MacNicol and Christine Baranski). Fortunately, the Addams family can handle more than a mere serial killer and a summer camp. Also featuring Christopher Hart as Thing, Carel Struycken as Lurch, and Carol Kane as Grandmama.

They don’t usually come out during this time of day.


I am a fan of the original Barry Sonnenfeld Addams Family movie from 1991, but it’s more for the stand-out scenes than the film as a whole. The plot of the original film was pretty incoherent and is wrapped up by one of the strangest series of dei ex machinae in history. Still, the cast was so good that it was still incredibly fun. This film has the same cast, but also comes up with more entertaining things to do with them and a more compelling plot. It doesn’t hurt that the slightly lighter tone here allows for some more varied, but actually ultimately darker, humor.

And some great quips.

I really can’t understate how perfect the casting was for this film. I don’t think I will ever envision Morticia Addams as being anyone other than Anjelica Huston. She was born to play the role. I mean, I loved Carolyn Jones in the live-action series, but Huston nails it as hard as Hopkins nailed Hannibal. Raul Julia and John Astin are both very different but equally good portrayals of the ultimate loving husband, although Julia unfortunately was sick during filming and it does make his performance a little less energetic than the first movie. Christina Ricci proved herself to be an incredible Wednesday in the first film, but in this movie she also has to play Wednesday dealing with both puberty and her captivity within a camp that promotes “normalcy.” Honestly, the scenes of the kids rebelling against the counselors are some of my favorite gags. Christopher Lloyd’s portrayal of Fester always surprises me because it’s so very different from any of his other iconic characters, but he disappears into it just as much. In this, he has to be the lonely man who believes he’s found love and is willing to constantly overlook the obvious red flags. Speaking of red flags, Joan Cusack was a great addition to this cast. Her ability to play a sociopath who is able to put up with the oddities of the Addams family and, in fact, able to manipulate them presents an actual, believable obstacle to the perfect family. 

The best marriage in film.

It also is impressive that this movie can get away with so many of the jokes it does. The older Addams children repeatedly attempt to murder a baby, only to be thwarted in borderline slapstick ways. If it weren’t for the cartoonish nature of their attempts, we might be put off by the infanticide. Similarly, after Wednesday leads a revolt at the summer camp, it’s implied that at least some of the children have been killed and that the counselors are going to be roasted to death on a spit like Saint Lawrence, but it’s mostly offscreen and played for laughs by every character, so you can ignore it. The darker and more dryly humorous tone of the first movie only allowed for dark references to the horrors, this movie gets to show them off. 

Still better for MacNicol than “The Powers That Be.” Remember that 90s kids?

Overall, just a great movie and a fantastic sequel. It’s still my favorite incarnation of the Addams family. 

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28) Reverend Jim: Space Odyssey (Taxi)

Taxi was one of the many traditional sitcoms that revolved around “let’s find an excuse for a bunch of strange characters to converse with each other in a central location.” Gonna give you a second to guess where this one takes place. Most of you probably correctly guessed that it’s the fleet garage of the Sunshine Cab Company, and the cast are the employees. The guys who did this episode, director James Burrows, and Producers the Charles Brothers, would later create another, similar show, called Cheers. The writer of this show, James L. Brooks, wrote several episodes on this list, including the number 1, and, of course, was the guy who helped Matt Groening make the Simpsons. So, you know, there was a lot of talent off-screen.Brooks.jpg

TaxiCast.jpgOn-screen, Alex Geiger (Judd Hirsch) is the cynical protagonist, and the only one who acknowledges that he drives a cab for a living, and not for a side project. Bobby Wheeler (Jeff Conaway) is the struggling actor with big dreams. Elaine Nardo (Marilu Henner) is the working mother of two. Tony Banta (Tony Danza) is a veteran and failed boxer (one of his only wins was when the opponent tripped on the ropes and knocked himself out).


Latka Gravas (Andy Kaufman) was a foreign mechanic and an excuse for Andy Kaufman to be insane. Of course, he’s Andy Kaufman, so it worked out pretty well. Perhaps most brilliantly, because Andy Kaufman chose to make up his own country, language, and customs which don’t really resemble any actual country, it doesn’t come off as racist or insensitive even if you watch it today.

Louie De Palma (Danny De Vito) is… I don’t exactly know how to describe him. He’s the bad guy, most of the time. He’s a scumbag, but he’s also so funny that you find yourself loving him. TV Guide ranked him as the best character of all time, and the fact that he was hard to nail down into an archetype at the time he was created is part of why. Now, there are other characters that act like him, but the archetype they’re following is Louie De Palma.

He later went to Med School in Philly

All of these characters, even Latka, have a sort of air of sadness or futility surrounding them. That’s really one of the themes of the first season of the show, the fact that only our protagonist, Alex, has actually come to terms with his lot in life. He’s a cab driver. He has no higher aspirations. The others are all just shown to be people who want to be better, but keep getting swatted back into their place by life. Then, this episode happens in the second season, and slightly changed the show’s dynamic by dredging up a former guest character by the name of the Great Reverend Jim Ignatowski (Christopher Lloyd).

TAXI, standing from left: Andy Kaufman, Christopher Lloyd, seated from left: Judd Hirsch, Marilu Hen
I built a time machine once… I think

Jim Ignatowski is the waste of potential that comes from being wasted. He is an unbelievably intelligent former Harvard student, but he partied so hard in the 60s that, by the 70s, he now is a homeless street preacher. Despite the fact that he is seen as being spaced out most of the time to the point that he’s basically useless or childish, Jim’s biggest redeeming factors are that he is usually happy, he has one of the biggest hearts of any characters on television, and, because it’s Christopher Lloyd, he is freaking hilarious. This episode both re-introduces him as a main character, and contains some of the best scenes the character ever got.


The main characters run into Reverend Jim, and find out that he’s lost his unofficial church. Jim recounts his history as a “living embodiment of the 60s,” as well as some of his past and present issues, saying “I kept finding God all over, but he kept ditching me.” Feeling sad for him, they decide they’re going to get him a job as a taxi driver. What follows is one of the best routines ever, as the cast all work together to get Jim hired by Louie and to help Jim pass his driving test. Probably the most memorable part is the Yellow Light bit. It is truly a sketch that should never have worked. However, Brooks and Burrows had so much faith in it that, instead of scripting it fully, director James Burrows just told Conway and Lloyd to keep going until the audience stopped finding it funny. It lasts a full minute, consisting only of 8 words. Right before the cut, you can even see the other cast members starting to break character and laugh at Lloyd’s delivery.


As I said earlier, this changed the feel of the show, by adding a character who, despite his horrible life, didn’t feel down about it. He was positive and happy, even if he didn’t believe he had any real meaning left in his existence, saying that he thought he’d reach Nirvana, but all he found were images of the original mouseketeers popping out of seedpods. He had realized the absurdity of any further search for meaning, and, rather than be horrified or depressed by it, he chose to accept it and reach a state of contented happiness. Albert Camus once wrote of the same concept, the absurd hero, in his essay “The Myth of Sisyphus.” So, rather than making the audience start to feel worse about the state of the cast’s unchanging lots in life, Taxi introduced someone who had accepted it and chosen to be happy anyway. Bet you didn’t see a French Absurdist philosophy reference coming here, did you?

Okay, it’s not quite Camus’s vision

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NEXT – 27: M*A*S*H

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

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