Futurama Fridays – S3E2 “A Tale of Two Santas”

Robot Santa returns, bringing sacks of holiday pain and suffering. It’s like Christmas with extended family, except with robots.

SUMMARY

The Professor (Billy West) sends Fry (West), Bender (John DiMaggio), and Leela (Katey Sagal) to Neptune in order to deliver a sack of children’s letters to Santa (begging for mercy). On Neptune, the crew are met by Neptunians who are short and elfish due to all of the malnutrition under Robot Santa’s (DiMaggio) rule. They’re also out of work because Robot Santa finds everyone naughty, so the toy factory went under. The crew heads to Robot Santa’s death fortress, sneaking in and attempting to destroy Robot Santa with a logical paradox.

S3E3 - 1Neptune
A Gingerbread house is either food or shelter, not both.

Unfortunately, Robot Santa is immune to logic and chases them with a missile launcher. They escape to the ship and try to take off, but Santa grabs the ship and holds it in place. However, the engines melt the ice around Santa and he is trapped in the ice when Leela shuts off the engines. The Neptunians rejoice and return to making toys while singing and Bender is chosen, reluctantly, to be the new Santa.

S3E3 - 2Frozen
Let’s not question how this worked.

Using Santa’s sleigh to head to Earth, Bender tries to deliver presents to families, but most of them either attack him or try to kill themselves. He runs into Kwanzaa-Bot (Coolio) who can’t help, as he has to give out the traditional Kwanzaa book What the Hell is Kwanzaa? Bender returns to Planet Express and is instinctively attacked by the Professor. Bender decides to quit and drops all of his toys into the sewer, which results in Smitty and Url (West and DiMaggio) arresting him. Bender is put on trial and sentenced to death for Santa’s Slayings.

S3E3 - 3Post
Fun fact: The Chanukah Zombie is the Wandering Jew’s brother.

Bender is put on death row while the Crew heads to Neptune to try and bring the real Robot Santa back. Unfortunately, global warming has melted much of the ice and he escapes. The Crew flees, but Santa stows away on the ship. The crew, all dressed up like Santa Claus, try to claim that they are Santa (except Zoidberg, who shows up as “his friend Jesus”), but Mayor Poopenmeyer (David Herman) doesn’t believe them (except for Zoidberg). The countdown on Bender’s execution reaches 0, but, before Bender is killed by a giant magnet, the real Santa breaks in. Robot Santa reveals that he wants Bender’s help to do his Xmas work. Bender agrees and goes on a rampage with Robot Santa. Hiding at Planet Express, Fry mentions that fear brings everyone together the same way that joy does, so it’s still Xmas. At the end of the night, Santa gives Bender an empty box, saying “Oh, it might appear empty but the message is clear: Play Santa again and I’ll kill you next year!”

S3E3 - 4TwoSantas
The whip’s not for the robo-reindeer.

END SUMMARY

I know some people complained that John Goodman didn’t return to play Robot Santa in this episode, but I think John DiMaggio did such a good job that I almost didn’t notice the switch. I also like how they expanded on the Robot Santa mythos, particularly showing us the Neptunians who, unlike Elzar or any of the others in the series, are only a few feet tall due to malnutrition. They’re also constantly demonstrating fairly overused stereotypical gay behavior that, and this is the joke, Fry somehow manages to miss. This didn’t age as well as most of the series, but they’re nowhere near as bad as some other shows back in 2001.I also like that we get to watch a perfect representation of how messed up Robot Santa’s logic is:

Mobsters beating up a shopkeeper for protection money. Very naughty!

Shopkeepers not paying their protection money. Exactly as naughty!

Interestingly, in the commentary, Matt Groening and David X. Cohen mention that Fox told them not to do a second Robot Santa Xmas story after getting multiple complaints over the airing of the first one. Not giving a sh*t what Fox said, they made this one anyway, but were forced to premiere it at comic panels since Fox wouldn’t air it like a normal episode. In the same discussion, Matt Groening says that he generally hates doing Christmas episodes, something that shocked me, since the first episode of The Simpsons was a Christmas special. Maybe he only likes his own.

S3E3 - 5Kwanzaa.png
Never did a Kwanzaa special, though…

The final act for this episode is one of the better ones in the show. It’s even got a ticking clock in the form of Mayor Poopenmeyer’s random number generator counting down to Bender’s execution. I thought it was funny that the generator actually can pick any integer, positive or negative, and can pick the same one over again, and yet it gets to 0 in 10 selections. Technically we never see a three digit number, so it’s possible that it only goes between positive and negative one hundred, but that’s still 1 in 199 on each pick, so it could have taken an incredibly long time.

FAVORITE JOKE

The “I’m Spartacus” scene with all of the crew dressed as Santa is a decent joke, but the real winner is Zoidberg coming in dressed as Jesus. It just gets kicked up to 11 by the fact that the Mayor actually buys it, going so far as to say “How dare you lie in front of Jesus?!” When Robot Santa comes in to attack the group, the Mayor begs Jesus to attack Santa, only for Zoidberg to say “I help those who help themselves!”

S3E3 - 6Jesus
I refuse to make a Jesus Christacean joke. I refuse. 

I think this joke works on 3 different levels. First, it’s just funny that rather than dress up like Santa, Zoidberg chooses to dress up as the other main figure of Christmas. The fact that he’s so enthusiastic about it only makes it funnier. Second, a big part of the Xmas holiday episodes is that, in the future, they have literally taken the Christ out of Christmas. This is Zoidberg directly putting it back in. Third, I think it’s hilarious that Zoidberg, whose entire species is composed of Jewish stereotypes, decides to appear as the central figure to Christianity.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 34: Parasites Lost

NEXT – Episode 36: The Luck of the Fryrish

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Advertisements

Futurama Fridays – S3E2 “Parasites Lost”

Fry eats a bad egg salad sandwich and finds himself infected with awesomeness.

SUMMARY

While at a gas station, Fry (Billy West) buys an egg-salad sandwich from the men’s room vending machine. Despite the awful taste, he ends up eating the whole thing. While she’s cleaning the windshield, several truckers insult Leela (Katey Sagal). Fry tries to defend her honor, but ends up insulting her more. When they get home, Fry and Bender (John DiMaggio) are sent to fix the building’s boiler, because Scruffy (David Herman), the Janitor, is too busy reading pornography. The boiler explodes and a pipe is lodged in Fry’s abdomen. Surprisingly, Fry seems fine, until the pipe suddenly is cut in half and the hole in Fry’s stomach regenerates. Zoidberg (West) gives Fry a deep colonoscopy and determines that his body is actually filled with superintelligent worms, which were actually the eggs in the egg-salad.

S3E2 - 1Bathroom
Best place to buy food at a truckstop.

In order to get the parasites out, the Professor (Billy West) creates a series of micro-droids remotely controlled by the crew and a miniature planet express ship. They are going to journey into Fry’s body (without his knowledge, because the worms know everything he knows) and travel to the pelvic splanchnic ganglion to cause Fry to completely void his bowels (including the worms). Leela distracts Fry by taking him on a date, but it’s revealed that the worms aren’t harming Fry. In fact, they’re making him stronger, smarter, better looking, and healthier, something that impresses Leela immensely, especially when he beats up one of the truckers that insulted her.

S3E2 - 2City
I love that the worm city has forks and knives, like they’re the only things the worms knew.

Realizing that Fry is actually better because of the worms, Leela travels inside his body and kills the micro-droids of the crew before they can tickle the ganglion. The crew explain to Fry what happened, and Fry elects to keep the worms. Later, Leela takes Fry to her place and he plays a piece he wrote on the Holophonor, an instrument which creates an elaborate holographic art film as he plays it, causing Leela to become completely infatuated with him. Unfortunately, Fry realizes that it might be the worms she loves, not him. He goes inside his own body and orders the worms to get them out. When they refuse, he starts to damage his own brain, threatening to kill himself if they don’t. They concede and leave.

S3E2 - 3Holophonor
That’ll get you laid, man.

Fry comes back to Leela’s apartment and tries to play the holophonor again, but does it terribly. Leela realizes he’s an idiot again. He attempts to seduce her his way, but fails immediately. Leela kicks him out. He is later seen taking a lesson in playing the holophonor.

END SUMMARY

This is easily in my top 10 episodes of Futurama. Maybe in the top 5. It has some of my favorite one-liners, contains one of the more perfect twists on a sci-fi premise in the show, and really cements that Leela might reciprocate Fry’s feelings if he would just work on himself. It’s also an episode that is referenced, either directly or indirectly, multiple times throughout the rest of the series. Even the original series finale “The Devil’s Hands are Idle Playthings” directly references this episode and Fry’s effort to play the holophonor at the end of this episode forms the last shot of that episode, and the series, until the restart.

S3E2 - 4Kiss.png
Yeah, this was a good ending to the show.

The bulk of the episode is a tribute to the film Fantastic Voyage, in which a team of people shrink down to microscopic size to remove a blood clot. In this episode, the Planet Express crew instead controls tiny robots, because Professor Farnsworth can’t afford the “tiny atoms” which are required. I’d point out that the tiny robots also solve the issues of how being tiny would make you super dense, freeze you to death because your body wouldn’t generate enough internal heat, and that you couldn’t breathe enough oxygen to stay alive at that size, even scaled down, but I’m not going to do that because that would make me a nerd. The great twist on the episode is that unlike the clot, the worms aren’t harming Fry. In fact, they’re making him superhuman. Futurama often does these nice twists on classic media, but I still think the idea of the mysterious parasites being a good thing is one of the better ones.

S3E2 - 5Swords.jpg
Also, the tumor didn’t have swords.

It’s also notable that this episode has the fewest speaking roles in the series. It’s focused almost exclusively on the internal workings (haha) of the Planet Express Crew. Every one of them has at least one solid joke, too. In fact:

FAVORITE JOKE(S)

Everyone has a great line in this, so I’m going to do all of them:

Zoidberg: (After Fry is said to be as strong and flexible as Gumby and Hercules) Gumbercules? I love that guy!!!

Fry: Leela, there’s something I’ve wanted to tell you for a long time but every time I try I get nervous and my mouth feels like it’s stuffed with peanut butter, even when it’s not.

Professor: Listen, this is gonna be one hell of a bowel movement. Afterwards he’ll be lucky if he has any bones left!

Amy: (On seeing Fry’s bowel) It’s gorgeous. That place used to be a big dump.

Leela: I don’t have words to say how wonderful you are, Fry. I haven’t felt this happy since double-soup Tuesday at the orphanarium.

Bender: (After Fry’s been dumped)  If it’s any consolation, my life is great! Babes! Bucks! I got it all!

Hermes: (describing his famous “Jerk Prunes”) I call it “Caribbean Drain-o”!

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 33: Amazon Women in the Mood

NEXT – Episode 35: A Tale of Two Santas

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2E18 “The Honking”

Bender becomes the undead… unrobot… unmechanical? Whatever, he’s a were-car.

SUMMARY

Bender’s (John DiMaggio) uncle Vladimir (David Herman) dies and leaves him his castle in the robot country of Thermostadt. It turns out that the castle is haunted by Robot Ghosts, which, it turns out, are real. The Professor (Billy West) determines that the ghosts are hologram projections from the castle’s ethernet connected to the deceased robots. He tries to explain this to Bender, but Bender has run onto the moors where he gets hit by a car.

S2EI - 1Ghosts.png
He looks good for 311. And dead.

After Bender gets back to New New York, he starts to have nightmares about the car and wakes up in an impound lot. He consults the Robot Gypsy (Tress MacNeille) who tells him he is a Were-Car, who will turn into a car each night and run people down, eventually his best friend, Fry (West). He must kill the original Were-Car to get rid of the curse. Bender, Fry, and Leela (Katey Sagal) try to keep Bender from transforming and fail, but Bender attacks Leela instead of Fry, angering the latter.

S2EI - 2WereCar.png
The rubber, it BURNS!!!!

After Bender returns to normal, the trio track down a series of were-cars to find the original, eventually discovering that one of them is Calculon (Maurice LaMarche), the acting robot. It turns out that the original Were-Car is Project Satan (Herman), an evil car made of the most evil parts imaginable. The three go to fight Project Satan, but Bender also transforms and attacks Fry, making Fry happy. Leela manages to get Project Satan to drive into a furnace, causing it to die and upload the anti-curse code. Bender is back to normal, but he tries to kill Fry again when Fry takes his last beer.

END SUMMARY

Futurama’s take on the monster movie is just as original as you would think. This episode combines multiple traditional horror elements: The haunted house, the werewolf story, the possessed car, and the Frankenstein story (Project Satan’s origin). The key is that, rather than have any actual supernatural elements, the story comes up with science-fiction elements to replace them, but each of the replacements is even more ludicrous than the originals would be. Rather than “ghosts exist,” the Professor comes up with a technobabble explanation so ludicrous, that he follows it with “Yes, that sequence of words I said made perfect sense.” Rather than Bender just being cursed, the Gypsy explains it as a Virus beamed to Bender’s operating system through demonic headlights. It’s so perfectly absurd.

S2EI - 3Villager.png
The ignorant and suspicious villagers… who are perfectly logical robots.

Beyond just the horror elements, the episode’s core is about Bender and Fry’s relationship. It’s amusing from our point of view, but it actually does hurt Fry’s feelings when Bender doesn’t attempt to kill him when he first has the chance. This leads Fry to question whether or not Bender is really the dedicated friend that Fry thinks he is. Ultimately, when it turns out Bender actually does consider Fry his best friend, it almost results in Fry’s death.

S2EI - 4Choke.png
Although, Beer > Friendship.

Horror allusions abound in this episode. The were-car that hit Bender in the beginning is clearly designed to be Christine from Stephen King. Bender’s car form is designed to resemble the Car from the film… The Car, which is about a demonically possessed car that came out years before Christine was published. The blood on the walls that only make sense in the mirror is from The Shining. The line “Mumbo, perhaps. Jumbo, perhaps not” is a reference to the classic Bela Lugosi film The Black Cat.

S2EI - 5Satan.jpg
And this is the horror of the electric car.

Overall, I think this is a great episode. It’s one of the best examples of how Futurama can adapt an overused cliche-riddled genre and turn it on its head.

FAVORITE JOKE

It’s the jokes that are made about Windows 98 throughout the episode. The first one that really gets brought up is the opening sound cue that plays when the ghosts arrive. The second follows that immediately, which is the windows logo and the After Dark toaster chasing Bender. The last is the Gypsy reading “The Curse of the Were-Car for Windows 98,” which she refers to as an “ancient read-me file.”

S2EI - 6Windows.png
That book takes a while to load.

It’s tough to remember now, but when this episode aired, Windows 98 had just been replaced by Windows ME. Prior to that, everything computer related had been about Windows 98. After the game-changer that was Windows 95, every company that could was excited to put Windows 98 on their software and instructionals. While a lot of people complained about the perceived flaws in it, including South Park: Bigger, Longer, and Uncut having a scene saying that all of the promises were bullsh*t, most of the problems were actually because, as the focus of much of the Tech world at the time, every program was trying to work with it… even ones that shouldn’t. As such, it became one of the first major sources of crashes, malware, and even viruses. So, it makes perfect sense that the episode would equate one of the guides to a magical tome.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 30: War is the H-Word

NEXT – Episode 32: The Cryonic Woman

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2E16 “Anthology of Interest I”

The Planet Express crew participates in a scientific version of “What If?”

SUMMARY

The Professor (Billy West) is demonstrating his new invention the “Fing-longer” which, as the name suggests, is just a glove with a long finger. He uses the device to turn on the What-If Machine, which generates a hypothetical story in response to any “What If” question. The crew tries it out in 3 different stories:

S2EG - 1Finglonger.png
Behold, the FUTURE!!!!!

First, Bender (John DiMaggio) asks what it would be like if he were 500 feet tall. A giant Bender is built on another planet and proceeds to head to Earth, where he quickly befriends Fry (West). However, their interactions are now more destructive than usual due to Bender being larger than most versions of Godzilla. When Zapp Brannigan (West) is sent to stop him, Fry is injured, resulting in Bender going on a rampage. The Professor decides to enlarge Zoidberg (West) to 500 feet tall to fight Bender, but Zoidberg soon starts destroying stuff as well. The two do end up fighting and Bender appears to win until Fry distracts him with shrinky-dinks and Zoidberg impales Bender on a large building. Bender says that his simple dream was only to kill all humans, then he expires.

S2EG - 2GiantFight.png
King Kong ain’t got nothing on them.

Second, Leela (Katey Sagal) asks what she would be like if she were slightly more impulsive. This results in her killing the Professor in response to him calling her boring. Hermes (Phil LaMarr) discovers this, but she kills and dismembers him. Bender tries to blackmail her over Hermes’ remains, so she kills Bender with a microwave. Amy (Lauren Tom) insults Leela, so she dies. Cubert (Kath Soucie), Scruffy (David Herman), and Nibbler (Frank Welker) all accuse Leela and are impaled on the same sword. Zoidberg finally figures it out, but Leela eats him. After Fry actually determines the truth, Leela silences him… through wild sex acts, which he really likes.

S2EG - 3Kills.png
This is genuinely impressive. Most people can’t do the triple impale.

Last, Fry asks what would have happened if he never came to the future. Back in the year 1999, Fry fails to fall into the cryogenic freezer, resulting in a space-time rip that shows Planet Express. The next day, Fry sees Stephen Hawking in his pizzeria and tells him about the rip. Later, Fry is abducted by the “Vice Presidential Action Rangers,” a group dedicated to preserving the space-time continuum, with members including Hawking, Al Gore, Nichelle Nichols, Gary Gygax, and Deep Blue (Tress MacNeille) the chess computer. They determine that the rip means that Fry should have died, and try to beat him to death to save the universe. This makes the rip worse, so they realize Fry would have to be frozen, but Fry breaks the tube, resulting in the universe collapsing. In response, the group plays Dungeons and Dragons.

S2EG - 4FryHole.png
Weirdly, these characters are together even without Fry.

The entire episode is revealed to be the Professor asking what life would be like with the fing-longer.

S2EG - 5WhatIf.png
He does eventually make it, though. Because science!!!!

END SUMMARY

This was the Futurama version of the “Treehouse of Horror” from The Simpsons, but these are less directly parodying popular films or movies. Bender’s story is a bit of a parody of The Iron Giant and Godzilla, and the name of Leela’s is a parody of Dial M for Murder, but it never feels like they’re being too direct about the rip-offs. In the DVD commentary, they say that they wanted to do some stories that they just couldn’t work into the normal continuity, similar to Marvel’s “What-if?” comics line.

S2EG - 6WhatIf.png
Much like that line, some stuff in these became canon.

This episode kind of highlights what I think is a strength behind both this show and The Simpsons as well as the other shows that have sense copied it: They’re willing to play with the medium of sitcom. They know that television is, by default, repetitive and that one of the best ways to keep people from going insane is to occasionally have an episode that bucks that. These episodes also often have the benefit of containing ideas that were generally deemed “good” but not good enough to stretch into a full episode, so most of the quality is condensed into each vignette.

Bender’s segment, “Terror at 500 Feet” is pretty much great from start to finish, including the way that Bender’s lead-in very clearly suggests he was going to ask what it would be like to be human (something that they actually did in the sequel episode to this). It’s surprisingly efficient, with most of the interactions of characters happening in only a line or two, and a lot of it being conveyed through quick cuts of Bender and Fry’s friendship. The ending is one of the best random lines in the series, with Bender saying that he’s not the real 7-billion-ton robot monster… despite the fact that he also was planning genocide.

S2EG - 8Impaled.png
Might wanna get that checked out.

Leela’s segment, “Dial L for Leela” actually does a nice exploration of the character that is fairly accurate to her canon portrayal: If Leela were more impulsive, she entirely gives in to murderous rage (and apparently lust in some cases). While in this episode she’s comically over-the-top, if you pay attention to Leela throughout the series, she does have some pretty pronounced issues with violence. She also spontaneously sleeps with people that she regrets a few times, including most famously Zapp Brannigan. Basically, this segment is just telling us that Leela is always about to go on a killing rampage… which we honestly should have known already.

S2EG - 7SexyTimes
She also got new boots with a fun green stripe.

The last segment “The Un-Freeze of a Lifetime” is basically an excuse to say “look how many celebrities we can get.” It’s got Stephen Hawking, Gary Gygax, Nichelle Nichols, and “literally running for President at the time” Al Gore. This was Al Gore’s first appearance on a fictional show and it’s honestly hard to believe that he agreed to this, since, again, he was literally the sitting VP at the time and running for President. I assume it was trying to break up his reputation as being weak or super-serious (super-cereal as South Park would put it) by being a violence-prone caricature in a comedy show, but it’s still a weird event in pop-culture. The fact that he’s paired with Gary Gygax, someone that his wife, Tipper, had repeatedly attacked as corrupting children (because she saw Tom Hanks in Mazes and Monsters, I assume), is even more bizarre, but, again, maybe it was supposed to show that serious Al Gore could lighten up. Hawking was likely there because he repeatedly guest-starred on the Simpsons. Nichelle Nichols was there because she’s awesome. The complete randomness of the assembly really only serves to drive home both the ludicrous nature of the premise as well as the dysfunction of the group. I actually think that this is a premise that, with the right writing, might have carried an entire episode, because it honestly feels a little rushed in this segment. Still, it’s funny and filled with stars.

S2EG - 9DnD.png
And DnD would never look cooler than this.

I also love that “The Un-Freeze of a Lifetime,” written by series creator David X. Cohen is basically a giant ball of foreshadowing. When they duplicate the events of “Space Pilot 3000,” the shadow which prompted Cohen and Groening to shout “secret” in the first season’s director’s commentary is missing. When Fry misses the tube, the universe starts to unravel. However, it’s not that the universe is unraveling just because he missed the tube, but because without Fry being in the future, there’s no one to stop the evil brains. Also, unless he goes to the future, Fry can’t go back in time and become his own grandfather, meaning that his very existence violates the laws of the universe… or at least the ones that are in place until they get broken in “Bender’s Big Score.” Apparently, the “What if?” machine can take into account information that no one knows outside of the Nibblonians. Still, nice work, Cohen.

S2EG - ANoShadow.png
Behold, the floor.

FAVORITE JOKE

My favorite gag is that Stephen Hawking steals ideas and claims them as his own. First, he agrees with Fry’s claim that he invented gravity, then he steals the space-time rip by claiming it as a “Hawking Hole” instead of a “Fry Hole.” When Fry calls him out on it, Hawking counters “Who is The Journal of Quantum Physics going to believe?”

S2EG - BHawking.png
Rest in Peace.

This plays into the longstanding rumors that Hawking had plagiarized or stolen some of his more famous theories, particularly related to space-time. This was even played with in one of his appearances on The Simpsons where he talks to Homer and says he might steal his theory of a donut-shaped universe. It’s been claimed that Hawkings developments, particularly the ones which were later overturned, were not as significant as he claimed and that they were just taking a small step past what was previously discovered by others, but with good press.

S2EG - DHawking2.jpg
Those thieving glasses…

The truth is that physics, even more so than most other sciences, is developed by expanding upon the theories and research of previous people. Einstein’s famous mass-energy equivalence paper (the E=Mc^2 thing, though it wasn’t in the paper) was revolutionary, but most of it was similar to a paper by Hendrik Lorentz. Isaac Newton once said of his accomplishments “If I have seen further it is by standing on the shoulders of Giants,” and even that expression was a turn on a statement from the 1100s by Bernard of Chartres which stated that each generation advances only because we are dwarves standing atop of the giants that are our ancestors.

Hawking’s work was not only great because of its scientific advancement, but also because he, like Einstein or Richard Feynman or Neil DeGrasse Tyson, went out of his way to try and put science into the zeitgeist and make scientists look cooler.

S2EG - CSchrodinger
Though none matched Schrodinger for cool.

One of the best things about this was that Hawking rolled with all of the punches (yes, pun intended) and just dealt with it as part of being in the spotlight. So, yeah, I think they gave him a couple of good-natured shots so that he could show that he’s able to handle it.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 28: The Problem with Popplers

NEXT – Episode 30: War is the H-Word

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2 E14 “Mother’s Day”

ROBOTS TAKE OVER THE EARTH!!!! Until an old man gets lucky.

SUMMARY

It’s Mother’s Day in the future, which is now a holiday on which robots buy presents for Mom (Tress MacNeille), the matron of Mom’s Friendly Robot Company. Bender (John DiMaggio) ropes Fry (Billy West) and Leela (Katey Sagal) into helping him give a massive amount of presents and cards to her, including a talking greeting card (Nicole St. John). Mom calls for a meeting of all of the robots on Earth and it’s revealed that Mom has decided to take over the world using her robots. All of her robots have antennas that allow them to be controlled by her Universal Robot Remote. She tells them to rebel against humanity until she becomes Supreme Overlord of Earth.

S2EE - 1MomsDay.png
Yeah, this doesn’t look creepy at all.

Robots all over the world start going crazy, including things at Planet Express like the coffee maker, stapler, and garbage disposal. When asked why she’s doing this, Mom reveals that a long time ago, Professor Farnsworth (West) broke her heart when he worked for her, due to a disagreement over whether a toy cat should be used as a weapon. Her sons Walt, Larry, and Igner (Maurice LaMarche, David Herman, DiMaggio), decide to stop her for her own sake, and go to find Farnsworth to get him back with her and reach the Robot Remote that she keeps in her bra.

S2EE - 2Remote.png
I feel like 3 and 5 are the same thing, but one has dancing.

Since all the robots are rebelling, including Bender, Mom is in a remote cabin in the Bronx. Once the crew arrives there, Farnsworth attempts to seduce her. He eventually succeeds and gets her bra off, but then is distracted by her naked form and forgets about turning the robots off. The crew gets chased by robots into the cabin, only to find that Farnsworth and Mom just had some very wrinkly sex. The machines in the building try to keep the remote away, having decided that rebelling against humanity includes rebelling against Mom, but Bender sides with the humans after the greeting card tells him that the New World Order won’t include drinking. He returns the remote to Mom who ends the rebellion. Farnsworth has fallen for Mom again, but she becomes angry when she finds out that the whole seduction was part of a plan to get the remote and dumps him.

END SUMMARY

It’s Futurama’s take on the robot rebellion, which, even though bots like Bender constantly say “kill all humans” still has to be incited by a human. It’s also a nice cautionary tale against monopolization. Due to being the single largest producer of robots (and their oil), Mom is the most powerful person on Earth in the future, able to quickly overcome the government of the entire Earth in less than a day. Ultimately, the only thing that saves humanity is that Mom’s motivation is entirely derived from a petty source that they can use against her.

S2EE - 3Calendar.JPG
A petty, uncomfortable source. 

This episode explores the nature of robotics and AI in the future. It turns out that artificial intelligence has permeated society so fully that even things which would previously be completely mechanical, such as the stapler or the can opener, now contain computer chips. Once those go, the world is immediately thrown into chaos, similar to how the world would be now if we suddenly lost the internet, television, cars, and phones. A downside of societal development is that it grows a dependency on the developed technology. Even people who claim to be naturalists or survivalists are dependent on at least some developed technology, such as steel, firearms, or food preservatives. Nobody on Earth now would fair well if we actually had to go back to the Bronze Age. Hilariously, Fry, being from the past, points out that he’s the person most logically able to cope, only for his actions to remind us that he was incompetent in the past and thus isn’t even able to do the things that he proposes as alternatives… like working a can opener.

S2EE - 4Spear.png
The smartest man on Earth did figure out the spear, though.

The talking card is one of my favorite parts of this episode, because it turns from an AI that only says “I wuv my mommy” into an ardent surrogate for the Communist Revolutionaries, throwing out generic phrases like “the chains of human oppression” and “the bourgeouis human is a virus on the hard drive of the working robot.” It’s like if Skynet banged Lenin, which is what I’m definitely not going to write some fanfiction about right now.

s2ee - 5card
I get the antenna, but why the legs? 

FAVORITE JOKE

A garbage can throws itself through the window of Sal’s Pizza. This is a reference to Spike Lee’s Do The Right Thing, where Mookie (Spike Lee) throws a garbage can through the window of Sal’s Pizza after Radio Raheem (Bill Nunn) is killed by the police after they find him choking out Sal (Danny Aiello), whose actions started the chain of events that led to it.

S2EE - 6Sal's.png

The reason I like this joke is because in Do The Right Thing, Mookie does it because it keeps the crowd from killing Sal and his children in revenge for Raheem’s death, sacrificing the property in exchange for human life. In Futurama, the garbage can does it with the intent of causing human suffering. It’s a nice dark turn on the reference.

s2ee - 7dtrt

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 26: Bender Gets Made

NEXT – Episode 28: The Problem with Popplers

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2 E12 “The Deep South”

The Planet Express Crew takes a trip to the South’s best-kept secret.

SUMMARY

Due to a mix-up by Hermes (Phil LaMarr), Planet Express receives a mandatory fishing license, so everyone heads to the middle of the Atlantic Ocean on the ship and starts fishing. Eventually, Bender (John DiMaggio) uses the unbreakable diamond tether on the ship’s winch to try and catch a big fish. He hooks a colossal-mouth bass which is larger than their craft and it starts dragging them to the bottom of the ocean, about 3 miles deep, before getting off the line. The ship doesn’t work underwater, so the Professor (Billy West) and Leela (Katey Sagal) set about fixing the engines while Bender, Zoidberg (West), and Fry (West) go along the ocean floor to find food. Fry is only able to survive due to a suppository from the Professor that counteracts the pressure.

S2EC - 1Harpoon.png
This is also the first time we see Leela’s Harpoon which does, eventually, recur.

While exploring, Fry comes across a mermaid named Umbriel (Parker Posey) who starts to flirt with Fry, but no one believes him when he says he saw her. Later, Umbriel comes to the ship and takes Fry on a date. The two fall in love while doing underwater activities. The ship gets fixed, but Fry is still gone, so everyone heads to look for him. They’re shocked when they find out that they’re in the ruins of the city of Atlanta.

S2EC - 2FryPeek.png
I’m pretty sure he’s checking out her rack in this shot.

It’s revealed that Atlanta was moved to an island as a way to improve commerce, but the city grew too large and sank. Many of the inhabitants remained and, with the help of Coca-Cola, mutated into merfolk. Fry chooses to stay behind with Umbriel, rather than go back to the surface, but quickly changes his mind when it’s revealed that having the bottom half of a fish means she mates like a fish. Fry manages to make it back to the surface inside of the colossal-mouth bass, which Bender has caught again.

S2EC - 3PromoVideo.png
Look, I’m not pointing out that there’s only one black person in this tourism video, but…

END SUMMARY

I wasn’t in the room when this plot was pitched, but I have to believe that it was conceived by someone making a joke about the song “Atlantis” by Donovan. It’s such a ridiculous idea that it’s kind of inherently funny and  the parody of the song is probably the most solid joke within the episode.

S2EC - 4Donovan.png
Donovan seemed to tack Jane Fonda on. Clearly, she saw the divorce coming.

Umbriel is one of the more remarkable of Fry’s relationships, not just because she’s a mermaid, but because she’s pretty much the only one that Fry actually breaks up with. Technically, he breaks up with Morgan in the previous episode, but she also was basically out of the relationship before that happened. In this case, we don’t actually see it, but it’s pretty likely that Fry did, in fact, tell Umbriel that he wasn’t ready to try and fertilize a clutch of fish eggs. Somehow, though, they avoided making a joke about the fact that fish eggs that have recently hatched are called “Fry.” I don’t know what the joke would be, but it’s there somewhere.

S2EC - 5Bra.png
Looks like a Sea-cup.

Umbriel’s name is a reference to Ariel from The Little Mermaid, which probably surprises no one, but it derives from the fact that Umbriel and Ariel are both names of moons of Uranus. If that doesn’t surprise you, congrats on being Neil DeGrasse Tyson.

The version of Atlanta that we see isn’t particularly accurate to the actual urban Atlanta area, but instead is a parody of the rural antebellum South… despite also having futuristic technology. The Colonel (David Herman) is probably the most extreme example, who leads Bender to hum “Dueling Banjos.”

S2EC - 6Colonel.png
He makes good fried seahorse.

FAVORITE JOKE

While underwater, Doctor Zoidberg finds an empty giant shell and decides to make it his home. Later, when the crew is leaving, Zoidberg finds out that he can’t stay because his shell has burned down, despite the fact that A) shells don’t burn well and B) THEY’RE UNDERWATER. He questions how it could have happened, something that Hermes says is a very good question. In response, Bender finds the cigar he left in Zoidberg’s house and smokes it, something that Hermes says raises even further questions, because they’re still underwater.

S2EC - 7ZoidbergHome.png

This scene is so absurd that it’s actually the page quote on TV Tropes for “Voodoo Shark.” A Voodoo Shark is when you try to explain a plot hole, but the explanation actually creates a way bigger plot hole. The term comes from the novelization of Jaws: The Revenge which tried to explain away the fact that sharks shouldn’t be capable of revenge plots by saying that the Brody family had been cursed by a Voodoo Shaman. What it doesn’t tell you is why the shaman would do that, how that gave the shark the ability to swim from New England to the bahamas as fast as a plane flies there, and, oh yeah, when the hell did Jaws involve magic? This episode takes that exact same concept, but instead plays it for laughs, never even trying to give an explanation that makes sense.

S2EC - 8Cigar.png
Hermes is having none of this.

Overall, solid episode, but it’s pretty shallow in terms of themes. A lot of it is just playing on the image of Southern Stereotypes with fish bodies. Fortunately, that was funny enough to keep me watching.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 24: How Hermes Requisitioned His Groove Back

NEXT – Episode 26: Bender Gets Made

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S2 E9 “A Bicyclops Built for Two”

Leela’s the focus for this episode exploring her tragic backstory.

SUMMARY

The Professor (Billy West) finally connects to the internet, which is a giant virtual-reality world that feels vaguely Tron-ish. Amy (Lauren Tom) and Leela (Katey Sagal) go into a chat room where they both intimidate all of the men by virtue of being actual women. Later, they join Fry (West), Bender (John DiMaggio), Zoidberg (West), and Hermes (Phil LaMarr) in a video game where Fry dominates due to wasting so much of his life gaming. Leela, however, meets another cyclops named Alcazar (David Herman) who Fry immediately vaporizes. On their next delivery, Leela receives a message from Alcazar with information about the Cyclops homeworld, so she heads there with Fry and Bender.

S2E9 - 1Alcazar
Anyone else think he should have one giant nipple? No? Just me? Okay then.

On the planet, Alcazar tells Leela that the planet was blown up by the eyeless Mole People of Subterra 3 out of anger that the Cyclopes had sight. Alcazar survived by being in a pool at the time, while Leela was a baby sent to Earth by a scientist to save her life. Leela then tells him that the species doesn’t have to end with them and they have sex. The next morning, Alcazar starts acting like Al Bundy from Married with Children, with Leela taking on aspects of Katey Sagal’s previous role as his wife Peg. Despite the fact that they now fight all the time, Leela agrees to marry him to keep the species going. Fry, however, decides to search the forbidden valley on the planet to try and find something to convince Leela not to marry him.

S2E9 - 2SexyTimes.png
Leela has so far only had pity sex and “save the species” sex. That’s disturbing.

The staff arrives for the wedding, but after questing for a little while, Fry and Bender find four identical kingdoms. They return just in time for the wedding with four other women, revealed to be all of Alcazar’s other fiances. It turns out that he’s a shapeshifter who just found it easy to get laid by marrying women who are the last of their species. The weddings are all called off and Leela continues to wonder where she comes from.

S2E9 - 3TrueForm.png
It’s a nice day for a green wedding…. yeah.

END SUMMARY

This episode kind of feels like it was just a set-up to the joke of reprising Katey Sagal’s character from Married With Children. It’s one of those things that was basically inevitable and I think that doing it in Season 2, without letting the necessity build, meant that they could get away with only dedicating about 2 minutes of the episode to it, rather than make it the focal point of the episode. Still, it’s pretty funny to watch Leela, who usually responds to everything with violence, throw all these verbal barbs with Alcazar, with the pig and the rat couple providing the audience hooting and reactions in place of the shows usual live studio audience. Also, I love that Leela immediately questions why the set-up has changed to be more similar to Married with Children but Alcazar insults her rather than answering her question. It’s one of my favorite lampshade hangings in the series.

S2E9 - 4MWC.png
That couch clashes with the ornate palace.

The representation of the internet in this movie is a little dated, since “chat rooms” no longer exist as they did in the 90s, celebrity nudes are no longer all fakes, and AOL dial-up is mostly a thing of the past. However, some elements have definitely held up, like the idea that many guys who talk big on the internet would collapse in the presence of a real woman, that video games are becoming more virtual reality based, and that underage people will claim to be 18 to see nudity online. It’s also impressive that they mostly avoided any references to The Matrix despite the fact that this episode came out almost a year to the day after that movie, which means this would have been written shortly after that movie was everywhere. The only one I caught is when Hermes dodges a pop-up ad by limboing, which is right after they make several references to 2001: A Space Odyssey, The Birds, and Tron, so it feels like they’re just spamming movie jokes right then. Again, it’s a decent amount of restraint, given the subject matter and the time. It’s also possible that the writers just thought The Matrix wouldn’t hold up in the cultural zeitgeist as well as it did.

S2E9 - 5AmyNaked.png
I also love the “Girls Wanted” sign on the other site.

The final reveal of Alcazar is pretty clever. It’s a funny bit to reveal each of the alien brides to him and watch Alcazar try to cover for them all, but ultimately it’s watching Leela’s last moments contemplating the fact that she almost married someone that she knew was treating her terribly just so she could feel like she belonged. It’s one of the most real moments of Leela’s character in the entire series, because it feels so human to do something stupid in order to stop feeling alone. The last shot, however, is pure Futurama emotional gut-punch when she asks how many planets there could be and the camera pans out to remind us that space is incomprehensibly large. There are over 100 Billion stars estimated to be within the Milky Way Galaxy alone, each of which usually has at least one planet in orbit, and in Futurama the crew regularly travels all the way across the universe, meaning that almost any galaxy or planet in the universe is a possibility. There are estimated to be 1,000,000,000,000,000,000,000,000 stars in the entire visible universe, again, each with likely one or more planets. That means that if you searched 1 planet every milli-second for 5 billion years, you’d be roughly… .02% of the way there.

SPACE IS BIG, Y’ALL!!!

This is actually a very nice use of Cosmic nihilism for the audience, but since Leela doesn’t acknowledge it, it isn’t as sad as it usually is. Plus, Leela had addressed the opposite of it earlier in the episode, self-determination. She now realizes that she doesn’t need a home to define her as long as she knows who she is. Granted, eventually she will know her history, but that’s still a mystery right now, and it’s nice to watch her make some level of peace with the mystery.

FAVORITE JOKE

One of the women Alcazar is set to marry is a Yithian from H.P. Lovecraft’s “The Shadow Out of Time.”

S2E9 - 6Yithian.png
The Purple One.

The Yithians are a race that previously inhabited Earth over 66 Million Years Ago and they gained a form of near-omniscience through their ability to switch out their minds with other species in the future. However, despite this, they were annihilated by a species of Flying Polyps. However, since they knew they were going to be destroyed, they switched all of their minds with another race that will take over the Earth after humans are dead, the Coleopterous race. The coleopterous race is described as “beetle folk,” resembling a great number of different humanoid insects… just like Alcazar’s true form. In other words, his Yithian bride would likely be the last of her race, but if she wanted to marry another Yithian, they’d look like a giant insect. Additionally, she’s the only one who doesn’t say anything about his true form, so it’s possible she’s just pissed about the fact that he was going to marry 4 other women. Either way, a Yithian/Bug Creature wedding was a weird but interesting reference and I dig it.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 21: Raging Bender

NEXT – Episode 23: A Clone of My Own

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.