Doctor Whosday – S12E10 “The Timeless Children”

The Doctor finds out that her entire past is predicated on a lie.

SUMMARY

The Master (Sacha Dhawan) brings the Doctor (Jodie Whittaker) to Gallifrey where he forces her into the Matrix, the computer that holds all of the knowledge of the Time Lords. He reveals that he was hacking it when he discovered a hidden cache of information. It turns out that Gallifrey was once home to the native Shobogans. Tecteun (Seylan Baxter), a Shobogan astronaut, discovered a child that was capable of regenerating infinitely. Tecteun figured out how to copy the child’s ability and applied it to all of the Shobogans, making them the Time Lords. Tecteun limited the Time Lord’s ability to regenerate, but the “timeless child” can regenerate forever. The Master reveals that the Doctor is actually the timeless child, but that the Time Lords kept erasing her memory. The Doctor, as the child, was inducted into a clandestine Time Lord organization called the Division, but even the Master doesn’t know what it did. 

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This somehow feels kind of Logan’s Run-y to me.

The Master shrinks Ashad (Patrick O’Kane), allowing him to steal the Cyberium and combine the Time Lord genes with the Cybermen, creating a race of immortal “Cyberlords.” The Master plans to use these to take over the universe. The Doctor manages to escape the Matrix by showing it all of her memories to overload it just as Ryan, Graham, and Yaz (Tosin Cole, Bradley Walsh, Mandip Gill) arrive with Ko Sharmus (Ian McElhinney), Ravio (Julie Graham), and Yedlarmi (Alex Austin). 

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The headpieces are really unnecessary, man.

The Doctor discovers that the shrunken Ashad was in possession of the “Death Particle,” a weapon that destroys all organic life on a planet, held as a weapon for the last Cybermen. The Doctor sends all of the survivors away so she can detonate the particle, but finds herself unable to do so. Ko Sharmus appears and detonates the particle as penance for his failings, while the Doctor escapes. She makes it back to her TARDIS on Earth, just in time for her to be imprisoned by the Judoon. 

END SUMMARY

So, the season comes to an end and, true to the promise, this episode delivered a revelation that changed the entire history of Doctor Who. It turns out that there aren’t just 13 Doctors, a War Doctor, and a Ruth, but that there are, in fact, probably an enormous number of incarnations of the Doctor throughout time and space. While this might seem like it’s coming out of nowhere, the episode actually makes reference to this being proposed in a much earlier episode. 44 years earlier, in fact. In the Fourth Doctor serial “The Brain of Morbius,” a machine hooked into the Doctor’s brain shows the past regenerations of the Doctor and then a host of other faces. The intention of the scene at the time had been to show a number of surprise previous incarnations of the Doctor. Later, when the twelve regeneration limit was imposed, the writers ignored the faces. In this episode, we see all of these faces again, revealing that they were, in fact, previous faces of the Doctor. So, this episode really just confirms something that the show was supposed to tell us years ago.

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Trippy, but… I mean, it was the 70s. 

I definitely enjoyed the idea of the Master once again trying to create and command an army of Cybermen, but it makes a lot of sense for him to try to use the Time Lords as the basis for them in order to make the Cybermen unbeatable. Sacha Dhawan’s version of the Master is interesting, because he represents a combination of the technology of the earlier incarnations of the master, the humor of the John Simm version of the Master, and the cruel insanity of Missy. I mean, he committed Time Lord genocide… somehow. However, I will say that this episode suffers from a pointless Deus Ex Machina in the form of the Death Particle. It’s literally the exact weapon needed at the exact time it’s needed. The Master leaves it for the Doctor as a test of her principles, but it’s insane that Ashad just had it in the first place but didn’t bring it up previously. It’s even more frustrating because he could just have mentioned it WHEN HE THREATENED TO DESTROY THE EARTH TWO EPISODES AGO. 

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And he was too good of a villain to go down that easily. One button push by the Master? That’s it?

Still, while there definitely have been better season finales and the showrunners still have trouble with sincere emotional moments, it was a pretty good cap to the season.

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Doctor Whosday – S12 E9 “Ascension of the Cybermen”

In the first part of this season’s finale, the Doctor is trying to save the last vestiges of humanity.

SUMMARY

In the future, humanity has been mostly wiped out in the Milky Way by the Cybermen. However, the Cybermen have taken massive losses as well. The Doctor (Jodie Whittaker) arrives in the future just as Ashad (Patrick O’Kane) brings his dwindling forces to attack the last humans. Some of the humans are killed by “cyberdrones” after the Doctor’s anti-Cyberman devices fail, but the Doctor orders the Tardis Trio [Graham, Yaz, and Ryan (Bradley Walsh, Mandip Gill, Tosin Cole)] to save the remaining survivors. Ryan and a human named Ethan (Matt Carver) escape with the Doctor on a Cyberman ship while Yaz and Graham escape with the other humans, Yedlarmi, Ravio, and Bescot (Alex Austin, Julie Graham, Rhiannon Clements).

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Has time travel, still doesn’t have enough time to set up a trap.

Yaz’s and Graham’s group find themselves in a former Cyberman battlefield and board an abandoned Cyberman carrier ship. They try to take the ship to “Ko Sharmus,” a haven where humans can find a portal to a safe place where Cybermen can’t follow. Unfortunately, they also discover that the ship is filled with Cyberwarriors which are currently dormant. Ashad arrives and starts to activate the dormant Cybermen. 

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It’s been a rough couple of centuries.

The Doctor’s team arrives at Ko Sharmus, who is revealed to be a person (Ian McElhinney) who monitors the portal to the haven. Ashad and the Cybermen start to move towards the control deck. Yaz manages to warn the Doctor about the small army of Cybermen inbound just as the portal opens, revealing Gallifrey. The Master (Sacha Dhawan) leaps through, proclaiming that everything is about to change forever.

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He’s so happy.

Throughout the episode, we watch the life of Brendan (Evan McCabe), who was found abandoned in Ireland in the early 20th century. He grows up to be a police officer who seemingly can’t die. At his retirement, he is met by two men who say they’re going to wipe his memory.

END SUMMARY

I see a lot of people taking shots at this episode for ending with such a blatant cliffhanger line. To that I ask “Have you watched Doctor Who?” I mean, that’s literally a tradition from the very beginning. I acknowledge that the line “everything is about to change forever” is super cliche, but that’s really in line with Doctor Who.

Like the double fakeout with Amy Pond that season?

The Doctor really seems to kind of be at her breaking point throughout this episode, being much more direct, less expositional, and colder towards others. As much as I have appreciated the positivity of the current Doctor’s demeanor and her willingness to try to hold fast to hope, it was good to see her have to deal with a very dire situation and be serious. Part of what makes the Doctor such a great character is that he or she is always smiling through a deep pain and feeling of loss. This season the Doctor has lost a ton, but this episode finally gives us a real idea of how much it’s been eating at her. 

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She seems to not give a damn at this point and I like it.

It’s interesting to contemplate how the Cybermen benefit from eliminating the remainder of humanity. The Cybermen have, historically, only come into being from the bodies of dead humans and we haven’t seen them attempt to breed more humans. Would they just convert the last 4 and try to take over all of the alien species? Because most of the species aside from humans are usually technologically or physically superior and humans apparently managed to kill most of the Cybermen. It’s unlikely to work out well for them. Since the Cybermen were a metaphor for communism (everyone is forced to be exactly the same), I feel like there’s a message there, but I can’t figure it out.

Overall, much of this episode is really writing a lot of checks that the next episode needs to cash. 

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Doctor Whosday – S12 E8 “The Haunting of Villa Diodati”

The Doctor and The Tardis Trio encounter Mary Shelley on a significant night.

SUMMARY

It’s 1816 and Percy Bysshe Shelley (Lewis Rainer), Lord Byron (Jacob Collins-Levy), Mary Shelley (Lili Miller), her sister Claire Clairmont (Nadia Parkes), and Byron’s physician Dr. John Polidori (Maxim Baldry) are at Byron’s vacation rental, Villa Diodati. There have been a number of storms this year due to it being the year without a Summer. The Doctor (Jodie Whittaker) shows up during such a storm along with Ryan, Graham, and Yaz (Tosin Cole, Bradley Walsh, and Mandip Gill). After they arrive, Percy Bysshe Shelley goes missing and his room is covered in gibberish and strange symbols. Strange figures then appear throughout the house, the walls start moving, and dead body parts start moving on their own. 

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It’s no Ozymandias.

The Doctor realizes that these events are caused by a high-tech security system. She manages to prove it just as a figure starts to appear within the house, revealed to be a half-complete Cyberman (Patrick O’Kane). This appears to be the Lone Cyberman that Jack Harkness (John Barrowman) warned the Doctor about in “Fugitive of the Judoon,” but the Doctor chooses to stay and confront it. The Cyberman is revealed to be named Ashad and that he is hunting for the Cyberium, the substance that the security system is protecting. Ashad time traveled to the villa, but his power was drained. He uses the electrical storm to recharge himself, setting out to find the “guardian,” revealed to be Shelley.

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Either the first Modern Prometheus or possibly Galactus’s offspring.

The Doctor and the rest of the house find Shelley, who had found the Cyberium previously. The Cyberium is apparently the accumulated knowledge of the Cybermen. His gibberish was apparently calculations. Ashad threatens to kill Shelley, so the Doctor absorbs the Cyberium from him. Ashad then threatens to destroy Earth, so the Doctor gives him the Cyberium, despite Jack’s warning not to “give it what it wants.” The Doctor and the Tardis Trio depart, using Percy’s scrawlings to follow Ashad. The experience inspires the writing of Frankenstein.

END SUMMARY

Okay, this was a solid build up to the last two episodes. It continued the plotline of the Lone Cyberman started in “Fugitive of the Judoon,” while also being a classic “historical celebrity” episode, and the ending is the perfect antepenultimate cliffhanger. So, right now, the finale could well involve Cybermen, the Master, Doctor Ruth, and Jack Harkness. I know it probably won’t have all of those resolve in this series, but dang, that would be a ride. 

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Please come back to me, Jack.

This episode did a lot of things right that others in this season didn’t pull off well. First, the pacing was great. It had a cold open to set the atmosphere, the Doctor and crew arrive, then we’re slowly given more and more clues that something is very wrong here. The reveals of the secrets are given the proper amount of weight and reactions by the cast, which is something they have sorely lacked at this point this year. 

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They later put on a production of A Christmas Carol, I think.

The moments revealing the essences of the various characters, too, were well done, focusing more on showing us who they are rather than telling us. I particularly love the moments of Lord Byron trying first to seduce the Doctor with his confidence, only to hide behind Claire when he thinks he’s in danger. While Lord Byron’s behavior (he was typically not considered a coward), as well as Claire’s response to it, don’t correspond with their historical personas (she was pregnant with his child at this point and didn’t seem to hate him until after she gave birth), the changes made the episode more interesting. 

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Also, the moment of the Doctor claiming the Cyberium was pretty awesome.

I also loved that, at the end of the episode, there were still more mysteries, including whether or not Graham saw an actual ghost. It really fit the Gothic theme. Overall, just a solid episode to set up for what I hope will be an explosive finale. 

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Doctor Whosday – S12E7 “Can You Hear Me?”

The Doctor deals with a rash of nightmares across time and space.

SUMMARY

The Doctor (Jodie Whittaker) drops her companions off at their homes so they can see their friends and family, but then receives a distress call from 1380 in Aleppo, Syria. A man (Ian Gelder) appears in the TARDIS and then disappears, unobserved by her. The Doctor arrives in Syria and meets a young woman named Tahira (Aruhan Galieva) who is being chased by a werewolf-like creature. The Doctor protects her and finds that the creature has taken everyone else in the mental hospital in the town. 

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Well, now I know when we had potted plants.

Back in the present, Yaz (Mandip Gill) meets with her sister Sonya (Bhavnisha Parmar) while Ryan (Tosin Cole) visits his friend Tibo (Buom Tihngang) and Graham (Bradley Walsh) plays poker. Yaz and Tibo both find themselves plagued by nightmares and Graham starts having visions of a trapped woman (Clare-Hope Ashitey) and colliding planets. That night, Tibo is abducted by the Man from the TARDIS using his severed fingers. The three call the Doctor about their issues and she picks them up with Tahira. She takes them to the site of the colliding planets based on Graham’s visions and finds the Man’s severed fingers in the TARDIS. They discover that there is a prison between the two planets. The TARDIS lands on a ship nearby. 

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Tahira is somehow dressed appropriately for this. 

Tahira and the TARDIS Trio get off the ship and are captured by the Man, trapping them in nightmares, including Graham dreaming about his cancer coming back. The Doctor tries to find them and is confronted by the Man, who reveals himself to be Zellin, an immortal god. He manipulated the Doctor to release his partner, the Woman from Graham’s visions, a goddess named Rakaya. Zellin reveals that the pair thrived on chaos over the eons, but they tortured two planets so badly that the inhabitants sent their planets on a collision course and trapped Rakaya between them. Zellin has been using nightmares to send chaotic images to her head and keep her sane. Rakaya is released and the Doctor is trapped in her prison. She escapes while the pair start causing nightmares all over creation. The Doctor frees her companions and Tahira. 

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It’s discount Toad and Storm. 

The Doctor realizes she can control Zellin’s detached fingers and that Tahira can control the creature that attacked her, because it was born from her nightmares. They lure the gods to Aleppo and manage to trap the pair back in Rakaya’s prison along with Tahira’s monster. It’s revealed that Graham still worries about his cancer coming back, that Yaz was formerly suicidally depressed, and that Ryan is worried about losing touch with his friends. 

END SUMMARY

This episode came so darned close to getting it. It’s got a heavy theme of trying to address mental health issues, ranging from Graham’s stress about his cancer that never quite goes away (as a cancer survivor, that’s accurate) to Yaz’s suicidal history to Ryan’s dread about the world’s future. The episode starts at a mental health hospital in the 1300s and the Doctor starts to comment on how enlightened the Islamic physicians were in their treatment of people with mental health disorders even compared to the modern day, but then it kind of loses the thread by having a bunch of mental health issues being exacerbated by two immortals that thrive on chaos. They try to pull it back together at the end of the episode by talking about how the beauty of humanity being that they can take control of their fears, but that kind of shortcuts the reality that it takes a lot of hard work and sometimes external help to get past mental health issues. It just feels like a squandered opportunity.

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Though this image is pretty mind-screwy.

The main thing that the episode does get right is actually trying to explore the companions a bit. We find out stuff about them that we hadn’t really gotten to before, and all of it makes them a little more human and a little more relatable. Yaz has depression, Ryan’s friend Tibo has been struggling with it and Ryan feels guilty about not being there, and Graham has anxiety over his cancer. These are all great traits for characters in a show like this. 

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The backstory of Yaz and the cop is amazing.

Ultimately, this wasn’t a great episode of the show, but it wasn’t as bad as some of the recent ones. The fact that they have the Doctor call herself out about her random exposition does give me hope that they’ve realized that they can’t just have her spout educational facts to no one in particular. They also had the Doctor fall for a really obvious trick and had her trap the villains a bit too easily, but it still wasn’t too bad. 

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Doctor Whosday – S12 E5 “Fugitive of the Judoon”

The Doctor’s Fam meets an old friend and faces a targeted invasion.

SUMMARY

Gloucester is invaded by the Judoon, the space rhino cops-for-hire, who are searching for a fugitive. They attack Lee and Ruth Clayton (Neil Stuke and Jo Martin), but the Doctor (Jodie Whittaker) saves them. At the same time, Graham (Bradley Walsh) is abducted by a teleport only to find himself face to face with Captain Jack Harkness (John “The Sexiest Man Ever” Barrowman). Jack reveals that he thought Graham was the Doctor in a new regeneration and abducted him by accident, trying to give the Doctor a message. The Doctor discovers a box in the Claytons’ home, but Lee denies knowing anything. As the Judoon come in, the Doctor, Ruth,  Ryan, and Yaz (Tosin Cole and Mandip Gill) all escape while Lee surrenders, only to be killed by a former associate, Gat (Ritu Arya). Ryan and Yaz are then transported to Jack’s ship, only for him to be attacked by the people he stole it from. 

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Yes, Jack, I missed you like the flower misses the sunshine.

The Doctor and Ruth go to Gloucester cathedral where they are attacked by the Judoon and Ruth proceeds to instinctively beat the crap out of them. A text leads the pair to a lighthouse, where Ruth smashes an alarm box and the Doctor finds a buried TARDIS. Ruth emerges from the lighthouse identifying herself as the Doctor and the owner of the TARDIS. It’s revealed that Ruth and the Doctor are, in fact, both the Doctor… but neither one remembers being the other. Ruth reveals that she was forced to work for Gat at one point and that Gat is chasing them. The TARDIS is abducted and Ruth faces off with Gat, only for Gat to reveal that she is a Time Lord and was ordered to bring the Doctor back to Gallifrey. Since Gallifrey was destroyed by the Master, the Doctor realizes that Gat and Ruth have to be in her past, but she doesn’t remember either of them. Ruth tricks Gat into killing herself, returns the Doctor to Earth and departs. She meets with the Fam who give her Jack’s message. The Doctor, not understanding what’s happening now, believes something is coming for her.

END SUMMARY

Well, dang, just when I was worried that the show was losing track of what made the show work, it puts out this episode and I’ve got to say that I am blown the hell away. Not only did they bring back one of my favorite characters in the history of the show for a very cute cameo (though no reunion… yet), they completely blew me away by having the reveal that there is yet another Doctor… from the past. You’d think that since they did that once with the “War Doctor” it might seem a little derivative, but I honestly felt that the surprise and the excitement were just as genuine as they were for that reveal. It’s even better in some ways because Doctor Ruth is a sassy and jaded counterpart that perfectly balanced the Doctor’s heavy optimism. Given how they set her up, this can’t possibly the only time she shows up, and I look forward to the return.

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Also, Jo Martin freaking brings it. 

This episode managed to do a ton mostly by keeping the audience on their toes and pacing it perfectly, literally the opposite of what the last two episodes did. Pacing and connection is especially important in this kind of episode, because it really is a number of misleads that could easily have come off as trite or cliche. The only reason they didn’t is because the episode focused on the Doctor and Ruth and revealed most of the twists to us and them at the same time, allowing us to watch their responses to the new information. That response makes it feel earned. Admittedly, it helped that most of the twists were completely unexpected and compelling, but if they hadn’t felt earned, they wouldn’t have worked. 

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I shouted multiple versions of “WHAT THE HECK??” when this happened.

I also thought that the dialogue stepped up quite a bit in this episode, feeling a lot more natural, particularly between Jack and the Fam.  

Overall, just a solid episode of Doctor Who that leaves me wanting more. This is basically  what I was hoping for after the explosive premiere.

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Doctor Whosday – S12 E4 “Nikola Tesla’s Night of Terror”

The Doctor and Fam meet with the Man Who Invented the 20th Century.

SUMMARY

Nikola Tesla (Goran Višnjić) and his aide Dorothy Skerritt (Haley McGee) are attempting to gain funding for a new project, but is interrupted by reports of a problem at the Niagara plant. After finding out that parts are missing, Tesla finds a small glowing orb and sees a humanoid figure attack him. He, along with Ms. Skerritt, are rescued by the Doctor (Jodie Whittaker), who reveals that the orb is an alien device. The Doctor, Tesla, Skerritt, and the Fam (Bradley Walsh, Tosin Cole, Mandip Gill), get attacked by the same figure, but they manage to escape. Following Tesla to his New York office, they find that Tesla is being protested by many people and spied upon by agents of Thomas Edison (Robert Glenister). 

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Hey, it’s image recognition on a Tesla that actually works!

The Doctor confronts Edison, only for the same mysterious figure to appear and kill everyone in Edison’s lab except the man himself. They manage to trap the figure, who is revealed to be a giant scorpion in a bodysuit. The Doctor tries to warn Yaz and Tesla of the threat, but they’re abducted. The scorpion creatures are revealed to be a race of interstellar thieves known as the Skithra, ruled over by a queen (Aniji Mohindra). They’ve been tracking Tesla to try and have him repair their ship, choosing him because he was the only scientist able to detect their signal. The Doctor pulls Tesla and Yaz back from the ship and uses Tesla’s Wardenclyffe Tower to shoot beams of electricity to drive off the Skithra’s ship. Yaz is saddened to learn that Tesla’s future is unchanged by the events of the episode, and that he still died penniless and mostly unappreciated. 

END SUMMARY

Much as how the last episode felt like a poorer version of “Voyage of the Damned,” this episode feels like a poorer version of one of the figure-centric episodes like “Vincent and the Doctor” or “The Girl in the Fireplace” and suffers from the exact same problem as the last one: Nothing ever makes the impact it should. The episode constantly feels like the team is running from place to place only for the Doctor to deliver a short exposition about its importance or the importance of the people in it. While the Doctor usually explains things to companions, this episode felt a lot like overkill in that department, mostly because she was talking AT the listeners like they were audience surrogates, rather than WITH them like they were characters in the same scene. 

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They literally run down all the stuff that exists in New York at this time period.

What may upset me the most is that I was seriously anticipating this episode. Nikola Tesla was an underappreciated genius who either did, or was rumored to have done, some of the craziest stuff in the history of science. There is so much you could work with in an episode like this that would be both interesting and potentially scientifically accurate, but this time they focused instead on his relationship with Thomas Edison. Now, it’s hard to talk about Tesla without bringing up Edison, due to the confirmed occasions in which Edison screwed Tesla over, the most famous of which was not giving him a promised $50,000 reward mentioned in this episode. But it would have been so much more interesting to just focus on the mind of a mad genius, rather than have to bring up and explain an already-existing conflict and try to show it and also the alien plotline. Instead, we basically just get a pair of half-portraits of the good parts of Tesla and the bad parts of Edison. Rather than seeing them as people in the episode, they’re both just the archetypes the writers wanted to associate with them.

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Even while Edison is trying to help, he has to slander Tesla.

Now, Thomas Edison, while a giant d*ck, was not a total villain. He got his start in technology by rescuing a small child from a runaway train, leading the boy’s father to give him a job at the telegraph office, which allowed him to fund independent experiments in chemistry and electricity. He invented a ton of devices and was one of the first people to encourage funding of science for the sake of science. Unlike Tesla, Edison vowed never to make weapons or sell them, believing that non-violence was the only correct way to resolve conflict (something this episode directly contradicts).  Tesla, while he did have much more noble goals in regards to helping the world through his research, also believed in some less-progressive ideas, like eugenics. They both are extremely interesting people because they were so complicated.

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Reminder: The guy on the right tried to make a Death Ray, not a Hug Ray.

This episode just feels like another missed opportunity. I like the message that the episode takes against people like the Skithra who just use the work of others rather than producing themselves, but it gets muddled when you have to exposit it, rather than let us feel it. Despite the fact that Tesla was, in many ways, a sympathetic character, I don’t think they ever do more than have him try to get “genius” or “impressed” moments. You know, some people who were important also had things they liked outside of those things, guys, or they talked about them with passion and dedication. This episode just felt flat on that account. 

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Doctor Whosday – S12E3 “Orphan 55”

The Doctor and the Fam take a relaxing vacation that of course goes off the rails because it’d be boring otherwise.

SUMMARY

Graham (Bradley Walsh) assembles six coupons he’s collected into a transport cube to an all-inclusive stay at Tranquility Spa. Graham, Ryan (Tosin Cole), and Yaz (Mandip Gill) all hope that this will lighten the Doctor’s (Jodie Whittaker) mood after the destruction of Gallifrey in “Spyfall.” Ryan quickly gets infected by a “Hopper” virus that the Doctor cures just as the Spa declares an emergency. The Doctor goes to investigate why people are carrying guns, leaving Ryan behind to meet another guest named Bella (Gia Ré) who goes with him to investigate on their own. Graham meets with the Spa’s mechanic Nevi (James Buckley) and his son Sylas (Lewin Lloyd) while Yaz joins them with elderly couple Vilma and Benni (Julia Foster and Col Farrel). 

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They’re very cute. 

The Doctor bluffs her way into a security room and finds out that there are a number of creatures invading the compound. Kane (Laura Fraser), the security chief, tries to kick the Doctor out, but the Doctor manages to build an “ionic membrane” which kicks the creatures out. They’re revealed to be Xenomorph-esque creatures called “Dregs.” It turns out that the Spa was built on a desolate planet, Orphan 55, which is populated by the monsters who view the Spa guests as intruders. The area outside of the spa is uninhabitable to most life. It turns out that Benni has been abducted, so most of the characters we’ve named so far all go out after him (despite the fact that many of them are civilians, because narrative gotta play out). The Dregs set a trap for the group, disabling their vehicle. It turns out that the monsters’ strength is their adaptability, allowing them to survive Nuclear Winter, lack of oxygen, and even gunfire. It’s revealed that the Dregs are using Benni as a hostage. The Dregs attack, killing Hyph3n and Kane kills Benni to spare him an agonizing death. 

E3 - 2Dregs.png
They are indeed creepy.

The group makes it to a maintenance tunnel where Bella steals a gun and reveals that she’s Kane’s daughter. Kane, it turns out, owns the Spa and is planning to terraform Orphan 55 so that she can own the planet. Bella, who was essentially abandoned by her mother, wants to destroy everything her mother owns as revenge. The Dregs attack and Ryan teleports with Bella back to the Spa, leaving the rest behind to run. The Doctor finds a sign in Russian, confirming that Orphan 55 is just Earth in the future. The Dregs are the people who got left behind when the elites abandoned the planet due to climate change, horribly mutated by the subsequent nuclear war. Vilma sacrifices herself to save the group, who make it back to the Spa. The Dregs surround the facility, but the Doctor captures the lead Dreg and appeals it to change. It buys the group enough time to fix the teleport and all of the survivors return to safety except for Kane and Bella, who remain on Orphan 55. The Fam is depressed by the fact that Earth is doomed, but the Doctor reminds them that all of them have the power to help change the world.

END SUMMARY

Last week, I said that I thought “Spyfall” allowed the show to finally find the balance between getting the message across and telling a complete story. This week that fell to sh*t. This story felt more rushed than almost any Doctor Who story I’ve seen in a long time and that should have been completely avoidable. Part of it is that they attempted to introduce a large number of characters so that there could be a larger bodycount in the episode. Unfortunately, that’s not how you properly raise stakes in this kind of series. We need strong emotional connections to the people that we’re losing if their deaths are to mean anything, and adding more characters inherently dilutes those connections. Now, you can pull off a large number of quick emotional connections to characters using strong visual storytelling or some very, very skilled dialogue combined with the proper framing, but that’s not this episode. 

E3 - 3Kid.png
Hair color and some generic whining isn’t actual character development, guys.

Instead, the bulk of the work seemed to go into figuring out what cliche the characters were going to indulge in. We have the vengeful daughter, the greedy developer, the loving old couple, the repressive father and the brilliant son, and a bunch of other characters who were more likely to have weird names than any actual character traits. There are a ton of Doctor Who episodes that have pulled off similar structures better, but they always used the right balance of archetypal and more original characters to make sure that the deaths had more impact. “Voyage of the Damned” comes to mind, but even that episode had difficulties making all of the deaths feel meaningful. Here, many of them just feel empty.

E3 - 4Bella
We could just have focused on her story and that would have been interesting.

The message that “Climate change is bad” is undercut a bit by the fact that it’s represented by the monsters from Feast blended with Pumpkinhead. We aren’t seeing the suffering, we’re just seeing the sci-fi remains. It so far removes the effect from the cause that it really doesn’t give us any kind of actual connection. Even though I believe the point of the episode is right, it’s still just a bad story to use for it.

E3 - 5Lorax.jpg
We’ve seen it done much better in less time.

The companions were pretty much scattered throughout the episode, much like everyone else. The dialogue wasn’t particularly notable. The monster designs were pretty good, but the CGI was shoddy in places. The performances were fine, but they didn’t have much to work with.

Overall, this feels less like Doctor Who and more like someone who doesn’t understand the nature of effective storytelling using the character. 

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