Futurama Fridays – S1 E5 “Fear of a Bot Planet”

I think this is the first episode that doesn’t introduce a major recurring character. However, it does give us Earth’s favorite pastime, Blernsball!

Baseball: As boring as mom and apple pie. Blernsball: As exciting MILFs and Apple Brandy

Changing up the format. Synopsis here, then analysis, then if you want the annotated summary, click on the link at the bottom.


Bender, Fry, and Leela (John DiMaggio, Billy West, Katey Sagal) are sent to make a delivery on Chapek 9, a planet populated entirely by human-hating robots. Bender is captured by locals for knowing humans, so Fry and Leela go to rescue him. However, Bender has lied to the population and become a hero to the other robots. Fry and Leela are then captured, tried for being human, and sentenced, but it is revealed that their trial was just a show for the people and that the planet is actually controlled by Robot Elders, who use humans as scapegoats for their terrible leadership. The trio escape and complete their delivery, giving precious lug nuts to the robots, presumably ending all of their hatred of humans… until the next time we see the planet.

Yes, these costumes work.


This episode is about discrimination. Isn’t that cheerful? I mean, the title is even a parody of Fear of a Black Planet by Public Enemy, an album that was created to address a very specific version of race theory, involving white supremacy and its potential counterpart black supremacy.

Sorry, “world” supremacy. My mistake.

It’s a pretty clear theme, however, the message is a little more… let’s go with palatably relayed… by having it be human and robot relations. Granted, much like in Zootopia, the analogy starts to fall apart under scrutiny, but at least, within this episode, that’s what they’re going for. From Bender talking about “Robot League Blernsball” to his quoting “Ol’ Man River” to his complaints about robot exploitation, he’s evoking themes of a past discrimination in the real world.

The actor who sang it in “Show Boat” used the stage name “Stepin Fetchit.” No further comment.

Of course, Bender doesn’t actually care about any of those things. He’s literally just using them as an excuse to avoid doing work under the guise of protest. He even comes up with the holiday of “Robanukah” to take two weeks off, which is, apparently, the third holiday he’s made up since coming to work with Planet Express.

Kwanzaabot did not appreciate creating “Robanzaa.”

However, once they get to Chapek 9, the situation is reversed, with robots now being the ones who are discriminating against humans. The difference is that, while there is actually a justification for why humans might not let robots play Blernsball (like, the part where the pitcher is just a modified howitzer), the robots actually have to come up with completely illogical reasons to hate humans, like having propaganda films where humans eat robots or suck their oil out and turn them into humans. It’s like the insane claims that the Nazis made about the Jews or those made about black people by white supremacists. You’d have to be an idiot to believe them, but, unfortunately, a lot of people believed them.

Like how human organs digest microchips.

Probably the best part of the episode, and the point they were actually trying to make, comes from the revelation that the robotic discrimination isn’t actually based on robot-human relations, but instead has been cultivated by a ruling class as a way to avoid ever having to be held accountable for their terrible leadership. Which, lets be honest, has been the history of a lot of racism/nationalism/whateverism. It’s really easy to get away with being a shitty leader if you can just tell everyone else it’s the fault of the Jews or the Swiss or Ted Nugent fans. Sure, it’s going to require you to make some stuff up, like that they hoard gold causing inflation or that they eat lug nuts causing a shortage. Sure, you have to suffer, but, in exchange, they’re protecting you from those monstrous humans.

Oh, and corrupt. Man, you can be corrupt as hell if you have a scapegoat.

By having humans be the cause of dread and anguish for Chapek 9, the episode also drives home the truth that discrimination is derived from fear. Anyone who interacts with humans for an extended period knows that, while some of them are crappy, most of them are harmless. Well, Mostly Harmless. However, since the Robot Elders control all of the media within the planet and eliminate contact with outsiders, there’s almost no way for the robots to understand how foolish their misconceptions sound.

So, it’s not perfect, but its an entertaining way of pointing out that most discrimination is actually used as a deflection by the powerful so that people don’t notice that they usually have a much more immediate cause of their problems.


This billboard.


Come on, you laughed. Admit it.

Is it complicated? No. Is it dated? Oh yeah. But if you sat through the two decades of those ads being everywhere, then you know this was kind of the response you always wanted. Btw, the first got milk ad, featuring the Aaron Burr-Alexander Hamilton museum curator, was directed by Michael “I’m not going to try harder if you keep paying me not to” Bay. Not every joke I love in this show requires a long explanation.

But, since it was short, back-up joke: When Fry and Leela are identified, we hear two robots say “Intruder Alert! Intruder Alert!” and “Get the Humanoid! Get the Intruder!” These are from the game Berzerk. This game is famous for three reasons: First for having speech, all the way back in 1980, despite each word costing developers $1000. Second is Evil Otto, the villain who took the form of a smiley face, famous for being literally unkillable. Third is that in October 1982, Peter Burkowski played Berzerk for 15 minutes, made the high score list twice, then dropped dead of a heart attack at 18 years old. This is one of the only games to have ever been claimed as a cause of death to a human. Thus, it’s perfect for dialogue on a planet filled with human-killing robots.

Still a fun game, honestly.

See you next week, Meatbags.

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