Futurama Fridays – S3E15 “I Dated a Robot”

Fry manages to get Lucy Liu to go out with him… by downloading her personality into a robot that is programmed to go out with him.

SUMMARY

Fry (Billy West) tries to convince the Planet Express crew that everything in the future is better than it was in 1999 after he sees a mind-altering ad for the Discount Shoe Outlet. They agree to take Fry on a trip to do all of the things that he wanted to do in the past, such as riding a dinosaur and seeing the edge of the universe. An hour and a half later, the only things Fry hasn’t done is be naked in a chocolate factory or be romantically linked with a celebrity. In order to satisfy the latter, the team logs onto the internet and goes to Nappster, a company that uploads celebrity personalities into robot bodies. Fry selects Lucy Liu and downloads her into a robot that is instantly in love with him and somehow convincingly sexually aggressive despite just being a metal entity with a hologram covering. 

S3EF - 1BlowUp.png
Fry also blows up a (Hopefully dead) planet.

Fry and Lucy start dating, but Bender (John DiMaggio) is against humans and robots dating. Leela (Katey Sagal) agrees to help him break up the couple and the Professor (West) shows him a propaganda film saying that dating robots destroys society, but Fry continues to just make out with his robot Lucy Liu. Bender and the crew decide to take down Nappster, but they discover that the company has actually been holding celebrities hostage and that their real name is Kidnappster. They rescue the real Lucy Liu and plan on taking her to the authorities to get rid of the company. In response, Nappster activates all of the other Lucy Liu robots in New New York and sets them to track down and kill the crew. The only one that seems unaffected is Fry’s. Fry, Bender, and Zoidberg (West) take down one of them, which makes the real Lucy start falling for Bender, but they are quickly chased by an army of Liu-bots.

S3EF - 2Kidnappster.png
WHY EVEN MAKE THE SIGN?

The group flees to a movie theater where  Fry and his Liu-bot are watching a Charlie’s Angels III: The Legend of Charlie’s Gold. Fry’s Liu-bot sacrifices herself to kill the other robots with popcorn. Fry ends up shutting her down at the behest of the real Lucy Liu, who is now in love with Bender.

S3EF - 3Lius.png
Sexiest. Army. Ever.

END SUMMARY

This episode honestly is only okay. I think there are some good jokes and the premise is pretty funny, but it just doesn’t have the same level of punch as most of the other episodes of the show. 

S3EF - 4Madelyn.png
Replacing Lucy Liu with Madelyn Albright does make me smile a bit, though.

A big problem with it is that they’re clearly trying to make a comparison between dating a robot and the old stereotypes behind interracial dating, with Bender even calling it “Robo fever.” The problem is that dating a robot is completely different, because the robot is literally a pre-programmed entity who has no free will (at least, the Liu-bots are) whereas a person of a different race is STILL A PERSON. There are legitimate philosophical questions to be brought up about giving something some semblance of sentience but also chaining it to you, as well as questions about copying someone’s consciousness and modifying it. It just doesn’t come off as a fair analogy. I do admit that the anti-robosexuality propaganda film comes off as one of the homophobic propaganda movies that some organizations used to put out mixed with Reefer Madness, which is clever, but other than that, I just don’t think they handle the issue as well as they do a few seasons later.

S3EF - 5DontDateRobots.png
Doesn’t have a musical version, though.

The Napster reference is so dated that even I have a problem remembering what the hell Napster was, but I do admit the idea of crafting something illegally out of a celebrity’s image is way ahead of its time. Hell, we have organizations already warning us about Deepfakes, how long is it until we can just make a sexbot out of any celebrity?

Like I said, it’s not a bad episode, but it’s only okay.

FAVORITE JOKE

I think the best joke just has to be the episode of The Scary Door that opens the episode. It goes through at least a half-dozen Twilight Zone cliches in only a minute, including having a guy think he’s in heaven, then realize he’s in hell, then being on an airplane with a gremlin, then being Hitler, then Eva Braun turning into a fly. Even though Bender’s response of “saw it coming” is incredibly predictable and cliche, it’s still funny.

S3EF - 6Fly.png

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 46: Time Keeps on Slippin’

NEXT – Episode 48: A Leela of Her Own

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Advertisements

Futurama Fridays – S3E14 “Time Keeps on Slippin’” 

Planet Express screws up the universe in order to win a basketball game against the Globetrotters… then the ball’s in Farnsworth’s court.

SUMMARY

The Globetrotters, a race of aliens who also come from Harlem somehow, come to Earth to challenge the planet to a game of basketball with absolutely no consequences whatsoever aside from embarrassment. The Professor (Billy West) decides to take up the cause of representing the Earth by making a team of atomic supermen. Unfortunately, they’re only atomic superbabies at this stage, so the Professor sends Fry (West), Bender (John DiMaggio), and Leela (Katey Sagal) to get “chronitons,” a particle which controls the flow of time. The particles are extracted from the Tempus Nebula, causing cracks in space when they’re removed, but the team doesn’t pay any attention to it. The Professor gives the babies the chronitons and they grow into five giant atomic monstrosities in basketball outfits. Space Jam could not be reached for comment.

S3EE - 1Globetrotters.png
The day the Earth stood like jive turkeys.

The Globetrotters and the supermen face off, with Earth taking the lead throughout the first half, something that the Globetrotters claim is intentional. In the middle of the second half, time suddenly starts skipping forward, leading to the death of one of the supermen. Fry offers to take over the spot of fifth man due to the team being up 35 with two minutes left. Time skips again and the Globetrotters win by 158 points. Everyone blames Fry, but no one knows what he did.

S3EE - 2Team.png
Atomic Supermen are so cliche. Give me some solar powered ones, like… well, Superman.

Farnsworth tries to figure out how to stop the skips and is joined by the head of the Globetrotters, Bubblegum Tate (Phil LaMarr), one of Bender’s heroes. As they work to solve the problem, time continues to skip forward, often in hilarious ways. At the same time, Fry attempts to figure out how to get Leela to go out with him, failing miserably. Farnsworth and Tate come up with a plan to move stars using a gravity pump in the hopes that it diverts the time skips to another part of the universe. Leela manages to move the stars into place and it appears the skips have stopped. Fry tries to convince her to go out with him again, showing her that he learned how to fly the ship and the gravity pump. She’s just in the middle of telling him no when time skips again to their wedding. 

S3EE - 3Wedding.png
It’s a nice day to start again?

Leela accuses Fry of tricking her somehow and divorces him. He tries to figure out what he did to get her to marry him, but his attempts are frustrated because time keeps on slippin’ (oh, that’s why they called it that). Farnsworth and the Globetrotters come up with another plan to get rid of the chronitons by using a doomsday device to implode the nebula. Farnsworth is revealed to have many of them. The team sets off the device, just in time for Fry to find out what he did to make Leela give him a chance: He wrote a love letter with the stars themselves. Sadly, it’s destroyed before she sees it and everything goes back to normal.

END SUMMARY

This is one of the best episodes of this show on a lot of levels. 

First, the Globetrotters are hilarious from minute one. They’re explicitly non-threatening in a very threatening manner. They treat all of their joking antics with a level of seriousness that should get old, but somehow never does. Bubblegum Tate’s insistence that there are no stakes whatsoever is given the gravitas of threatening destruction and essentially treated as such by Farnsworth. When people laugh at their antics, Bubblegum claims to be angered that their behavior is being misunderstood. It’s basically like if the Harlem Globetrotters actually took their role of constantly beating the Washington Generals to be a serious event. The fact that they’re then revealed to all be mathematicians and physicists who still obey the traditional Globetrotter rules for heightening tension and amusing people elevates the joke even more. 

S3EE - 4Trotters.png
Their algebra is all razzamatazz.

Second, this is one of the first times we get confirmation that Fry and Leela might actually work out, because it’s revealed that once Leela gave him a chance, they ended up getting married. It turns out Fry really was willing to go out and do something amazing just to prove that he’s serious about her. That said, something did bug me on this re-watch. As the audience, we see that Leela is actually fairly interested in Fry, so it feels justified that he keeps going, but from his perspective she’s just repeatedly rejecting him politely. He should probably have stopped asking at this point. That said, it does end up working out for them, so… hell, I dunno what to think about it. Pass.

S3EE - 5Note.png
He did remember the comma, though.

Third, the mechanism of the time-skips makes this one of the most efficient and humorous episodes of the show. We get so many great gags out of watching everything skip ahead in time because it’s basically an in-universe jump cut. It’s so great to watch the characters themselves experience a narrative device with the same impact that it has on us. I particularly love when Hermes claims to have a solution only for it to jump cut to everyone in a nude conga line, something even Hermes can’t rationalize. 

S3EE - 6Conga.png
Probably for the best that Zoidberg’s not grabbing anyone.

Overall, this is just a great episode. The jokes are rapid-fire and almost all of them are great. The Globetrotters are one of the best running gags the show ever came up with. Just an amazing half-hour of television.

FAVORITE JOKE

All of the time skips pretty much could be on here, but the best one is probably also the darkest. There’s a set of four skips in a row where Linda the newscaster ends up saying the following stream of lines:

Time continues to skip forward randomly. Details at 11. [Skip] This is the news at 11. The mysterious and unexplained– [Skip] Turning to entertainment news, teen singer Wendy might just be the latest– [Skip] –won three Grammys last night– [Skip] –found dead in her bathtub.

S3EE - 7Wendy.png
Dark. Super Dark.

It’s a horrifying joke about the nature of the music industry that these artists so frequently die young after achieving notoriety. It’s made even more disturbing by the fact that the album that Wendy is shown on is clearly designed after Britney Spears’ debut album “…Baby One More Time,” and this episode actually came out before Spears’ very public meltdown. 

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 45: Bendin’ in the Wind

NEXT – Episode 47: I Dated a Robot

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays  – S3E13 “Bendin’ in the Wind”

Bender gets broken and tries to find himself as a folk singer… also, Beck is there. 

SUMMARY

S3ED - 2WhaleOil.png
It’ll be a whale of a time.

Fry (Billy West) and Bender (John DiMaggio) come across a broken down VW Microbus and Fry pushes it to Planet Express. He tries to fix it up but finds out that petroleum no longer exists and everyone now uses whale oil.  Bender tries to open a can of the substance, but he gets caught by the magnet in the can-opener and pulled into it, mangling him horribly. At the robot hospital, Bender is informed that he will never be able to move again. He starts to despair, only to find out that he is in the hospital with Beck, the musician-poet who transcends genres even as he reinvents them. He also did “Loser.” Beck, now just a head in a jar, tells Bender that even without a working body he can still lead a rich life. Beck gives him a pair of small mechanical arms which Bender can control and which he can use to pull across his torn-up torso as a washboard. Beck invites Bender to come on tour with him.

S3ED - 3Broken
He can still cabbage patch, so he’s fine, right?

Fry, Leela (Katey Sagal), Amy (Lauren Tom), and Zoidberg (West), follow Bender and Beck on tour in the Microbus. While at a laundromat, Zoidberg’s shell runs, ruining their money but making all of their shirts Tie-Dye. Accordingly, they adopt a life as poor hippies. Bender sees a group of broken robot fans being disposed of and decides to organize a charity concert for broken robots and he starts writing his own song about being broken. After he finishes it, Fry and the others visit him at his hotel and Bender miraculously finds out that his hydraulics have started working again and he can move.

S3ED - 4Hippies
Zoidberg should keep that coat. It works.

 Worried that his returned mobility will ruin his career, Bender opts to pretend to still be broken. He heads to the concert while the others take the bus. When they get to the concert, Dr. Zoidberg begins vomiting from eating too much dirt, but it turns out that he’s vomiting up beautiful blue pearls which the gang sells for money. Bender sings his song “My Broken Friend,” but he gets so caught up in it that he starts dancing, exposing his lies. The Robots now hate him as a faker, Beck hates him for exploiting him, and the fans hate him for being a phony. Bender hops in the VW bus and drives off with the others while Beck and the other musicians at the concert follow. 

S3ED - 5Singing

Bender tries to outrun Beck, but accidentally drives the bus off of the Golden Gate Hover-Bridge. Bender grabs a cable and saves them (incidental to saving himself), but Leela lets go of him and he is flung into the sky, crashing near Beck. Bender claims to now be really crippled and to have learned a lesson, but Beck sees through it immediately. Beck still forgives him, though, after taking the check back. Bender and the crew start paddling home, despite the insanity of that statement.

END SUMMARY

Well, we finally get that episode of Bender living his dream of being a folk singer that has been hinted at periodically until now and… it’s exactly that. I mean, it’s a little oblique since Bender mostly only follows as Beck’s accompaniment and his fame comes less from his talent and more from his disability, but still, this is technically him trying to fulfill his dream. It just really didn’t explore much beyond him singing “My Broken Friend,” which, due to the circumstances, comes off as even more insincere that Bender usually is. 

S3ED - 7LoveBeads
At least the Love Beads were sincere.

The premise of Bender being crippled might fall a little short if it weren’t for the “twist” that he’s actually perfectly fine. I mean, think about it, Bender’s somehow crippled, but in other episodes he’s survived being flattened, disassembled, and shot full of holes. Hell, one episode’s entire plot revolves around him SELLING HIS BODY FOR MONEY and not in the way that my readers are used to. I realize that all of the rules in Futurama are pretty loose and can be re-written to fit the gags, but still, it made more sense to reveal that he wasn’t actually crippled than to suggest that he somehow was ruined without any damage to his head. 

S3E9 - 4Chest
He let a child live in him. Have you met kids? They destroy everything!

Beck’s presence in this episode feels strangely like a Simpsons cameo, except that it’s central to the plot. He shows up as a slightly goofy and exaggerated version of himself, which works well because Beck is kind of weird to begin with, but it just keeps going more and more self-derogatory and mocking. The only reason why it works is that the shots Beck takes at himself are mostly exactly the kind of shots that you imagine that someone like Beck would take at himself. It’s honestly fun to see him defend some of his more odd choices using things like the “Becktionary” or forgetting what his own compositions are about. He also has a nice enough image that everyone can kind of believe him sincerely wanting to help but also being able to satirize the folk music industry a little. 

S3ED - 8Becktionary.png
The Spanish to English Becktionary is just Soy un Perdador.

The B-Plot of the rest of the Planet Express crew following Bender as hippies is pretty funny at times, although it also produces some wildly out of character moments with regards to Leela and Amy. Amy’s money gets destroyed in the wash, but, since she’s a trillionaire, they never explain why she doesn’t just get more. I mean, again, the show does have a very loose continuity, but Amy being spoiled and rich is her biggest character trait. It’s like if you were to make a version of the Archie comics where Jughead doesn’t eat a burger for an entire season, it just seems like you’re using the character in name only (Note to self: Kill everyone involved in Riverdale). Still, it did give us the great image of the rednecks of the future saying “You heard him, freaks. We don’t like your type around here. These are the types we like.”

S3ED - 6Poster.png
When your racism gets more inclusive?

Overall, it’s not a bad episode, but this season’s got better on the way.

FAVORITE JOKE

Tie between Beck and Bender playing Sexx Laws for 3 hours because they “got into a serious thing… and then [Beck] forgot how it ended” and the image of what the future United States looks like as they go on tour. Here’s a list of the states of the future:

New New York, New New Jersey, Sylvania and the Penn Republic, East West Virginia, West Virginia (guess they won the second Civil War), Washington A.C. (because AC > DC, ya dig?), eHIO, ‘Ucky (Cuz “Kent” is a liberal name), Muontana, Washingtron, WyΩing (where the Buffalo RΩ), User ID:aho, XORegon, Nukevada, Human Farm (Formerly Utah), 24 Bit Colorado, and High Cal and Low Cal (ifornias). Are most of these names used only for this gag and contradicted later in the show? Hell yes, but this is the kind of fun sight gag that I can just accept and move on from.

S3ED - 1Map
Fun fact: Nukevada is a Dukedom

For the states that were missed, I propose (in alphabetical order by current name): AI-abama, Alaxxka (a subsidiary of Exxon), Verizona, NotYourKansas, DirectConnecticut, Dellaware, Floridampandhotallthef*ckingtime (guess where I grew up?), BoyGeorgia, Hawhyyyyyy, Licensetoillinois, NativeAmericana, Iowannaseesomecorn, Kansysadmin, Lou’s Anna, MaineLine, Marylandingsite, Taxachussetts, Michigone (it’s just a gap in the map), Mini-sota, Mississippi (they didn’t give up the Confederate Flag, you think they’ll give up a name?), Re-Mixouri, Mailerdaemontana, Nextbraska, New New New New Hampshire (they had a lot of marketing issues), New Mexico but not that New Mexico, South West Virgina (North Carolina), The Dakota Without Mt. Rushmore, OkCupidlahoma, The Island Formerly Known as Rhode, Charleston and Friends, The Dakota with Mt. Rushmore, Elevenessee, Real Texas vs. The Austin Alliance at Wrestlemania MXXXII, Verminty, and Wisnotfromconcentrateson. 

Are any of those any good? Let me know.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 44: The Route of All Evil

NEXT – Episode 46: Time Keeps on Slippin’

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S3E12 “The Route of All Evil”

It’s time to focus on the important things in the future: The terrible, terrible children.

SUMMARY

Fry (Billy West), Leela (Katey Sagal), and Bender (John DiMaggio) decide to brew their own beer inside of Bender. The joke is that Bender looks and acts like he’s pregnant throughout the episode. It’s funny, but there’s really nothing else plot-wise.

S3EC - 1BenderPreg
Feeling fermentation sounds like a thing that you shouldn’t do.

Professor Farnsworth (West), Hermes (Phil LaMarr), and his wife LaBarbara (Tress MacNeille) find out that their sons, Cubert (Kath Soucie) and Dwight (LaMarr), were suspended from boarding school for salting a bully (he was a blob). While bored at the office, the pair send the crew on a fake mission which takes a week, resulting in the Professor and Hermes telling the boys to get a job. They decide to start a competing delivery service, a paper route, called Awesome Express. The kids use a pedal-powered spaceship to deliver the paper and quickly become extremely successful, gaining over one-million customers on their route and Awesome Express starts to actually make more money than Planet Express.

S3EC - 2Delivery
Dogs are still a problem.

The kids try to gain their fathers’ respect, but the Professor and Hermes, clearly insecure about the boys’ success, pretend they’re unimpressed. In response, Cubert and Dwight decide to completely crush Planet Express, hiring Fry, Leela, and Bender for themselves. The men try to counter by working with what they have left, but it turns out that Cubert actually inherited the company when the Professor was declared dead after taking a nap in a ditch. They place Planet Express under Awesome Express and fire their fathers, who quickly become depressed over the situation.

S3EC - 3MoneyPile
Most parents appreciate a money pile more.

Bender finally gives birth to an ale, and it is revealed that Dwight and Cubert have never actually been delivering the papers, since they broke the window of their bully and have been scared to go on the route since. They run crying to Hermes and the Professor, who deliver all of the papers and take the kids to the Blob household to apologize for the window. Mr. Blob  (Maurice LaMarche) refuses to accept their apology, leading the two dads to attack him and get beaten to a pulp. Mr. Blob comes to apologize at the hospital and the fathers all share a bottle of Bendërbrāu, but his son proceeds to eat Dwight and Cubert.

S3EC - 4Blob
He’s angry at automation. Yes, really.

END SUMMARY

This episode addresses having kids in both plotlines, but in very different ways. Fry, Leela, and Bender are dealing with the actual pregnancy and the positive expectations of parenting, while the Professor and Hermes deal with one of the scary realities that one day your kids are going to grow up and take your place. Hermes even says “We just wanted a few more years of being better than them.” In the end, we see all of the happy parents enjoying time with their kids, though in Bender’s case he’s drinking his offspring which is disturbing in retrospect. Still, I think it’s a clever way to play two plots on a similar theme.

S3EC - 5AwesomeExpress
And some shots at corporate business, I guess?

Even though the idea of Bender being pregnant with beer seems like it would be a one-note joke, they do manage to address enough of the aspects of pregnancy in clever enough ways that the joke actually works, right up until Dwight says “this is a delivery company, not a delivery room.” When you do implied but indirect analogies the whole episode, doing an explicit comparison kind of falls flat. Other than that, though, I think the idea is actually well done.

S3EC - 6Ruined
The kids also get mad at the beer, which is… age appropriate?

Hermes’s and the Professor’s behavior is simultaneously ridiculous and relatable. When they first see their kids are trying to start a business, they treat it as if it’s just children playing a game. The minute they discover that it’s a competing delivery company, the two start to sabotage their kids, until they understand it’s a paper route, at which point they consider it a joke again. It goes back and forth like this, with the men underestimating the boys or denigrating their efforts until finally the boys overtake the men. The fact that at no point do they consider just talking openly and honestly with their sons about how they feel is either a shot at the fragility of masculinity, a hilarious commentary on the nature of pride, or both. In the end, though, their love for their children outweighs their insecurity, which hopefully is what actually happens in these situations.

Like I said, I think this is a solid episode for managing to thematically connect such disparate situations.

FAVORITE JOKE

One of the hallmarks of humor is surprise. You need to deliver a punchline that’s simultaneously unexpected and also still reasonable, because just going pure surrealist will never have as much impact. This episode somehow has one of the best examples of a surprising punchline that should also have been completely expected.

When Cubert and Dwight first take over the company, Cubert and Leela have the following exchange:

S3EC - 7AwesomeExpress.png

Cubert: Hey, Leela, help me apply these flame decals I got in my cereal. They’ll make the ship go faster.

Leela: And what’s your scientific basis for thinking that?

Cubert: I’m 12.

Cubert, a literal genius, responds with a huge amount of self-awareness about choosing to believe something completely irrational. It simultaneously makes total sense and also none whatsoever. I love the hell out of this simple exchange. 

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 43: Insane in the Mainframe

NEXT – Episode 45: Bendin’ In the Wind

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S3E11 “Insane in the Mainframe”

Fry gets involved in a crime and committed to a mental institution which drives him crazy.

SUMMARY

Zoidberg (Billy West) is being honored for his ten years in service to Planet Express. During the proceedings, Hermes (Phil LaMarr) mentions that Zoidberg’s retirement fund is zero, as he’s never paid into it. Hearing this, Fry remembers that he hasn’t paid into his plan either. He spends ninety-four of his $100 on lotto tickets then decides to put the rest in the bank. While there, Fry and Bender (John DiMaggio) run into Bender’s friend Roberto (David Herman), who proceeds to rob the bank, but gives Bender and Fry some of the money. They’re immediately arrested and convinced to plead insanity by their lawyer, the Hyper-Chicken (Maurice LaMarche), after Fry is threatened by Roberto. Bender is sentenced to a robot mental hospital, but so is Fry after the judge is told that the human facilities are full.

S3EB - 1Franklin
We also find out that Franklin’s still on the one-hundred dollar bill.

Once they get to the robot asylum, Fry is labeled a robot by the head doctor, Dr. Perceptron (LaMarche). Fry is put in a closet with his “roommate” Malfunctioning Eddie (Herman), who keeps exploding. Fry is starved due to the lack of human food, harassed by crazy robots, and later attacked by Roberto when he replaces Eddie. After a few weeks of this, Fry is finally released but is now convinced that he is, in fact, a robot. He attempts to determine what kind of robot he is, failing at being a calculator, a tool bot, and a food-mo-tron.

S3EB - 2Hal
The birds would be tweets if it was made later.

Meanwhile, Roberto breaks Bender out of the asylum and heads to Planet Express to hold them hostage. Fry, however, decides that he has finally determined what kind of robot he is: a battle droid. He attacks Roberto who stabs him in response, but the knife hits an oil can that Fry has in his pocket, which convinces the crazed Roberto that Fry is, in fact, a Robot. Roberto flings a knife at Fry and flees. The knife wounds Fry, making him bleed, which leads him to realize that he’s human after all.

S3EB - 3Stab
Bigger question: What’s the extra .1415926535…?

END SUMMARY

This is an episode that was actually much better than I remembered it to be. It’s a great example of having two plot ideas and letting one feed into the other. The first plotline is the asylum and it’s filled with a bunch of gag characters which represent the traditional Futurama twist on established archetypes through making them all robots. When I first saw this episode, I hadn’t seen Girl, Interrupted or One Flew Over the Cuckoo’s Nest or most of the other films that revolve around mental health facilities, so I didn’t understand what most of these are satirizing. Now that I do, holy heck, some of these are on point. I think the best one is the guy who thinks he gets CIA radio signals through his teeth, which are revealed to be the announcements from the CIA cafeteria.

S3EB - 4CIA
It’s crazy how funny this is.

The second plotline of Fry believing he’s a robot is a great subversion of the typical Blade Runner-esque trope of a robot believing that it’s a human. It’s made much funnier by the fact that Fry cannot do anything as an android. He doesn’t just fail at the tasks, but he fails at doing anything remotely robotic, to the point of not consistently beeping or using robotic language.

Overall, it’s a pretty solid episode.

FAVORITE JOKE

It’s clearly when Fry spontaneously decides that robots talk like fake medieval citizens. Specifically, he believes that they say “ye.” It’s such a random and insane moment that still stands out in the midst of a montage of random and insane moments. It has no basis in any logic whatsoever, except perhaps that in Fry’s already dim and now addled brain, he has decided that since robots talk funny and olde timey people talked funny, they’re basically the same thing. It makes me laugh every time.

S3EB - 5RobotsDon'tSayYe

Backup joke would be Frankie, the robot that Fry is told has the specific delusion that he works in the lunchroom, so he… works in the lunchroom. The other insane robots even seem to pity him. It’s never confirmed that he’s not, in fact, just a normal person who chooses to work in the lunchroom at an insane asylum and the gag is that it would be impossible to tell the difference. In other words, if your life’s ambition is just to perform a menial task, you’re the real crazy one.

S3EB - 9Frankie
I’m gonna go cry now.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 42: Where the Buggalo Roam

NEXT – Episode 44: The Route of All Evil

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S3E10 “Where the Buggalo Roam”

Welcome to Mars, where the men are men, the women are ladies, and the meat is primarily insectoid.

SUMMARY

Planet Express goes to visit Mars to see Amy Wong’s (Lauren Tom) parents, Leo (Billy West) and Inez Wong (Lauren Tom). It’s revealed that the Wongs have long owned the entire Western Hemisphere of Mars, having bought it from the native Martians for a single bead. Zapp Brannigan (West) helps prepare Lt. Kif Kroker (Maurice LaMarche) for meeting his potential future in-laws. Kif fails to impress them due to not being “manly” enough. While Amy consoles him, a dust storm comes across the farm. After it passes, all of the Buggalo, the prize Wong crop, have been taken. Kif decides to go after the rustlers who took them and the Professor (West) sends Fry (West), Leela (Katey Sagal), and Bender (John DiMaggio) along with him.

S3EA - 1RJ.png
We also got the answer to whether marketing can come to life.

They camp on Olympus Mons, finding the missing Buggalo in the crater at the top. After Kif uses explosives to free them, the sand storm returns, revealing that the rustlers are the Native Martians who are riding flying Buggalo and are trying to get revenge on the Wong family. Amy accidentally identifies herself, so they kidnap her. After Kif returns the Buggalo, the Wongs call in Zapp Brannigan to rescue Amy. Along with Kif, Fry, Leela, and Bender, Zapp goes into the underground Martian Reservation. Brannigan quickly antagonizes the native Martians, who call up another sandstorm to kill everyone, but Kif flies a Buggalo to rescue Amy, which calms the Martians, who establish that only those beloved by Mars can fly Buggalo.

S3EA - 2Herd

Unfortunately, when Kif is invited to smoke the peace pipe with them, he coughs, which make the Martians want to kill him. They try to crush him with the bead that they got in exchange for the land of Mars, but it turns out that it is an absolutely massive diamond. The Martians had always just assumed that they’d been cheated, but are informed that the gem is worth enough to find them a new planet, which leads them to leave Mars. The Wongs are told what happened, but they don’t believe Kif could be that awesome. Amy tells Kif that if her parents liked him, she wouldn’t.

END SUMMARY

Futurama managed to combine the Sitcom meeting the parents episode and the Western, which is pretty great. Leo and Inez have already been established to be more than a little mean towards Amy, particularly since they just seem to want her to find a man and have children, despite the fact that she is actually a doctoral engineering candidate. In this episode, she finally brings a man home with whom she is in a serious relationship, something that should please them, but instead they just start disrespecting Kif for not being manly enough. It’s basically the perfect example of how bad parents can treat their kids on television before it goes to “uncomfortably abusive.” I imagine that may change over time, however.

S3EA - 3Wongs
I already see complaints about Leo being voiced by a white guy.

The idea of Mars being a Western setting inherently conflates the American Frontier with Space, the next frontier that humans will have to take over. Much like the American Frontier, it’s revealed that this new territory is populated by native peoples who the colonizers will suppress. The Native Martians are about as thin of a metaphor for the Native Americans as it gets. However, in what I have to consider an amazing subversion, it’s revealed that the Wongs actually DIDN’T cheat the native Martians, showing that perhaps in the future humanity actually will have learned from at least some of its atrocities. Granted, it doesn’t bode well for us that our reputation for exploitation is so strong that the Native Martians automatically assumed they were fooled and didn’t even check to see if the diamond was worth something. Still, some hope.

S3EA - 4NativeMartians.png
And yet, they had space travel before Earth had indoor plumbing.

This episode really solidifies the longstanding joke in Futurama that cattle have become extinct. We’ve often seen Buggalo mentioned as meat and even have Amy say that she’s eaten cow when Fry says that anchovies are the best extinct animal to eat, but it’s not until you actually see how viable the replacement is that you can accept that people don’t eat cows anymore. It’s also probably a reference to the speculation that people will have to start consuming more insect meat in the future due to the need for more efficient sources of protein than most mammals and fowl can provide. I probably would be okay with it if they looked like Buggalo rather than, say, scorpions or mealworms.

S3EA - 5Buggalo
But I will never try the milk. Ever.

Zapp Brannigan is great in this episode, with several of my favorite Zappisms. I think my favorite is “I am the man with no name: Zapp Brannigan.” It’s the least impressive way to introduce yourself that I’ve heard. It’s a double undercutting of the badass Clint Eastwood character from the Sergio Leone Spaghetti Westerns and it always makes me laugh.

S3EA - 6Zapp.gif

Overall, it’s a pretty solid episode.

FAVORITE JOKE

Bender sings a cover of the theme song to the show Bonanza. Specifically, he sings:

We’ve got a right to pick a little fight with rustlers,

Somebody wants to pick a fight with us,

He’d better bite my ass! Yee-haw!

S3EA - 7Banjo.png
And the Banjo is back.

What’s crazy is that this is extremely similar to the actual lyrics to the song for Bonanza which were considered so horrible that, after the initial airing of the pilot, they were NEVER USED AGAIN. The actual lyrics are:

We’ve got a right to pick a little fight, Bonanza,

Somebody wants to pick a fight with us

He’s gonna fight with me! Yee-haw!

And allow me to say that this truly has to be experienced in order to recognize how bad it is. Despite the fact that almost no one would ever have seen the episode containing the song until the DVD was released, they decided to make the perfect parody of it by just having Bender drop all the pretense and just express that the song is about telling someone to screw off. I just wish they had done that before singing the song:

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 41: The Cyber House Rules

NEXT – Episode 43: Insane in the Mainframe

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S3E9 “The Cyber House Rules”

Leela gets plastic surgery to be normal while Bender tries to sell orphans for meat.  

SUMMARY

Leela (Katey Sagal) gets invited to her reunion at the Orphanarium. At first she is hesitant because all of the times her fellow orphans tortured her over her eye, but Fry (Billy West) points out that she has become more successful than any of them and should use this to get payback. When they arrive, Leela points out that all of them are losers (One lives in a box, one sells his own body parts for money, one is deaf and blind), but they still look down on her because she only has one eye. Dr. Adlai Atkins (Tom Kenny), a man she had a crush on as a boy, defends her. He apologizes for making fun of her as a child and offers to give her plastic surgery to make her appear to have 2 eyes. Everyone at Planet Express says it’s a good idea, except for Fry, so Leela goes through with it, gaining a “normal” face. She goes around experiencing normal life with two eyes, including winking, blinking, and blending in with a crowd.

S3E9 - 1Monocles.png
She also doesn’t realize two-eyed people can wear monocles to look fancy. Like the peanut.

Meanwhile, Bender (John DiMaggio) has discovered that the government will pay $100 a week to anyone who adopts orphans. Seeing a scam ahead, Bender adopts a dozen of the orphans, only to quickly realize that kids cost a lot of money. He tries cheap work-arounds like Cat Meat burgers, feeding them with the free peanuts that come with his beer at bars, and dining-and-dashing, but still is barely making any money. It’s also keeping him from living his usual bachelor lifestyle.

S3E9 - 2Kids
Kids grow up and commit theft so fast…

Adlai and Leela begin dating, much to Fry’s frustration. Adlai is exceptionally boring and obsessed with average things. However, when he takes Leela to dinner and sees Bender’s kids run out on a check, Adlai asks Leela about having kids. She is elated with the thought, but then asks Adlai if they should adopt kids instead. He agrees, and they decide to adopt one of Bender’s kids, who he is apparently trying to sell to a Chinese restaurant. Upon seeing them, Leela wants to adopt the mutant child, Sally (Nicole St. John), who has an ear on her forehead and a tail, something Adlai insists they fix through surgery. Leela states that she’s fine just as she is, leading her to realize that she was fine the way she was, and forces Adlai to reverse the surgery. Bender donates the orphans and the money back to the Orphanarium, Leela goes back to normal, and Bender reveals that he did actually become attached to the kids before declaring he hates them all.

S3E9 - 3Ear
The third ear hears your thoughts. Provided you say them out loud.

END SUMMARY

This is an episode where I think the B-Plot is definitely the stronger of the narratives. I think even the creative team recognized that when they ended up naming the episode after it, rather than the clear focus of the episode, Leela’s eye. The thing is most of the jokes in the episode that actually work come from Bender mistreating the children (which is okay because he keeps them happy), rather than the montage of Leela trying to be normal.

S3E9 - 4Chest
Case in point. This is just adorably funny.

The generic plot of “everyone’s different and fine the way they are” is something that is more difficult to do with science fiction, because technology does slowly eliminate a lot of differences and in Futurama technology is unbelievably advanced… when it suits them. For example, blind, deaf, and nearsighted people still exist, but Fry once had his hands replaced in 15 minutes when a T-Rex bit them off. Hell, in the first episode on Comedy Central, Fry is regrown from a few cells and hair, complete with his memories. Similarly, despite the fact that people routinely interact with aliens ranging from humanoid to blob to hyper-intelligent forms of light, Leela and Sally are still mocked for their appearance and mutants are forced to live in the sewers of New New York. Granted, most of this is done by children, who I think everyone agrees are cruel little monsters when in groups.

S3E9 - 5Kids
Pictured: Monsters. Just… so many monsters.

While the message of the episode is good, it does still bring up a few ethical questions for the future. For example, throughout the series it’s pointed out that Leela has almost no depth perception, despite the fact that she’s a pilot. She crashes at least twice from it over the run, which, again, is actually pretty impressive given that she has no depth perception. However, in another episode it’s implied that every time she crashes through the billboard in the opening, that actually happens weekly, which is… less impressive. My point, though, is: Wouldn’t it be more appropriate for her to actually have two eyes if she wants to do that job? But, if they do that, are they destroying something about her identity? When we eliminate disabilities, we’re also eliminating the culture that has grown out of those disabilities. While this episode kind of picks the “you’re better just being you,” they do kind of avoid any actual discussion about the implications of this.  Probably for the best, given that deaf people protested when Scrubs portrayed a deaf father agreeing that his son was better off with a cochlear implant, something that the deaf community considers “selling out,” apparently.

S3E9 - 6Cochlear
Despite that, more people keep choosing it.

Overall, I enjoy this episode, although the A-plot just isn’t that funny to me.

FAVORITE JOKE

This episode has the best opening line in the series. It’s Morbo, the news monster, saying the following:

So I gave the cookies you made to Fawn and the kids and they couldn’t believe it — they were delicious. But, I digress.

S3E9 - 7Morbo1.png

Tremble, puny earthlings! One day my race will destroy you all!

S3E9 - 8Morbo2.png

It’s so perfectly delivered that I rewound it two or three times on this viewing just to watch it again. It conveys the exact dichotomy that Morbo represents: A professional talking head and an invading alien. Normally, you’d think that you couldn’t be a newscaster and also be seeking the eventual destruction of the people in your audience, but- who am I kidding, that’s most of cable news.

Strong second place is Bender’s response to getting arrested:

S3E9 - 9Arrest.png

SMITTY: You’re under arrest for child cruelty, child endangerment, depriving children of food, selling children as food, and misrepresenting the weight of livestock!

BENDER: If you had kids of your own, you’d understand.

I mean, I don’t have kids, but I’ve met enough of them that… yeah, I get it.

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 40: That’s Lobstertainment!

NEXT – Episode 42: Where the Buggalo Roam

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.