The show, defying all odds, manages to wrap up everything pretty well in ten episodes.
SUMMARY (Spoilers)
Trevor Belmont (Richard Armitage) is the last surviving member of the Belmont family, legendary monster hunters. He is brought out of semi-retirement and full-on alcoholism by the reappearance of Dracula (Graham McTavish), the most powerful vampire lord, who has now dedicated all of his resources to destroying humanity after they killed his wife, Lisa (Emily Swallow). Together with the magician Sypha Belnades (Alejandra Reynoso) and Dracula’s half-vampire son Alucard (James Callis), Trevor manages to kill Dracula and supposedly break up his army. Unfortunately, it turns out that many of Dracula’s followers have plans of their own, ranging from the scheming vampiress Carmilla (Jaime Murray) to the demon-conjuring forgemasters Isaac and Hector (Adetokumboh M’Cormack and Theo James). Trevor and Sypha manage to stop a group of evil monks from resurrecting Dracula with the help of the reality-hopping Count of Saint Germain (Bill Nighy). Unfortunately, it seems that a lot more people are trying to do the same thing and it’s up to Trevor, Sypha, and Alucard to finally put an end to the possibility of bringing back the lord of the dead as well as stopping Dracula’s agent Varney (Malcolm McDowell).
These three show up together and it’s instantly a part.
END SUMMARY
At the end of Season 2 of Castlevania, Dracula is dead. Now, if you’ve played Castlevania games, you’d probably know that Dracula being dead never really stops him from being the villain. In fact, it’s canon that Dracula automatically comes back from Hell every 100 years even if nothing else brings him back in the interim. Only Ganondorf pulls off sequels with a greater level of regularity. However, the third season did a good job of establishing that there are other threats than Dracula in this world, particularly since a number of other vampires have been united via Dracula’s army and many of them have ambitions on a large scale.
Dracula just giving 0 f*cks. For eternity.
It’s interesting that the show points out that, even though vampires often find different ways to justify it, almost all of them want to take over the world in order to control it and keep it from changing. Vampires are like everyone, they are born into a world that, three generations later, seems almost completely alien to them. While humans who live to 80 might feel like the world moved on, Vampires can live forever, so the feelings get even greater and the fear of change increases even more. It’s also interesting that Dracula is largely the exception to that rule, because he did try to change himself rather than stopping change, until the church killed his wife. I think it’s part of what makes him the head vampire, since he never stops acquiring new skills.
Carmilla wants to overturn the gender balance, but then just imprison humanity forever.
After spending a season setting up so many other threats, primarily Isaac and Carmilla, the show manages to believably resolve all of the secondary antagonist’s arcs believably, mostly through character growth or self-sabotage, in order to bring us back to the thing that everyone wants to see… an attempt to bring back Dracula. This time, it seems like almost every group has some level of involvement in it. Throughout the series, there has been one Castlevania mainstay which has been conspicuously absent, and their reveal in connection with this revival is nothing short of amazing.
No, not Varney (named after a cheap British vampire story that predates Dracula).
It helps that the season also focuses on making us more in tune with how Sypha, Trevor, and Alucard are feeling about their places in the world and how much they want to finally bring some level of peace to humanity, meaning when we see them back together again, we know they’re united in their cause. The show also kicks the action sequences up several notches, with a number of them being among the best animated fights I’ve seen in a long while. Creative, fast paced, and intensely focused, it’s clear that there was a lot of effort put into these and the last two are probably the best two, so it really feels like the show builds up as it goes.
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Sometimes a show just can’t keep the quality up to the end. A lot of the times shows go downhill for a while after they start running low on ideas, and sometimes they just won’t give up and die with dignity. However, even if the writing is on the wall and you’re given a year to plan to go out, you can still screw it all up with a bad ending.
For this entry, I am going to make two caveats:
The episode has to be intended as a finale. That means either it’s clear the production team knew the show was over, or didn’t have reason to believe it was going to keep going. So cliffhangers don’t count unless they were made AFTER the show was cancelled. Additionally, if an episode was meant to be the finale, but the network aired it out of order, only the intended finale counts.
If the show was rebooted later, the original finale still counts.
Also, The Sopranos is not going to be on here, because I have a long-running theory that makes me like that finale, and I refuse to debate it right now. If I’m wrong, then… well, it sucks.
But I’m not wrong and the ending is fine.
RUNNER UP: Of Course He’s Dead (Two and a Half Men)
The Show: Charlie Harper (Charlie Sheen) is a jingle writer who lives a hedonistic lifestyle. His brother, Alan (Jon Cryer), and nephew Jake (Angus T. Jones) move in after Alan’s wife leaves him. Eventually, after Charlie dies, his house is bought by billionaire Walden Schmidt (Ashton Kutcher), who lets Alan and Jake stay. Eventually Jake leaves and Charlie’s unknown biological daughter Jenny (Amber Tamblyn) moves in.
I don’t want to assemble cast photos, so I’m just using this one.
The Finale: Alan receives a letter from a lawyer saying that Charlie has millions in unclaimed royalties, but can’t find Charlie’s death certificate. It turns out that Charlie is actually alive, having been kept prisoner by his crazy stalker Rose (Melanie Lynskey), after she caught him in bed with a goat. Alan, Jake, and Walden start to receive threats and the police tell them that they caught Charlie, but it’s actually Christian Slater. Charlie approaches the house, but a piano he ordered crushes him. The camera then shows creator Chuck Lorre, who says “winning!” then is crushed by a second piano.
It’s Meta, but not in a good way.
This doesn’t make the list because this show had pretty much lost all of its quality when Charlie Sheen left. The writers never figured out what to do with Walden or Jenny, constantly shifting their characters, and it just kind of limped on for four years. Ensemble casts exist on relationships and when you can’t keep characters consistent, then the relationships can’t be consistent. However, dedicating your finale to throwing a tantrum at Charlie Sheen over him being a d*ck doesn’t really age well, particularly since it’s been revealed that Sheen’s behavior was related to him being diagnosed HIV positive. While the viewers would have understood what was happening at the time, I think anyone that watches this in a decade (if anyone does) probably won’t get what the hell happened and it’ll just seem like a waste of time.
10) These are the Voyages… (Star Trek: Enterprise)
The Show: This show takes place before any previous Star Trek series, in the 22nd century, aboard the spaceship Enterprise, the first vessel capable of real, effective interstellar exploration by humanity. The crew includes Captain Jonathan Archer (Scott Bakula), Science Officer T’Pol (Jolene Blalock), Chief Engineer Trip Tucker (Connor Trinneer), Tactical Officer Reed (Dominic Keating), Communications Officer Sato (Linda Park), Helmsman Mayweather (Anthony Montgomery), and Medical Officer Dr. Phlox (John Billingsley).
The uniforms somehow are better and worse than other shows.
The Finale: Taking place in the 24th Century, Star Trek: The Next Generation characters William Riker (Jonathan Frakes) and Deanna Troi (Marina Sirtis) are looking for guidance on an issue (the TNG Episode “The Pegasus”) and decide to review the decommissioning of the first Enterprise. They interact at points with the Enterprise crew, who are holograms here. Captain Archer is set to give a speech, but gets sidetracked trying to rescue the kidnapped daughter of an ambassador. The kidnappers board the ship and Trip Tucker dies saving Captain Archer. Archer makes his speech and Riker figures out what he’s going to do. The last shot is a montage of Star Trek footage and Captains Kirk, Picard, and Archer giving the “where no man has gone before” speech.
Congrats to Jonathan Frakes and Marina Sirtis for making the best and worst lists.
This would probably be higher up if I had ever really liked Enterprise, but it remains the worst Star Trek series in my opinion. The only episodes I really liked were the ones set in the Mirror Universe where humans were the bad guys, because those seemed original and compelling, but most of the series just felt like recycled old ideas with skimpier outfits. What a waste of a Bakula. However, this has to go down as one of the worst finales because it’s a finale that doesn’t even really feature the characters of the show. Instead, the episode takes place during a different series and everyone from Enterprise appears only by hologram. Moreover, the events in the hologram take place six years after the rest of the series without a compelling reason for doing so and one of the main characters is killed as an afterthought. This episode was so bad that I don’t think I’ve seen a list of the worst Star Trek properties that didn’t include it, often at number one. It was so bad that it ended 18 consecutive years of Star Trek being on the air. When you can tank an entire franchise for a while, you earn this spot.
9) Remember the Monsters? (Dexter)
The Show: Dexter Morgan (Michael C. Hall) is a serial killer who targets other serial killers. He uses skills taught to him by his adopted father (James Remar) to avoid detection and eliminate the monsters who evade the law. He spends most of the series hiding it from his sister, Debra (Jennifer Carpenter), only for her to find out what he does in season 7. Also, she’s in love with him despite them being raised as siblings, so… that’s a thing. Look, there’s a reason I tell people to stop watching after season 5.
And that reason is not just the marketing.
The Finale: Dexter is planning on fleeing the country. Debra gets shot by serial killer Oliver Saxon (Darri Ingolfsson) while a hurricane prevents Dexter’s flight. Dexter leaves his son Harrison with his girlfriend Hannah and heads to the hospital where he is told Debra will recover. Saxon is captured and Debra tells Dexter to live a happy life, but then suffers a clot and goes into a coma. Dexter then kills Saxon in police custody and pulls Debra off life support. He takes her body and drops it into the ocean as he drives into the hurricane. Later, he’s seen working as a lumberjack in Oregon.
Yes, the famously unrecognizable “serial killer with a beard.”
I have to admit I’ve softened towards this over the years, because for a long time I considered it the worst finale ever. It’s dropped down the list for two reasons: 1) Jennifer Carpenter’s performance as Debra is actually so good it almost single-handedly makes this episode okay. 2) Other shows since (mostly Breaking Bad) have convinced me that giving a bad person a happy ending isn’t inherently bad. However, I still think it’s a terrible ending to this show. A big part of why is that it missed the tone of the rest of the series, having a somber and sincere quality that the rest of the show never had. That might have worked for a finale, except that all of the sincerity felt crammed in and manufactured, rather than developing naturally. The characters are told that Debra is going to be okay, but their last conversation is still them saying goodbye in a last-rites kind of way. Then she dies anyway, making the previous recovery nothing but a device to keep the audience off-guard, particularly since the clot happens off-screen apropos of nothing. Oh, and as she’s dying, she tells him she loves him, which means… she might have been okay if he had left her on the machines? So, Dexter killed her, but it’s not really given as much weight as it should. Oh, and then the ending is that he’s abandoned his son and girlfriend (who he could find and join) to go be a lumberjack and somehow survived a hurricane, which was just such a cop-out. Also, can someone from Miami Metro get fired for being just the worst investigators on Earth? For what was briefly one of my favorite shows, the mighty fell hard.
8) Into That Good Night (Roseanne)
The Show: Roseanne (the show) focused on the lives of the Conner family: Roseanne (Roseanne Barr), her husband Dan (John Goodman), Roseanne’s sister Jackie (Laurie Metcalf), and Dan and Roseanne’s kids Becky (Lecy Goranson/Sarah Chalke), Darlene (Sara Gilbert), D.J. (Michael Fishman), and Baby Jerry (Cole and Morgan Roberts). They’re a working-class family in the 80s and 90s living in Illinois, and possibly one of the most realistic ones ever put on television.
Still more attractive than the average person, but not as much as most shows.
The Finale: In the 9th season of the show, the Conners win the lottery, suddenly becoming very wealthy, but Dan and Roseanne’s marriage has been on the rocks throughout the whole season, culminating in a revelation that he cheated on her. During the finale, after the family welcomes a new grandson from Darlene’s marriage, everyone is set to move on with their lives. Then, in the last 10 minutes of the show, Roseanne reveals to the audience that the entire show had just been a book she was writing. Dan was dead from a heart attack, Jackie was gay, and Darlene and Becky were, in fact, married to each-other’s husbands. No explanation is given for any of this except that Roseanne thought it was more interesting this way.
I’m not spending money to screenshot the last episode in good quality.
Roseanne had taken a massive dive in the last season due to destroying the thing that most people liked about the show, it’s blue-collar realism. The Conners were constantly screwed by normal problems that most sitcoms would just gloss over, like a malfunctioning fridge they can’t afford to replace or a light bill late fee that builds up. They lived the way that a lot of America lived. Once they were rich, that stuff all fell away and they stopped being relatable. That was bad enough, but to literally spend the last 10 minutes of the show revealing that everything in the show was fake, even within the reality of the show, was just icing on the crapcake. Roseanne is revealed to be a writer, a profession that stood completely against her character’s usual employment in various menial jobs. Dan’s dead, meaning that any of their drama in the last season was just Roseanne taking shots at her deceased husband. None of the relationships were real. What’s most astonishing is that all of this was just completely unnecessary. When they rebooted the show, they made the decision to just ignore all of this, which was smarter than anything in the finale.
7) Daybreak (Battlestar Galactica – 2004)
The Show: Humans lived on a set of planets known as the Twelve Colonies. The humans created the Cylons, a race of robots, that then rebelled. There was a peace accord, until the Cylons surprise attack and destroy most of humanity and the planets they populated. Only one military ship survives, the Battlestar Galactica, which sets off with the other ships to head to the thirteenth colony, Earth, while being pursued by Cylons. The survivors include Commander William Adama (Edward James Olmos), President Laura Roslin (Mary McDonnell), pilot “Starbuck” Thrace (Katee Sackhoff), pilot “Apollo” Adama (Jamie Barber), and scientist Gaius Baltar (James Callis). There are also Cylon infiltrators known as numbers 6 and 8 (Tricia Helfer and Grace Park)
Symbolism was a thing.
The Finale: Turns out the Cylons got to Earth first, but blew it up. As the group tries to figure out what to do now, the Cylons capture Hera, a human-Cylon hybrid, and are studying how they can reproduce. Admiral Adama orders a rescue. Gaius and Six join the mission, and it’s revealed that the two can see each other’s “inner visions.” It’s complicated to explain, but each one has a hallucination of the other that they talk to, and here it’s revealed that those are not just hallucinations. The rescue ends with an all-out battle that is ended by Gaius promising to give the Cylons back their lost resurrection ability in order to buy peace. He’s told that he sees Angels telling him that both sides are governed by God. However, this ends up failing. The fighting resumes and damage forces Adama to order the ship to jump to anywhere it can. Starbuck uses “All Along the Watchtower” to arrive at our Earth in the distant past. The survivors, and the surviving Cylons, spread out and interbreed with the hominids that populate the planet. Starbuck turns out to be an Angel and disappears. Bob Dylan is implied to be God.
Yes, because interbreeding is just that easy.
Okay, did you read the last four sentences of that summary? Yeah, that’s why this whole thing fell apart. The show, which had been a cold and depressing character study and a cautionary tale against the advances of human technology, ends on a happy note because of a literal deus ex machina. To be clear, this show was almost entirely sci-fi for most of its run, and the concept of having everything in the series designed as part of the ineffable plan by God seems to have been pulled out of nowhere. I once lauded the show Quantum Leap for dealing with cancellation by having an ending that said “God did it,” but that’s because that show’s continuity and logic had never made sense. This show had never even approached that level of metaphysics until the last four episodes hinted at it loosely. A lot of people liked the happy ending, but I will stare into the face of Bob Dylan and walk backwards into Hell proclaiming this to be a complete failure of screenwriting.
6) Project: ALF (ALF)
The Show: Gordon Shumway (Paul Fusco) is an Alien Life Form (ALF) from the destroyed planet Melmac. He follows a radio signal to the home of the Tanners: Willie (Max Wright), Kate (Anne Schedeen), Lynn (Andrea Elson), and Brian (Benji Gregory). The Tanners hide ALF from the Alien Task Force that seeks to hunt him down.
How did this show work?
The Finale: In the last episode of the original show’s run, ALF is captured by the Alien Task Force. This picks up with ALF in custody under Colonel Milfoil (Martin Sheen) who is going to kill ALF. Two scientists help him escape, but after they are chased by Milfoil, they end up deciding to reveal ALF’s existence to the world. This ends up failing, but Milfoil is fired and ALF is declared an ambassador to Earth.
They could afford Martin Sheen, but not a better poster.
The original finale of ALF can’t be on here because the show was cancelled unexpectedly and thus ended on a cliffhanger. That’s not the fault of any of the writers, particularly since the show was still in the top 40 at the time and had just had a spin-off last two seasons. Even the network later apologized to the crew, saying that they’d screwed up by cancelling it too early. However, since they were given over a year to come up with a way to end the series with this three-part episode (or TV movie), and had 5 years to think about it before that, this was truly disappointing. Except for ALF, none of the Tanners were present in this, and all we hear is that they went to Iceland. As such, a ton of plotlines, including the cliffhanger about ALF leaving the Tanners, were left unresolved. Moreover, this episode made it clear exactly how much of an a**hole ALF actually was, retroactively making the show less cute. It’s like if you ended the Muppet Show by having Kermit be revealed as a Soviet Spy. Honestly, the cliffhanger would have been a more dignified way to go out.
5) Chapter 73 (House of Cards)
The Show: Frank Underwood (Kevin Spacey) is a politician who constantly lies, cheats, steals and murders his way to becoming the President and his wife, Claire (Robin Wright), becomes Vice President. He’s assisted by Doug Stamper (Michael Kelly), his Chief of Staff who routinely does Frank’s dirty work. Frank typically narrates to the audience his true, cruel thoughts.
Behind every man, there’s a woman who would do it better.
The Finale: In Season 6, Claire becomes President following Frank’s impeachment and subsequent getting killed off for being a rapist. Claire also takes over Frank’s role as narrator. Doug, who stood by Frank loyally, has now flipped to testify to all of Claire’s bad acts, but Claire pardons him to gain his silence. In the finale, Claire promises a new level of honesty to America, then creates a new fictional threat so that she can keep her position. Doug is sent in to kill her by some of her rivals, but after he admits he killed Frank, she ends up stabbing him to death and then suffocating him. She turns to the audience and says “No More Pain,” mirroring Frank killing a dog in the pilot.
Yes, this seems like a thing the President could do and get away with.
This is mostly on here for how completely unnecessary this finale was. After Kevin Spacey was removed from the show for being a rapist, the show was completely justified in writing him out. Despite that, his character still basically dictated everything over the last season. Claire was constantly saying how she denounced his legacy, but she always kept it alive rather than tossing it to the ashcan of history where it belonged. This finale made it much, much worse, focusing on Frank’s last will, which cut Claire out, then revealing Doug to have killed Frank because Frank was hurting his own legacy, then having Claire stab Doug to death in the Oval Office and use one of Frank’s own lines, cementing her as now being essentially just Frank all over again. It essentially made Claire a secondary character in a season where she was supposed to be the lead. If you’re going to write a character out, write them out, don’t let their ghost loom over the entire series.
4) The End (LOST)
The Show: A bunch of people survive a plane crash and end on an island. The island turned out to be filled with mysteries, ranging from a smoke monster that turns out to be the embodiment of evil, to a hatch that requires a code to keep being entered into it, to some polar bears. The show had too many cast members to really list here, with 14 star roles in the first season alone, but among the key ones in this episode are: Jack (Matthew Fox), Kate (Evangeline Lilly), Hurley (Jorge Garcia), Sawyer (Josh Holloway), and Locke/The Man In Black (Terry O’Quinn). It frequently has flashbacks, flashforwards, and flash-sideways. The last season has two parallel timelines, including a new one in which the crash never happened.
So. Many. People.
The Finale: Some of the survivors head to the heart of the island, including Jack who has taken on the role of protector of the island. The Man in Black, who is trying to destroy the island, manages to unstop the source of the island’s power, but is killed by Kate. Jack then dies replacing the island’s light. In the alternate timeline, everyone suddenly remembers the island, meet up in a church, and then they are revealed to be dead.
And the church is super Unitarian, just to hedge bets.
So, from the beginning of the show, a huge number of fans (myself included) were worried that the series would end with the revelation that everyone was actually dead all along. The creators and the writers all strongly denied that it was anything like that. Instead, it’s revealed that, in fact, the events of the island were real, but that the parallel timeline was actually a form of afterlife which is powered by the island, so… I felt like this was cheating. A ton of people were confused by it, a ton more were angered, and I don’t think anyone ever thought it was a perfect way to wrap up the series. The island is revealed to be the source of the light that exists inside of every living thing, but also what grants those things a second chance, represented here as an alternate world where everyone is a little bit closer to what they wanted to be. It’s not a paradise, it’s a purgatory, and then at the end apparently everyone moves on towards the actual afterlife, maybe. If that explanation sounds kind of boring or weird or confusing, then you know why this made this list.
3) Last Forever (How I Met Your Mother)
The Show: In 2030, Ted Mosby (Josh Radnor/Bob Saget) is narrating to his kids the story of how he met their mother (Cristin Milioti). It turns out to be a story involving Ted’s best friends from his 20s and 30s: Marshall Eriksen (Jason Segel) and his wife Lily (Alyson Hannigan), Robin Scherbatsky (Cobie Smulders), and Barney Stinson (Neil Patrick Harris).
These people are all in great shape despite living at a bar.
The Finale: After spending a season at the weekend of Barney and Robin’s wedding, we find out that Ted’s wife is the bass player in their wedding band. While she has met everyone from the group, she has not yet met Ted, until they share an umbrella that they both previously owned. It’s then revealed that the mother, Tracy McConnell, passed away in 2024. The kids reveal that the story was clearly about how Ted is still in love with Robin, and encourage him to get back together with her. The show ends with Ted and Robin smiling at each other.
This would have been an amazing last shot.
This one is really a tragedy on two different levels. The show had always prided itself on the fact that they had already filmed the ending when they started the second season, because that meant that the kids, who had since stopped being kids, would still be in the finale at the same age. Unfortunately, they were so dedicated to this that they stuck to it even after their own writing and character development had rendered it a bad idea. Ted and Robin ending up together was a really good idea for a long time, until we spent two seasons building up Barney’s and Robin’s relationship and then an entire season on their wedding itself, only to have the finale tell us they broke up like 15 minutes later for vague reasons. It also doesn’t help that Cristin Milioti was so much more amazing than expected, particularly in the episode dedicated to her history. Everything about her was so perfect for Ted that you wanted to see them happy together. This meant that when the writers stuck with the original ending, it broke up two relationships we were invested in. At the same time, they undid all of Barney’s character growth and instead ended with him learning to love by being a father. To Neil Patrick Harris’s credit, his performance was so good I almost bought it, but it’s still bad writing. The reason why this is so high is because multiple people apparently brought up that this was a bad idea and that they should ditch the original ending, but the show wanted its gimmick more than a solid conclusion.
2) The Finale (Seinfeld)
The Show: It’s a show about nothing starring four friends: Jerry Seinfeld (himself), George Costanza (Jason Alexander), Elaine Benes (Julia Louis-Dreyfus), and Cosmo Kramer (Michael Richards). In general, the series is just about the kind of weird things that happen to the four of them and consists of them talking about it. All four are generally crappy people, but make up for it by being funny. It was created by Larry David and Seinfeld.
Later, everyone would deny hugging Michael Richards.
The Finale: Jerry and George have pitched a series to NBC that resembles Seinfeld called Jerry. The four decide to go to Paris to celebrate before moving to California to work on the show, but a problem on the flight forces them to land in Massachusetts. While they wait for the plane to be fixed, they see a man get carjacked and record it while mocking him. They’re then arrested by the police for violating the Good Samaritan statute by not helping. The four are then put on trial and a number of witnesses from throughout the series testify to their bad character. They are ultimately convicted and put in jail.
Because Massachusetts doesn’t have bail, apparently.
This one is so high up because Seinfeld was one of the best shows on television and I remember being absolutely pissed off watching the finale. The build-up had been huge. Other shows, including Dharma and Greg, literally had episodes that were based on the assumption that this finale would be amazing. However, I think it completely failed. First off, the set-up was ridiculous. Having the characters get arrested due to an insane law and go to trial immediately was a weird decision. That’s not how laws, courts, or even civil rights work. The fact that the prosecutors are then allowed to parade a list of people as bad character witnesses is even weirder, because, again, not how that works. Also, if they had a duty to provide aid to the victim (they didn’t), they actually did, because they recorded the face of the carjacker on film. That’s more helpful than trying to fight him. Everything about this framing device was stupid. Second, they really just used it to do a glorified clip-show as the finale. That’s one of the weakest ways to handle any episode of television, typically reserved for when shows run out of money for an episode, as opposed to the finale of a top-rated show. Third, finally calling out how bad the characters were in such a stupid fashion basically mocked the audience for liking them. If you’re flipping the bird on the way out, you’ve messed up. While Larry David has defended it, Jerry Seinfeld has pretty much stated that they dropped the ball on this one. I concur.
1) The Iron Throne (Game of Thrones)
The Show: I cannot really summarize this. The Seven Kingdoms of Westeros are thrown into a massive war after the death of the king Robert Baratheon (Mark Addy). This ends up massively affecting the Stark family, including Sansa (Sophie Turner), Bran (Isaac Hempstead-Wright), and Arya (Maisie Williams). At the same time, an army of zombie warriors start to descend from the North to destroy the world. Also, the daughter of the previous king, Daenerys Targaryen (Emilia Clarke), hatched three dragons and uses them plus two separate armies to try to come back and retake the throne. Her nephew and lover is Jon Snow (Kit Harington), who is also the adopted brother of the Starks. A lot of people die and there’s a lot of nudity. Also, there’s Tyrion Lannister (Peter Dinklage), who is amazing, and Cersei and Jaime Lannister (Lena Headey and Nikolaj Coster-Waldau), who suck.
There’s only one dragon left at this point, sadly.
The Finale: Daenerys has taken over King’s Landing and claimed the Iron Throne of the Seven Kingdoms. Unfortunately, even after the people surrendered, Daenerys kept attacking, destroying a ton of the property and killing hundreds or thousands of people for no reason. When confronted, she insists that she has “liberated” the town and that she now plans to “liberate” the rest of the world. After finally realizing that Daenerys will never stop until she has conquered the world in the name of forcing her version of utopia, and will kill anyone that doesn’t submit immediately. Jon kills her and is imprisoned by her troops. Ultimately, he is banished and Bran becomes king.
“I wanted you to penetrate me, but not with a knife.”
I realize that this probably will not seem as bad years down the line and that the freshness of the wound is why this feels like the worst finale, but I will say that following: It’s impressive to get every character to the end of their arc and still feel terrible. Seriously, every character finishes in the position that they clearly were always going to have, ranging from Bran being the king to Daenerys being dead to Jon being banished, but at the end all of the ways they get there appear to be completely contrived or insane. Rather than having Daenerys’s madness be a result of her destiny as a Targaryen and a breaker of chains, it came off as being because Jon didn’t want to sleep with her after finding out they’re related. Rather than Bran being made king because of his abilities, he’s instead made king because “he has the best story,” despite Jon literally having resurrected from the dead and Arya having slain an undead king. Everyone gets to close their story in the right place, but it feels so forced that it undermines the rest of the series and its great plotting and character progression. Mostly, though, this whole thing felt completely unnecessary. HBO had the hottest show on the planet and had already stated they would basically give the showrunners carte blanche if they needed more episodes to come to a satisfying conclusion. Instead, the show rushed from the death of the Night King to the finale in only 3 episodes. This isn’t just dropping the ball, this is firing the ball straight down out of a cannon so hard that it currently resides in the molten core of the planet.
If you disagree with any of these, let me know. If you have other episodes you think should have made it, put them in the comments or on my Facebook or Twitter.
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Dracula got killed at the end of last season, but that just means the forces of Hell aren’t organized, not that they’re gone.
SUMMARY (Spoiler-Free)
Trevor Belmont (Richard Armitage) managed to finally kill Dracula (Graham McTavish) with the help of Dracula’s son Alucard (James Callis) and the magician Sypha Belnades (Alejandra Reynoso). While Alucard decides to watch over his father’s castle and the Belmont library, Trevor and Sypha head out to start working on killing monsters together as a couple. Following Dracula’s demise, his forces are separated. Isaac (Adetokumboh M’Cormack), one of Dracula’s two devil forgemasters capable of turning corpses into demons, starts assembling an army of his creations. The other forgemaster, Hector (Theo James), is held captive by four female vampires: Carmilla (Jaime Murray), Lenore (Jessica Brown Findlay), Morana (Yasmine Al Massri), and Striga (Ivana Milicevic). They want his powers for their own uses. Alucard gets two students in vampire slaying by the names of Taka and Sumi (Toru Uchikado and Rila Fukushima). Trevor and Sypha find a city run by a very strict Judge (Jason Isaacs) and populated by the mysterious Baron St. Germain (Bill Nighy) and the insane priest Sala (Navid Negahban). The two are tasked by the Judge to find out why devil marks are appearing around the town.
They’re a very attractive crew of badasses.
END SUMMARY
So, for those of you who played the games, the end of last season corresponded roughly with the end of Castlevania III: Dracula’s Curse and this season takes place between that and Castlevania: Curse of Darkness and may potentially be setting up for that storyline in the next season. Dracula is gone this season, but many characters point out that it definitely doesn’t make the world much better. Dracula, while he did eventually hate humanity to the point of wanting to exterminate them all for the loss of his wife, typically kept all of the demons, vampires, and monsters under his control, reducing their overall threat. Now, the forces of Hell are all competing against each other for territory and trying to expand as fast as possible. No matter who wins, humanity loses.
Isaac, the human, is the biggest threat, because he was the most abused.
This season does suffer a bit from being kind of a transitional story. We see Trevor and Sypha facing off against a different kind of opponent than the previous fare, but it’s a slower burn. Their plot is mostly kept interesting by the presence of good supporting characters, particularly the Baron St. Germain who is based off of both his video game and real-life counterparts. In real life, the Count of Saint Germain was a rich man who constantly made absurd assertions such as time-travel and immortality and this version is much the same, except possibly telling the truth. Bill Nighy is excellent at selling his naturally unusual dialogue.
Also, he’s a straight-up pimp.
Meanwhile, we’re following Isaac’s attempt to find his own place in the world when he no longer works for Dracula. It’s interesting to follow a villain during his own refusal of the call period, but it plays out really well. Hector’s story consists mostly of him interacting with the vampire Lenore, who is part of a cabal of female vampires who want both equality for women and dominance for vampires, which is kind of an interesting dichotomy. Alucard doesn’t have a villain, instead focusing on dealing with training two human students in monster hunting as a way to deal with his own loneliness.
#Feminism?
While the season doesn’t have a cohesive plot, it makes up for it by spending more time exploring the characters and the world, as well as having some excellent action sequences. It’s a lot darker in tone, particularly towards humanity, and that’s saying something.
Overall, the show is still going strong and I can’t wait to see the next part (please don’t cancel it, Netflix).
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Yesterday, The Adventure Zone podcast did a Halloween special which had a reference to Castlevania: Symphony of the Night that I just couldn’t stop laughing at, even though it was so straightforward. But, either way, I decided to do a bonus review of Castlevania in their honor.
Netflix decided to take a shot at every other studio out there by adapting a video game and, despite all of the past history of adapting video games to a narrative (Phoenix Wright notwithstanding), did it really well. Admittedly, the history of adapting video games to television (particularly cartoon series) is much stronger than to the big screen, but those were mostly aimed towards children. This is very much aimed towards people who played the original Castlevania games on the NES, all of whom are now adults.
Or, if you’re like me, on the SNES.
SUMMARY
Vlad Tepes Dracula (Graham McTavish) is… You f*cking know who Dracula is. Well, he’s out there Dracking it up when he is visited by a young woman named Lisa (Emily Swallow) who wishes to be a doctor and believes that Dracula would be the person who would know the most about human medicine, as he has collected books for centuries on every subject and read them all. Not only is she correct, surprisingly, but her resolve towards science and medicine takes Dracula off-guard and he ends up falling in love with her and marrying her. She tries to teach him of the positive traits of humanity and he begins to soften.
A surprisingly solid relationship for a vampire and a snack.
Unfortunately, twenty-ish years later, Lisa is accused of being a witch (because she’s a doctor and a woman) and is burned at the stake. This leads Dracula to declare that he will spend one year creating an army of the damned, after which he will kill everyone in Wallachia, the kingdom that murdered her. The phrase “Y’all done f*cked up now” comes to mind. Sure enough, one year later, he kills everyone in the town in a gruesome fashion and declares war on humanity. All the noble houses get blamed, including a house known as Belmont.
When this is how the guy tells you you’re screwed, YOU ARE SCREWED.
A few months later, Trevor Belmont (Richard Armitage), the last of a line of monster hunters, is broke and drunk in a city that is besieged by the forces of darkness every night. The clergy (who started this whole mess) have used this as an opportunity to take power in the area, claiming to be the only force capable of repelling the evil, and blame a group of traveling magic users called the Speakers for Dracula’s assault. Trevor saves some of the Speakers and is told by the Elder (Tony Amendola) that there is a “sleeping soldier” beneath the city who may help save them. The Elder’s granddaughter already sought the soldier but has not returned. Trevor goes below the city and finds a cyclops guarding a crypt. Trevor slays the monster, which releases one of his petrified victims, the Elder’s granddaughter Sypha Belnades (Alejandra Reynoso). The pair continue and eventually discover the sleeping soldier is none other than Dracula’s half-human son, Adrian Tepes or “Alucard” (James Callis), who was wounded fighting his father a year prior. The three join forces to stop Dracula’s army from wiping out humanity.
Cosplayers are getting aroused at this photo.
END SUMMARY
If I just watched Season 1 of this show, I’d say it was only kind of good. The first season has some great character designs, good action sequences, decent dialogue at some points, and the Bishop (Matt Frewer) is one of the most deeply despicable characters on film, overshadowing Dracula as an antagonist. However, the show doesn’t really hit its stride until Season 2, when you start to have Dracula’s War Council interacting and Trevor, Sypha, and Alucard bantering. All of the dialogue suddenly gets sharper and better, mostly because of all of the conflicting philosophies and backstories.
The show is, so far, an adaptation of Castlevania III: Dracula’s Curse, something that was a great decision. It’s the first game chronologically, except for Castlevania: Lament of Innocence which doesn’t have Dracula in it, and was the first one to have multiple characters, giving the writers more to work with. I was surprised that they cut out the character of Grant Danasty, the pirate from the game, but maybe he’ll come back later. Still, even without him, we’re not short on great characters on either the hero or villain sides. As with most good series, most of the characters aren’t morally black and white, they’re all fairly flawed and driven by their own wants and histories. For example, two of Dracula’s Generals, Hector and Isaac (Theo James and Adetokumboh M’Cormack), are humans who have decided to side against humanity because of their personal histories, and Isaac’s backstory in particular will just hit you right in the heart.
Man, this game cover was awesome in the 80s.
The animation style is a tribute to one of the most popular games in the series, Castlevania: Symphony of the Night, which gives it a strong anime influence, but still with a lot of gothic European character designs. The fight scenes look like elaborate video game cut-scenes, which is exactly what they should look like. The combat involving Alucard is particularly impressive, because his fighting style is literally impossible to do in reality.
Overall, I hope that they keep this series going. There are so many more interesting stories that can be told in the Castlevania universe. They’ve set up several more at the end of Season 2, and Dracula literally always comes back in the games, so they can reuse him as much as they need.
If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.
The Joker On The Sofa 