John Wick: Chapter 3 – Parabellum: Forced Creativity is Still Creativity (Spoiler-Free) + Weird Theory

SpoilerFree

John Wick is back and killing people, but this time he’s being hunted by an entire army of professional assassins.

SUMMARY (Spoiler-Free)

Starting a few minutes after the last movie ended, John Wick (Keanu Reeves) is now on the run from the “High Table” that apparently controls all of the mobs in the world after shooting Santino D’Antonio (Riccardo Scamarcio), one of the members of the High Table who betrayed him in the previous film, while on sacred ground. The High Table has excommunicated him from all mob resources and has put a bounty on his head of $14 million, attracting every assassin in the world. John must figure out a way to get rid of the bounty while fighting off an amount of killers that makes it seem like most of the global population murders for money.

JW3 - 1Shooting.png
Admittedly, after killing hundreds of other people, he might forget how to not kill people.

END SUMMARY

I loved John Wick. It was an amazing action movie that basically stripped down the story as much as possible without sacrificing emotional impact and providing a lot of worldbuilding with minimum exposition. Mostly, the long-take fight sequences provided a much desired counterbalance to the rapid cut and fast moving fights we see in most other action movies, particularly those in the MCU. It’s not that the other style is bad, but it definitely feels more dramatic to be able to just show the action in its completeness, particularly since it shows the real, and extremely impressive, skills of the stunt performers. It also allows for some more aesthetically creative fights without diminishing the brutality of the violence.

JW3 - 2Color
Also, the use of color is… just amazing.

This movie continues all of that, but it becomes clear quickly that the filmmakers are realizing that they are running out of ways to keep making gunfights interesting without seeming repetitive, so they very cleverly figure out ways to force the fights to be different. Sometimes it’s by adding other people or animals, sometimes it’s by keeping John from having a gun and forcing them to improvise, sometimes it’s by reducing the effectiveness of John’s weapons, but the key is that every action sequence in the movie still feels original. Is it sometimes a little forced, like they have to go out of their way to avoid showing John having a gun or being able to just wreck all of the bad guys the way he previously has? Yeah, a little, but that doesn’t detract from the fun.

Celebrity Sightings in New York City - July 14, 2018
I mean, he uses a horse as a weapon. That’s just neat.

The world in which the film is set is expanded upon a lot, including showing us some more of the inner workings of the nebulous organization that the High Table oversees. The worldbuilding continues to be interesting and the characters that populate it are all compelling, even if they’re just a clever variation on an archetype, like the wise poor man or the shadowy ninja assassin. We also get a little more background on Wick himself, but not enough to remove the air of mystery and badass that surrounds him.

JW3 - 4Deser.jpg
Also, Halle Berry has amazing dogs.

Basically, if you liked the first two movies, you’ll like this one.

WEIRD FAN THEORY (Mild Spoilers)

John is actually Koschei the Deathless from Russian Mythology. Now, give me a minute on this:

JW3 - 5Koschei.jpg
I mean, they even both have… beards… and skin?

John Wick’s motivation is that someone killed his dog and stole his car. At least, that’s the ostensible motive. The reality is that the dog was a gift from his late wife and the car contained one of the last mementos he had left of her. Thus, when John loses them, he is losing a part of her, the great love of his life for whom he moved heaven and Earth… or, more precisely, killed an absolutely enormous amount of people in one night, essentially accomplishing an impossible task in order to be with her. The rage that fuels John is the desire to retain the powerful love he felt for the woman he lost. Essentially, he’s doing terrible things because he no longer has his heart.

JW3 - 6Wife
Her C.O.D. says “Plot and Motivation.” Common for women in movies.

One thing that comes up repeatedly in the films is that John’s nickname is “Baba Yaga,” translated from Russian as “the Boogeyman.” However, at one point in the first film, Viggo Tarasov (Michael Nyqvist) points out that John’s not actually the Boogeyman, he’s the one you send to kill the Boogeyman. In other words, he’s the one that you would send to kill Baba Yaga.

JW3 - 7Boogeyman
Believe the old Russian guy.

In Russian Mythology, Baba Yaga is a witch or a magical being that takes the form of an old woman. As with most figures in Russian Fairy Tales, her role can vary wildly, going from snatching children and eating people who fail her tests to being a kindly, maternal figure who feeds lost children and helps them find their way home. Universally, though, she’s extremely powerful and immortal. In fact, there’s typically only one figure in Russian Mythology that is capable of destroying her: Koschei the Deathless. Sometimes he’s her husband, sometimes her brother, sometimes just her male counterpart, but she often is stated to know that he’s the only one who might be able to kill her. Hence, if John Wick is the guy who could kill Baba Yaga, he’d be Koschei the Deathless.

JW3 - 9BabaYaga
See? Here he’s even meeting Baba Yaga as Ted Theodore Logan.

While Russian Mythology tends to vary a lot, Koschei’s three main qualities are that A) he’s deathless (duh), B) he can kill anyone and is shown to be magically blessed with all weapons, and C) his heart/soul is gone. The reason why he is immortal (deathless) is because his heart is gone, and typically the only way to get rid of him is to find it. His heart is usually depicted as being hidden in some complicated nested form, such as: The heart is in a needle, the needle is in an egg, the egg is in a duck, the duck is in a hare, the hare is in a box, the box is in a log, the log is in a pond, the pond is in a forest, the forest is on an island. Essentially, it’s inside of a Matryoshka nesting doll. Without a heart, Koschei cannot die.

JW3 - AHeart
Also, sometimes it’s a gemstone.

What do we know about John Wick? Well, 1) he’s Russian (established in this film and implied in the first one), 2) he’s specifically a Ruska Roma, or a Russian Gypsy, a people who are known more for their performing than for their combat ability, and who are, mostly through racism, associated with myths like Baba Yaga and Koschei, 3) his name is fake, but his birth name is likely also fake, with his revealed “real name” being the equivalent of John Johnson, 4)  before he had his wife, he was famous for killing people with a pencil and after he loses her, he similarly proves that he can kill anyone with anything, and 5) he can survive stuff that would kill even most action movie protagonists (particularly in this film). Note that John is only portrayed as being lethal and immortal when he doesn’t have his heart, which is to say his love, but when he is at peace (with his dogs to serve as his heart), he is beaten up by a group of two-bit punks and his house is blown up. If he doesn’t have a gaping hole to fill in his life, he’s not immortal.

JW3 - 8Crucifix
He even bears a token of a Russian bond.

What does this mean? Well, first of all, I’m not saying he’s literally Koschei the Deathless, so I’m not predicting that magic or old women in chicken-legged houses are going to be in the next one (sadly), but I’m saying his story is similar. Ultimately, the only way John Wick can end is the same way any story with Koschei always ends: With someone returning his heart to him and killing him. I firmly believe that it’s only when John actually finds something to love again that he’ll be allowed to die.

JW3 - BKoschei.jpg

Of course, I could be pulling this out of nowhere. It’s not like John Wick literally keeps one of his most treasured photos inside of a book of Russian Mythology depicting Koschei the Deathless in the New York Public Library, right? Oh, wait, that’s literally in the opening scene which I sadly can’t find a clip of online to place here. Your move, John Wick: Chapter 4.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Netflix Review – The Good Place: Season 2

Already reviewed one episode of this season, but since they finally put it on Netflix, I’m going to go ahead and do the whole thing. Spoilers, I’m trying to do this so you can watch Season 3 when it comes up, even if you don’t want to catch up on the last two.

SUMMARY

Michael (Ted Danson) commences the reboot from the end of the last season, trying a new version of the original strategy to get Eleanor (Kristen Bell), Chidi (William Jackson Harper), Tahani (Jameela Jamil), and Jason (Manny Jacinto) to torture each other for thousands of years. However, Eleanor placed a note in the mouth of Janet (D’Arcy Carden) at the end of last season, telling her to find Chidi, which quickly leads her to realize that she’s already been in this situation before. This leads to her figuring out that they’re in the Bad Place in a few days, rather than the months in the original run. Michael decides to just reboot them yet again, without the note, but has to conceal this from his boss, Shawn (Marc Evan Jackson), who told him he only had two chances. Unfortunately for Michael, it turns out that his plan is inherently flawed. Every time he reboots them, Eleanor still realizes that they’re in the Bad Place somehow (although, once, Jason realizes it, something that Michael admits “hurts”).

TheGoodPlace2-1Jazz.jpg
Granted, Michael was stupid for trying to put a 3 hour Jazz Opera in. 

Over 800 attempts later, the other demons in the fake Good Place finally go on strike, led by Vicky, the “real Eleanor” from the first attempt (Tiya Sircar). She blackmails Michael to take over, but Chidi and Eleanor see a demon out of his human suit and realize they’re in the bad place. They flee to the Medium Place, where Mindy St. Claire (Maribeth Monroe) reveals that they’ve been over a dozen times before, but each time they return to the fake Good Place and get rebooted. She also reveals that Chidi and Eleanor almost always are together and once even said they loved each other, something neither of them has ever really done. However, in this timeline, they barely know each other.

TheGoodPlace2-2Love.jpg
And Mindy has the illegal voyeur porn to prove it!

Michael talks with Jason, who accidentally convinces him to join the human team. As a condition of working with him, Eleanor insists that Michael also take ethics classes, something that doesn’t come naturally to a demon. Eventually, he starts to understand the concept and bond with them. Janet begins to malfunction, and it’s revealed that she’s still in love with Jason from the first reboot, when they got married. She attempts to get over him by creating a rebound guy named Derek (Jason “How did this get made” Mantzoukas), but eventually is forced to realize that she has to deal with her feelings, something no previous Janet has ever really had (Janets become smarter every time they’re rebooted, and she’s been rebooted the most by a lot).

TheGoodPlace2-3Derek.png
Derek doesn’t quite have a “working” brain.

Shawn returns and ends the fake Good Place, believing that it was a massive success and promises Michael a promotion. Michael betrays Shawn, however, and sides with the humans and helps them avoid going to the real Bad Place. Instead, they sneak through the Bad Place and head to meet the inter-dimensional judge who rules over all the matters of good and evil, Judge “Gen” Hydrogen (Maya F*CKING Rudolph). The Judge gives each of the four a test of their growth, but only Eleanor passes. She tells the others that she failed because they’d agreed to all go to the Bad Place if anyone failed.

TheGoodPlace2-4Gen.png
She’s so wonderful.

At the last minute, Michael arrives and intervenes, convincing Gen that, since people can become better by working at it, they should give each of the four another shot on Earth and see if they get better. Eleanor goes back to the moment of her death, is saved by Michael, and resolves to become a better person. However, after it proves difficult, she starts to backslide. Michael pretends to be a bartender (because he’s Ted Danson) and asks her a question: “What do we owe each other?” She Googles this question and finds a lecture series by Chidi, leading her to fly to Australia to meet with him, ending the season.

END SUMMARY

Okay, do you see how long that summary was? That’s me condensing the hell out of this season. So much happens that I had to double check that each episode, aside from the first one, is only 22 minutes long. Granted, there are less actual discussions about philosophy in this season, because most of it is just so packed, but they still have several episodes dedicated to it, including an episode called “The Trolley Problem” which is about… well, the Trolley Problem. If you want to find out about that, my Grouchy counterpart wrote some crap on it. The season addresses the concept of moral absolutes and moral relativism, existential crises, whether utilitarianism or deontology is better for deciding a course of action, and whether or not throwing a Molotov cocktail is actually a solution to anything. If you didn’t understand any of those things, this show will explain them to you better than I can, and will do them in hilariously entertaining ways that don’t even feel like you’re learning (that way it doesn’t hurt).

TheGoodPlace2-5Trolley
The Trolley Problem: Now with squishy balloons of organs and blood and bone! 

The structure of good and evil within the show is also elaborated upon and it is so interesting and yet relatable. Is it wrong for a person to innocuously start a really annoying trend, like a waiter seeing an empty plate and saying “I see you hated it?” Is it okay to murder someone if your intent is solely to make someone else’s life better? Are burritos better when coated with a dash of envy? I didn’t even know I needed the answer to some of these.

TheGoodPlace2-6Burrito
Respect. The. Burrito.

The main thing about this season is that it feels like a very different show, while still being almost the same at its emotional core. The characters still relate to each other much the same ways they did during the last season, even if the background behind their connections has changed. They’re going through different challenges, however, and those struggles don’t feel at all like the things they were dealing with in the last season. Then, several episodes even change the setting and the stakes, making a lot of the actions feel more urgent than they were before. It’s a great ramp-up to the finale, which, itself, changes the show’s framework. This isn’t a show where the characters stay the same, they grow and change and the show changes so that it continues to make sense. Brilliant storytelling.

The acting and writing in this season is just as good, if not better, than the last one, so see yesterday’s review if you want to know my opinions on that (hint: GREAT!). Some notable additions are Jason Mantzoukas as Derek, the fake rebound guy that Janet builds, Dax Shepard as Chet, the demon who tortures people with toxic masculinity, and Maya Rudolph as Judge Gen. Mantzoukas plays a character who literally doesn’t follow any laws of human development, since he was spontaneously created, which he somehow pulls off, never seeming even close to a regular person in the funniest way possible. Shepard doesn’t get a huge role, but, like Adam Scott in season 1, he portrays a hilariously douchey take on the traditional demon idea, being not an old-school evil figure, but a more modern version of dickish evil. And Maya Rudolph is Maya f*cking Rudolph, if you need more than that, I advise you to go watch anything Maya Rudolph is in, particularly Idiocracy. She’s amazing and you should pay respect to her.

TheGoodPlace2-7BadJanet
Also, Carden as “Bad Janet” and “Bad Good Janet” are amazing.

Overall, when this season ended I was just pissed off that I was going to have to wait a year to watch the next one. If that’s not a sign of quality television, I don’t know what is. The next season starts this month on NBC, so get caught up and watch, people.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.