Avenue 5: DS9 As Crewed by Idiots – HBO Max Review

A sci-fi comedy with some not-so-subtle commentary.

SUMMARY (Spoiler-Free)

Avenue 5 is a luxury passenger ship captained by the acclaimed Ryan Clark (Hugh Laurie). During a routine cruise, the artificial gravity malfunctions resulting in the death of the chief engineer, as well as the ship’s course being altered by a few degrees. Unfortunately, those few degrees will extend the 8-week trip to over three years. Now it’s up to Captain Clark, the second engineer Billie McEvoy (Lenora Crichlow), head of mission control Rav Mulcair (Nikki Amuka-Bird), assistant to the owner Iris Kimura (Suzy Nakamura), and former astronaut Spike Martin (Ethan Phillips) to get the ship back to Earth. Unfortunately, they are generally hampered by the incompetence of the Billionaire Owner Herman Judd (Josh Gad), the head of customer relations Matt Spencer (Zach Woods), and entitled passenger Karen Kelly (Rebecca Front). It also turns out that most of the passengers are also complete idiots. 

This is an absolutely enormous ship.

END SUMMARY

I realize that the premise of a ship being massively off course and having to get back home, as well as the presence of Ethan Phillips, make this show more closely resemble the show Star Trek: Voyager, the fact that it’s set in a single location and doesn’t feature the crew stopping off at other spots makes it sometimes feel a bit more like Deep Space Nine or Babylon 5, after which it is probably named. Of course, either way, this show does not really feel like Star Trek as much as it seems like Idiocracy. Most of the people on Avenue 5 are rich (hence 5th Avenue) and most of the staff don’t really have any knowledge of how the ship works due to almost everything being automated. Even the crew are revealed to have almost no idea what they are doing, because the ship, like most things in the future, is better at flying itself than humans are at flying it.

Josh Gad is particularly dumb for a supposedly brilliant engineer.

The key to this show is that the cast are all pretty hilarious and great at playing characters who are out of their depth. Possibly one of the best running gags is that Captain Clark speaks with an American accent because people find it reassuring, but when he gets angry, or drunk, he reveals that he is actually British. Little details like this seem small at first, but the show actually accumulates them as the show goes on and, unlike many shows, actually has them all pay off in one absolutely hilariously dark episode. It’s not even the finale, it’s just the point at which the show really had to let everything come to a head or else it would have become stale. That’s another good aspect of the show is that it tends to let stuff simmer for just the right amount of time.

Not exactly starfleet.

Overall, I really recommend you give this show a shot if you like farces or sci-fi comedies. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Central Park: A Musical Masterpiece – Apple+ Review

Another hit from the Bob’s Burgers team.

SUMMARY

Owen Tillerman (Leslie Odom, Jr.) is the manager of Central Park in New York City. He’s married to reporter Paige Hunter (Kathryn “Agatha All Along” Hahn) and the father of young kids Molly and Cole (Kristen Bell and Tituss Burgess). The family lives inside of the Edendale Castle in the park and are watched over by the narrating busker Birdie (Josh Gad). Unfortunately, it turns out that local businesswoman Bitsy Brandenham (Stanley Tucci), along with her henchwoman/assistant Helen (Daveed Diggs), has decided to start scheming in order to purchase Central Park and turn it into a series of apartment buildings. The Tillermans not only have to deal with their own problems, but now they have to overcome Bitsy’s plans to destroy their lives. Fortunately, they have the power of song… and also a ton of cameos by famous singers.

I would watch this cast in literally anything. Give them a WandaVision spin-off.

END SUMMARY

I was told this show was mediocre and thus didn’t watch it (also, didn’t have Apple+ until recently). The person who told me that clearly had no joy in their soul. This show is everything I wanted and more. Aside from having an absolutely dynamite cast that has multiple Tony and Emmy award winners, the show’s music is absolutely amazing. It includes a wide variety of musical styles, ranging from the big band numbers of old Broadway to the hip-hop influenced music of Hamilton, and it does all of them well. It’s amazing to realize that there are 46 songs in a 10 episode half-hour show, but somehow they managed to pull it off. It helps that people like Cyndi Lauper, Alan Menken, Darren Criss, Aimee Mann, and even Fiona Apple contributed songs to the show.

Stanley Tucci and Daveed Diggs as two old ladies with schemes. Amazing.

The characters are pretty varied, although all of them are quirky, much like on Bob’s Burgers. While the Tillermans don’t quite stand out as much as the Belchers, they definitely have a lot of the same weirdness mixed with genuineness to make them eventually become just as lovable. The number of songs does sometimes hinder both the character development and the plot development, but the odds are good you’ll be too hooked on them to care. The guest characters are usually amazing, ranging from people like a tour guide of the deleted scenes of Home Alone 2 to a busker who competes with Birdie for narrating duties. It’s actually a great element that the narrator (who has omniscience over everything that’s happening) also interacts with the characters. It’s like something out of a Greek comedy.

Josh Gad probably sings about people’s lives all the time.

Overall, just a great show. Highly recommend. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Disney+ Review – Artemis Fowl: How Did This Fail So Hard?

Seriously, there’s dropping the ball then there’s firing it into the ground and trying to hit magma.

SUMMARY (Spoiler-Free, but who cares)

Artemis Fowl, Jr. (Ferdia Shaw) is a 12 year old supergenius son of Artemis Fowl, Sr. (Colin Farrell), a wealthy businessman and folk tale aficionado. One day, the older Artemis goes missing, having been accused of stealing a number of artifacts, and the younger one gets a call from his abductor, Opal Koboi (Hong Chau). It turns out Artemis had stolen a rare magical item called the Aculos. Domovoi Butler (Nonso Anozie), the Fowl family butler, reveals to Artemis that the Fowls have been dealing with magical creatures for generations. Artemis will have to deal with fairy police officers Holly Short (Lara McDonnell) and Julius Root (Dame Judi Dench), a giant dwarf named Mulch (Josh Gad), and other magical troubles to get his dad back with the help of Domovoi and Juliet Butler (Tamara Smart), Dom’s niece and Artemis’s best friend.

Remember when this outfit didn’t help the kid in Blues Brothers 2000?

END SUMMARY

This movie sucks. 

I have been told by a few parents who watched this movie that their small children enjoyed the film, but I have a difficult time believing anyone who has gotten to middle school will find any happiness in this experience. It suffers from some of the worst flaws you can find in the cinema.

Not least of which being generic costuming.

First, it’s a lot of tell, not show. The entire movie is narrated by Josh Gad’s character, who apparently is the mega hype man for Artemis Fowl, so rather than actually see Artemis be smart, we’re just told that he’s the smartest person on the planet. Despite that, he chooses to say that he knows everything more often than he actually uses that knowledge. 

Second, it’s unbelievably boring. If you’re not going to focus solely on action, then people need a reason to focus on dialogue or plot development. Here, there are a lot of sequences of people having conversations in which the audience has no vested interest. Saying that a character’s dad died doesn’t make it tragic unless we have a feeling as to what everyone’s emotional connection to them was. 

If you can’t get Judi Dench to be riveting, you need to burn the script.

Third, the acting wasn’t able to overcome weak characterizations. The lead isn’t strong enough to sustain the focus, the supporting characters aren’t strong enough to buoy the soft parts, and the villain is mostly non-existent within the film. It mostly hurts that they changed Artemis Fowl from the underaged head of a criminal empire to a generic child hero. Having a cold antihero as the lead can at least force some memorable performances, but the version of Artemis from this movie could have been pulled from half a dozen other movies. 

Last, the plot sucks. It’s way too convoluted while not being as smart as the film wants it to be. The fact that Artemis Sr has been kidnapped doesn’t really have that much bearing on the actions of the fairy forces attacking Artemis Jr, which make up most of the movie. It’s tangentially connected, because they’re related to the same item, but the whole film feels disjointed.

And there are like 3 subplots that amount to nothing.

I spent much of the movie wondering if you can even do an adaptation of Artemis Fowl to begin with. The project languished in Development Hell for 18 years, following the first book’s popularity and riding off of the Harry Potter young adult lit boom. This film tried to combine two books, similar to what the Jim Carrey A Series of Unfortunate Events film did, but the thing about Artemis Fowl is that a lot of the book is pretty intricate in how it represents Artemis and crew, which allows for more development of their reputations and capabilities. Also, they tried to make Artemis athletic in this film, something that he mostly averts in the original story, which, again, seems like more of a generic child hero than the character in the book. Honestly, a major studio probably just can’t make a children’s film with a morally conflicted lead.

Overall, avoid this movie. I’m sorry, guys, but maybe if this fails the way it should, someone will finally green light it as a TV series, which is probably a better way to handle the novels.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.