Three Australian YouTube comedians get their own series and it’s hilarious.
It’s a sketch show. Each episode has a loose theme and the general premise is that three men, Mark Samual Bonanno, Broden Kelly, and Zachary Ruane, live together in a house despite their general incompetence and insanity. Guests include Ed Helms, Scott Aukerman, Weird Al, Kristen Schaal, and some other people who apparently wanted to break into the Australian YouTube watcher market.
This show is one of the funniest things I’ve seen. I haven’t genuinely had to pause something because I was laughing too hard in a long time, but I had to do it about once an episode here. Many people state that the secret to comedy is surprise and these three men have taken that lesson to heart. Many of the set-ups in this series seem to be inspired by children’s television, with the characters acting clueless and having things like a talking dishwasher or a cowboy roommate. It takes these nonsensical setups and tries to play them straight while also interrupting them with completely unrelated jokes. The fourth wall is more of a suggestion, with the characters breaking it to narrate, make asides, or just flat-out comment on production.
Possibly the most impressive thing about this show is that it pulls from literally every level of comedy, from puns to clever references to sight gags, and does it in a way that will guarantee almost anyone will be entertained. Even if you don’t like one joke, you’ll probably enjoy the next one that’s five seconds later. Perhaps the funniest bits are when they take a traditionally childish thing like drumming on pots and work in ridiculously dark or adult jokes. The characters have no consistency whatsoever, but this is one of the rare cases where that works to their benefit. Any character can be the straight man in one scene or the wacky one in the next. They frequently play multiple characters in the same scene, with episodes involving them talking to alternate versions of themselves.
Overall, seriously, you just need to watch this show. It’s hilarious.
Bill S. Preston, Esq. (Alex Winter) and Ted “Theodore” Logan (Keanu Reeves) are two teenagers who dream of musical success as the band “Wyld Stallyns.” In the first film, Bill and Ted are confronted by a time-traveler named Rufus (George Carlin), who gives them a time machine so that the pair can pass their history final and keep the band together. In the process, they meet a number of historical figures, but also two princesses named Joanna and Elizabeth (Kimberley Kates/Jayma Mays and Diane Franklin/Erinn Hayes). They succeed in passing the exam and, with the help of Rufus, start the band with the princesses. Rufus reveals that Wyld Stallyns’ music will one day turn Earth into a utopia. In the second film, Chuck De Nomolos (Joss Ackland), a villain from the future, kills Bill and Ted using two evil robot copies, forcing them to confront Death (William Sadler) and go through the afterlife in order to defeat the bad robots. At the end, the pair stop De Nomolos, marry the princesses, have two kids, and perform a hit song in front of the entire world.
Well, turns out that the concert was not the act that changed the world into a utopia. Now, almost thirty years later, Bill and Ted are still trying to figure out the song they need to write to create the perfect future while raising their music-enthusiast daughters Billie Logan and Thea Preston (Brigette Lundy-Paine and Samara Weaving) with their wives. The duo are confronted by Kelly (Kristen Schaal), the daughter of Rufus, who comes to take them to meet the great leader, her mother (Holland Taylor), who informs the pair that they have only a few hours to perform the song or else the entire universe unravels. Bill and Ted set off to create the single greatest musical hit in the multiverse.
The category for this one was “Film World You Want To Live In,” and this was a tough one. You’d think you want to live in Middle Earth or in Star Wars, but a lot of the time those places are in constant turmoil. If you’re not a chosen one, you’re probably going to get killed. Narnia? You’d better worship Lion Neeson. Harry Potter? Fine if you’re a wizard, but if you’re a muggle somebody might mind-erase you into forgetting your kids. Also, wizard Hitlers abound. So, my finalists were originally Star Trek, because it’s a future in which all of humanity lives in a constant state of self-actualization, and Mirrormask, because the City of Light is amazing as long as you occasionally stop a thief on their way out of the town. However, on August 28th, the universe (and United Artists), gave me a sign by releasing Bill and Ted Face the Music. Not only was it a fantastic third entry to the franchise, but it was a stark reminder of the attitude that made the first two films amazing. Plus, it removed the somewhat cringeworthy-in-hindsight homophobia.
Bill and Ted, the characters, stood out among the litany of similar characters because they were always positive. Despite the fact that Ted’s dad ridiculed the two or that they had absolutely no musical talent, they always had an optimistic outlook towards not just themselves, but the world in general. No matter how much the world threw at them, up to literally sending them to a Tim Burton-esque Hell, the two never surrendered that point of view. It often seemed connected to their valley-boy/stoner personalities and seemingly lower intelligence, but as they constantly prove to be smarter than most people expect, that doesn’t appear to be the case. In fact, it’s revealed that they seem to instinctively understand the universe better than most people, from time travel to the meaning of life. Instead of just being idiots, it’s that the two have an incredible ability to try and move past any injustice done to them. It’s honestly like a form of enlightenment summarized as “Be excellent to each other” and “Party on, dudes.” The fact that Alex Winter and Keanu Reeves were completely perfect in their portrayals was just the icing on the cake.
A big reason why this universe is so amazing, and why I’d want to live in it, is that these two form the backbone of the future. Not some great orator or a general, but two relaxed guitar dudes who just want everyone to get along and have fun. It’s somehow the most optimistic version of the future I can think of. Almost everyone is happy, the universe is peaceful, and, most amazingly, history and the arts are the most influential subjects. When we see the future of Bill and Ted, it’s not driven just by science or exploration like most sci-fi futures, but by appreciation for the humanities. In fact, when we see the flaws in the future, they’re almost all associated with people who are opposed to music or too dedicated to the sciences to appreciate anything else.
Also, unlike most films depicting a great future, the one presented by Bill and Ted is focused heavily on education reform. While Bill and Ted might be failing history in High School when they’re repeatedly drilled on facts, they manage to learn a great deal in a short period (less than a day) when they start interacting with the historical figures. We then see in Bill and Ted’s Bogus Journey that, in the future, this is how education works, through interactive learning. Moreover, they constantly find ways to use what they do know (song lyrics and pop culture) and apply it to other situations, something that I, a person who loves to integrate pop culture with everything, really appreciate.
But the biggest reason why I love this universe came in the third movie. So, ****SPOILER ALERT*** if you haven’t seen it. Go buy it now and come back after you’ve enjoyed it. At the end of Bill and Ted Face the Music, it’s revealed that Bill and Ted actually aren’t the key to the universe. While they do play part of the song, and amazingly, it’s their daughters that arrange the music by going through history and combining a number of styles of music into a song that can appeal to anyone. Music is one of the few things that almost every culture has created since the dawn of humanity, so it makes sense that it’s the thing that can unite humanity. Then, the film ends not with a dedication to the song, but with the simple observation that the song wasn’t the important part: it’s that everyone played it together. Everyone managed to just find one thing for one second that they could agree on, and that’s all it took. And I find that hopeful, because even though the world may seem super divided, there is always a chance that someone out there will find that one thing that can bring us together and that it probably won’t be some grand speech or some scholarly lecture. It’ll be something that everyone can appreciate. Maybe it’ll be a drunken blog post, who knows.
Overall, I loved this movie and the two that preceded it. Be excellent to each other, and party on dudes.
How you start is important to getting popular, but how you finish is the key to being a legend. After all, who wants to sit through 75 hours of a show for a giant letdown? Here are ten series that managed to really stick the landing.
Runner-Up: My Finale (Scrubs)
The Show: John “J.D.” Dorian (Zach Braff) is a doctor at Sacred Heart Hospital with his best friend Chris Turk (Donald Faison), Turk’s wife Carla (Judy Reyes), his girlfriend and fellow doctor Elliot Reid (Sarah Chalke), his mentor Dr. Cox (John C. McGinley), the head of the hospital Bob Kelso (Ken Jenkins), and his nemesis the Janitor (Neil Flynn).
The Finale: Okay, this is only a runner-up because I am not willing to deal with people sending me messages that say “technically, the show had another season,” followed by me slapping my face in frustration and saying “Then why did they call it Scrubs: Med School? How come it changes location, most of the cast, and central character?” But, the DVD release still says Season 9, so… fine. It’s not the “finale.” That’s particularly sad because I think it would be a strong contender for the number one spot here if it was. Unlike many great finales, this one didn’t rely on any kind of subversion or loss. Instead, this episode gives its main character, J.D., the exact send-off that we probably hoped he’d get.
It probably stands out because of the last 5 minutes of the episode, when J.D. starts to walk out of the building, and the show, and is suddenly surrounded by every guest from the show’s run that they could manage to fit and afford. As he walks down a literal memory lane, he finally stands at the exit, and we see a projection of the future he’s headed for, filled with love, happiness, and friendship. It’s a happy ending that never feels too cheesy or overdone.
10) The Last Show (The Mary Tyler Moore Show)
The Show: Mary Richards (Mary Tyler Moore) is a single woman who is an Associate Producer for WJM’s 6 o’clock news, starring Ted Baxter (Ted Knight). She works alongside Executive Producer Lou Grant (Ed Asner), and head writer Murray Slaughter (Gavin MacLeod). Mary’s best friend is Rhoda Morgenstern (Valerie Harper), Rhoda’s nemesis who is also Mary’s friend is Phyllis Lindstrom (Cloris Leachman), and Mary’s friend who works at WJM is Sue Ann Nivens (Betty White). The other main character, introduced later, is Georgette Baxter (Georgia Engel), Ted Baxter’s girlfriend.
The Finale: For a show that contains what I consider to be the single best episode of all time, it’s pretty impressive that it managed to end with what was, for a while, considered the “gold standard” of finales. It was a regular exhibit in screenwriting courses. The creators of Friends said it was a major influence in how they wrapped their show. The key is that it really is an ending for the characters as well as the show. When a new station manager (Vincent Gardenia) takes over WJM, he decides he wants to fix the 6 O’clock News ratings. Unfortunately, he determines that the only person worth keeping is Ted, the person who repeatedly causes the show to tank. Everyone else is fired, devastating Mary. To cheer Mary up, Lou Grant arranges for Rhoda and Phyllis to visit her (both now had spin-offs), with both offering vastly different methods of support for Mary (and hatred for each other). Ultimately, Ted tries to do a sincere send-off, but instead quotes the song “It’s a Long Way to Tipperary.” Everyone says goodbye, resulting in a group hug that no one wants to break, giving rise to the hilarious image of the entire team moving together in order to get tissues. Mary ends up smiling at the good times and turning off the lights on the set.
The key to this ending is that everything goes wrong for all the right people. Everyone who has spent years cleaning up Ted’s mistakes gets fired because of Ted, but because they kept making him look good, Ted keeps his job. He tries to protest the firings, but ultimately backs down when threatened, leading to Murray saying “When a donkey flies, you don’t blame him for not staying up that long.” When Lou tries to cheer Mary up, she calls in two of her friends… who hate each other and fight viciously. When Ted tries to be sincere, he just quotes a completely unrelated song. That’s what made the show great, watching people deal with all of life’s crap and unfairness with a laugh and a joke. It was the best way to end the show.
9) Come Along With Me (Adventure Time)
The Show: Adventure Time follows the journeys of Finn, the last human (Jeremy Shada), and his adopted brother Jake the dog (John DiMaggio), through the land of Ooo. They usually are accompanied by Princess Bubblegum (Hynden Walch) and Marcelline, the Vampire Queen (Olivia Olson), and sometimes the Ice King (Tom Kenny).
The Finale: The last episode of this show takes place far in the future from the normal timeline and the show now apparently stars two new characters named Shermy (Sean Giambrone) and Beth (Willow Smith), who appear to have a similar relationship to Finn and Jake. They go to meet with the King of Ooo, who is revealed to be BMO (Niki Yang), Finn and Jake’s AI game system. BMO tells them the story of the “Great Gum War,” what the show had been building to for a season, then tells them of the coming of GOLB, the anti-God of that universe. Ultimately, the war is averted and the world is saved, and Shermy and Beth take up the mantle of Finn and Jake.
The reason this is on this list is mostly because it contains three great elements. First, the Great Gum War is literally averted, rather than fought. Finn ends up convincing both sides of the war to stand down, and does so by forcing each side to view the situation from the other’s point of view. This represents the culmination of Finn’s growth from a boy to a man, finally realizing that violent solutions propagate violence, but that forgiveness can bring true peace. Afterwards, Shermy, now representing young Finn, complains that he thought the War would be more important, like the end of the world, only for BMO to casually say “no, that’s what happened next.” Second, after the apocalypse is averted, Shermy and Beth, acting as audience surrogates, ask BMO what happened next, only for BMO to respond with “Eh, y’know. They kept living their lives.” I think this may be one of the most perfect summaries to end a show. It’s not a bland “happily ever after,” but it is a way to tell everyone that, even though life goes on, this story has hit the end. However, the true ending is Shermy and Beth taking the pose that Finn and Jake take in the title screen, meaning that the adventure will always continue. Lastly, we see Marceline and Princess Bubblegum finally become a couple. Given how much crap the show had gotten in the past for even hinting at this, I love that they decided “we’re at the end, let’s go for it.” This finale summed up everything that was good about this show.
8) One Last Ride (Parks and Recreation)
The Show: The series follows the lives of all of the people who work for or are associated with the Parks Department of Pawnee, Indiana: Idealist Leslie Knope (Amy Poehler), her husband Ben Wyatt (Adam Scott), her Libertarian boss Ron Swanson (Nick Offerman), her coworkers Tom (Aziz Ansari), April (Aubrey Plaza), Garry (Jim O’Heir), Craig (Billy Eichner), and Donna (Retta), as well as April’s husband Andy (Chris Pratt), and Leslie’s best friend Ann (Rashida Jones) and her husband Chris (Rob Lowe).
The Finale: By the end of the series, everyone is leaving and no one works for the Parks Department anymore. However, Leslie asks everyone to help her when a man asks them to fix a swing near his house. As they work together to navigate the bureaucracy to repair the swing, the show flashes forward and shows how almost every characters’ life progresses. We see Garry get a happy ending after being the sad sack for most of the series, Donna turn her success into helping children with her husband (Keegan-Michael Key), and Tom become a celebrity through writing a bestseller. Ron is shown to retire from his business to run a major park with Leslie’s help. April and Andy start a family and Leslie and Ben both become successful politicians, with one of them implied to eventually be president.
This episode should be terrible. It’s saccharin beyond anything else the series had done up to this point and it’s little more than an extremely elaborate “and they all lived happily ever after.” However, the way in which their flash-forwards are told give us a real picture of how all of these people, despite drifting apart, are always bonded by the events of the show. Even though they live in different parts of the world, they’re still a family and they always will be. Moreover, the world we see in the future is a hopeful and just one, with Leslie, who has always been thwarted by the stupidity of Pawnee, becoming governor of Indiana. We see a world where, despite still having problems, we find a group of people who are fighting for the right thing, even if they all disagree on what that is. To drive it home, Leslie even quotes Teddy Roosevelt’s line “Far and away the best prize that life has to offer is to work hard at work worth doing.” We see a future where that kind of dedication is celebrated, and that’s what really makes this episode work.
7) Basil the Rat (Fawlty Towers)
The Show: Basil Fawlty (John Cleese) and his wife Sybil (Prunella Scales) run a hotel in England. Basil is an angry jerk obsessed with class mobility, always trying to become one of the elite, but his own incompetence usually dooms him. His staff includes the sensible Polly (Connie Booth) and the hapless Spanish waiter Manuel (Andrew Sachs).
The Finale: A health inspector (John Quarmby) informs Basil that the state of Fawlty Towers’ kitchen is below standard. If they don’t fix the problems in 24 hours, the hotel will be closed. At the same time, Basil discovers Manuel is keeping a pet rat, named Basil, in the kitchen, having been sold it as a “Siberian Hamster.” Basil tries to get rid of it, but Manuel protests and he and Polly hide it in the shed. After Manuel foolishly lets the rat back into the hotel, Basil the human poisons a veal shank in an attempt to kill the rat, but the shank gets cooked by accident. After every customer, including the returning health inspector, orders the veal, hilarity ensues. Eventually, the health inspector is handed the rat, but the cast attempts to cover for it as the episode ends.
The key to Fawlty Towers was the incredible combination of tight writing and amazing physical performances. Each episode typically took Cleese and Booth six weeks to write, which is probably why there are only twelve of them in two seasons over five years. This episode is the pinnacle of that, because all of the beats in the episode have to be precisely timed in order to keep the tension building. In the meantime, all of the characters have to keep scrambling and covering for their actions as they keep trying to find Basil the Rat. It also helps that this episode is the opposite of what Basil Fawlty had been hoping for. Rather than becoming an elite establishment, his hotel is almost closed down for being a dump, and at the end of the episode, it seems extremely likely that it will be shut down. Rather than a happy ending, we get a shot of Basil, having passed out from stress, being dragged unceremoniously from the room.
6) Weirdmageddon (Gravity Falls)
The Show: Gravity Falls is a town filled with strange happenings and mysteries. When two kids, Dipper and Mabel Pines (Jason Ritter and Kristen Schaal), come to stay with their Great Uncle “Grunkle” Stan Pines (Alex Hirsch) for the Summer at his Mystery Shack, they get caught up in the town’s weirdness, along with Stan’s two employees Wendy (Linda Cardellini) and Soos (Hirsch). Their greatest enemy is a dream demon named Bill Cipher (Hirsch).
The Finale: The final episode begins with Bill winning. He has finally figured out a way to enter the real world in his true form and he immediately reveals himself to be one of the most horrifying villains ever to be featured in a show for kids. He and his gang start to wreak havoc upon the town, until Dipper, Mabel, and the surviving cast fight back. Ultimately, they’re able to trick Bill into entering Stan’s mind, which they then wipe, destroying him as Stan’s dream self punches the demon out of reality. Then, finally, the Summer ends and the kids have to go home in a tearful goodbye.
The greatest strength of Gravity Falls was that it always focused on how the characters felt and what they were going through internally more than externally and this finale is no exception. The strength of the episode isn’t just in finally showing us the power of Bill Cipher and having the team overcome him, it’s that the last 20 minutes is just having a slow, sad, emotional goodbye from all of the characters to the two kids that changed the town so much. We see some nice flash-forwards explaining that most of the characters will be okay, and still be the eccentric oddities that we came to love, but also that everyone will be separated in their own lives. Maybe they’ll be together again one day, but it seems likely that this is the end of this story. It ends with a cryptogram that deciphers to: FADED PICTURES BLEACHED BY SUN. THE TALE’S TOLD, THE SUMMER’S DONE. IN MEMORIES THE PINES STILL PLAY. ON A SUNNY SUMMER’S DAY. I’ll admit that I still tear up reading that, because it’s just that adorably sincere.
5) All Good Things… (Star Trek: The Next Generation)
The Show: It’s the 24th Century and mankind has spread itself among the stars, meeting new life forms and threats along the way, and forming the United Federation of Planets. The top ship among the Federation fleet is the Enterprise-D, captained by Jean-Luc Picard (Patrick Stewart). Along with crew members William Riker (Jonathan Frakes), Data (Brent Spiner), Worf (Michael Dorn), Geordi La Forge (LeVar Burton), Dr. Beverly Crusher (Gates McFadden), and Deanna Troi (Marina Sirtis), Picard explores the unknown along the Final Frontier.
The Finale: Picard finds himself unfixed by time, his mind jumping between the present, twenty-five years into the future, and seven years in the past, just before the show’s pilot. These jumps are random, making people think he’s going mad. In the present, he goes to investigate a space anomaly. He then uses a jump to convince his future ex-wife Beverly to travel to the same anomaly, which is happening in the future as well. In the past, he declines to go to the anomaly so that he can have the encounter at Farpoint with Q (John de Lancie), an omnipotent being who threatens humanity. However, it turns out that Q is actually causing Picard to jump through time, telling him that solving the mystery of the anomaly is the only chance to save humanity. Picard discovers that investigating the anomaly is actually what causes it, and sacrifices all three different versions of the Enterprise to stop it. This is revealed to be Q’s test and that Picard passed, saving humanity.
It’s one thing to manage to tie in the themes of a show with the finale, it’s another to literally tie the entire series together into one single cohesive expression of what the show is about. Star Trek has always been about humanity at its best; challenging the unknown, exploring the unexplored, bettering themselves for the sake of being better. This episode reveals that the entire series, from the Pilot to the end, was a test of whether humanity can evolve, with Picard as its focus. Picard proves not only that he can solve a four-dimensional problem, but that he and his crew are willing to sacrifice themselves in three different time periods in order to save the universe. It proves again that humanity has limitless potential both scientifically and socially, if only we can evolve beyond our selfishness.
The Finale: Fry (Billy West) decides to propose to his longtime flame Leela (Katey Sagal), and uses a device that rewinds time by 10 seconds (and has a 10 second recharge time) to set up the perfect proposal. Unfortunately, he ends up breaking the device, trapping him and Leela in a frozen world. Together, they live a long and happy life, until they’re discovered by the Professor, who fixes the device. He warns Leela and Fry that when he undoes the time freeze, it’ll take them back to before the episode started, with no memory of the events. Fry and Leela agree that, while they enjoyed growing old together, they both want to do it all over again.
This show gets bonus points because Futurama actually had four separate finales: “The Devil’s Hands are Idle Playthings,” “Into the Wild Green Yonder,” “Overclockwise,” and then this one. Despite having tried to wrap the show up multiple times, I am always impressed that this one is, in my opinion, the best of the four. It’s not just telling us that Fry and Leela will ultimately find happiness, we get to see them being happy together, with each of them clearly influenced by the other for the better. It helps that so much of the episode is really funny before that. We see Fry messing around with time in a number of fun gags, a throwback to the pilot, and Fry dying multiple times to the point that Leela starts to get bored with it. It’s a solid set of comedic scenes that turn into a sincere and emotional third act, which is basically what Futurama did at its best.
3) Goodbyeee (Blackadder Goes Forth)
The Show: Each season of Blackadder featured Rowan Atkinson as a different descendant of the Blackadder family. This one was a Captain in the British Army during WWI. He was commanded by the incompetent General Melchett (Stephen Fry) and his nemesis Captain Darling (Tim McInnerny). Each episode features his attempts to get out of actually having to fight, usually involving Blackadder’s incompetent aides George (Hugh Laurie) and Baldrick (Tony Robinson).
The Finale: Blackadder finds out that there’s going to be a full-scale attack the next day, meaning that he, along with all of his soldiers, will be running all-out into No Man’s Land. Since all of them will likely die, Blackadder pretends to be crazy in order to get sent home, but it fails. He tries to contact the British High Command to get sent home, but it fails as well. Darling is sent to the front line, despite his attempts to protest, while Melchett sits miles back. George and Baldrick discuss their losses during the war in a humorous way, until finally George admits that he’s afraid of dying. Blackadder and the rest of the group go over the top and are killed, with the shot fading to a silent poppy field.
It was a tradition for each season of Blackadder to end with death, usually that of the entire cast, but it was always done in a comic fashion. This entire season had frequently played off the massive casualties of World War One as a dark joke, which set everything up to do a similarly humorous or absurd conclusion to this season, but instead, they played it perfectly straight. It’s a sad, somber, painful ending to the show. It’s a subversion of the nature of the series, but it fits the theme of the season, that war is hell. The show sacrificed its own cast to make sure that people remember that the price of war is blood and tears.
2) Felina (Breaking Bad)
The Show: Walter White (Bryan Cranston) is a chemist who finds out he has terminal cancer. He decides to partner with his ex-student Jesse Pinkman (Aaron Paul) to make meth in order to provide for his wife Skyler (Anna Gunn) and his son Walt, Jr. (RJ Mitte). He does surprisingly well, eventually becoming a kingpin.
The Finale: Having managed to lose most of his money and betraying Jesse in the last season, Walt threatens former partners to leave a fortune to his son and decides to “make things right.” He rigs a machine gun to a mechanical arm and tries to make amends to his wife for all of his misdeeds, having a conversation in which she points out that his actions were always about him, never the family. Walt goes to meet the Aryan Brotherhood members holding Jesse hostage and uses the machine gun to kill almost all of them, with him and Jesse killing off the survivors. Walt is mortally wounded, but dies smiling surrounded by meth cooking equipment as Jesse escapes.
This episode works on so many levels. First, the title is an anagram for finale and a reference to the song “El Paso,” which mirrors the events of the third act. Like the subject of “El Paso,” Walt dies in the arms of his beloved: Meth. Second, it mirrors the pilot, both beginning and ending with sirens headed for Walt. In the pilot, Walt declines to shoot himself, but here, he dies by a shot from his own gun. Walt even dies in the same outfit he wore in the pilot. Third, it provides a satisfying conclusion to a series that was constantly escalating tension by doing exactly the opposite, being a quiet denouement for Walt after one last blaze of glory. The show was always building towards his death, and Cranston’s final moments on-screen send the character off in exactly the right way.
1) The Last Newhart (Newhart)
The Show: Dick Loudon (Bob Newhart) is a writer who moves to Vermont to run an inn with his wife Joanna (Mary Frann). While Dick is a relatively normal and sane person, the town is populated by eccentric people whose inability to operate within the bounds of reality constantly drives Dick crazy.
The Finale: After years of putting up with the locals, the entire town is purchased by a Japanese tycoon who wants to turn it into a golf resort. While Dick and Joanna make a show of wanting to keep the town the same and refuse to leave, literally everyone else takes a huge payout and vacates. Years later, Dick and Joanna now run their inn in the middle of a golf course. All of their former neighbors pay them a surprise visit, but quickly drive Dick crazy until he gets hit in the head with a golf ball. He then wakes up in bed… as Dr. Bob Hartley, the main character of The Bob Newhart Show, next to his wife Emily (Suzanne Pleshette). He reveals that the entire series of Newhart was just a dream he had, something that annoys his wife when he reveals that he was married to a beautiful blond.
This finale should be terrible, because the idea that the whole series was a dream would normally be stupid or seem like a cop-out. However, The Bob Newhart Show was a series about Bob Hartley questioning his own reality and Newhart was a series where everyone somehow played by rules that defied any established rules of logic, except for Bob Newhart’s character. It not only made sense that Newhart was a dream of someone who constantly questioned reality, it made MORE sense than any other explanation. Bob Hartley always defined himself as the “only sane man” in his life, so he still does that in his dreams. Bob Newhart essentially spent 20 years setting up this punchline across two different series and it served as a perfect finale for both of them. I think it’s telling that after Breaking Bad ended, Bryan Cranston did a “fake ending” where he wakes up as Hal on Malcolm in the Middle that was inspired by this. When the second best ending has to pay tribute to something, you know that thing has to be the best.
Let me know if there are any others that you think I should have added by posting in the comments or on my Facebook or Twitter.
Dave Bautista stars in this action comedy about a spy being outsmarted by a 9 year old.
JJ (Dave Bautista) is a former US Army Ranger who now works as an agent for the CIA. Unfortunately, he’s not particularly good at infiltration, so he blows his first major mission, resulting in him losing part of a plutonium core. Because of this, he’s assigned to keep an eye on Kate (Parisa Fitz-Henley) and her daughter Sophie (Chloe Coleman), the in-laws of a major illegal arms dealer. JJ is accompanied by his Tech Operator Bobbi (Kristen Schaal). Unfortunately, Sophie soon discovers that JJ and Bobbi are watching over her family and starts to blackmail JJ into being her friend and guardian while she tries to fit in at her new school.
There’s a long history of “action star with cute kid” comedy, ranging from fun movies like Kindergarten Cop and The Pacifier to terrible movies like Cop and a Half and The Tooth Fairy (I love The Rock, but that movie sucks). However, most of those movies are smart enough to be marketed and targeted towards children. This movie, bizarrely, decided to get a PG-13 rating, but only to add a little bit more violence and a few swears, without trying to make the movie more appealing to adults.
It’s pretty sad that the film decided to make itself mostly inaccessible to children, because the chemistry between Bautista and Coleman is honestly pretty solid. Their interactions are really cute, particularly when Bautista is teaching her spycraft. Her desire to use him as a father figure is not really subtle, but it works anyway because of Bautista’s sincerity in being concerned for her. Unfortunately, the film mostly relies on “cute” over “funny,” which is also a bad call if you want it to be for everyone.
It’s not like Bautista can’t be funny; he’s great as the straight-man in Guardians of the Galaxy and was pretty funny in Stuber with Kumail Nanjiani. Kristen Schaal, who is tragically underused in this movie, is typically hilarious. Coleman, although young, also has some decent comedy instincts. Yet, somehow, aside from a few scenes of Bautista’s tough-guy character being paired with Brittany Spears music, which is an old gag to begin with, there’s not a ton to laugh about in this film. There are a lot of heartwarming moments, but the humor isn’t there, at least not for adults. We get some scenes of Coleman humiliating the two grown spies, which should be funny, but it’s been done so much in other movies that it’s really predictable. I will admit that I liked the part where she just Googles how to find the source of the hidden cameras, because I constantly wonder why people don’t just search for answers in films more often.
Even more bizarrely, the action sequences in this film aren’t particularly outstanding. The opening of the film does contain Bautista kicking a decent amount of villainous backside, but after that it is a long time before we see any more of his action chops, and the final fights just aren’t great.
Overall, I just don’t get why the heck this movie wasn’t just made into a kids film. It’s not like there would be a huge amount to change to do so, and I think kids would like it. Adults, though, not so much.
12-year-old twins Dipper and Mabel Pines (Jason Ritter and Kristen Schaal) are sent to spend the summer with their great-uncle “Grunkle” Stan Pines (Alex Hirsch) in the town of Gravity Falls, Oregon. Stan manages the local tourist trap the Mystery Shack, staffed by Soos Ramirez (Also Alex Hirsch) and Wendy Corduroy (Linda Cardellini). It turns out that Gravity Falls is no sleepy little town, but is filled with monsters, mermen, mayhem, and madness… which makes for the best Summer ever.
So, to try and do something different this month, I’m going to spend each Sunday talking about a show that I think everyone should watch. Since I want them to be as broad as possible, every entry is going to be a show that I think works for both kids and adults, and is a show that I think works to try and make the audience better people, rather than just targets for entertainment. Despite what many people will insist, people, especially kids, are massively impacted by the kind of media they consume, and I wanted to shout out shows that I think help the world in different ways. Since this show is both the shortest of the four and the only one which I will insist has no “bad” episodes that should be skipped, I’m putting it up front.
Gravity Falls is not the most well-known show, but it deserves to be, and thanks to Disney now having a streaming service, it can get the attention it merits. It’s a show that has a pilot containing what I think is one of the most brilliant subversions in TV history and just keeps getting better from there, culminating in an unbelievably powerful series finale which features one of the most terrifying villains that you could put into a show that can be shown to children. I’d previously said as much when I added an episode of this show to my list of the 100 Greatest Television Episodes of All Time that started this blog. That episode actually pretty much crystallizes what this show does better than almost any kids show, or most shows in general: connections.
The show starts off with Mabel and Dipper, who, being twins, are naturally close despite their opposing personalities. Dipper is an introvert who often gets too caught up in his head, while Mabel is an extrovert who often has trouble bonding with people due to her eccentricities. Stan, the person that they’re forced to interact with, is an abrasive jerk who lives off of scamming people. Then we get Wendy, the cool and aloof girl who never seems to really connect with anyone beyond casual acquaintance, and Soos, the awkward people pleaser who is a little bit childish for a 22 year old. No matter who you are, you will see some, or a lot, of yourself in one of the main characters, because they’re all so well-developed that they seem completely human despite their exaggerated natures. That’s why it’s so much more powerful to see how these characters interact with each other and with the rest of the people in Gravity Falls. As the show progresses, all of these connections grow stronger, culminating in a finale where one of the only things that ends up saving the day is how the people of the town are able to come together, even characters that had formerly been rivals or even enemies.
Gravity Falls also distinguishes itself in that the heroes’ powers are not being the strongest or the fastest, but instead being the smartest and the most caring. Dipper is dedicated to finding out the truth behind things, even if the truth is hard to accept. Mabel, on the other hand, doesn’t need to look into things, she just tries to make everyone her friend. In the most powerful moment in the show, she looks into the eyes of a person who has seemingly lying to her the entire time she knew them, and risks her own to trust them. There is an entire episode dedicated to building up to Mabel choosing to believe in someone, to put her faith in the goodness of another, despite the fact that she can’t even articulate why. Almost everything else in the world nowadays seems to speak to the opposite, that nobody is really worth trusting, that everyone is out for themselves, but I will always applaud this show for trying to remind us that humans got where we are by trusting others, and we will get further if we continue to do so. It takes strength and bravery to put your trust in someone, but everyone has it within them to do so. Be stronger, trust more.
Beyond the message, the show decided to try and give its audience something to do in their off-hours, containing a number of puzzles throughout the series, including having an encrypted message at the end of every episode and an entire cipher language, similar to Futurama. Moreover, the ciphers get more complicated as the show goes on, going from a simple substitution all the way to a vigenère keyword cipher with hidden keywords throughout the show. Few shows ever try to make part of the enjoyment of the show having to think about it more and comb through scenes looking for keywords or backwards messages, but Gravity Falls made it so fun that they eventually did an international scavenger hunt at the end of the series. It’s a show that helps you get better at puzzle solving and logic, something that benefits everyone.
Aside from the great stuff the series does for you, Gravity Falls is just so easy to watch. It’s funny, it’s exciting, it’s animated well, and it has Kristen Schaal shouting “GRAPPLING HOOK!” What more could you want?
Look, part of why I started this blog was to convince people that there are episodes of television out there that can help them grow. This show is filled with them. Please, no matter who you are, give it a try.