Leela’s the focus for this episode exploring her tragic backstory.
The Professor (Billy West) finally connects to the internet, which is a giant virtual-reality world that feels vaguely Tron-ish. Amy (Lauren Tom) and Leela (Katey Sagal) go into a chat room where they both intimidate all of the men by virtue of being actual women. Later, they join Fry (West), Bender (John DiMaggio), Zoidberg (West), and Hermes (Phil LaMarr) in a video game where Fry dominates due to wasting so much of his life gaming. Leela, however, meets another cyclops named Alcazar (David Herman) who Fry immediately vaporizes. On their next delivery, Leela receives a message from Alcazar with information about the Cyclops homeworld, so she heads there with Fry and Bender.
On the planet, Alcazar tells Leela that the planet was blown up by the eyeless Mole People of Subterra 3 out of anger that the Cyclopes had sight. Alcazar survived by being in a pool at the time, while Leela was a baby sent to Earth by a scientist to save her life. Leela then tells him that the species doesn’t have to end with them and they have sex. The next morning, Alcazar starts acting like Al Bundy from Married with Children, with Leela taking on aspects of Katey Sagal’s previous role as his wife Peg. Despite the fact that they now fight all the time, Leela agrees to marry him to keep the species going. Fry, however, decides to search the forbidden valley on the planet to try and find something to convince Leela not to marry him.
The staff arrives for the wedding, but after questing for a little while, Fry and Bender find four identical kingdoms. They return just in time for the wedding with four other women, revealed to be all of Alcazar’s other fiances. It turns out that he’s a shapeshifter who just found it easy to get laid by marrying women who are the last of their species. The weddings are all called off and Leela continues to wonder where she comes from.
This episode kind of feels like it was just a set-up to the joke of reprising Katey Sagal’s character from Married With Children. It’s one of those things that was basically inevitable and I think that doing it in Season 2, without letting the necessity build, meant that they could get away with only dedicating about 2 minutes of the episode to it, rather than make it the focal point of the episode. Still, it’s pretty funny to watch Leela, who usually responds to everything with violence, throw all these verbal barbs with Alcazar, with the pig and the rat couple providing the audience hooting and reactions in place of the shows usual live studio audience. Also, I love that Leela immediately questions why the set-up has changed to be more similar to Married with Children but Alcazar insults her rather than answering her question. It’s one of my favorite lampshade hangings in the series.
The representation of the internet in this movie is a little dated, since “chat rooms” no longer exist as they did in the 90s, celebrity nudes are no longer all fakes, and AOL dial-up is mostly a thing of the past. However, some elements have definitely held up, like the idea that many guys who talk big on the internet would collapse in the presence of a real woman, that video games are becoming more virtual reality based, and that underage people will claim to be 18 to see nudity online. It’s also impressive that they mostly avoided any references to The Matrix despite the fact that this episode came out almost a year to the day after that movie, which means this would have been written shortly after that movie was everywhere. The only one I caught is when Hermes dodges a pop-up ad by limboing, which is right after they make several references to 2001: A Space Odyssey, The Birds, and Tron, so it feels like they’re just spamming movie jokes right then. Again, it’s a decent amount of restraint, given the subject matter and the time. It’s also possible that the writers just thought The Matrix wouldn’t hold up in the cultural zeitgeist as well as it did.
The final reveal of Alcazar is pretty clever. It’s a funny bit to reveal each of the alien brides to him and watch Alcazar try to cover for them all, but ultimately it’s watching Leela’s last moments contemplating the fact that she almost married someone that she knew was treating her terribly just so she could feel like she belonged. It’s one of the most real moments of Leela’s character in the entire series, because it feels so human to do something stupid in order to stop feeling alone. The last shot, however, is pure Futurama emotional gut-punch when she asks how many planets there could be and the camera pans out to remind us that space is incomprehensibly large. There are over 100 Billion stars estimated to be within the Milky Way Galaxy alone, each of which usually has at least one planet in orbit, and in Futurama the crew regularly travels all the way across the universe, meaning that almost any galaxy or planet in the universe is a possibility. There are estimated to be 1,000,000,000,000,000,000,000,000 stars in the entire visible universe, again, each with likely one or more planets. That means that if you searched 1 planet every milli-second for 5 billion years, you’d be roughly… .02% of the way there.
SPACE IS BIG, Y’ALL!!!
This is actually a very nice use of Cosmic nihilism for the audience, but since Leela doesn’t acknowledge it, it isn’t as sad as it usually is. Plus, Leela had addressed the opposite of it earlier in the episode, self-determination. She now realizes that she doesn’t need a home to define her as long as she knows who she is. Granted, eventually she will know her history, but that’s still a mystery right now, and it’s nice to watch her make some level of peace with the mystery.
One of the women Alcazar is set to marry is a Yithian from H.P. Lovecraft’s “The Shadow Out of Time.”
The Yithians are a race that previously inhabited Earth over 66 Million Years Ago and they gained a form of near-omniscience through their ability to switch out their minds with other species in the future. However, despite this, they were annihilated by a species of Flying Polyps. However, since they knew they were going to be destroyed, they switched all of their minds with another race that will take over the Earth after humans are dead, the Coleopterous race. The coleopterous race is described as “beetle folk,” resembling a great number of different humanoid insects… just like Alcazar’s true form. In other words, his Yithian bride would likely be the last of her race, but if she wanted to marry another Yithian, they’d look like a giant insect. Additionally, she’s the only one who doesn’t say anything about his true form, so it’s possible she’s just pissed about the fact that he was going to marry 4 other women. Either way, a Yithian/Bug Creature wedding was a weird but interesting reference and I dig it.
Well, that’s it for this week.
See you next week, meatbags.
PREVIOUS – Episode 21: Raging Bender
NEXT – Episode 23: A Clone of My Own
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