Lupin III: The First: An Amazing Anime Adventure – Amazon Rental Review

The grandson of the world’s greatest thief returns to thwart some Nazis.

SUMMARY

In the 1940s, French Professor Bresson was killed after discovering something that was sought by the Nazi think tank “Ahnenerbe.” His family was killed, aside from his granddaughter, Laetitia (Suzu Hirose/Laurie Hymes), who was adopted by the Nazi professor Lambert (Kōtarō Yoshida/David Brimmer). His famous research diary was lost for twenty years. Now, it’s the swinging 60s and the world’s most charming thief, Arsene Lupin III (Kanichi Kurita/Tony Oliver), is seeking to steal the Bresson Diary, which is the only treasure his grandfather failed to steal. Unfortunately, the Ahnenerbe group has survived the war and are seeking to beat Lupin to the punch. Along for the ride are Lupin’s associates: the sharpshooting Daisuke Jigen (Kiyoshi Kobayashi/Richard Epcar), the swordsman Goemon Ishikawa XIII (Daisuke Namikawa/Lex Lang), and the femme fatale Fujiko Mine (Miyuki Sawashiro/Michelle Ruff). As usual, they’re pursued by Interpol Inspector Koichi Zenigata (Kōichi Yamadera/Doug Erholtz). 

God, the characters are so well dressed.

END SUMMARY

I’m a big fan of Arsene Lupin, as I pointed out when Netflix released their show Lupin last year, but I am also a fan of Lupin III. While Arsene Lupin was the ultimate gentleman thief, Lupin III is a crass womanizer who is nonetheless the greatest thief in the world by virtue of his unmatched intelligence, gadgetry, and physical prowess. The series, created by Monkey Punch (the best pseudonym that doesn’t involve porn) was marked by its visual style, sense of humor, and frequent leaning on the fourth wall. 

Odd humor like having a random ramen break during a chase.

Having run for over 50 years and through six TV series and more than a dozen films, this film is a prime example of why the formula can still work. While Lupin is a criminal mastermind with skills to rival Batman, he always adopts the appearance of a rakish goofball who, more often than not, has a greater sense of morality than the people from whom he steals. Jigen is the more dour but ever-loyal partner whose ability with a gun borders on superhuman. Goemon can cut a building in half as long as the building has offended his honor. Fujiko, who is the focus of Lupin’s romantic efforts, will always stab them in the back if it benefits her, but will usually do the right thing in the end. Zenigata will chase them to the ends of the Earth, unless he needs their help to stop someone worse. This film gives the group a common enemy that everyone can focus on, because the bad guys are literally Nazis. 

He also inevitably steals the heart of someone during the heist.

The action and theft sequences are among the best in the series and the animation style not only matches the feel of the original but enhances some of the faster-paced scenes. The humor is classic Lupin, which is to say the right balance of irreverent jokes and brilliant slapstick. The soundtrack is an updated version of the original series. The plot is, surprisingly, actually pretty solid and contains a lot of decent twists and even the occasional sincere emotional moment.

And one genuinely epic pose moment.

Overall, just a great movie and now I want to take a month or three to rewatch the rest of the series. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Doom Patrol: Insane Adult Superhero Comedy (Seasons 1 and 2) – HBO Max Mini-Review

If you haven’t given this a look, you’re missing out.

SUMMARY

Cliff Steele (Brendan Fraser/Riley Shanahan) was a professional racecar driver who was killed in an accident. He was revived in a robot body by Dr. Niles Caulder (Timothy Dalton), a scientist who leads a group of individuals that have tragic origins and fantastic powers. They include Crazy Jane (Diane Guerrero), a woman with 64 personalities and 64 superpowers, Rita Farr (April Bowlby), an actress whose body is elastic, and Larry Trainor (Matt Bomer/Matthew Zuk), a pilot who is possessed by a radioactive “negative spirit.” In the first season, Niles goes missing, and the team, along with Vic “Cyborg” Stone (Joivan Wade) has to rescue him from the powerful Mr. Nobody (Alan Tudyk). In the second season, the team has to deal with the arrival of Niles’ daughter, Dorothy Spinner (Abigail Shapiro), who is likely to end the world with her imaginary friend, the Candlemaker (Lex Lang). 

They’re weirdly photogenic for a group of “social outcasts.”

END SUMMARY

I was skeptical about this show because it was originally shown as a spin-off of the show Titans on DC Universe. If you didn’t read my review of that, my opinion of that series was not positive. Doom Patrol, however, is an entirely different animal. While the show is still dark like Titans, this is a bitter, cynical dark comedy and it is done really well. Probably in an attempt to keep the series separate, the two shows have since been established to be in different continuities, although a “Doom Patrol” does still exist in the Titans universe. 

But that Doom Patrol is nowhere near as fun.

The show mostly duplicates the feel of Grant Morrison’s famous revival run on the comic book series. While the original Doom Patrol was a straightforward group of outcasts banded together as a superhero team, Morrison decided to age-up the series and make it more surreal and with more meta-commentary. He focused on making the universe in which the Doom Patrol operated bleaker and weirder than the average comic book being put out by DC at the time. Just how the comic’s nature differentiated itself from other contemporary series, so too does this show set itself apart from most of the other superhero shows on television right now. For example, a fun part of the first season is that the show is actually narrated by Alan Tudyk, who is both a genre-savvy character and also aware of his fictional nature. Not only is his commentary hilarious, but the fact that he’s narrating the events of a show in which he regularly appears also gives him an air of omnipotence, raising his threat-level as a villain. 

Dear every television producer: Alan Tudyk makes anything better.

While all of the main characters are pretty interesting and have wildly different personalities and motivations, the show’s ability to supply inventive guest characters is perhaps its greatest strength. Entire episodes typically revolve around the group making contact with some strange new entity, ranging from a donkey that can eat a town to a guy who can reshape reality by flexing his abs. Hell, there’s a recurring character that is a sentient cross-dressing, pan-sexual street. It’s populated by people who need sanctuary from the cruel world. The second season has focused less on guest characters and more on exploring the ramifications of what has happened to our central cast, but each episode has still featured a number of interesting worlds to explore and people to meet. This keeps the jokes and hilarious situations coming at a regular pace, which complements the dark nature of the world appropriately.

Yes, the street talks through signs.

Overall, just a really well done show. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.