Futurama Fridays – S6E25 “Overclockwise”

Bender enhances his robotic intellect so much that he becomes nearly omniscient.

SUMMARY

Cubert (Kath Soucie), Fry (Billy West), and Bender (John DiMaggio) are playing a WWII combat game online, but keep losing badly to Walt, Igner, and Larry (Maurice Lamarche and DiMaggio), Mom’s (Tress MacNeille) idiot sons. Cubert says Bender is the weak link, something that Bender acknowledges due to his hardware being out of date. Cubert overclocks Bender’s CPU to compensate and Bender quickly becomes much more intelligent. Mom, discovering that Cubert violated Bender’s user agreement, sends an army of robots to reclaim him and has Cubert and the Professor (West) arrested. Bender manages to overclock his own secondary processor, making him smart enough to avoid Mom’s attacks and continually increase his own intellect. He leaves Planet Express to find seclusion from Mom. 

Graphics are a bit lackluster for 1000 years in the future.

At the same time, Fry and Leela (Katey Segal) are discussing their relationship when she starts to express doubt about the future. Eventually, when the Professor and Cubert are put on trial, Leela leaves Planet Express to go find a new purpose. Fry tries to find a new friend in Randy (DiMaggio), but ends up trying to kill himself by going over Niagara Falls. He survives and finds a cave containing Bender, who is now a mostly non-corporeal existence. Bender has hacked himself so much that he is now using reality as a processor, giving him essential omniscience. He informs Fry that Cubert and the Professor are going to be convicted and declines to explain if Fry and Leela will end up together.

Mom has pin-ups of herself. That’s disturbing and vain.

At the trial, the deliberations conclude, only for Bender to show up a few moments later. He is denied the opportunity to testify, but then mentions loudly that the Jury probably won’t convict Cubert. Mom makes the prosecutor drop the case against Cubert, but Bender then points out that Cubert and Farnsworth are the same person, legally, so dropping a case against one drops them both. He is then picked up by Mom’s robots and reset to his old intellect. Leela later comes back to see Fry and ask Bender about their future. It’s revealed that Bender wrote down how Fry and Leela will end up. The pair read it and, although the audience doesn’t see what it says, it indicates that the two will be happy.

END SUMMARY

This is the third of Futurama’s four finales along with “The Devil’s Hands are Idle Playthings,” “Into the Wild Green Yonder,” and “Meanwhile.” I’ve stated before that all of these are excellent episodes, but this one feels the least like an actual finale, possibly because it focuses the least on Fry and Leela, who really were the emotional core of the show. However, this episode is still excellent, even if the ending feels a little tacked on, as does the C plot of Leela questioning her and Fry’s relationship. Also, it’s weird that this isn’t the season finale, given that it was originally the series finale.

Hey, I just realized that the mutants can be jurors. That’s progress.

This episode does a good job of having the A and B plots both arise from the same incident, which is a useful narrative tool in sitcoms, particularly since they both sort of represent two different viewpoints on modern computing. Bender’s plotline involves overclocking his central processing unit, which is a term for attempting to increase a CPU’s clock rate, or how often a computer sends an electrical pulse to synchronize all its components. When this is increased it can theoretically make a component’s operating speed higher, but it risks causing overheating issues or power issues if not done properly. If it works, though, you can make parts exceed their factory settings. On the other side, though, most companies will either consider a part warranty void if the part is overclocked (which makes sense as it reduces the lifespan of the component), or, as in this episode, will require users to sign contracts stating they won’t overclock it. That policy, as is stated in this episode, is kind of crazy, because it means that a person who has a part in their computer cannot use it as they want without it potentially violating that agreement. Moreover, some software actually contains licensing agreements (remember, you don’t actually own your software, which is a discussion for another time) which ban the software from being run with overclocked parts. So, you can’t improve your own property. I appreciate that this episode addresses the issue in a funny way.

And yes, you probably have some of these right now.

Overall, aside from the part where Fry and Leela just spontaneously have a weird talk about being on-again off-again, this is a pretty great episode.

FAVORITE JOKE

I’m going to do two. First, the fact that Bender uses Niagara Falls as both a power source and a cooling source is a reference to an apocryphal prediction by a supposed “Professor of Electrical Engineering” from New York. If you take an electrical engineering class, you’ll probably hear some mention of a supposed professor from before the microchip was invented who predicted that supercomputers were impossible, because you’d need Niagara Falls to cool all of the Vacuum Tubes required. Nowhere on the internet have I even seen someone try to name this professor, which should tell you how real the quote is, but it still gets around. 

All is Bender. All will be Bender.

Second, one of the books that Bender reads is Ayn Rand McNally Atlas Shrugged. This is a combination of Ayn Rand’s Atlas Shrugged and the classic Rand McNally Atlases. I love this one because, before this episode aired, I used the same joke at a trivia night I was hosting for a “Before and After” clue.

See you next week, meatbags.

PREVIOUS – Episode 100: Cold Warriors

NEXT – Episode 102: Reincarnation

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Futurama Fridays – S6E23 “All the President’s Heads”

It’s another time-travel episode, but this time we kill George Washington.

SUMMARY

Fry (Billy West) gets a night job at the Head Museum, feeding the heads of the former US Presidents. He invites the crew over to the museum for a party, but when they drink the liquid around the heads, they find themselves transported back in time. Farnsworth (West) hypothesizes that the opal used to make the head fluid keeps the heads trapped in a temporal bubble. After learning from George Washington’s head (Maurice LaMarche) that one of his ancestors was a traitor to the US, Farnsworth, Fry, Leela (Katey Sagal), and Bender (John DiMaggio) travel back to stop him from betraying the revolution. The four encounter Ben Franklin (LaMarche), who tells them that Farnsworth’s ancestor, David Farnsworth (David Herman), is working as a counterfeiter and they discover that he’s at Paul Revere’s smithy in Boston. They capture David and destroy his counterfeits, but in the process Fry grabs a lantern from the Old North Church just as they are pulled back to the future.

Chester Z. Arthur will be elected in 2520 and impeached for eyebrow in 2521.

They emerge on an Earth that is now British. All of North America is now West Britannia, due to the UK winning the Revolutionary War. It turns out that Fry taking the lantern led to Revere warning of the British coming by land, instead of sea, leading to a swift defeat. David Farnsworth was knighted for killing George Washington, making Farnsworth a lord and a rich man. However, upon finding out he’s also the consort to the horrible queen of England, Farnsworth steals her opal and uses it to go back and change history again. This time, he almost kills David Farnsworth, leading to the name being cleared, and Bender being on a flag. 

Oh, you have to have sex with a British woman in exchange for a mansion. How terrible.

END SUMMARY

This episode would be completely forgettable if it weren’t for Ben Franklin. Yes, the man too interesting to be allowed into the play Hamilton somehow saved an episode of Futurama. That’s because he somehow got some of the only memorable lines in it, or was the subject of others.

Not wearing bifocals, though.

First, when asked if Franklin is in Philadelphia, Thomas Jefferson responds “When he’s not in Charlotte, or Maribel, or Louisa!” Fry doesn’t get it. When they arrive at Franklin’s house, Louisa answers the door, leading Fry to finally say “Now I get it!” This is a reference to Franklin’s legendary womanizing, which is SO MUCH more than you would think. Second, he invented the “Franklinator,” a club with a badger tied to it. I have been trying to incorporate that device into a fantasy setting ever since this episode. I’m thinking it’d be a combination of bludgeoning damage with a bite bonus. Also, randomly you get the one with the chipmunk that does nothing. Last, he’s the only one who got to call our leads “sh*theads” on television, by mocking the ambiguous printing of S in the 1770s. Since it looked like f, Franklin gets away with mocking their ignorance by saying they’re “ftupid fhitheads.” 

Franklinator? It’s probably Milhouse.

Aside from those moments, most of this episode was just unimpressive. It’s not bad, but it’s not great either. 

FAVORITE JOKE

Aside from the Franklin jokes, I have two other things I like in the episode. First, there’s a short cartoon in the intro featuring Zoich, the mascot for the 2014 Winter Olympics. Zoich, as you might guess from looking below, was based on the Hypnotoad from Futurama. I like the fact that the show acknowledged they had some real-world impact. The other thing that amused me was the part where FDR’s head says “The only thing we have to fear… is running out of beer.” This would make running out of beer equivalent to fear itself, which… yeah, tracks.

All Glory to Zoich

See you next week, meatbags.

PREVIOUS – Episode 98: Fry am the Egg Man

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Futurama Fridays – S6E22 “Fry Am The Egg Man”

Fry tries to hatch an egg and ends up creating a monster.

SUMMARY

Fry (Billy West), Bender (John DiMaggio), and Leela (Katey Sagal) stop by Fishy Joe’s restaurant after a mission, but Leela becomes upset about the fast food restaurant’s lack of healthy options and questionable ingredients. In response, Leela forces the crew to start buying their food at a farmer’s market. She buys a bunch of eggs that a farmer found in the woods and blackmails the entire Planet Express staff into doing brunch. After discovering that the eggs are fertilized, Fry refuses to eat his and instead decides to hatch it. Eventually, it hatches into a tiny blue alien with acid spit that Fry names “Mr. Peppy.” The group wants to kill it, but Fry tells them he plans on raising it.

Lrrr also orders at Fishy Joe’s. Try the veal.

After a few weeks, Mr. Peppy becomes extremely large, to the point that it can easily rip Bender’s limbs off. Professor Farnsworth (West) eventually discovers that Mr. Peppy is a Bone Vampire, a species that sucks the bones out of its victims. After finding out that Bone Vampires are extinct on their home planet, Doohan 6, the Scottish planet, and reproduce asexually, Leela suggests releasing Mr. Peppy to repopulate the species. After letting him go, the crew goes to a local pub on Doohan 6. They meet Handsome Major Angus McZongo, Esq. (Maurice LaMarche), who hits on Leela before informing them that the planet’s residents had killed all of the Bone Vampires because they kept eating all of the livestock. Fry insists that Mr. Peppy isn’t dangerous, so McZongo agrees to let the creature live for a few days while he tries to woo Leela. 

Mr. Peppy clearly doesn’t like “cuddles”

Soon they find a collection of boneless sheep and McZongo declares that Mr. Peppy must die. Fry insists on putting his pet down himself. After hunting for hours, Fry finally shoots at the figure attacking the sheep, but it turns out to be Angus McZongo. It’s revealed that he pretended to be the Bone Vampire in order to regain his popularity as a hunter, due to Mr. Peppy being a vegetarian. They soon discover that Mr. Peppy has abandoned his vegetarian ways, however, and gone back to eating the bones from sheep. Rather than killing him, the villagers celebrate, because after the sheep get killed, they’re now just boneless hunks of mutton which can be easily sold. Leela and the crew later head to Fishy Joe’s again, where Leela orders the mutton, reasoning that at least they know where it comes from now.

Handsome is relative on Doohan 6.

END SUMMARY

This episode always seems like a natural extension of the episode of The Simpsons where Bart hatches what he believes are two bird eggs only for them to be ecosystem-wrecking lizards, which was itself a twist on the episode of The Andy Griffith Show called “Opie the Birdman.” The Simpsons episode was written by David X. Cohen, one of the creators of Futurama along with Matt Groening. It always feels like I’m glimpsing something about how fiction represents society’s progression when you see a plotline that starts with a sincere parable about parenting eventually becomes a sarcastic tale of good intentions wrecking a town and eventually a nearly surreal story of a monster that saves a village of strange Scotsmen in space. If you look over how fiction usually evolves, this tends to be cyclical, so maybe one day in the future we’ll be back to sincere emotional tales as the thing that people want to see again. Or maybe sincerity is dead forever. It’s hard to tell as of 2020.

Lisa gets that this is horrifying.

This episode does have one of the more satisfying setups, because it doesn’t just get dropped after the plot moves to the second act. Instead, there’s a nice final scene where Leela accepts her small victory, even though she ends up putting a ton of cheese filling in her supposedly “natural” meal. Just like the rest of us, Leela’s only willing to try a certain amount to stand on principle before accepting a big bucket of fried goodness. 

Plus, this guy’s at the Farmer’s Market.

Overall, I enjoy parts of this episode, but the actual scenes with Fry hatching the egg and raising Mr. Peppy take like 7 minutes and are not particularly entertaining. 

FAVORITE JOKE

One of the people on Doohan 6 originally speaks in Gaelic when they meet him, which is understandable for a Scottish planet. Hilariously, Leela insists that they speak English, despite this planet likely being as strongly anti-English as it gets (just look up the history of Scotland for why that would be). However, the next two times they see him, he doesn’t speak Gaelic, but instead shouts a series of words with a heavy accent. The first time it’s “Gryffindor, Slytherin, Hufflepuff,” a reference to three of the Hogwarts houses. The second time, it’s “Dersu Uzala, Yojimbo, Rashomon,” the titles of three films by famed Japanese master filmmaker Akira Kurosawa. I wish they’d thought of a few more of these, but the gag still makes me chuckle. 

See you next week, meatbags.

PREVIOUS – Episode 97: Yo Leela Leela

NEXT – Episode 99: All the Presidents’ Heads

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Futurama Fridays – S6E20 “Neutopia”

Let’s destroy gender stereotypes by embracing gender stereotypes! Wait…

SUMMARY

Planet Express faces foreclosure due to mismanagement. The crew brainstorms ways to save it and Leela (Katey Sagal) suggests they do commercial airfare using the ship. This is shot down in favor of a nude calendar, which features Leela, Amy (Lauren Tom), and LaBarbara Conrad (Dawnn Lewis). Unfortunately, with only three women the project fails, so they finally try the airline idea (without giving Leela credit). Hermes (Phil LaMarr) and Fry (Billy West) are made pilots while the girls are made stewardesses, despite the fact that only Leela can fly a ship. The flight goes awry and they crash on a barren rocky planet. The passengers and crew total 16, eight men and eight women, and they immediately become divided over who should lead. 

This is a Star Trek reference.

The fight is interrupted by a rock alien (David Herman) who asks to speak with the leader, then becomes fascinated by the concept of gender. It decides to pose a series of tests to decide which gender is better, but ultimately decides to test their ability to reach shelter as the planet becomes uninhabitable. Both groups fail miserably at reaching the cave, but each realize that they can use Bender and the fembot refrigerator to avoid dying. Hermes and LaBarbara try to steal parts from each other, but end up having angry sex. When they awaken, the planet is burning, so both groups are about to die until they’re saved by the rock monster. Because of their failure, he lost a bet to another alien, so he uses his powers to make everyone gender neuter. 

While at first the crew and passengers work better without their sexual characteristics, eventually they miss screwing, so they demand their genitals back. The alien obliges, but ends up reversing everyone’s genders. Zapp Brannigan (West) then kills it. When they get home, both sides try to adjust to their new bodies, and the former men now pose for the remaining pages of the calendar. The calendar does well and the company is saved. A meteor crashes into the building and another alien, the Borax Kid (Maurice LaMarche) arrives to fix their bodies. Everyone is put right… except Scruffy, the Janitor. 

END SUMMARY

This episode is interesting in that it plays up sexism a lot in its characters in order to deconstruct sexism. The problem is that A) the jokes aren’t super funny and B) they had already done this back in “Amazon Women in the Mood.” For example, jokes about the inferiority of women countered by the fact that Leela and Amy are among the most competent characters in the show. What’s crazy is that they could probably have done a better job by playing up the gender swap subplot of the episode, but it ends up being a very short part of the episode. Even worse, most of the stuff in the gender swapped act is not particularly funny, like LaBarbara saying she needs to get up 5 times a night to play Xbox. However, I do admit that Hermes screaming “your manwich” when his wife makes love to him is pretty funny. 

At least it’s good to know their love isn’t just physical.

The one part of this episode that does tend to stand out is the Rock Monster’s ridiculous competition between the two parties. It’s completely random, starting out with who can drink the most sulfur, then going into a number of very pointed questions like “which is larger, and Italian size 4 or an American Apparel medium” or “name any twelve of the Desperate Housewives,” followed by the hilariously vague “how was your day.” They’re still sexist, but at least these are so farcical they’re funny. 

I also love the design of the Borax Kid.

Overall, the episode is okay, but it really just retreads something that the show already did better. 

FAVORITE JOKE

Well, my favorite joke is definitely Hermes shouting “Your Manwich!” when LaBarbara takes him in a manly fashion, but I already used that one. So, instead, I think I’ll say it’s the nude calendar. First, many of the images are references to famous pin-ups, ranging from Fry as Barbarella to Farnsworth as Farrah Fawcett. Naturally, all of these are slightly unnerving because of the subjects, which makes for a fun parody if you know the source material. Second, the episode states that they need eleven million dollars in order to stay afloat and they have a single day of sales in which to generate it. They pull it off, somehow. Since a Google search tells me that most 12-image nude calendars are under 20 dollars and the world of Futurama has a similar rate of exchange to ours, that means that they had to sell over half a million calendars in a day. Leela thanks the fans for being such huge perverts. This is a swipe at the Futurama fandom, which another Google search tells me is, indeed, full of people who are dedicated to making a lot of porn of the characters. 

See you next week, meatbags.

PREVIOUS – Episode 95: Ghost in the Machines

NEXT – Episode 97: Yo Leela Leela

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Futurama Fridays – S6E16 “Law and Oracle”

Welcome to Future Crime, where the computers use hand motions and the deaths don’t matter.

SUMMARY

Fry (Billy West) is sent on a prank delivery to the cryogenics lab, something that he apparently has had happen dozens of times. He becomes depressed about his perpetual status as a delivery boy, but then he witnesses NNYPD officers Smitty and Url (West and John DiMaggio) bust Roberto (David Herman). This inspires him to quit Planet Express and enroll in the police academy. He ends up graduating and is partnered with Url. After working the streets for a while, Fry and Url are promoted to the Future Crimes Division by Chief O’Mannahan (Tress MacNeille). Meanwhile, Leela and Bender (DiMaggio and Katey Sagal) try to do the deliveries, but find each other too grating without Fry as a buffer.

Bender and Leela go to a 3D planet. How, I don’t know.

In Future Crimes, Fry and Url are introduced to the cybernetic oracle, Pickles (Herman), a human-robot hybrid whose brain is programmed with the brain cells of all of humanity’s greatest detectives. Pickles’ mind can predict crimes before they happen, a la Minority Report. Fry helps prevent a murder, but then, when alone in the department, Fry sees a future vision of Bender burgling Hedonism Bot’s (Maurice LaMarche) cellar for a priceless bottle of liquor. During the vision, Fry shoots Bender. Trying to avoid this, Fry tells Bender not to do it, but ends up inspiring him to do the crime. Fry then sees what happens if he doesn’t shoot Bender: Bender shares the booze with the Planet Express crew, but they all die due to the potency of the alcohol, meaning if Fry doesn’t shoot him, everyone dies.

It’s really easy to get into Hedonismbot’s cellar… or anywhere.

Bender does the heist as envisioned and Fry arrives, but Bender decides not to steal anything. Fry claims that he changed the future, only for Pickles to arrive and reveal that this was all a ploy to steal the liquor himself so that he could drink it and kill his human brain. Fry attempts to shoot Pickles, but that ends up hitting Bender. Pickles then shoots Fry and drinks the liquor, killing his brain. The Chief and Url reveal themselves and Fry and Bender show that they’re wearing protective vests. Fry had realized that Pickles was lying to him because Bender would never share alcohol. Fry is fired for warning Bender about the crime and heads back to Planet Express, where he is promoted to “executive delivery boy,” a meaningless title. 

END SUMMARY

This episode is one of the better parodies in the series. It’s based on the story and movie Minority Report and manages to mock a number of the goofy things that were featured in that film, from the use of balls as a way to indicate pre-crime to the psychic floating in a bath to the weird hand-waving computers. Much like that movie, the end of this episode actually points out that most of pre-crime is pointless, because once someone becomes aware of the future, they can choose to change it, but the show does it in a ridiculous way. I always appreciate when the parody and the original prove the same themes.

Although, having the precognitive party be the villain is a nice twist.

The part that doesn’t age well, particularly as I write this during some nationwide riots against police in 2020, is how the episode makes jokes about the ease of getting through the police academy and the expectation of police violence. A particularly cringe-worthy line, at least at present, is when Url tells Fry not to stay up too late, because “We gotta lotta people to shoot tomorrow.” Yikes.

Robot Cop shooting people… I’ve seen that movie.

Overall, though, the episode makes me laugh. Some of the jokes are a little too dated, particularly the whole Avatar parody subplot, but you can enjoy the pre-crime story even if you don’t know Minority Report.

FAVORITE JOKE

Look, it was always going to be the joke about Erwin Schrodinger going on a police chase. It’s the least subtle physics joke that the show ever made, because it focuses on the famous “Schrodinger’s cat” thought experiment, which supposedly invalidated the Copenhagen model of quantum mechanics. Schrodinger says that he has a cat, some poison, and a caesium atom, which means that the cat is in a superposition of alive and dead until you collapse the wave function. However, the reason I actually find it hilarious is because after the cat attacks Fry, URL looks in the box and says “there’s also a lotta drugs in there.” It’s that final touch of realism that makes the absurdity so much better for me.

Guess that cat’s out of the ba… box.

See you next week, meatbags.

PREVIOUS – Episode 91: Mobius Dick

NEXT – Episode 93: Benderama

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Reader Request – Cool World: Too Inane To Hate

A family member requested that I review this, or I never would watch this again.

SUMMARY

In 1945, WWII Vet Frank Harris (Brad Pitt) arrives back from the war and takes his mother (Janni Brenn-Lowen) for a ride on a motorcycle. He crashes, killing his mother, but before he dies he is transported to an animated world called the “Cool World,” by Dr. Vincent Whiskers (Maurice LaMarche). The movie then jumps to 1992 where cartoonist Jack Deebs (Gabriel Byrne) is in prison for murdering a man who was sleeping with his wife. Jack is a creator and illustrator of a comic strip which is also called “Cool World,” starring a femme fatale named Holli Would (Kim Basinger). He frequently has visions of himself going to Cool World, culminating in Holli pulling him into the world through the pages of his comic. Jack is confronted by Frank, who is now apparently Cool World law enforcement. There is only one rule in Cool World, and that’s that “noids” (humans) don’t have sex with “doodles” (animated characters). This puts a strain on Frank’s relationship with his girlfriend Lonette (Candi Milo).

So much LSD went into this scene.

Despite Jack believing he created Cool World, Frank tells Jack that Cool World is older than Jack is. Holli Would is one of the most powerful figures in Cool World, but she wants out. The only way to get out is to break the law and have sex with a human, so she seduces Jack and is turned into a real person. She and Jack head to the real world, where it’s revealed that they’re both now part doodle and part noid. Holli tells Jack about the “spike of power,” an object that controls the barrier between the two worlds which is now atop a Vegas casino. When Jack doubts the story of the spike, Holli abandons him. 

Kim Basinger somehow underplays a live-action 2-D character.

Frank follows the pair into the real world and tries to stop Holli, who kills him. Holli seizes the spike and the barrier between Cool World and the real world start breaking down, unleashing doodles into the real world. Jack turns himself into a cartoon superhero and returns the spike, restoring the worlds and sending Jack and Holli back to Cool World as doodles. Frank is apparently turned into a doodle because he was killed by a doodle, so he can finally date Lonette. 

END SUMMARY

As much as I would love to tell you all how much I despise this ridiculous, nonsensical, bordering on pointless film, I can’t. It’s so difficult to figure out what the film was going for and what part of the process tanked it that I can’t bring myself to be angry, only confused and annoyed at having to watch it. 

Angry and confused is a common emotion in this film.

This movie has a notoriously bad production history with a huge number of rumors arising about the various people involved. A big part of that is that director Ralph Bakshi is, at best, very eccentric and, at worst, bordering on delusional. He has produced some of the most distinct animated work of the past century, including Wizards, Fritz the Cat, American Pop, and Heavy Traffic (possibly his best film that doesn’t get enough recognition). If you’ve seen any of those movies, though, you know they’re not the product of a well mind. While he is the guy who was right about the possibility of making a film based around elves discovering Nazi propaganda, he’s also the kind of guy who would think of that premise in the first place. Putting him in charge of any project is playing with fire, but in this case, everyone at the studio apparently decided to pour gasoline for good measure. 

Admit it, he looks like the crazy uncle who shows up for Thanksgiving.

The original pitch for the movie by writers Michael Grais and Mark Victor (who wrote Poltergeist) was about an imprisoned artist who creates a comic series that makes him an underground comics star. He then has sex with one of his creations and spawns a half-animated, half-human child, who grows up to seek revenge on his parents. It was supposed to be a hard-R horror film that was in the vein of Who Framed Roger Rabbit, which had only just come out. Rather than just animation and live-action blending, Bakshi decided that he wanted the film to look like a living painting, ordering elaborate sets and backgrounds to be built for the movie while he worked on the screenplay, which the studio now wanted to be PG-13. However, and the following is based solely on Bakshi’s statements and unconfirmed, apparently on the first day of filming he was handed a script that was completely different than what he had worked on. Subsequently, in the middle of filming, Kim Basinger tried to have the movie re-written to be a PG film so that she could show it to kids, but Bakshi refused to tone it down further. While almost everything Bakshi has claimed is heavily disputed, it would explain a lot about this movie if it was being crafted by a number of sources fighting against each other. 

The backgrounds are often amazing. Look at those paintings. Many of them were real.

Everything about this movie is a giant mess, almost all of which seems to be because nobody could agree on what the plot was supposed to be, what the rules of the world are, or whether or not the audience should be able to follow it. Half the time it feels like the movie just starts pulling stuff out of its ass because time is running out, the other half it feels like the entire point was that someone wanted Jessica Rabbit to ride Gabriel Byrne like a 10 dollar stud. We don’t know exactly how people get in or out of Cool World, except for Frank being pulled in by the spike, we don’t know any character’s motivations except for Holli wanting to orgasm her way into reality, and we have no idea what the hell the spike is or why it apparently needs to be stuck in the top of a building in Vegas. Every time we’re given a hint about any of these things, like that people have been pulled in by Holli before Jack, they just raise even more questions. 

Also, she says she doesn’t “feel real,” so… is she like an animation cell?

Then there’s the Cool World itself, which either looks like a really well done painting, a great animated setting, or a shitty last-second sketch by a Senior who got drunk and forgot his final project is due. There’s a statement from some of the background animators on the film that they weren’t actually given a screenplay, they were just told to draw stuff that seemed funny, which explains why there are constantly random things happening in the background. Now, the idea of a cartoon world that obeys the rules of crazy old-school animation like Betty Boop, where everything is moving or alive or just defying all reason would be kind of neat, but the film never does anything with it. It’s even more annoying because the Cool World is described as a place where there are no rules, aside from the one rule, so it should be dirty, crazy, and filled with murder and perversion. That sounds closer to what Bakshi originally said he wanted, and that might at least have been entertaining in its audacity. Instead, it feels like what an 11 year old boy thought was the ultimate in adult stuff before the internet existed: There’s a hot lady with boobs and a bunch of swears and sex involves her bouncing on you while you’re both fully clothed.

I mean, random background sex cats. Which would be a good band name.

Then there’s the third act, where everything somehow becomes even more incoherent. Brad Pitt’s character is killed off in a tragically bad stunt for no reason, Gabrielle Byrne suddenly literally gets kicked out of the movie to become an animated character voiced by someone else, and Holli decides to help destroy the barrier between the worlds, something that is completely different than anything she wanted before. Even for a movie with tragically stupid character motives, everything just seems to randomly shift to a completely different movie so that they can just end it, which, honestly, was probably what everyone making the movie felt about the situation by that point. 

Also, killing a human makes them a toon, so… why didn’t she kill him before now?

Despite all of the crap, the movie does have some good points. Some of the animation in the film is actually really great. Some of the concepts in the movie are interesting enough that they should actually get a movie. The soundtrack is actually really great, including having an original song by David Freaking Bowie. The voices for the animated characters include some great voice actors like Maurice LaMarche and Charlie Adler, all of whom do good work. However, this is looking for a nugget of gold in a shallow river of trash. 

David Bowie, I miss you.

Overall, I can’t say that I hate this movie, because I think I would have to feel more about it to even get to that point. The weird thing is that I think everyone should actually watch it just to get an idea of what it looks like when a movie has so much potential and then squanders it spectacularly. Unfortunately, it is not free on any f*cking streaming service, so you’ll have to rent it.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S6E14 “The Silence of the Clamps”

Bender gets stuck in witness protection and Zoidberg gets some respect.

SUMMARY

The Planet Express crew makes a delivery of a set of clamps to the estate of the Donbot (Maurice LaMarche) of the Robot Mafia, which are, naturally, for Francis X. “Clamps” Clampazzo (LaMarche). The delivery is also the day of the Donbot’s daughter’s wedding, leading Bender (John DiMaggio) to gatecrash. During the celebrations, Bender meets the Donbot’s other daughter Bella (Tress MacNeille), and starts making out with her in the stables. While there, Bender witnesses the Robot Mafia beating up Calculon (LaMarche) for owing them money. Bender ends up telling the police about it, leading them to tell Bender that he has to testify in open court. While they try to hide Bender’s identity, the machine malfunctions and the Donbot realizes who is testifying against him. While the jury is about to convict the Donbot, Calculon arrives and, under mob threats, says that he attacked himself. Bender is put into witness protection.

We do get to see the Space Pope, though.

Planet Express starts looking for Bender’s replacement, leading the Donbot to send Clamps to take the position, hoping to track down Bender. Fry (Billy West) quickly tries to bond with Clamps, who goes by Francis, despite Clamps’ constant anger towards Fry. However, Zoidberg (West) becomes angry at Clamps, because people seem to prefer the clamps to Zoidberg’s pincers. Eventually, the crew makes a delivery to the moon, where they find Bender, now living under the identity of Billy West (HA! I get it). It turns out that Billy’s memory contains no traces of being Bender, only of his life as a farmer married to the Crushinator. Despite that, Clamps still tries to kill Billy, only to be stopped by Zoidberg, who cuts off Clamps’ clamps. However, Bella, angry that Bender is cheating on her with the Crushinator, arrives and kills him. The crew goes to mourn Bender at the pizza place next to Planet Express, only to find that Bender is working there. It turns out Billy West was just an innocent robot. Since the mob thinks he’s dead, Bender comes back to work. 

The joke is an innocent father and husband is dead. Way to go, writers.

END SUMMARY

So, I really don’t think highly of this episode. It’s premised on Bender testifying against the Donbot, something that seems out of character, particularly after the police refuse to give Bender more money. Bender is a career criminal and a coward, so it strains even the rather loose character continuity of this show to have him do this. The out of character moment is even weirder because the show points out that Bender is a criminal in the episode as a gag. Also, the idea that there are identical bending units has already been done multiple times, including twice with Flexo, which makes it weird that the crew is insisting that Billy is Bender. You’d think they could check his unit number or something. I realize these are weird nitpicks, but when you have to really stretch character traits to make the plot work, maybe just write another plot. 

Also, he doesn’t run from Bella when she wants to marry him.

I will say that I love Zoidberg’s role in this episode. After having been the brunt of so much ire from the other characters in the show, it’s kind of nice to see Zoidberg being the hero. It also helps that Zoidberg’s concern in this episode is actually kind of understandable. Zoidberg is a terrible doctor, and everyone constantly points it out, so it makes sense that he’d cherish the thing that he is still appreciated for. It’s also fun to see him stand up for himself so fiercely, including his angry swearing. 

John Bleeping Zoidberg

Overall, not the best episode, but not the worst either (since that was last week). A big problem is that the episode also isn’t super funny. 

FAVORITE JOKE

The funniest thing in this episode is probably the trial, particularly the scene in which the initial judge appears. He begins to state that he will not suffer any form of intimidation, only to be assassinated in the middle of the statement. He is immediately replaced by a mob-friendly judge who is otherwise identical. The timing and delivery of everything about this switch is pretty much perfect, including the judge deferring to the Donbot about whether he should recuse himself.

Why wouldn’t you have bulletproof judges?

See you next week, meatbags.

PREVIOUS – Episode 89: The Futurama Holiday Spectacular

NEXT – Episode 91: Mobius Dick

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S6E12 “The Mutants are Revolting”

Leela and Fry lead a devolution revolution… featuring DEVO.

SUMMARY

The Planet Express crew are hired for their 100th delivery to the wealthy Mrs. Astor (Tress MacNeille). She invites the crew to a fundraiser for the United Mutant Scholarship Fund, which is revealed to be a way to keep mutants segregated from humanity. When tempers start to flare, Fry (Billy West) accidentally tells the guests that Leela (Katey Sagal) is a mutant living illegally on the surface. In response, she is banished to the sewers. Fry tries to appeal to the city, but accidentally gets the rest of the crew, minus Bender (John DiMaggio), who is throwing an epic party, banished as punishment for harboring Leela. Fry tries to empathize with Leela’s plight now that he’s been in the sewers, but Leela tells him the only way he could understand would be to mutate himself in the toxic lake. He avoids jumping in, angering Leela further.

S6EC - 1100
That’s almost 10 per year, due to cancellations.

While wandering the sewers, the crew finds the wreckage of the Land Titanic, a bus that was designed to be like the Titanic and which sank under the surface. On board, they find a Quantum Force Gemerald which shoots out powerful energy blasts, and a passenger manifest. Fry, unable to sleep due to his fight with Leela, walks into the toxic lake and mutates horribly. Sick of living beneath the ground, Leela organizes a revolt. Fry and Bender bend the West Side Pipeway so that all of the sewage in New New York goes back to the streets. Mayor Poopenmeyer stores all of the sewage in Madison Cube Garden. When Leela leads the mutants to the surface to demand equal rights, Mrs. Astor, a blatant anti-mutant racist, has her butler attack the mob by sending a wave of the sewage. Fry appears and uses the Quantum Gemerald to save the crowd. He then reveals that the passenger list to the Land Titanic included Mrs. Astor’s husband Mr. Astor (Maurice LaMarche) as well as mutants. Leela’s Grandmother appears, revealing that she was on the Land Titanic and that Mr. Astor gave her his seat on the “life car.” This leads Mrs. Astor to ask the mayor to let mutants onto the surface, to which he agrees. Fry and Leela kiss, but Fry suddenly is sheds his mutated outer layer, revealing it to be a mutated Mr. Astor. The crew head home to party and celebrate their hundredth delivery.

S6EC - 2Fry
Fry needs a spa day.

END SUMMARY

This is one of the rare Futurama episodes that actually has long-lasting ramifications on the series. After this episode, mutants stop being restricted to the sewers, so even background shots start featuring them. Honestly, I can’t think of any other episode that so easily divides the series by the events, and that’s including the films. Given that we saw the mutants first in the beginning of Season 2, it’s strange to think that we made it through 3 and a half seasons without seeing any of the non-Turanga mutants on the surface. I guess it made sense to make such a big change on what they consider the 100th episode.

S6EC - 3Pipeway
And they finally reference Fritz Lang’s Metropolis.

This is also one of the many episodes that tackles a social topic, although in this case the metaphor is so broad that it could easily be applied to any number of groups that have been oppressed in the past. The episode references the Million Man March, and the subsequent Million Woman March, with the Million Mutant March, but also references the 1969 Stonewall Riots with the title, as newspapers covered Stonewall with the image of a sign that said “Homosexuals are revolting.” Basically, just a reminder that segregation is segregation and oppression is oppression, no matter what the reason or the group. If we start drawing lines based on race, sexuality, or number of eyes, we are inherently reducing the humanity of someone.

S6EC - 4Revolt
The newspapers mocked this, as you would expect.

The only thing I really don’t like about this episode is that the ending is mostly a bunch of quick coincidences that wrap everything up, rather than someone actually realizing how horrible it is for mutants to be oppressed. Fry ends up being perfectly normal again, Leela’s back on the surface, and all it really took was one rich woman asking the Mayor. They try to sort-of apologize for it by having Zoidberg sarcastically say “Hooray, a happy ending for the rich people,” but it’s still kind of depressing that equality is won by making a single wealthy woman feel empathy, rather than any societal recognition.

S6EC - 5Astors
Hooray, a happy ending for the rich people. 

Overall, though, still a good episode. Also, I love that Devo are presented as mutants.

FAVORITE JOKE

It’s this call and response:

Dwayne the giant head mutant: “Are we not men now?”

Mark Mothersbaugh of Devo: “I’m forty percent potato, but close enough!”

I love this because it’s like four layers of humor. “Are we not men now?” is part of the first Devo album title, Are We Not Men? We Are Devo!. That album’s title comes from Devo’s song “Jocko Homo,” which takes its name from an anti-evolution work in the 1920s and focuses on the idea that humanity is de-evolving, the inspiration for the band’s name. However, “Are we not men?” is taken from the movie Island of Lost Souls, which is an adaptation of H.G. Wells’ The Island of Doctor Moreau. “Are we not men?” is the call and response that the anthropomorphic animals of the island chant when they say what distinguishes them from animals, before ultimately devolving back into them. So, this is drawing a parallel between the concept of man as just an elevated animal and the idea that mutants are just the natural step of humanity after it de-evolves. The next part, “I’m forty percent potato” is just a reference to the fact that Devo’s fans are called “spuds.”

See you next week, meatbags.

PREVIOUS – Episode 87: Lrrreconcilable Ndndifferences

NEXT – Episode 89: The Futurama Holiday Spectacular

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S6E10 “The Prisoner of Benda”

Futurama actually generates a mathematical theorem for a single plot device.

SUMMARY

Bender (John DiMaggio) finds out that Emperor Nikolai of Robo-Hungary (David Herman) is visiting New York and plans a scheme to rob him involving all of the Planet Express crew. They aren’t interested, but he finds out that Amy (Lauren Tom) and the Professor (Billy West) have built a mind-swapping machine and uses it to put his mind in Amy’s body to do the first part of the heist. The Professor puts his mind in Bender’s body so that he can live out his dream of extreme sports and Amy puts her mind in the Professor’s body so that she can eat without ruining her figure. Leela (Katey Sagal) then switches with Amy so that she can get discount tickets at the movies in the Professor’s body, which leads to Fry (West) finding her unattractive and her accusing him of being shallow. 

S6EA - 1MindSwap
Welcome to PLOT DEVICE!

Bender, in Amy’s body, gets captured by Nikolai, who reveals he wants to be normal. So, after dragging in Zoidberg (West), Fry, and Scruffy’s robot washbucket (Tress MacNeille), Nikolai and Zoidberg (in the Washbucket and Fry) try to be roommates, Fry goes to date Leela as Zoidberg, and Bender becomes Nikolai. Meanwhile, the Professor, in Bender’s body, joins a circus as a stuntman and Amy (in Leela) switches with Hermes (Phil LaMarr) so that she doesn’t wreck Leela’s body with her overeating. Fry and Leela, as Zoidberg and Farnsworth, have a contest to disgust the other… until they end up making out. Bender then gets attacked by Nikolai’s cousin Count Basil (Maurice LaMarche) who is trying to steal the throne. 

S6EA - 2Date
Not the worst date I’ve seen.

Zoidberg and Nikolai blow up Fry and Bender’s apartment, the Washbucket (in Amy) tries to seduce Scruffy (Herman) but is rebuffed, and the Professor uses a cannon to save Bender at the United Nations. After everyone agrees to switch back, the Professor realizes that, due to the machine not allowing people who swapped to swap back directly, he needs help from the Globetrotters to solve the problem using math. They end up solving it and realize that no matter how mixed up the swaps are, they can always get back to normal by adding two more people. Everyone gets back to normal… and Bender realizes that he forgot the crown he stole in Nikolai’s body.

END SUMMARY

This is the only episode of television, to my knowledge, which had a theorem written and published solely for the purpose of resolving the plot and I admire the show immensely for that. The “Futurama Theorem” was developed by writer Ken Keeler, math PhD and massive nerd, and it proves, conclusively, that no matter how many mind switches occur using the mind-switcher in this episode, all parties can be put back in their original bodies using two additional blank people. Essentially, you use the two spare bodies as placeholders for minds while you just change each of the bodies down the line. Keeler also illustrated that, to resolve the situation in the show using the method, you’d only need 13 swaps to get everyone back. Of course, as nerds watch this show, numerous proofs of more efficient paths to solutions have arisen and the Infosphere seems to indicate the minimum number is 9.

S6EA - 3Theorem
Math, it’s FUNdamental.

In terms of humor, this episode does a good job of intertwining all of the plots in a humorous fashion which works perfectly for the theme. I like the Professor’s discussion with Big Bertha in which he offers to put her into a new body which isn’t broken, but she refuses because every scratch on her body is a memory. It’s not exactly a message of “be happy with what you have,” but more saying “don’t forego who you were.” 

S6EA - 4Bertha
Her appearance is canon.

Overall, I think this is a solid episode.

FAVORITE JOKE

In a rarity, I think the best joke in this episode is actually the Title Caption, which reads “What happens in Cygnus X-1, stays in Cygnus X-1.” The structure of the sentence is based on “What happens in Vegas, stays in Vegas,” which was itself based on the old musician and professional athlete motto of “what happens on the road/tour, stays on the road/tour.” The gag is that Cygnus X-1 was one of the first sources of X-rays from the Cygnus Constellation, which led to a bet between Stephen Hawking and Nobel Laureate Physicist Kip Thorne over whether or not it was caused by a star becoming a black hole. Ultimately, Hawking lost the bet after it became extremely likely that Cygnus X-1 does contain a black hole. In other words, whatever happens in Cygnus X-1 likely happens inside of the event horizon of a black hole and will not be able to escape (although black holes do emit radiation sometimes).

See you next week, meatbags.

PREVIOUS – Episode 85: A Clockwork Origin

NEXT – Episode 87: Lrrreconcilable Ndndifferences

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Futurama Fridays – S6E8 “That Darn Katz”

Amy finds out that getting her Doctorate is more life threatening than she thought.

SUMMARY

Amy Wong (Lauren Tom) is preparing her doctoral thesis at Mars University. The Professor (Billy West) tells her that she should actually have gotten her doctorate years ago, he just forgot. Despite that, she is still nervous, so the crew take her out drinking. She oversleeps and arrives late, forgetting to put on clothes. She tries to describe her thesis, which is to create energy using the Earth’s rotation, but is repeatedly denigrated by Professor Katz (Maurice LaMarche) and ultimately fails. Back on Earth, Professor Katz’s pet cat has stowed away on the ship. It is quickly loved by the crew, much to the annoyance of Amy, who is allergic, and Nibbler (Frank Welker), who recently told Leela  (Katey Sagal) he wanted to be treated less as a pet and now misses the attention. They decide they might be overthinking, only for the cat to reveal it has hypnotized the crew.

S6E8 - 1Cats
They are fairly adorable, so I get it.

The cat summons other cats from a planet of cats, and soon the crew starts to conduct secret plans away from Amy and Nibbler. They head to Mars University to investigate Professor Katz, only to find out that the cat was actually Katz, operating a human as a puppet. They return to Earth and find out that the cats have implemented Amy’s doctoral thesis and have captured the Earth’s rotational energy. They are confronted by Katz the cat, who explains that all cats have come from planet Thuban 9, which was originally slowing down due to loss of rotational energy. They came to Earth and built a giant antenna (the Great Pyramid of Giza) to siphon off some of Earth’s energy, but then became domesticated and forgot how to engineer. Amy is furious that Katz failed her and then stole her idea, but he responds “Welcome to Academia.” The mechanism is then activated, and Earth stops rotating in order to start Thuban.

S6E8 - 2Pyramid
Poor cold camels.

The cats depart and the Planet Express crew return to normal. They determine that they can’t move the Earth’s rotational energy back. As half of the Earth starts to burn and the other to freeze, Amy realizes there is a solution: She just increases the rotation in the other direction. Earth rotates backwards, Thuban stops, and the day is saved. Amy graduates, only to be told that the job market is “rough.” 

END SUMMARY

I admit that I don’t think too much of this episode, but it’s not really that bad either when I rewatch it. The premise is weird, even for Futurama, and doesn’t seem to make a lot of sense, even for Futurama. The idea of Amy being a doctoral candidate has not really been touched on much before now, particularly given that she routinely is shown to not be studying. Since she’d been a student at Mars University since the show began, it was kind of impossible for that not to be the case, though. Still, it feels unusual to have Amy being a Ph.D., perhaps even moreso because she’s an engineering student… which is not typically something that requires a doctorate to begin with (although I have friends who have them). Usually the point of an engineering degree is that you can just get work with the Bachelor’s Degree.

S6E8 - 3Doctor
Still, she’s now Doctor Wong forever.

This is really just a traditional off-the-wall Futurama episode. It’s not got much emotional appeal, but it has more gags and one-liners than many other episodes. It’s also nice to give Amy some more character development that doesn’t revolve around her relationships. Additionally, Nibbler gets to be a deuteragonist in an episode that isn’t about Fry being chosen or the flying brains. It gives us a little bit of the stuff we don’t get as often, and I appreciate that.

FAVORITE JOKE

Honestly, its everything related to Professor Shpeekenshpell. The idea of a sophisticated robot who runs on a Speak’n’Spell is funny enough, but they manage to use it perfectly. The first thing he says is that the cow says moo, something that apparently he proved once and then coasted on forever. The second time, it’s to say Bah at Amy using a sheep. The third time, when all of the people are voting Nay, he selects a horse and then subverts it with:

“The Horse says: Doctorate Denied.” 

The last time is a final appearance to tell Amy that the job market, is, as the dog says, “Ruff.” 

Honestly, I just love that they made 4 solid jokes off of this premise. 

See you next week, meatbags.

PREVIOUS – Episode 83: The Late Philip J. Fry

NEXT – Episode 85: A Clockwork Origin

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.