Seven Deadly Sins/Nanatsu no Taizai (Seasons 1-4): A Little Formulaic at Times, but Still Fun – Netflix Anime Mini-Review

It’s always fun to watch bad guys be the best good guys.

SUMMARY

In the land of Brittania (not to be confused with any real place with similar name), the kingdom of Liones lived in relative peace until the king was overthrown by the Holy Knights, his elite armed forces. The Princess, Elizabeth Liones (Sora Amamiya/Erika Harlacher), set out to find the exiled warriors who previously betrayed the Holy Knights, the Seven Deadly Sins. She actually manages to find Meliodas (Yūki Kaji/Bryce Papenbrook), the captain of the Sins, and the pair embark on a quest to find the others. They succeed in locating four more of the group: Ban the immortal (Tatsuhisa Suzuki/Ben Diskin), Diane the giant (Aoi Yūki/Erica Mendez), King the Elf (Jun Fukuyama/Max Mittelman), and Gowther the doll (Yuhei Takagi/Erik Scott Kimerer). The five, later joined by Merlin the sorceress (Maaya Sakamoto/Lauren Landa), manage to liberate the kingdom from the Holy Knights, only to discover that the entire takeover was engineered to release an even greater threat: The demonic Ten Commandments. Together with the seventh Sin, Escanor (Tomokazu Sugita/Kyle Hebert), the group must stop the Demon Clan from taking over Brittania.

But only King wears a hoodie.

END SUMMARY

I will admit that when I first checked out this series, I had already read some of the manga, so I think I might have expected too much of it. The anime is a pretty faithful adaptation, particularly compared to some others that I’ve seen, but it didn’t feel like it added enough for me. As a result, I kinda bailed after the second season. However, since the manga has wrapped up in the interim, I decided I wanted to see how the story ended. So, I checked it out again and I will say that they did get a little bit better at layering extra imagery onto the anime that wasn’t in the manga to keep it fresh. 

They did a good job on some of the possession movements, for example.

The main thing that I liked about the series at the beginning was that most of the main characters were, in fact, depicted as sinners. Meliodas was a pervert who constantly groped Elizabeth (which she apparently liked, but is still wrong) and was presumed to be concealing an impossible amount of rage beneath his joking facade. Ban was a thief, King was responsible for his species nearly being destroyed, Diane constantly tried to force Meliodas into a relationship with her, Gowther was literally amoral, Merlin was willing to experiment on people without their knowledge, and Escanor, as is true to his sin, was the embodiment of haughty pride. Having protagonists with such flaws almost always makes the story more interesting, but they tried to make a few of them a little more likable at the cost of removing that moral ambiguity. Still, the personalities and character traits are pretty solid for a show like this. 

Seriously, dude, not cool.

It also helps that the show references a diverse number of mythologies, either directly or via allusion, and that it builds on elements from them to quickly create a world that contains a huge number of species and cultures. The show has traditional fantasy races like elves and giants, but also celestial and demonic forces that are a blend of DnD and Abrahamic religions. Arthurian mythology is directly invoked, as is modern vampire mythology and even some Western pop literature. 

I mean, there’s an Arthur Pendragon who rules Camelot. That’s… blatant.

The biggest problem, for me, was that the series had to do the Dragon Ball Z thing of having to constantly level up the powers of the characters in order to keep them as the underdogs. The series even gives you a “power level” reader just to make sure that you understand that these threats completely outclass our protagonists, such that when the Ten Commandments are first introduced, one of their number is stronger than all of the Sins combined. This seemed almost unnecessary because the Commandments also had innovative powers that could have made them a threat even if they were just even in power. Still, so many series have done this, I can hardly hold it against them. I just appreciate it more when series, like One Piece, for example, at least hint from the beginning that this kind of power exists in the world, so that it doesn’t just feel like the narrator saying “well, you beat Bob the Unbeatable, now you have to beat Tim the More Unbeatable who we didn’t mention before now.”

Screw you, Tim.

Overall, I do still think it’s a solid series. Plus, it has an apparent end point in the next season or two, so you don’t have to worry about sitting around 10 years from now waiting for the arc to finish. Lookin’ at you, One Piece.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Netflix Review – Aggretsuko (Season 2): Life Is Bleak and Horrible, But Also Unique and Adorable

Aggretsuko returns for a second season, addressing dating, co-workers, and the generation gap in the new millennium.

SUMMARY (SPOILERS)

Retsuko (Kaolip (Japanese); Erica Mendez (English)) is still working in accounting after breaking up with her boyfriend Resasuke (Shingo Kato; Max Mittelman) at the end of last season. However, her Mother has decided that Retsuko is not moving forward with her dating life enough and starts signing her up for matchmaking services, much to Retsuko’s annoyance. Soon after, a new hire, Anai, starts in Retsuko’s department and is revealed to be a slacker who responds to any implication that he’s doing something wrong by recording conversations and making them formal complaints, terrifying everyone. When Retsuko takes driving lessons so that she and her friends Gori (Maki Tsuruta; G.K. Bowes) and Washimi (Komegumi Koiwasaki; Tara Platt) can take a trip, she meets slacker white donkey Tadano (Griffin Burns), who she likes but thinks is a failure. Tadano drops out of driving school, disappointing her further. She does eventually run into him again and he asks her out, which she accepts due to her underlying feelings for him. However, it’s revealed that Tadano is actually a Tech CEO Billionaire, which delights Retsuko, but she realizes that they might not quite see eye-to-eye on some things.

Aggretsuko2 - 1Mom.jpg
Her mom is so freaking adorable but also I don’t want to be on her bad side.

END SUMMARY

Holy hell, this show doesn’t shy away from hitting at the problems of people in their late 20s and early 30s. I mean, if you have never worked with a crazy a-hole co-worker who tries to get you in trouble for doing things that you would never have imagined would be a problem, then you should consider yourself extremely fortunate. If you’ve never had a great relationship with someone that just didn’t work out because you were after different things in the long run, then consider yourself fortunate. If your parents have never called to ask how you are going to find Mister/Miss Right and you don’t really want to explain to them that dating has changed since they were single 40 years ago and not everyone is looking to have a family and buy a house and fill it with 2.5 kids, consider yourself fortunate unless it’s because your parents have passed in which case I am sorry for your loss. In this season, we see Retsuko deal with all of this at the same time, and it’s sometimes almost hard to watch due to the accuracy, even though it’s cartoon animals.

Aggretsuko2 - 2Anai.png
Anai is so very, very awkward even when he isn’t being a douche.

Most horrifying of all is that none of these people are actually “Bad” people. Retsuko’s mom just wants her to be happy but doesn’t understand that happiness doesn’t mean the same thing to Retsuko as it does for her. Anai seems annoying and mean, but it’s really just that he’s scared and hasn’t had experience dealing with people. That doesn’t mean he’s not an asshole, but it does at least give you an idea that maybe assholes don’t have to stay assholes. Tadano loves Retsuko, but he believes that marriage and children are bastions of the past that no longer need to be the default, something that Retsuko just disagrees with. Their breakup is sad, but he’s completely understanding about it, just like she is. They just don’t have the same future in mind.

Aggretsuko2 - 3Tadano.png
That feeling when the guy you like turns out to also be rich. I can’t relate.

No matter what happens, Retsuko keeps going, because she does know that it’s good to at least find out what you want. A lot of the current people in Retsuko’s generation, like her, feel like they’re drifting, because unless you are lucky you are likely looking for a job to help pay off the debt you had to accrue to get the degree you had to have to get the job. Even then, the job probably doesn’t pay enough for you to dig yourself out of your hole in any reasonable amount of time, but you also see all of the people out there on the internet doing so well and, even though you know it’s a curated image that they aren’t really living, it still makes you feel inferior and like you’re not making use of life, but you also don’t want to be irresponsible and the world’s possibly actually going to end in our lifetime and ohgodimsadnow. Somehow this show has more accurately pointed out much of the modern existential crises that this generation faces than almost anything else, and it’s a f*cking Red Panda that sings Death Metal.

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Tadano mostly deals with the Death Metal revelation well. 

What’s particularly interesting is the gap between Retsuko, Puko, and Tadano. Tadano represents the people who are hopeful for the future, who want to bring about the grand social change that allows humanity to achieve self-actualization. He has a self-driving car, but hires a driver just so the driver can have a job. He is a developer of automation, but is doing so with the hope that it will bring about the end of late stage capitalism. He’s even developing the neural-net software that is intended to replace Retsuko, but wants to pay her to quit her job and do what she wants with her life. The problem is, his vision fails unless most of the other rich people also think it’s noble to pay people do do what they want. Even Retsuko ultimately turns him down because she prefers the independence that she gets from her miserable job from a life of freedom that’s dependent upon Tadano if he’s never going to be her husband. She’s not afraid of living within her current structure. Meanwhile, we’re shown that Retsuko’s flaky pink panther pal Puko (Allegra Clark) has opened the store she wanted to set-up during the last season and that it is slow and difficult due to her not being able to pay people for help and her employees ducking out on her. Despite this, she’s still happy because she’s doing what she wants, even if it’s hard.

Aggretsuko2 - 5Puko.png
She learns what it’s like to deal with her.

Despite all of this bleakness towards life and corporate wage slavery, the show does manage to present some hopeful moments, mostly coming from Retsuko’s small improvements that remind us that some kinds of change are within our grasp if we want them. Yes, the world sucks and you’re likely to spend most of your time on the Earth doing something that’s unfulfilling and horrible, but hey, at least you can sing with your friends or maybe write a movie review blog. Also, Red Pandas still exist, so we should fight for a better future.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.