Demon Slayer (Kimetsu no Yaiba): An Amazing Action Anime – Netflix Review

The franchise with the highest-grossing film in Japan’s history earned that acclaim.

SUMMARY

It’s the Taishō Era of Japan’s history (1912-1926). Tanjiro Kamado (Natsuki Hanae/Zach Aguilar) is the eldest son of his family and, following his father’s death, a charcoal seller in the mountains. One day, after coming home from a trip to the nearest town, he finds out that his entire family was massacred. The only “survivor” is his sister, Nezuko (Akari Kitō/Abby Trott), who has been transformed into a demon that craves human flesh. However, when a demon slayer named Tomioka (Takahiro Sakurai/Johnny Yong Bosch) tries to kill her, Tanjiro tries to defend her and, surprisingly, she defends him, revealing that she has retained some of her humanity. Tanjiro is sent to train to be a demon slayer, soon joining forces with fellow demon slayers Zenitsu Agatsuma (Hiro Shimono/Aleks Le), a coward who becomes a master swordsman while asleep, and Inosuke Hashibara (Yoshitsugu Matsuoka/Bryce Papenbrook), a wildman with tremendous strength. Together, they work to help rid Japan of demons and hopefully cure Nezuko.

There are a bunch of other cast members, too.

END SUMMARY

I had heard of this when it was a manga, but I had never actually read it. Then I saw it get put on Netflix a while ago, but I hadn’t watched it, since it seemed a little generic from the ads. What finally led me to try and watch it was actually reading an article about how the film that apparently follows the first season of this show, Demon Slayer: Mugen Train, broke a slew of box-office records despite, or because of, opening in 2020. It’s now the highest-grossing Japanese movie, taking down Spirited Away after almost 20 years. So, if a film can unseat a true Ghibli masterpiece, I had to check out the source material, and that was definitely the right decision.

There appears to be a lot more fire in the movie.

Almost everything in this show is well-done, but the main thing this anime does better than most is pacing. The story progresses at a pace that, while not overly fast, is also much faster than almost any anime longer than 13 episodes. I realize that’s partially because the manga was complete before the anime started, but the show largely avoids the traditional anime issue of having to drag out fight scenes for multiple episodes or to have recap episodes. Instead, most of the fights are action-packed and extremely creative, particularly since they often showcase a handful of swordsmen having to overcome unbelievably powerful demons using little more than their wits and some training. 

Also, great background work for the fights.

The other strength is the characters. The protagonist, Tanjiro, is one of the best anime protagonists out there, because he really is only fighting in order to save his sister. At all times, it’s the bond he feels with her and through her the rest of his family, that keeps him going and helps him maintain his extreme empathy and kind personality no matter what he goes through. It’s not that he’s naive, far from it, he just knows that there is evil in the world and chooses to be kind anyway. Moreover, he shows kindness in a believable and human way, something that’s hard to do without seeming sappy. The rest of the cast is similarly deeper and more relatable than you would expect from a show called “Demon Slayer,” particularly many of the demons who live tortured existences that they’re suppressing through their rage.

Also, he has normal hair for an anime protagonist.

Overall, just a great series and I cannot wait for more. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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A Whisker Away (Nakitai Watashi wa Neko wo Kaburu): IT’S SO CUTE!!! – Netflix Mini-Review

It starts off kind of creepy, then straight to adorable.

SUMMARY (Spoiler-Free)

Miyo Sasaki (Mirai Shida/Cherami Leigh) is a middle school girl with a crush on her classmate Kento Hinode (Natsuki Hanae/Johnny Yong Bosch). Unfortunately, while she is an outgoing and emotional person, Hinode is usually cold and distant. However, Miyo receives a mask from a talking cat (Koichi Yamadera/Keith Silverstein) that lets her turn into a cat whenever she puts it on. She uses this mask to pretend to be a stray cat that Hinode plays with, named “Taro.” Using her time as Hinode’s cat, she tries to build her relationship with him. Unfortunately, it turns out that magic tends to have a price in stories like this.

And no, she doesn’t get 8 extra lives by wearing it.

END SUMMARY

Okay, so, I realize that there’s something inherently a little weird about a story of spying on your crush, but a big part of the movie is that Miyo (or “Muge” as she is called) is being immature. As the movie continues, she starts to realize that her worldview has always been undeveloped and she grows as a result. At the same time, she starts to get a better picture of who Hinode is, which does nothing to deter her feelings, but instead deepens them. We discover that both of them are hurting, but that they both have responded to their pain in completely different ways. Their relationships with their families are strained by circumstances beyond their control and, like kids do, they have difficulty really coping with it.

Playing with pets is a normal way to cope. Playing AS pets, not so much.

The depth of the characterizations of the two leads is what makes A Whisker Away work. Miyo’s need for affection may make her seem weird to the rest of the world, but it’s just a representation of her desire to receive love. As a cat, she receives all of the cuddles she could ever ask for from the object of her desire. On the opposite end, Hinode is always repressing his feelings due to having to provide for his family. Their financial burden embarasses him a little and puts unnatural pressure on him to get a job to support them, but his loyalty to them prevents him from complaining. This is presented mostly through show rather than narration, which benefits heavily from the very expressive animation style. 

You can even get ideas about characters from how they eat.

That brings me to the animation, which is… just so damned cute. Seriously, when Miyo is “Taro,” she is one of the most adorably animated animals I’ve ever seen. She still has a lot of expressions that reflect her status as having human consciousness, but anyone who has owned a cat will still acknowledge that they can give you those looks. It gets even better when the film decides to say that every cat out there really IS sentient, even having a secret place to go that is accessible only to cats. Despite relying on a supernatural premise, the movie doesn’t really dip heavily into fantasy until the third act, and the slow build-up really helps heighten the drama. 

Omg, I want hugs so bad.

Overall, just a really cute movie, if a bit weird. I recommend giving it a try.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.