Nicolas Cage and a cast of great comics and historians give us a humorous look at the history of cussing.
Composed of six episodes addressing the six most common swears in the English language, the show has Sarah Silverman, Nick Offerman, Nikki Glaser, Patti Harrison, Open Mike Eagle, Joel Kim Booster, DeRay Davis, London Hughes, Jim Jefferies, Zainab Johnson, Baron Vaughn, and Isaiah Whitlock, Jr. do commentary about the history, use, cultural impact, and just plain fun of using curse words. They also have historians, linguists, and lexicographers on hand to provide the real information: Benjamin K. Bergen, Anne H. Charity Hudley, Mireille Miller-Young, Elvis Mitchell, Melissa Mohr, and Kory Stamper.
What’s most interesting about this show isn’t just that it’s full of great comics telling funny stories about how they’ve used swear words, it’s that the comedians are sometimes overshadowed by the hilarious revelations of actual historical uses and origins of many of these swears. There is a particular name which is revealed in one of the episodes that, having looked it up, is even funnier because it was a name assigned to him by a court. I don’t want to spoil it, but it made me laugh.
I think another great part of the show is how they discuss the impact of having certain words in common parlance and how it can amplify misogyny, racism, or other harmful things, but how society has worked to reclaim or undo that damage. It’s also interesting that the show, on the whole, endorses swearing as something that people use for various reasons, ranging from emotional release to pain management. A number of the episodes attack censorship, but also do point out the problems that can come from heedlessly using certain terms. It’s a very balanced show.
Overall, this is a great series and I hope they keep going. We haven’t even gotten to all of the Seven Words You Can Never Say on Television, so there is room. Also, Nicolas Cage does a great job, even if, on some level, I know Samuel L. Jackson should have hosted “F*ck.”
How you start is important to getting popular, but how you finish is the key to being a legend. After all, who wants to sit through 75 hours of a show for a giant letdown? Here are ten series that managed to really stick the landing.
Runner-Up: My Finale (Scrubs)
The Show: John “J.D.” Dorian (Zach Braff) is a doctor at Sacred Heart Hospital with his best friend Chris Turk (Donald Faison), Turk’s wife Carla (Judy Reyes), his girlfriend and fellow doctor Elliot Reid (Sarah Chalke), his mentor Dr. Cox (John C. McGinley), the head of the hospital Bob Kelso (Ken Jenkins), and his nemesis the Janitor (Neil Flynn).
The Finale: Okay, this is only a runner-up because I am not willing to deal with people sending me messages that say “technically, the show had another season,” followed by me slapping my face in frustration and saying “Then why did they call it Scrubs: Med School? How come it changes location, most of the cast, and central character?” But, the DVD release still says Season 9, so… fine. It’s not the “finale.” That’s particularly sad because I think it would be a strong contender for the number one spot here if it was. Unlike many great finales, this one didn’t rely on any kind of subversion or loss. Instead, this episode gives its main character, J.D., the exact send-off that we probably hoped he’d get.
It probably stands out because of the last 5 minutes of the episode, when J.D. starts to walk out of the building, and the show, and is suddenly surrounded by every guest from the show’s run that they could manage to fit and afford. As he walks down a literal memory lane, he finally stands at the exit, and we see a projection of the future he’s headed for, filled with love, happiness, and friendship. It’s a happy ending that never feels too cheesy or overdone.
10) The Last Show (The Mary Tyler Moore Show)
The Show: Mary Richards (Mary Tyler Moore) is a single woman who is an Associate Producer for WJM’s 6 o’clock news, starring Ted Baxter (Ted Knight). She works alongside Executive Producer Lou Grant (Ed Asner), and head writer Murray Slaughter (Gavin MacLeod). Mary’s best friend is Rhoda Morgenstern (Valerie Harper), Rhoda’s nemesis who is also Mary’s friend is Phyllis Lindstrom (Cloris Leachman), and Mary’s friend who works at WJM is Sue Ann Nivens (Betty White). The other main character, introduced later, is Georgette Baxter (Georgia Engel), Ted Baxter’s girlfriend.
The Finale: For a show that contains what I consider to be the single best episode of all time, it’s pretty impressive that it managed to end with what was, for a while, considered the “gold standard” of finales. It was a regular exhibit in screenwriting courses. The creators of Friends said it was a major influence in how they wrapped their show. The key is that it really is an ending for the characters as well as the show. When a new station manager (Vincent Gardenia) takes over WJM, he decides he wants to fix the 6 O’clock News ratings. Unfortunately, he determines that the only person worth keeping is Ted, the person who repeatedly causes the show to tank. Everyone else is fired, devastating Mary. To cheer Mary up, Lou Grant arranges for Rhoda and Phyllis to visit her (both now had spin-offs), with both offering vastly different methods of support for Mary (and hatred for each other). Ultimately, Ted tries to do a sincere send-off, but instead quotes the song “It’s a Long Way to Tipperary.” Everyone says goodbye, resulting in a group hug that no one wants to break, giving rise to the hilarious image of the entire team moving together in order to get tissues. Mary ends up smiling at the good times and turning off the lights on the set.
The key to this ending is that everything goes wrong for all the right people. Everyone who has spent years cleaning up Ted’s mistakes gets fired because of Ted, but because they kept making him look good, Ted keeps his job. He tries to protest the firings, but ultimately backs down when threatened, leading to Murray saying “When a donkey flies, you don’t blame him for not staying up that long.” When Lou tries to cheer Mary up, she calls in two of her friends… who hate each other and fight viciously. When Ted tries to be sincere, he just quotes a completely unrelated song. That’s what made the show great, watching people deal with all of life’s crap and unfairness with a laugh and a joke. It was the best way to end the show.
9) Come Along With Me (Adventure Time)
The Show: Adventure Time follows the journeys of Finn, the last human (Jeremy Shada), and his adopted brother Jake the dog (John DiMaggio), through the land of Ooo. They usually are accompanied by Princess Bubblegum (Hynden Walch) and Marcelline, the Vampire Queen (Olivia Olson), and sometimes the Ice King (Tom Kenny).
The Finale: The last episode of this show takes place far in the future from the normal timeline and the show now apparently stars two new characters named Shermy (Sean Giambrone) and Beth (Willow Smith), who appear to have a similar relationship to Finn and Jake. They go to meet with the King of Ooo, who is revealed to be BMO (Niki Yang), Finn and Jake’s AI game system. BMO tells them the story of the “Great Gum War,” what the show had been building to for a season, then tells them of the coming of GOLB, the anti-God of that universe. Ultimately, the war is averted and the world is saved, and Shermy and Beth take up the mantle of Finn and Jake.
The reason this is on this list is mostly because it contains three great elements. First, the Great Gum War is literally averted, rather than fought. Finn ends up convincing both sides of the war to stand down, and does so by forcing each side to view the situation from the other’s point of view. This represents the culmination of Finn’s growth from a boy to a man, finally realizing that violent solutions propagate violence, but that forgiveness can bring true peace. Afterwards, Shermy, now representing young Finn, complains that he thought the War would be more important, like the end of the world, only for BMO to casually say “no, that’s what happened next.” Second, after the apocalypse is averted, Shermy and Beth, acting as audience surrogates, ask BMO what happened next, only for BMO to respond with “Eh, y’know. They kept living their lives.” I think this may be one of the most perfect summaries to end a show. It’s not a bland “happily ever after,” but it is a way to tell everyone that, even though life goes on, this story has hit the end. However, the true ending is Shermy and Beth taking the pose that Finn and Jake take in the title screen, meaning that the adventure will always continue. Lastly, we see Marceline and Princess Bubblegum finally become a couple. Given how much crap the show had gotten in the past for even hinting at this, I love that they decided “we’re at the end, let’s go for it.” This finale summed up everything that was good about this show.
8) One Last Ride (Parks and Recreation)
The Show: The series follows the lives of all of the people who work for or are associated with the Parks Department of Pawnee, Indiana: Idealist Leslie Knope (Amy Poehler), her husband Ben Wyatt (Adam Scott), her Libertarian boss Ron Swanson (Nick Offerman), her coworkers Tom (Aziz Ansari), April (Aubrey Plaza), Garry (Jim O’Heir), Craig (Billy Eichner), and Donna (Retta), as well as April’s husband Andy (Chris Pratt), and Leslie’s best friend Ann (Rashida Jones) and her husband Chris (Rob Lowe).
The Finale: By the end of the series, everyone is leaving and no one works for the Parks Department anymore. However, Leslie asks everyone to help her when a man asks them to fix a swing near his house. As they work together to navigate the bureaucracy to repair the swing, the show flashes forward and shows how almost every characters’ life progresses. We see Garry get a happy ending after being the sad sack for most of the series, Donna turn her success into helping children with her husband (Keegan-Michael Key), and Tom become a celebrity through writing a bestseller. Ron is shown to retire from his business to run a major park with Leslie’s help. April and Andy start a family and Leslie and Ben both become successful politicians, with one of them implied to eventually be president.
This episode should be terrible. It’s saccharin beyond anything else the series had done up to this point and it’s little more than an extremely elaborate “and they all lived happily ever after.” However, the way in which their flash-forwards are told give us a real picture of how all of these people, despite drifting apart, are always bonded by the events of the show. Even though they live in different parts of the world, they’re still a family and they always will be. Moreover, the world we see in the future is a hopeful and just one, with Leslie, who has always been thwarted by the stupidity of Pawnee, becoming governor of Indiana. We see a world where, despite still having problems, we find a group of people who are fighting for the right thing, even if they all disagree on what that is. To drive it home, Leslie even quotes Teddy Roosevelt’s line “Far and away the best prize that life has to offer is to work hard at work worth doing.” We see a future where that kind of dedication is celebrated, and that’s what really makes this episode work.
7) Basil the Rat (Fawlty Towers)
The Show: Basil Fawlty (John Cleese) and his wife Sybil (Prunella Scales) run a hotel in England. Basil is an angry jerk obsessed with class mobility, always trying to become one of the elite, but his own incompetence usually dooms him. His staff includes the sensible Polly (Connie Booth) and the hapless Spanish waiter Manuel (Andrew Sachs).
The Finale: A health inspector (John Quarmby) informs Basil that the state of Fawlty Towers’ kitchen is below standard. If they don’t fix the problems in 24 hours, the hotel will be closed. At the same time, Basil discovers Manuel is keeping a pet rat, named Basil, in the kitchen, having been sold it as a “Siberian Hamster.” Basil tries to get rid of it, but Manuel protests and he and Polly hide it in the shed. After Manuel foolishly lets the rat back into the hotel, Basil the human poisons a veal shank in an attempt to kill the rat, but the shank gets cooked by accident. After every customer, including the returning health inspector, orders the veal, hilarity ensues. Eventually, the health inspector is handed the rat, but the cast attempts to cover for it as the episode ends.
The key to Fawlty Towers was the incredible combination of tight writing and amazing physical performances. Each episode typically took Cleese and Booth six weeks to write, which is probably why there are only twelve of them in two seasons over five years. This episode is the pinnacle of that, because all of the beats in the episode have to be precisely timed in order to keep the tension building. In the meantime, all of the characters have to keep scrambling and covering for their actions as they keep trying to find Basil the Rat. It also helps that this episode is the opposite of what Basil Fawlty had been hoping for. Rather than becoming an elite establishment, his hotel is almost closed down for being a dump, and at the end of the episode, it seems extremely likely that it will be shut down. Rather than a happy ending, we get a shot of Basil, having passed out from stress, being dragged unceremoniously from the room.
6) Weirdmageddon (Gravity Falls)
The Show: Gravity Falls is a town filled with strange happenings and mysteries. When two kids, Dipper and Mabel Pines (Jason Ritter and Kristen Schaal), come to stay with their Great Uncle “Grunkle” Stan Pines (Alex Hirsch) for the Summer at his Mystery Shack, they get caught up in the town’s weirdness, along with Stan’s two employees Wendy (Linda Cardellini) and Soos (Hirsch). Their greatest enemy is a dream demon named Bill Cipher (Hirsch).
The Finale: The final episode begins with Bill winning. He has finally figured out a way to enter the real world in his true form and he immediately reveals himself to be one of the most horrifying villains ever to be featured in a show for kids. He and his gang start to wreak havoc upon the town, until Dipper, Mabel, and the surviving cast fight back. Ultimately, they’re able to trick Bill into entering Stan’s mind, which they then wipe, destroying him as Stan’s dream self punches the demon out of reality. Then, finally, the Summer ends and the kids have to go home in a tearful goodbye.
The greatest strength of Gravity Falls was that it always focused on how the characters felt and what they were going through internally more than externally and this finale is no exception. The strength of the episode isn’t just in finally showing us the power of Bill Cipher and having the team overcome him, it’s that the last 20 minutes is just having a slow, sad, emotional goodbye from all of the characters to the two kids that changed the town so much. We see some nice flash-forwards explaining that most of the characters will be okay, and still be the eccentric oddities that we came to love, but also that everyone will be separated in their own lives. Maybe they’ll be together again one day, but it seems likely that this is the end of this story. It ends with a cryptogram that deciphers to: FADED PICTURES BLEACHED BY SUN. THE TALE’S TOLD, THE SUMMER’S DONE. IN MEMORIES THE PINES STILL PLAY. ON A SUNNY SUMMER’S DAY. I’ll admit that I still tear up reading that, because it’s just that adorably sincere.
5) All Good Things… (Star Trek: The Next Generation)
The Show: It’s the 24th Century and mankind has spread itself among the stars, meeting new life forms and threats along the way, and forming the United Federation of Planets. The top ship among the Federation fleet is the Enterprise-D, captained by Jean-Luc Picard (Patrick Stewart). Along with crew members William Riker (Jonathan Frakes), Data (Brent Spiner), Worf (Michael Dorn), Geordi La Forge (LeVar Burton), Dr. Beverly Crusher (Gates McFadden), and Deanna Troi (Marina Sirtis), Picard explores the unknown along the Final Frontier.
The Finale: Picard finds himself unfixed by time, his mind jumping between the present, twenty-five years into the future, and seven years in the past, just before the show’s pilot. These jumps are random, making people think he’s going mad. In the present, he goes to investigate a space anomaly. He then uses a jump to convince his future ex-wife Beverly to travel to the same anomaly, which is happening in the future as well. In the past, he declines to go to the anomaly so that he can have the encounter at Farpoint with Q (John de Lancie), an omnipotent being who threatens humanity. However, it turns out that Q is actually causing Picard to jump through time, telling him that solving the mystery of the anomaly is the only chance to save humanity. Picard discovers that investigating the anomaly is actually what causes it, and sacrifices all three different versions of the Enterprise to stop it. This is revealed to be Q’s test and that Picard passed, saving humanity.
It’s one thing to manage to tie in the themes of a show with the finale, it’s another to literally tie the entire series together into one single cohesive expression of what the show is about. Star Trek has always been about humanity at its best; challenging the unknown, exploring the unexplored, bettering themselves for the sake of being better. This episode reveals that the entire series, from the Pilot to the end, was a test of whether humanity can evolve, with Picard as its focus. Picard proves not only that he can solve a four-dimensional problem, but that he and his crew are willing to sacrifice themselves in three different time periods in order to save the universe. It proves again that humanity has limitless potential both scientifically and socially, if only we can evolve beyond our selfishness.
The Finale: Fry (Billy West) decides to propose to his longtime flame Leela (Katey Sagal), and uses a device that rewinds time by 10 seconds (and has a 10 second recharge time) to set up the perfect proposal. Unfortunately, he ends up breaking the device, trapping him and Leela in a frozen world. Together, they live a long and happy life, until they’re discovered by the Professor, who fixes the device. He warns Leela and Fry that when he undoes the time freeze, it’ll take them back to before the episode started, with no memory of the events. Fry and Leela agree that, while they enjoyed growing old together, they both want to do it all over again.
This show gets bonus points because Futurama actually had four separate finales: “The Devil’s Hands are Idle Playthings,” “Into the Wild Green Yonder,” “Overclockwise,” and then this one. Despite having tried to wrap the show up multiple times, I am always impressed that this one is, in my opinion, the best of the four. It’s not just telling us that Fry and Leela will ultimately find happiness, we get to see them being happy together, with each of them clearly influenced by the other for the better. It helps that so much of the episode is really funny before that. We see Fry messing around with time in a number of fun gags, a throwback to the pilot, and Fry dying multiple times to the point that Leela starts to get bored with it. It’s a solid set of comedic scenes that turn into a sincere and emotional third act, which is basically what Futurama did at its best.
3) Goodbyeee (Blackadder Goes Forth)
The Show: Each season of Blackadder featured Rowan Atkinson as a different descendant of the Blackadder family. This one was a Captain in the British Army during WWI. He was commanded by the incompetent General Melchett (Stephen Fry) and his nemesis Captain Darling (Tim McInnerny). Each episode features his attempts to get out of actually having to fight, usually involving Blackadder’s incompetent aides George (Hugh Laurie) and Baldrick (Tony Robinson).
The Finale: Blackadder finds out that there’s going to be a full-scale attack the next day, meaning that he, along with all of his soldiers, will be running all-out into No Man’s Land. Since all of them will likely die, Blackadder pretends to be crazy in order to get sent home, but it fails. He tries to contact the British High Command to get sent home, but it fails as well. Darling is sent to the front line, despite his attempts to protest, while Melchett sits miles back. George and Baldrick discuss their losses during the war in a humorous way, until finally George admits that he’s afraid of dying. Blackadder and the rest of the group go over the top and are killed, with the shot fading to a silent poppy field.
It was a tradition for each season of Blackadder to end with death, usually that of the entire cast, but it was always done in a comic fashion. This entire season had frequently played off the massive casualties of World War One as a dark joke, which set everything up to do a similarly humorous or absurd conclusion to this season, but instead, they played it perfectly straight. It’s a sad, somber, painful ending to the show. It’s a subversion of the nature of the series, but it fits the theme of the season, that war is hell. The show sacrificed its own cast to make sure that people remember that the price of war is blood and tears.
2) Felina (Breaking Bad)
The Show: Walter White (Bryan Cranston) is a chemist who finds out he has terminal cancer. He decides to partner with his ex-student Jesse Pinkman (Aaron Paul) to make meth in order to provide for his wife Skyler (Anna Gunn) and his son Walt, Jr. (RJ Mitte). He does surprisingly well, eventually becoming a kingpin.
The Finale: Having managed to lose most of his money and betraying Jesse in the last season, Walt threatens former partners to leave a fortune to his son and decides to “make things right.” He rigs a machine gun to a mechanical arm and tries to make amends to his wife for all of his misdeeds, having a conversation in which she points out that his actions were always about him, never the family. Walt goes to meet the Aryan Brotherhood members holding Jesse hostage and uses the machine gun to kill almost all of them, with him and Jesse killing off the survivors. Walt is mortally wounded, but dies smiling surrounded by meth cooking equipment as Jesse escapes.
This episode works on so many levels. First, the title is an anagram for finale and a reference to the song “El Paso,” which mirrors the events of the third act. Like the subject of “El Paso,” Walt dies in the arms of his beloved: Meth. Second, it mirrors the pilot, both beginning and ending with sirens headed for Walt. In the pilot, Walt declines to shoot himself, but here, he dies by a shot from his own gun. Walt even dies in the same outfit he wore in the pilot. Third, it provides a satisfying conclusion to a series that was constantly escalating tension by doing exactly the opposite, being a quiet denouement for Walt after one last blaze of glory. The show was always building towards his death, and Cranston’s final moments on-screen send the character off in exactly the right way.
1) The Last Newhart (Newhart)
The Show: Dick Loudon (Bob Newhart) is a writer who moves to Vermont to run an inn with his wife Joanna (Mary Frann). While Dick is a relatively normal and sane person, the town is populated by eccentric people whose inability to operate within the bounds of reality constantly drives Dick crazy.
The Finale: After years of putting up with the locals, the entire town is purchased by a Japanese tycoon who wants to turn it into a golf resort. While Dick and Joanna make a show of wanting to keep the town the same and refuse to leave, literally everyone else takes a huge payout and vacates. Years later, Dick and Joanna now run their inn in the middle of a golf course. All of their former neighbors pay them a surprise visit, but quickly drive Dick crazy until he gets hit in the head with a golf ball. He then wakes up in bed… as Dr. Bob Hartley, the main character of The Bob Newhart Show, next to his wife Emily (Suzanne Pleshette). He reveals that the entire series of Newhart was just a dream he had, something that annoys his wife when he reveals that he was married to a beautiful blond.
This finale should be terrible, because the idea that the whole series was a dream would normally be stupid or seem like a cop-out. However, The Bob Newhart Show was a series about Bob Hartley questioning his own reality and Newhart was a series where everyone somehow played by rules that defied any established rules of logic, except for Bob Newhart’s character. It not only made sense that Newhart was a dream of someone who constantly questioned reality, it made MORE sense than any other explanation. Bob Hartley always defined himself as the “only sane man” in his life, so he still does that in his dreams. Bob Newhart essentially spent 20 years setting up this punchline across two different series and it served as a perfect finale for both of them. I think it’s telling that after Breaking Bad ended, Bryan Cranston did a “fake ending” where he wakes up as Hal on Malcolm in the Middle that was inspired by this. When the second best ending has to pay tribute to something, you know that thing has to be the best.
Let me know if there are any others that you think I should have added by posting in the comments or on my Facebook or Twitter.
Nick Offerman and Sonoya Mizuno star in a show about the bleeding edge of technology.
Lily Chan (Sonoya Mizuno) is a computer engineer with her code-monkey boyfriend Sergei (Karl Glusman) at Amaya, a leading tech company founded by Forest (Nick Offerman). Sergei is offered a job opportunity at Devs, the top-secret quantum computer research and development division of Amaya. Devs is run by Katie (Alison Pill), a quantum physics prodigy, and staffed by Lyndon (Cailee Spaeny) and Stewart (Stephen McKinley Henderson), two technical geniuses.. However, after his first day, Sergei goes missing. Lily, suspecting foul play, starts to investigate Amaya and Forest, bringing in her ex-boyfriend Jamie (Jin Ha), and getting the two caught going down a rabbit hole that is bigger than anyone could have conceived.
First off, the acting in this is phenomenal. Nick Offerman’s character stands as a stark contrast to his longest-lasting role as Ron Swanson on Parks and Recreation in all of the best ways. Forest is serious, he is depressed, he is brilliant, and he is focused on a relatable goal throughout the series, even though he may have done a lot of things that he shouldn’t have. He’s not funny, nor is serious in a fun way, like Swanson, even though you might expect the characters to seem similar. It’s genuinely impressive to watch how well he handles the emotions of a mentally broken tech billionaire. Similarly, Mizuno does a great job at playing a character whose emotions are always a little more in flux, due to her circumstances. She’s asking her ex-boyfriend to help her investigate a company over her current boyfriend, after all, and that’s never going to have a clearly defined emotional state.
Second, the design of Amaya and Devs is a perfect representation of the supposed blend of style and functionality that Silicon Valley always seems so proud of, while the team and project is a representation of the constant seeking of progress without thinking about the consequences that also tends to permeate Silicon Valley businesses. It’s a nice dig at the new Tech Industry culture while still valuing the constant advancements that they produce.
As it’s a miniseries, the pacing is excellent, and the story it tells is entirely wrapped up at the end. I’m sure some people will say it’s a little slow, but I think it’s done in a way that’s designed to give you time to think about some of the interesting concepts that the show explores about the nature of humanity and the possibilities of technology in the future. It gives an interesting solution to some of the biggest philosophical questions that we have faced over the last century, and indirectly some that we’ve had for much longer.
I recommend it to sci-fi fans and fans of dramatic shows alike. Or just people who like Nick Offerman in a lumberjack beard.
Guillermo del Toro’s Tales of Arcadia Trilogy wraps up the second act in a solid season of sci-fi and fantasy comedy.
It’s been a few weeks since the events of the Season 1 finale that coincided with the final episode of Trollhunters. Arcadia is now aware that trolls exist, but the troll battle managed to conceal the presence of any alien life, including the Akiridion protagonists Aja and Krel Tarron (Tatiana Maslany and Diego Luna), as well as their dog Luug (Frank Welker) and their ship’s AI Mother (Glenn “Yes, that Glenn Close” Close). They are joined by Akiridion-5 Lieutenant Zadra (Hayley Atwell), who arrived last season to save them from Varvatos Vex (Nick Offerman), who is revealed to have aided General Morando (Alon Aboutboul) in overthrowing the planet before changing back to serve the royals. Varvatos Vex ended up imprisoned on the moon by the Zeron Brotherhood (Darin De Paul and Ann Dowd).
The siblings are still being pursued by bounty hunters, including the powerful Trono (Danny Trejo), sought by the US Government, particularly Colonel Kubritz (Uzo Aduba) who is now willing to start dealing with some devils to get the Akiridion Royals, and soon will face threats to Earth, Akiridion, and the very universe itself.
This season was a massive step up in a lot of ways.
First, it moves the timeline past the end of Trollhunters and the changes to Arcadia that arose from the events of the series finale are played out through this season. A lot of the supporting cast are now quite a bit funnier and more absurd now that the world itself has become more absurd, particularly Stuart the alien (Nick Frost), Coach Steve (Thomas F. “I’m not just Biff” Wilson), and Principal Uhl (Fred Tatasciore). Each of them is just a little bit more exaggerated than their already unusual character traits had allowed and it really helps. Expanding Colonel Kubritz’s role, particularly in a world that has just dealt with an apocalyptic scenario, creates a more compelling villain who progressively represents the kind of hypocritical and almost insane xenophobia seen throughout the world.
Steve Palchuk (Steven Yeun) and Eli Pepperjack (Cole Sand) have evolved from just their roles as the stereotypical bully and nerd to being legitimate heroes, something that both feels natural and compelling. Making them have such major character arcs without having them be the main characters of either series is a great set-up for their presumably bigger role in the third Tales from Arcadia series, Wizards.
One expansion that I don’t actually think worked was playing up the role of Toby Domzalski (Charlie Saxton) as the comic relief. Without Jim Lake (Anton Yelchin (R.I.P.)/Emile Hirsch) and Claire Nuñez (Lexi Madrano) to balance them out and provide emotional moments, Toby and AAARRRGGHH (Fred Tatasciore) rely too hard on the “dumb, weird characters” archetype in this season. Granted, the mix of Sci-Fi and Fantasy does work at several points, including having AAARRRGGHH’s magical nature basically trump a sci-fi trope in a humorous way, but it still needed to give them a little more maturity.
There are a lot of decent gags in the season as well. I particularly love all the jokes about the Foo-foos, a race of robot rabbits on the moon. It’s simultaneously a reference to “Little Bunny Foo-Foo,” even having characters threaten to bop them on the head, and to the Asian myth of the rabbit on the moon. Also, their primary battle strategy is breeding an army quickly, because… rabbits breed. Get it? Get it??? GET IT??? Eh, still, it’s mostly funny. Also, they take some solid shots at Michael Bay and I love that.
One thing that really plays well is the season’s theme, because it’s much more coherent than in the last one. This season is mostly about intolerance and the fact that we as humans tend to immediately want to isolate people that are strange to us, but that it’s ultimately better to try to work together. It comes at it from a number of directions and I think it mostly gets the point across without being too preachy.
Overall, it’s a pretty solid show for kids. I’d recommend parents work it into the rotation. If you’re an adult, well, you can enjoy it, too.
The Lego Movie, the movie that should have been crap but instead was a masterful meta-commentary, got a sequel which should have been crap, but instead was a masterful meta-commentary. I wonder if they actually help sales.
It’s been five years since the events of “Taco Tuesday” depicted in the first movie. Duplo/Mini-Doll aliens from the Systar System have repeatedly invaded and destroyed Bricksburg, occasionally taking people and things away with them. In response, the citizens now live in “Apocalypseburg,” a Mad Max-esque desert wasteland. Emmet (Chris Pratt) is the only person who has maintained a positive attitude about their circumstances, something that annoys Wyldstyle/Lucy (Elizabeth Banks), who wants Emmet to be more gritty and dark. Emmet, however, is troubled by a dream of “Ourmomageddon,” which has all of the Lego citizens sucked into a void.
One day, the town is attacked by the General Sweet Mayhem (Stephanie Beatriz), who abducts Lucy, Metalbeard (Nick Offerman), Batman (Will Forte), Benny the Spaceman (Charlie Day), and Princess Unikitty (Alison Brie) and takes them to the Systar System to meet the ruler of Systar, Queen Whatevra Wa-Nabi (Tiffany Haddish). Emmet takes off to rescue them, with the help of Rex Dangervest, a raptor-training space cowboy archeologist who has chiseled features under his baby fat (Also Chris Pratt).
Also, the whole thing is actually a metaphor for the imagination of some kids.
So, up front, you have to see the first movie for this one to really work well. This movie goes straight into the meta-narrative that was sort of the big “twist” of the last movie: Everything that’s happening is both part of the narrative (i.e. the Lego World) and also a representation of the meta-narrative (i.e. what’s happening in the Real World). Stuff that happens in each one actually impacts the other, however, which almost makes this a pataphysical movie… something that is really unbelievably complex for a children’s film and impressively done so well that this movie is actually really easy to follow.
Unlike the last movie where the revelation is pretty late, this movie makes it pretty explicit up front that the “Systar System” is a representation of Finn’s (Jadon Sand) sister, Bianca (Brooklynn Prince). In fact, if you don’t get that pretty quickly, I’d actually say that the first few scenes don’t really make sense. For example, in the opening battle against the Duplos, the Duplo monsters respond to being shot with lasers with “okay, I eat lasers” and to being hit with batarangs with “you missed.” Anyone who has ever tried to play an imaginary game with a small child will immediately recognize this interaction. What’s great is that you could analyze almost every scene from both the normal and meta levels and both work perfectly. I’m not sure how Lord and Miller keep doing it, but I’m damned glad they are.
The messages of the movie, and yes there are several, similarly work on a bunch of levels, both as the lessons learned by the characters and also the lessons learned by the kids through the characters. Everything is a pretty wholesome moral, ranging from the value of family to the nature of maturity to the fact that it’s easier to be a judgmental dick than it is to genuinely keep opening yourself up to people and hope for better. No matter who you are, there’s something to get out of this movie.
The music is just as fun as the last movie, particularly the movie’s signature song “Catchy Song” which is such an earworm while also being a song about how the song is an earworm. I also would give credit to all of Tiffany Haddish’s songs, which are hilarious and awesome, as well as Lonely Island’s song with Beck and Robyn.
Last, I have to complement how well the movie handles references, much like its predecessor. Unlike the last one, where most of the characters that pop up are just there because Finn’s dad (Will Ferrell) owned the kits, in this one, you can actually figure out why Finn and Bianca themselves would have these figures and the reasons range from funny to borderline profound. My personal favorite is ***MINOR SPOILER ALERT*** the fact that Finn keeps seeing Bruce Willis in ducts… because his dad showed him Die Hard and, as a teenager trying to be “mature,” that’s a movie that you tend to focus on ***SPOILER OVER***.
Overall, I loved this film. It definitely has a few slow scenes which tend to make more sense from the meta-level, but most of the movie is just so clever you’ll forget about it.
The second entry in Guillermo Del Toro’s world of Arcadia is a sci-fi series that has a lot of familiar feels.
Princess Aja (Tatiana Maslany) and Prince Krel (Diego Luna) are the heirs to the throne of House Tarron, the ruling house of Akiridion-5. However, on the day of their coronation, a mad dictator named Val Morando (Alon Aboutboul) takes over the planet, resulting in Aja and Krel, and their “dog” Luug (Frank Welker), being carried away from the planet by their guardian, the great warrior Varvatos Vex (Nick f*cking Offerman). They manage to collect the greatly wounded bodies of their parents and put them in stasis as they head for the nearest planet that might provide safety, which happens to be Earth. After crash-landing in Arcadia, California, the ship’s computer (Glenn Close) cloaks the group by making Aja, Krel, and Varvatos look like humans and the ship look like a suburban home. The three must find a way to avoid the bounty hunters sent by Val Morando and fix the ship so that they can fix their parents and make it back home.
This is the Sci-Fi to the Fantasy of Trollhunters, but, admittedly, it doesn’t create the worlds quite as well as the former did. While we are introduced to interesting alien species in the form of the bounty hunters and a few of Earth’s secret resident aliens, most of the actions take place in the city of Arcadia, populated by most of the same characters from Trollhunters. While those characters are, for the most part, great and some of them are expanded upon well, we only get a handful of new characters created for this show that get the same kind of care. We also don’t get much time in other locations, despite the fact that we are doing an alien-centric sci-fi show. That said, Arcadia is still pretty awesome and the characters are still very enjoyable, particularly when interacting with the abnormal behavior of the aliens.
The biggest plus for me is Nick Offerman as Varvatos Vex. In the beginning, you’ll find his character annoying and overblown, because that’s what he’s supposed to be. By the end, though, you discover why he acts the way he does, and it retroactively makes everything seem so much more interesting and deeper than could have been predicted up front. That said, the main reason his character is even tolerable is that he’s played by Nick Offerman who is completely dedicated to his performance. Much like with Offerman’s Ron Swanson, this character’s exaggerated elements move from “tough to deal with” to “lovable” as time goes on.
Aja and Krel’s journeys are a little cliche nowadays, because Aja is trying to avoid being a princess while Krel is more comfortable being a prince. I get that we are trying to make up for the fact that women were only allowed to be princesses in most of Western Fiction for pretty much all of history until very recently, but her method of refusing to take the throne is similar to how most modern female characters try to reject the archetype, which is now itself becoming an archetype. Fortunately, the show seems to realize that and, a few episodes in, she starts to break from the mold a little bit more in her pursuit of being a warrior. Krel, for the most part, is the tech genius who wants to both be normal at school and also get the parts of his life back that he enjoyed.
The crossovers with Trollhunters actually make for pretty good episodes, too. The season finale takes place at the same time as the series finale of that series, which makes for some interesting parallel action.
The show’s humor definitely saves it at some points. The fish-out-of-water story of the aliens trying to blend in with humanity is pretty well done, but it’s better when combined with the goofy and somewhat off-kilter residents of Arcadia.
Overall, I look forward to seeing more of this series if there is more to see. If not, I look forward to seeing what Wizards does to tie the whole universe together.
A packed cast of comedians star in this film about life in a Fourteenth Century convent.
It’s 1347 in Italy and a convent of nuns is being led by Father Tommasso (John C. Reilly). The nuns, particularly the extremely angry Fernanda (Aubrey Plaza), drive off the gardener and caretaker Lurco (Paul Weitz), forcing Father Tommasso to look for another one. At the same time, a servant named Massetto (Dave Franco) is kicked out of his position and ordered arrested by his master, Lord Bruno (Nick Offerman) for sleeping with his wife Francesca (Lauren Weedman). Massetto flees and runs into Tommasso, who has gotten drunk and lost the embroideries he was supposed to sell to fund the convent. Tommasso agrees to hide Massetto at the convent in exchange for being a gardener and pretending to be a deaf-mute.
Despite not being able to talk, Tommasso is soon befriended by Sister Alessandra (Alison Brie) who grows infatuated with him. One night, Sister Fernanda’s friend Marta (Jemima Kirke) appears and all of the nuns, including Alessandra, Fernanda, Sister Ginevra (Kate Micucci), and Mother Marea (Molly Shannon) get drunk while they’re being told that sex is amazing. Fernanda takes a drunken Ginevra back to her room for sex while Alessandra and Massetto start to get closer.
At one point, Fernanda kidnaps Massetto and she and Marta have sex with him, seemingly confirming him as a viable candidate for something. Ginevra is upset by this, having fallen for Fernanda. Massetto and Alessandra begin getting physical, but get interrupted by one of the elders coming into the room. Soon, Fernanda again kidnaps Massetto, this time taking him to a coven of witches in the woods who prepare to sacrifice him for a fertility ritual. They’re stopped by Ginevra, who has consumed a bunch of drugs and shows up high, but Massetto reveals that he’s not a deaf-mute while escaping. The group is caught returning to the convent by the visiting Bishop Bartolomeo (Fred Armisen), who uncovers all of the secrets, including that Ginevra is Jewish and that Tommasso and Marea are having sex.
Massetto is sent back to Lord Bruno, but is rescued by Alessandra and the other nuns. They all escape together, passing Tommasso and Marea who have likewise fled, and everyone lives happily ever after, except Bruno’s wife who is probably dead.
This movie is the most bizarre concoction I’ve seen in a while. It’s an adaptation of one of the stories from the Decameron, specifically the first story of Day 3, albeit a very loose adaptation. In the original, Massetto is a man pretending to be a mute gardener for the purpose of, successfully, seducing the nuns. It turns out that they actually choose to take advantage of him, believing that a mute won’t ever tell anyone. Unfortunately, he underestimates their desires, resulting in him having to beg for help from sheer exhaustion. He ends up begging mercy from the Abbess, who ends up keeping him at the abbey as a steward so that he can continue to service the nuns until he’s very old. That particular story, told by Filostrato within the text, would likely have been a very bawdy comedy by the standards of 1353. My favorite line is: “Madam, I have heard say that one cock sufficeth unto half a score hens, but that half a score men can ill or hardly satisfy one woman; whereas needs must I serve nine, and to this I can no wise endure; nay, for that which I have done up to now, I am come to such a pass that I can do neither little nor much.” While that’s not exactly how the film plays out, you can definitely see the influence.
A lot of the quality in the film is the dialogue, most of which sounds like contemporary speech adapted into subject matter fit for the 1300s. It helps that everyone delivering the lines are all comic geniuses, but Jeff Baena, the writer/director/husband of Aubrey Plaza also does a good job of crafting anachronistic situations that are just farcical enough to work. Granted, a lot of the secret to the movie is that it is just 90 minutes. Any longer and the premise would completely have run out.
Every performance is great, but I do have to say that Fred Armisen’s inquisition scenes basically had me floored with his delivery and quips. If you don’t get into the movie, I’d recommend going ahead and fast-forwarding to that sequence just to enjoy 5 minutes of sheer madness.
Overall, I liked this movie. Not loved, but liked for sure. What shocks me is that I hadn’t heard about it before now. Usually when something has a cast this good and I don’t hear about it, I have to assume that it was just that bad, but this actually got decent reviews. On Rotten Tomatoes the audience score isn’t great, but for a film like this that’s not surprising. It’s not going to be everyone’s taste, but if you like the people in it, you’ll probably enjoy it.
Okay, so, I’m going to die alone, but for those of you who aren’t, here’s a list of some of the best Valentine’s Day episodes of TV. Or, really, just the first 5 episodes I could think of that were good. I didn’t think of this until Monday, so cut me a break.
Runner Up: Galentine’s Day (Parks and Rec)
Why is this a runner up? Because it’s not a V-day episode… and although most of it takes place at a Valentine’s Dance, it’s mostly about breakups.
Galentine’s Day is the 13th of February, and it’s a holiday made up by Pawnee, Indiana resident Leslie Knope (Amy Poehler) to celebrate strong, independent women. Leslie’s widowed mother, Marlene (Pamela Reed), a guest at the Galentine’s celebration, tells the story of her first love, a lifeguard she met years before she met Leslie’s father, with whom she had a passionate affair before her parents made her break it off.
Leslie, with encouragement from Justin (Justin Theroux), a man she’s been dating, goes to find the lifeguard and reunite the lovers after all these years. Unfortunately, while Marlene grew up to be a civic leader, the lifeguard, Frank (John Larroquette), is just a barrel full of problems. He’s immature, unsophisticated, unemployed, and just generally is the worst. Marlene understandably wants nothing to do with him.
This leads Leslie to realize she doesn’t really like Justin. Meanwhile, her co-workers’ relationships are similarly dissolving. Tom (Aziz Ansari) is rejected by his ex-wife. April (Aubrey Plaza) breaks up with her boyfriend and his boyfriend. Ann (Rashida Jones) and Mark (Paul Schneider) are still together, but it’s clear Ann is looking to get out of the relationship… which leads Mark to get out of the show.
Message received: Love is a lie and everyone dies alone. Happy Galentine’s Day!!!
5) Operation Ann (Parks and Rec)
Okay, I had to make it up to Parks and Rec, both for lambasting Galentine’s Day and for not ever finding an episode of the show quite remarkable enough to get onto this list, despite how much I like the show.
Here’s the thing about Parks and Rec: Every single couple at the end of the show is basically perfect.
April and Andy (Aubrey Plaza and Chris Pratt), Leslie and Ben (Amy Poehler and Adam Scott), Ann and Chris (Rashida Jones and Rob Lowe), Tom and Lucy (Aziz Ansari and Natalie Morales), Donna and Joe (Retta and Keegan-Michael Key), Garry and Gayle (Jim O’Heir and Christie Brinkley), Ron and Diane (Nick Offerman and Lucy Lawless), even Craig and Typhoon (Billy Eichner and Rodney To). All of them are amazing. Which is why it’s so great to see where some of these relationships start to develop.
This episode starts with Leslie having her first V-Day with a serious boyfriend, Ben. She makes an overly-elaborate series of puzzles involving multiple riddles that range from “weird” to “punishingly difficult.” Even Leslie admits, at one point, that it’s probably impossible for Ben to actually solve them all. In desperation, Ben asks Ron and Andy for help. Along the way, Ben finds out that Ron actually loves puzzles and riddles, despite his earlier objections to them. In the end, Ron intuits the final solution to Leslie’s riddle, saving Ben.
Meanwhile, Leslie asks the office to help find a boyfriend for Ann, who is somehow single despite being sweet, smart, and looking like Rashida Jones (it actually gets explained later that she has some issues). At the same time, Chris, the perpetual optimist, is depressed because he has been dumped by his most recent girlfriend. At the end of the episode, Ann ends up hanging out with Tom, which proves to be a horrible mistake, and Chris realizes that he’s only single because he broke up with Ann for basically no reason aside from location. This leaves both of them in the position to get back together in the future, after they both grow a little bit.
Also, April and Andy are together, and they’re perfect, and I love them.
4) Anna Howard Shaw Day (30 Rock)
Much like Parks and Rec, even though I love this show it never made it onto the list. Only 2 episodes got nominated, and this is… not one of them, but it’s a natural fit to put it here. Too bad I don’t have a Leap Day list.
30 Rock is a show about putting on an SNL-like show called “TGS with Tracy Jordan,” which is filmed at NBC headquarters located at 30 Rockefeller Plaza.
30 Rock doesn’t have the perfect ending for everyone, but it has a solid happy ending for most of the characters. It also points out that, even if you don’t find love in another person, you can find it in your friends and family.
At the beginning of this episode, Liz Lemon (Tina Fey) has set a root canal on Valentine’s Day, which she calls “Anna Howard Shaw Day” after the female civil rights leader born on Feb. 14, but discovers that everyone else has plans and thus she has no one who can drive her home while she’s under anesthesia. At the same time, her boss, Jack Donaghy (Alec Baldwin), meets Avery Jessup (Elizabeth Banks), the ultra-conservative woman of his dreams. Jack tries to woo her, including planning a celebrity party where he invites Jon Bon Jovi (Music Guy), but ends up snubbing him because he’s interested in what she’s saying. Naturally, they bang, and agree to go out again on V-day. On Valentine’s Day, Liz gets her root canal, telling the dental staff that she’ll be fine to go home. On the way out, however, Liz hallucinates that the nurses are her ex-boyfriends, leading the staff to call Jack to help. Jack agrees, but Avery assumes that it’s just an excuse to dump her after they’ve had sex. Jack counters by offering to have her come along, which impresses Avery even more with his kindness. Liz passes out, but at least she knows she has a friend.
At the same time, Jenna Maroney (Jane Krakowski) is depressed because her stalker appears to have lost interest in her. Kenneth the Page (Jack McBrayer) is confused as to why she’s upset that her stalker has moved on, only for Jenna to tell Kenneth that her stalker is her longest relationship. Kenneth proceeds to send her threatening letters to show that he cares.
Basically, this episode reminds us that friendship is a kind of love, too.
3) My Funky Valentine (Modern Family)
Modern Family was a show about how there are different, viable models of family structure than just the traditional Nuclear Family. It covered one family in three households.
Household 1 is the Dunphy family. Goofy dad Phil (Ty Burrell), his wife Claire (Julie Bowen), and their kids Haley, Alex, and Luke (Sarah Hyland, Ariel Winter, and Nolan Gould). Household 2 is the Pritchetts: Claire’s dad Jay (Ed O’Neill), his younger, hotter wife Gloria (Sofia Vergara), Gloria’s son Manny (Rico Rodriguez), and their baby Joe (Jeremy McGuire). Household 3 is the Pritchett-Tuckers: Claire’s brother Mitchell (Jesse Tyler Ferguson), his husband Cam (Eric Stonestreet), and their daughter Lily (Aubrey Anderson-Emmons).
This episode’s main focus is Phil and Claire. Phil has taken Claire to the same restaurant for most of their history together, so this year he decides to rent a hotel and have the two of them roleplay for the evening instead. Phil is Clive, a businessman, and Claire is Julianna, a housewife. As they flirt at the bar, Claire goes to the bathroom and removes all of her clothes, returning wearing just a coat. As they make their way up to the room, however, the coat gets caught in the escalator. Claire cannot get out of the coat withouthaving to run to the room naked, and multiple acquaintances keep showing up… all of whom just tell her to get out of the coat.
Jay and Gloria go to a comedy club at the same hotel, which is fun until the comedian starts making fun of Jay’s age. They leave and run into Claire… who Gloria quickly helps, having realized the situation immediately, since apparently it had happened to her before. Claire and Phil go to their room… where it’s later revealed Phil screwed up the entire evening somehow by mis-using oil.
Meanwhile, Mitchell is depressed because he broke up his and Cam’s Valentine’s plans due to needing to work on a case, only for the client to settle, preventing Mitchell from delivering the best speech he’d ever written. Manny, who they’re watching while Jay and Gloria are out, is also depressed because he wrote a Valentine’s Day poem for a girl in his class, and another boy took credit for it. Manny and the couple go to the restaurant and confront the boy, with Mitch delivering a version of the speech he’d written. Unfortunately, the girl actually likes the other guy more, so Manny’s still single.
I love this episode because it emphasizes the show’s message of “every couple is different.”
2) Three Valentines (Frasier)
Already wrote this one, not doing it again. Still hilarious.
1) I Love Lisa (The Simpsons)
It probably says a lot that my number one pick is an episode about a girl taking pity on a boy, him taking it the wrong way, her having to break his heart, and them ending up friends… but, that’s for my therapist. Here’s the winner:
This episode is one of the best episodes of the Simpsons, and that’s saying something.
It’s Valentine’s Day in Springfield and Lisa’s class (Yeardley Smith) is giving Valentine’s Cards to each other. Unfortunately, Ralph Wiggum (Nancy Cartwright), who is not the brightest kid in the class… nor the most sanitary, doesn’t get a single card. Seeing him heartbroken, Lisa feels pity for him and gives him a card saying “I choo-choo-choose you.” This leads Ralph to fall in love with Lisa, who does not reciprocate. At all. This is made worse when Ralph and Lisa are picked to play George and Martha Washington in the school play.
Ralph’s father, Chief Wiggum (Hank Azaria), gets them tickets to a Krusty the Clown Live show, which Lisa desperately wants to go to. Unfortunately, Krusty starts talking to the audience, leading Ralph to proclaim his love for Lisa on live TV… which Lisa responds to by telling him that “I don’t like you! I never liked you and the only reason I gave you that stupid valentine is because nobody else would!” Bart (Cartwright) later uses a recording of this to show Lisa the exact moment Ralph’s heart rips in half.
Ultimately, Lisa tries to apologize to Ralph for being cruel, but Ralph focuses on his role as George Washington, leading him to give a stellar performance and the interest of multiple new women. Lisa finally gives him an apology card with a bee on it, saying “Let’s Bee Friends.”
This is an amazing episode, even if it’s a bit heartbreaking, because that’s really just how it is sometimes. The girl you like doesn’t like you back. The thing you thought was caring was just friendship. And that’s okay.