The Planet Express Crew takes a trip to the South’s best-kept secret.
Due to a mix-up by Hermes (Phil LaMarr), Planet Express receives a mandatory fishing license, so everyone heads to the middle of the Atlantic Ocean on the ship and starts fishing. Eventually, Bender (John DiMaggio) uses the unbreakable diamond tether on the ship’s winch to try and catch a big fish. He hooks a colossal-mouth bass which is larger than their craft and it starts dragging them to the bottom of the ocean, about 3 miles deep, before getting off the line. The ship doesn’t work underwater, so the Professor (Billy West) and Leela (Katey Sagal) set about fixing the engines while Bender, Zoidberg (West), and Fry (West) go along the ocean floor to find food. Fry is only able to survive due to a suppository from the Professor that counteracts the pressure.
While exploring, Fry comes across a mermaid named Umbriel (Parker Posey) who starts to flirt with Fry, but no one believes him when he says he saw her. Later, Umbriel comes to the ship and takes Fry on a date. The two fall in love while doing underwater activities. The ship gets fixed, but Fry is still gone, so everyone heads to look for him. They’re shocked when they find out that they’re in the ruins of the city of Atlanta.
It’s revealed that Atlanta was moved to an island as a way to improve commerce, but the city grew too large and sank. Many of the inhabitants remained and, with the help of Coca-Cola, mutated into merfolk. Fry chooses to stay behind with Umbriel, rather than go back to the surface, but quickly changes his mind when it’s revealed that having the bottom half of a fish means she mates like a fish. Fry manages to make it back to the surface inside of the colossal-mouth bass, which Bender has caught again.
I wasn’t in the room when this plot was pitched, but I have to believe that it was conceived by someone making a joke about the song “Atlantis” by Donovan. It’s such a ridiculous idea that it’s kind of inherently funny and the parody of the song is probably the most solid joke within the episode.
Umbriel is one of the more remarkable of Fry’s relationships, not just because she’s a mermaid, but because she’s pretty much the only one that Fry actually breaks up with. Technically, he breaks up with Morgan in the previous episode, but she also was basically out of the relationship before that happened. In this case, we don’t actually see it, but it’s pretty likely that Fry did, in fact, tell Umbriel that he wasn’t ready to try and fertilize a clutch of fish eggs. Somehow, though, they avoided making a joke about the fact that fish eggs that have recently hatched are called “Fry.” I don’t know what the joke would be, but it’s there somewhere.
Umbriel’s name is a reference to Ariel from The Little Mermaid, which probably surprises no one, but it derives from the fact that Umbriel and Ariel are both names of moons of Uranus. If that doesn’t surprise you, congrats on being Neil DeGrasse Tyson.
The version of Atlanta that we see isn’t particularly accurate to the actual urban Atlanta area, but instead is a parody of the rural antebellum South… despite also having futuristic technology. The Colonel (David Herman) is probably the most extreme example, who leads Bender to hum “Dueling Banjos.”
While underwater, Doctor Zoidberg finds an empty giant shell and decides to make it his home. Later, when the crew is leaving, Zoidberg finds out that he can’t stay because his shell has burned down, despite the fact that A) shells don’t burn well and B) THEY’RE UNDERWATER. He questions how it could have happened, something that Hermes says is a very good question. In response, Bender finds the cigar he left in Zoidberg’s house and smokes it, something that Hermes says raises even further questions, because they’re still underwater.
This scene is so absurd that it’s actually the page quote on TV Tropes for “Voodoo Shark.” A Voodoo Shark is when you try to explain a plot hole, but the explanation actually creates a way bigger plot hole. The term comes from the novelization of Jaws: The Revenge which tried to explain away the fact that sharks shouldn’t be capable of revenge plots by saying that the Brody family had been cursed by a Voodoo Shaman. What it doesn’t tell you is why the shaman would do that, how that gave the shark the ability to swim from New England to the bahamas as fast as a plane flies there, and, oh yeah, when the hell did Jaws involve magic? This episode takes that exact same concept, but instead plays it for laughs, never even trying to give an explanation that makes sense.
Overall, solid episode, but it’s pretty shallow in terms of themes. A lot of it is just playing on the image of Southern Stereotypes with fish bodies. Fortunately, that was funny enough to keep me watching.
Well, that’s it for this week.
See you next week, meatbags.
PREVIOUS – Episode 24: How Hermes Requisitioned His Groove Back
NEXT – Episode 26: Bender Gets Made
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