Rick and Morty try to save the world through the power of their music.
A giant floating head (Dan Harmon) appears in the sky above Earth and starts exclaiming “Show me what you got!” Rick (Justin Roiland) immediately recognizes the threat as a Cromulon and takes Morty (Roiland) to the Pentagon to inform the President (Keith “f*cking” David). It turns out that the Cromulons travel to planets seeking a live performance of a catchy new song. Unfortunately, the Cromulon’s arrival created an earthquake which killed all of Earth’s famous musicians except for Ice-T, who won’t make it in time to save the planet. Desperate, the President asks Rick and Morty to perform. Rick proceeds to spontaneously compose the song “Get Schwifty” which, as the President says, is a jam. The head is pleased by this and teleports Earth to another galaxy filled with giant heads for another performance.
Meanwhile, Beth (Sarah Chalke), Jerry (Chris Parnell), and Summer (Spencer Grammer) evacuate to the local church where Principal Gene Vagina (Phil Hendrie) decides to go outside and pray to the head. By coincidence, the head tells Rick and Morty “I like what you got” at the same moment that Vagina is praying, so the people believe that Vagina’s prayer pleased the head. After the head moves Earth to a head-filled area, Vagina convinces everyone he can speak to the heads and turns the neighborhood into a cult under his rule.
Rick is joined by Ice-T (Dan Harmon) to compose a new song. Morty wants to run away with his family, but Rick claims to not have enough charge in the portal gun. This is proven false when Rick shortly forgets his lie and grabs snacks for Ice-T. Morty, angry, steals the portal gun and ends up with Birdperson (Dan Harmon) who advises Morty indirectly to put his faith in Rick. Ice-T reveals himself to be an alien from Alphabetrium whose true form is that of Water T. He was punished for his lack of empathy by being frozen and banished, so he doesn’t care about what happens to Earth.
Beth and Jerry are pleased with how Summer is behaving now that they are part of a cult, but when offered positions within the cult, they refuse, believing that using the Cult as a substitute for parenting doesn’t work. They’re summarily set to be launched into the sky by balloons.
Rick begins to play his improvised song, but it is poorly received. Morty returns to find out that Earth is up, however, a rogue General, General Nathan (Kurtwood Smith), launches nukes at the Cromulons over the President’s objection. This disqualifies Earth and the Cromulons try to disintegrate it, but Ice-T blocks the shot and advocates that Rick and Morty should get a shot. They, along with the President, perform “Head Bend Over,” which wins the contest. At the same time, all of the Cromulons’ reactions to Rick and Morty are interpreted as being against Principal Vagina’s claims of being chosen by the heads, resulting in him being launched into the sky, temporarily.
This episode marks the first time (aside from the temporary Giant Santa in “Anatomy Park”) that Rick and Morty face a public, global threat. It’s also the first time that we see them interacting with the President, who will later become the focus of the Season 3 Finale. Between these two episodes, it’s implied that the President will call on Rick and Morty to address a number of off-screen threats, but never allows Morty to take any pictures. Interestingly, the President doesn’t attempt to threaten Rick himself, which probably suggests that he believes that Rick won’t tell anyone or that telling Rick not to do something is the only way to guarantee that he does it. Justin Roiland says that he believes that Rick and the President were best friends in the past, but Rick’s intro in this episode suggests that they haven’t met before.
Rick and Morty’s arc is ostensibly about whether or not Rick actually cares about anything. While Birdperson seems to agree with Morty’s assertion that Rick doesn’t care about anything other than himself and never thinks about the consequences, Rick’s conversation with Ice-T makes it clear that he does actually care about stuff, even though he has spent a lot of his life trying to avoid it. It also confirms that Rick has a history of being a musician, something that he will spend more time doing after this episode. It’s implied that Rick basically comes up with two songs spontaneously, something that I imagine is extremely difficult, even if they have very repetitive lyrics.
JOKER’S THEORY CORNER
I don’t have much in this episode, but I have one theory about Ice-T. When we see Ice-T leave from Rick, his last words to Rick are a dismissive statement that he’s just going to wander around the universe, but then he reappears spontaneously to say, in an unconvincing manner, that suddenly he cares more. It seems like a complete 180 of his character combined with a deus ex machina of him saving the planet from the Cromulons. So, what actually caused the change of heart?
Ice-T didn’t learn to care from Rick, he learned that you can give people another chance from Morty coming back. It stands to reason that, although Ice-T had left the planet, he still wanted to see the results of the contest, if only to know if he could return to the planet and resume his life of luxury and not giving a f*ck. That means he’s watching when Morty returns, despite having given up on Rick previously, and sees how happy Rick is to see him. We now know that Magma-Q, Ice-T’s father, is the one that banished him. This is likely the one thing Ice-T relates to and realizes that his father will be happy to see him, even if he won’t admit it. So, he decides to do the one thing that might reunite them: Pretend to care. That’s why he doesn’t sound convincing, because he’s not actually caring much about Rick and Morty, he just knows that’s the only way to see his father again. Of course, this still means he has realized he cares, just not about Rick and Morty.
LEAVING THE CORNER
This is a pretty solid episode, but it’s still less sophisticated and the storytelling is a lot less efficient than other stories. On the other hand, Mr. Bulldops would have been my profile name if it hadn’t been taken.
Overall, I give this episode an
on the Rick and Morty scale.
Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.
Alright, so, if the last episode really started to nail the Rick and Morty mix of dark humor and subversion, this was the first episode that started to explain why everything in Rick and Morty is not only supposedly meaningless to Rick, but justifiably so.
It’s flu season at Harry Herpson High School and that means it’s time for the annual Flu Season Dance (which Principal Vagina (Phil Hendrie) reminds everyone is about awareness and not actually dancing when you have the flu). Morty (Justin Roiland) tries to ask his crush Jessica (Kari Wahlgren), but is stopped by her on-again-off-again boyfriend Brad (Echo Kellum) who tells Morty to stay in his league. Back at home, Jerry (Chris Parnell) tries to comfort his son by saying that he met Beth (Sarah Chalke) in high school despite her being out of his league, but Rick (Roiland) points out that Jerry’s marriage is in bad shape so he shouldn’t be giving advice. In contrast, Rick says that love is a lie brought on by brain chemistry and that Morty should focus on science to “break the cycle.”
Morty thinks about what Rick said and promptly isolates the exact wrong part of it, asking Rick to make a chemical to cause Jessica to fall in love with him. Rick refuses, asking Morty for a screwdriver, but Morty protests that Rick never does anything for him, so Rick gives him a formula made from vole-extracted oxytocin that will supposedly make her fall for him. However, right after Morty leaves, Rick adds the caveat that it might cause problems if she has the flu.
Jerry asks Beth if she loves him, but she responds that love is work and she puts up with him, therefore she’s working and therefore she loves him. She then leaves for an emergency horse surgery with her co-worker Davin (Hendrie), which angers Jerry.
At the Flu Season Dance, MC Haps (Dan Harmon) is doing his Flu Hatin’ Rap and everything seems to be going well. Morty spills some of the potion on Jessica, which quickly works, causing her to love Morty. She then sneezes, infecting Brad, who, in turn, infects the rest of the dance by sneezing into the vent and punch bowl. Back at the Smith House, Jerry is still worried about Beth being with Davin, provoked by Rick, so he heads to the Horse Hospital. Rick asks why Summer (Spencer Grammer) isn’t at the dance and, when she says it’s to avoid flu season, Rick realizes his error.
At the dance, Jessica is getting sexually aggressive towards Morty, shortly followed by everyone else fighting to mate with Morty. Rick shows up to rescue Morty and tells him that the serum interacted with the flu virus and became airborne. Rick, however, is immune, because the serum doesn’t affect close relatives. He tries to fix it by spraying an antidote composed of praying mantis DNA on the crowd, however, that doesn’t work, instead mutating all the people into mantis/human hybrids, making them monsters. Monsters who are still horny for Morty, apparently.
Jerry gets stuck in a traffic jam caused by the rapidly-spreading mutations. He’s attacked by the mantis-people but grabs a shotgun and starts removing heads. Back at the Smith House, Summer finds out what’s happened by global news broadcasts showing that everyone on Earth is infected before she’s attacked by mutants and forced to flee. In the desert, Rick creates a third serum using koala, rattlesnake, chimpanzee, cactus, shark, golden retriever, and dinosaur, which he claims will add up to normal humanity. Morty immediately points out the stupidity of that statement, but Rick ignores him.
At the Horse Hospital, Davin and Beth exit the clean room and Davin starts to hit on Beth before he gets infected, mutates, and attacks her. Jerry shows up with a crowbar and beats Davin to death. This appears to rekindle the spark in the marriage. Rick then sprays all of Earth with his third formula which, at first, appears to turn everyone back to normal. Then, as Rick gloats, the serum causes everyone to mutate into disgusting blob creatures they call “Cronenbergs” after David Cronenberg’s body horror films (I assume mostly The Fly). Jerry and Beth modify a car with sharp objects and fight their way through the crowds of Cronenbergs, showing that they are surprisingly good at killing monsters and openly flirting. They find Summer and Beth finally condemns all of Rick’s actions, including leaving her mother.
Rick and Morty watch the world falling into chaos and madness, arguing over who is at fault. Rick agrees to fix it with his emergency solution. It then shows Rick and Morty returning home with the newspapers reading “Genetic Epidemic Averted.” Rick then asks Morty for the screwdriver from the beginning of the episode and, with three turns of the screw, blows up the garage, killing them both. The “real” Rick and Morty then walk out of a portal. Morty panics at the disco-very (f*ck you, I’m leaving that joke in), but Rick tells him that there are infinite universes and that in a few dozen of them Rick solved the genetic crisis and in a few of those universes, Rick and Morty died shortly after. So, they’re going to take their place. Rick and Morty then bury their counterparts (to the tune of “Look On Down From the Bridge” by Mazzy Star) and a clearly traumatized Morty watches the new universe play out just like his old one.
After the credits, a Cronenberg Rick and Morty come to the old universe, now happily surrounded by fellow Cronenbergs, while Summer, Beth, and Jerry seem to be living a simple but happy life.
So, I think we have to start at the ending and acknowledge that Morty is fundamentally changed by this episode. This even sets up the absolutely devastating speech he will give in two episodes. Despite Rick telling him explicitly “don’t think about it,” that seems to be all Morty can do, and can you blame him? Sure, he’s been to other universes before, but he clearly has never had to deal with the reality that there are also other versions of himself. That’s a big discovery to stack on top of destroying the world, probably never seeing his original family again, seeing his own dead body, and being informed that, had Rick not destroyed the world, he would also be dead right now. So, yeah, Morty had a pretty bad day and it does change his character a bit.
This episode also really introduces the show’s particularly brilliant version of nihilism: Infinite Nihilism. Because there are an infinite number of universes, everything happens. Every possibility happens, constantly branching off of the current universe with every action. And there are an infinite number of each of those branches, because each fraction of infinity is also infinity. So, there are an infinite number of universes where Rick saves the world, an infinite number where he fails, an infinite number where he fails and dies, an infinite number where he succeeds and lives, an infinite number where he says screw it an eats tacos, etc. So, if everything happens, then does anything matter? You’re not really “doing” anything. You’re just existing in the branch of the multiverse where the thing you do happens, but it’s also not happening at the same time in another universe. If you’re Rick and can just jump sideways onto the next one, then your choice in the previous universe was meaningless. However, at the same time, another Rick is jumping in exactly the opposite way between two other universes, because INFINITE. Everything is meaningless.
What’s interesting is that being able to go between all these universes may also be the thing that does make the difference between Rick being a supergenius and Rick being the near god-level being that we see in the series. In fiction, when people actually gain the ability to move between universes at will, it usually grants them near omniscience, because you can find a universe where death is curable by pill or a universe where P=NP has been solved already. Look at Byakuran from Katekyō Hitman Reborn! or Angstrom Levy from Invincible, these characters point out that, if there’s an infinite number of universes, or even just a very large number (say, Graham’s Number if you replace all of the threes with Graham’s Number), then if you have a problem you can always find one where an answer already exists. Rick travels between dimensions that all have different levels of technology and learning in every field, allowing him to constantly push the boundaries of human knowledge just by combining all the common knowledge of those worlds.
So, why does Rick say that there are only a few dozen universes where Rick and Morty save the world and only a few more where they die after? Well, because the multiverse is infinite, Rick’s time isn’t. It’s probably difficult to search through a constantly-increasing multiverse, even within the “Central Finite Curve” that Ricks usually travel within (a clearly finite subset of the infinite multiverse which we later find out has multiple “iterations”). So, Rick found a couple dozen “nearby” universes that fit the bill using whatever method he uses. Why does he say that he and Morty can only do the swap 3 or 4 more times? Well, either his methods limit him, the Council of Ricks limits him, or, more likely, Roiland and Harmon just wanted to limit it so they wouldn’t be tempted to re-use the idea of dimension-hopping.
They also probably limited it because, like I said before, Rick could always just solve his problems by looking at the solutions that other Ricks were forced to find for their problems, since, in an infinite multiverse, there’s always some other Rick who has solved it ten minutes before.
To be fair, I also don’t think that there are actually an infinite number of alternate realities, even if the Many Worlds Interpretation is correct, because there was a starting point to the universe (at least, most evidence suggests so), so the only way it could be infinite is if an infinite number of realities spawn from all quantum interactions (or at least from one particular interaction). I actually point to Isaac Newton for my reasoning why that doesn’t happen. When Newton created Calculus (as did Leibniz, but Newton’s the one who actually mentioned the specific thing I’m going to address), at one point during a proof he stated that an infinitesimal multiplied by an infinitesimal was equivalent to 0 and thus could be ignored for the purpose of the proof. Well, that’s not something that really is justified by any mathematical study of infinite, but Newton used it and no one complained, because, by eliminating that squared infinitesimal, CALCULUS WORKED. Accurate derivations and integrations could now be made. But, if there really was such a thing as infinity within the universe, then it should have always been off.
A second proof would actually be Zeno’s Paradox. I’m sure you’ve all heard it by this point: If you shoot an arrow at a target, the arrow has to travel half the distance to the target. Then, it has to travel half again. Then half again, then half again, then on and on and it should never get there, because there are an infinite number of halves. However, if you shoot an arrow in real life, it’s going to get there.
Both of these suggest that there is somewhere out there a minimum distance or a minimum unit of time for something to take place in (and no, not the Planck Length, that’s not actually what Planck was saying), which means that there can never be an infinite number of anything. Just a really, really, really, really big number. Like, sooooo big that you might think it’s infinite, but it isn’t. And that’s okay.
JOKER’S THEORY CORNER
Yeah, I did technically give a “theory” about why Rick said there were only a few dozen versions of this universe, but that’s not the one I’m gonna count in this review, especially since I’ve got a much bigger related theory coming later.
For this review, I want to address why Rick failed. Think about it, Rick really screws up in this episode, something that even he points out doesn’t happen often. Rick isn’t perfect, of course, but this is a notably stupid screw-up to the point that even Morty points out Rick’s logic is terrible. In most shows I’d chalk it up to bad writing, but this is Dan Harmon’s show hitting its stride, so I assume almost nothing is allowed to be just for plot necessity. What is it about this episode that caused Rick F*cking Sanchez to fail 3 separate times?
Well, what is Rick dealing with in this episode? Normal humans. The one thing that Rick absolutely never seems to be able to grasp is normal emotional interactions with other people. The closest thing we ever see to Rick’s relationships is with Unity in Season 2 and that’s a hive-mind who he seems to only be using for extremely weird sex (not kink-shaming, just saying that even the giraffe looked violated). So, when Morty asks Rick for a love potion, Rick instead gives him a lust potion. When he tries to figure out how to counteract that, Rick assumes that hate is the opposite of love and just adds mantis DNA. What’s particularly interesting is that Rick classifies these not in terms of emotions but in terms of how species conduct their mating practices: Voles are for life, Mantises eat their mates (for the record: only when the female believes resources will be scarce during pregnancy). So, rather than trying to address emotional complexities, Rick just treats people like on/off switches. Then, when he does actually try to contemplate more sophisticated models of humans, it’s revealed that Rick knows so little about people that he basically just combines an almost random assortment of animals (and plant) together.
People’s emotions are Rick’s kryptonite. Hell, he almost admits it to himself in “The Wedding Squanchers” when he says that he couldn’t make marriage work, despite being able to do things that seem impossible. But this episode managed to present that fact without having to really comment on it, which is extremely impressive, considering the other absurd amount of character and series changes they put into this episode. Really, the fact that this revelation is secondary… I guess tertiary?… within the episode should be lauded. In most shows, this would be the focus of an entire episode, here, it’s just a thing that defines Rick as he plays out other plot lines, which, for the record, IS A GOOD THING.
THIS HAS BEEN JOKER’S THEORY CORNER
Overall, this is a weird episode for me in that I didn’t like at all the first time I watched it, because the ending felt like a cop-out. In most shows, the concept of just jumping to another world at the end would literally be a huge deus ex machina that would be summarily ignored in the rest of the series. Now, having seen the rest of the series, this show averts that trope so hard it almost seems like they wrote the rest of the series as a f*ck you to all the shows that would just allow something so massive to go without comment.
I also have to give credit to the episode for showing us a Jerry and Beth relationship that actually starts to work, because Jerry is forced to actually be the Alpha Male he always wants Beth to think he is. I’m not saying that you have to be an Alpha Male or even that it’s a good thing, but it’s what Beth was looking for and what Jerry wanted to be. Other relationships might not work well with that dynamic, but the reason why it works here is that they are both very broken people (wait ’til “Big Trouble in Little Sanchez”).
So, ultimately, I enjoyed this episode more on the re-watch, because, in context, this is a massive game-changer, not a typical sitcom reset.
Overall, I give this episode a
on the Rick and Morty scale.
Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.
Okay, so, I’m definitely going to keep this series going, because, shortly after publishing the first post, I won a contest from Wisecrack’s “The Squanch” podcast (which you should listen to, as both myself and my Grouchier counterpart have now both stated we like their channel). When I got back home, I found this Pickle Rick figurine waiting for me. I consider this a sign from the universe.
And yes, it’s on the sofa from which I compose these wonderful works of critical non-fiction.
Jerry is watching TV when Snuffles, the Smith family dog, comes up and gives him a begging look. Thinking that Snuffles wants to go outside, Jerry opens the door, but Snuffles instead pees on the carpet. Jerry, frustrated that the dog doesn’t understand commands, asks Rick to make the dog smarter. Rick halfheartedly warns against it, but quickly acquiesces so that he can leave with Morty. Rick puts a helmet on Snuffles which appears to make him roughly as intelligent as… I’d say a child.
Rick takes Morty to the home of his math teacher Mr. Goldenfold (Brandon Johnson). Morty has been failing math (despite the fact that it is unbelievably low-level), so Rick has decided to go inside Goldenfold’s dreams and plant the idea to give Morty an A even though he doesn’t deserve it. If that sounds like Inception, that’s because it is, and Rick is shameless about ripping it off, then takes shots at the film’s defenders, including Morty.
Inside Mr. Goldenfold’s dream, Rick and Morty find themselves on a plane, similar to the original set-up in Inception. Rick and Morty pretend to be terrorists hijacking the plane to increase Morty’s grades, but Goldenfold actually fights back, controlling the dream. The pair end up grabbing one of Goldenfold’s fantasy women, Mrs. Pancakes, (Melique Berger) from the show everyone in the Rick and Morty multiverse seems to watch, and being sucked out of the plane. Unfortunately, Goldenfold has landed the plane and built a device which will save Pancakes while killing them. To buy time, Rick and Morty enter Mrs. Pancakes’s dreams.
At the next dream level, Rick and Morty are in an S&M dungeon filled with strange creatures, as well as a heavily sexualized version of Summer. Despite Rick being immediately willing to join the interspecies orgy, he draws the line at incest (note: somehow no Game of Thrones references are made here). Unfortunately, refusing to have sex with Summer alerts the sub-subconscious that Rick and Morty don’t belong, so they knock out a Centaur and go into his dreams.
At this dream level, the pair are in a boiler room which looks really familiar if you love Robert Englund. It’s red, rusty, and contains a small, creepy, child chanting a rhyme about its chief inhabitant. The two are quickly attacked by Scary Terry (Jess Harnell), who is described as a “legally safe knock-off of an ’80s horror character with miniature swords for fingers instead of knives” who calls people “bitch” all the time. Rick and Morty flee to another dream level by knocking out the creepy little girl, but they find out that Scary Terry can travel between dream levels to keep chasing them. Eventually, they hide for hours until Scary Terry gives up looking for them and goes back to his house.
Meanwhile, Snuffles has been slowly gaining intelligence over the night. First, he attempts to talk to the Smiths, but can’t vocalize properly. After failing, he finds a panel in the front of the helmet which opens to reveal that only 1 of the 5 battery slots are full. Snuffles goes to the junk drawer and puts more batteries in. A little while later, Snuffles now has a mechanical arm and the helmet is able to interpret his thoughts, allowing him to speak (using Rob Paulsen’s voice). Jerry starts to take off the helmet but is stopped by Summer. Snuffles then watches a documentary on the history of dogs, builds several exo-suits and other intelligence-boosting helmets, recruits other dogs, and then confronts Summer and the Smiths over the treatment of dogs by humans… specifically their taking of his testicles. Snuffles, now calling himself Snowball, reveals that he plans to turn the tables on humanity.
Back in the sub-sub-sub-subconscious of Mr. Goldenfold, Rick and Morty follow Scary Terry back home where he lives with his wife Scary Melissa (Berger) and infant son Scary Brandon. That night, they go into Scary Terry’s dream… only to find that it’s just Scary Terry being mocked at school for not knowing the answers to pop quiz questions and forgetting to wear pants to class. Rick and Morty stand up for him in his dream, befriending him. When Scary Terry awakens, he has been incepted into being friends with them, resulting in him carrying them back through all the dream levels as a favor, finally incepting Goldenfold to give Morty an A in math.
Rick and Morty return home to find that there is a small army of dogs planning to take over humanity stockpiling weapons at the house. When Morty asks what happened, Rick casually outlines what we saw happen, while still saying he doesn’t know for sure. The two rescue the Smiths, but Jerry gets everyone captured again by thinking that he could pee on the weapons to make them his property. This is a plan so unbelievably dumb that it actually justifies how Morty could fail math despite being Rick’s grandson.
The dogs are shown conquering the world and reducing humanity to secondary status with the exception of Morty, who is treated as Snowball’s prized pet and given women and luxury. Rick reappears, supposedly a year later, and reveals that this is all a dream from the first night. Rick has gone into Snowball’s head with Morty, and dream time combined with dog time has allowed a night to become a year (though, if you do the math, it should actually be about 6 months). Rick poisons Morty, which leads to Snowball realizing that doing to humanity what humanity did to dogs makes them just as bad. Snowball awakens and leads the dogs off planet to form a Dog World.
No matter how many times I see this episode, it just never sticks out in my mind, but every time I re-watch it, I find myself laughing my ass off.
First, the references. The title’s a reference to The Lawnmower Man, about a scientist who increases a mentally handicapped man’s intellect to the point that he becomes cruel and ambitious, which is basically the plot of Snuffles’s story. They openly state the dream-jumping is from Inception and all-but-state that Scary Terry is Freddy Krueger. Snuffles’s new name of Snowball is a reference to Animal Farm, a story about animals overthrowing humans and something covered on this site before.
Scary Terry is one of my favorite parts of this episode. First, I love his design, since, rather than the burn-victim look of Freddy Krueger, Scary Terry appears to be made of purple testicle skin, which is somehow more off-putting. Second, the fact that he has a very boring and typical homelife when he isn’t terrifying and murdering people in their dreams is hilarious. Third, after watching this, whenever you watch the later Nightmare on Elm Street movies, it becomes so much more obvious HOW OFTEN Freddy says Bitch. It’s interesting that it seems to increase as the series got more ridiculous, almost like “Bitch” just provides an easy thing to call someone… which is why that’s Terry’s answer when caught off-guard in his nightmare. Which brings me to the last reason I love him: Scary Terry’s nightmares are the things that everyone has a nightmare of at some point, getting embarrassed in school, even years after you’ve graduated in real life. Compared to the kind of over-the-top craziness that usually defines the nightmares in the Elm Street franchise, this is just a freaking hilarious juxtaposition.
I also love that they parodied Krueger’s signature “1, 2, Freddy’s coming for you” song, but this one goes way past the 5 verses that Freddy uses. We see it getting to Q and R with no sign of it stopping.
One of my other favorite parts of the episode is that none of the Smiths actually consider the implications of granting Snuffles intelligence, even though Rick warns them about it. The closest we come is Summer saying that it’s wrong to “endow a creature with sentience and then rip it away,” but when pressed about why, she just says it’s “Indian giving.” Beth actually points out that it’s not going to go well but does nothing about it. Despite all of the media about this exact situation, including the film that gives this episode its title, not one of them bothers to consider it. As someone who writes about pop-culture, this is a frustrating accuracy about people: Despite a concept being addressed in fiction repeatedly, no one ever actually relates it to their situation… which massively undermines the entire point of good fiction. Still, it was funny for the warning signs to be so over-the-top and yet completely ignored here.
JOKER’S CRAZY THEORY CORNER
I have a weird theory that Rick actually planned for everything with Snuffles to play out pretty much as it did. See, when Jerry confronts Rick about the dog, Rick goes to the garage and comes back with the helmet. It seems like it was specifically made by Rick in that 30 seconds or so, rather than something that Rick just had sitting around. I say that because Jerry suggests that Rick “whip up” something and Rick doesn’t correct him, as well as because the helmet perfectly fits Snuffles.
If Rick made the helmet for this situation, though, why did he put 5 battery slots in it? And why put them in a place that the dog could put the batteries in? He clearly knew how smart Jerry would want Snuffles to be and Rick already stated that making Snuffles smarter than that would be a thread Jerry wouldn’t want to pull. It seems like a weird flaw to over-design the helmet like that, especially for someone of Rick’s intelligence who was in a hurry.
Well, that’s because Rick wanted Snuffles to find the extra battery slots. Rick knew that the Smiths would abuse Snuffles’s new intelligence (such as Summer making him her footstool) and wouldn’t try to figure out what he wanted when he tried to talk to them. So, Rick figured that Snuffles would try to increase the helmet’s power and gave him a simple way to do it. After that, it was basically inevitable that Snuffles would realize that dogs have been mistreated by humanity (he doesn’t have testicles, after all), and stage a revolt that would result in the imprisonment of the Smiths. That’s why he immediately and dispassionately recites a summary of what happened in the episode when they return: Because he set the events in motion that led to it.
So, why would Rick do this? Well, because A) he’s Rick and B) Jerry was annoying him. Jerry was basically threatening Rick into using his god-like science wizardry, so Rick decided to go ahead and cut that off by satisfying Jerry’s wish in such a way that he would never ask him to do it again. And I’m pretty sure it works, since I can’t think of another time Jerry asks Rick to make something in the series.
On the Meta-level, I think it’s also possible Rick did this just so he could end the episode with a pitch for Justin Roiland’s failed series idea “Dog World,” which is why Rick even calls Snuffles “Ruffles,” the name of the Dog World lead character, at the beginning of the episode. He was setting this up even then as a fallback for if the show gets cancelled. After all, this was only episode 2.
Overall, I give this episode a
on the Rick and Morty scale.
Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.