Amy and Bender start dating and end up creating marriage equality legislation.
Bender (John DiMaggio) starts going on a vandalism spree, but gets caught and arrested. He calls Amy (Lauren Tom) to bail him out. She and Kif (Maurice LaMarche) go to the jail, but when Amy flirts with a convict, Kif gets fed up with her “Bad Boy” obsession and breaks up with her. To make her feel better, Fry (Billy West), Leela (Katey Sagal), and Bender take her out for the evening. When Bender won’t stop mocking her, she and Bender sleep together, ending up in a “robosexual” relationship. They try to hide it from the crew, but are revealed when they get caught sleeping together during a mission. The Professor (West) disapproves of robosexuality and alerts Amy’s parents Leo and Inez (West and Tom) as well as the Robot Pastor (Phil LaMarr).
Amy is taken back to Mars and Bender is sent to a camp to “cure” his robosexuality. Fry rescues Amy by pretending to be her boyfriend and Amy rescues Bender. Bender then proposes to Amy. The Professor reminds them that robosexual marriage is illegal, so Amy and Bender start a campaign to legalize it, called Proposition Infinity. In the lead-up to the election, the Proposition is set to fail, but Bender agrees to debate the Professor before the vote. Bender gives a powerful speech about love which resonates with the audience. The Professor tries to give a rebuttal, but ends up admitting that he objects to robosexual marriage because he was formerly in love with a robot who cheated on him. After this admission, he withdraws his objection to the Proposition and it passes. Upon realizing marriage is monogamous, Bender dumps Amy, who gets back together with Kif.
This one ages extremely well, but may age really badly in the future. When this episode aired in 2010, over 95% of America did not allow same-sex marriage, with 42 states having Defense of Marriage Act bans on it. The episode’s premise is a reference to California Proposition 8, which banned same-sex marriage in California, which was part of a national series of laws banning it throughout the nation. However, this episode aired at the time when the nation’s opinion was turning. A few months later, Proposition 8 was ruled unconstitutional by Federal Courts. Within the next 4 years, 36 states and territories would legalize same-sex marriage before Obergefell v. Hodges effectively legalized it throughout the US in 2015. In other words, while this episode came out strongly in favor of same-sex marriage when the nation was turning against it, the nation quickly adopted the position and, in 25 years, young people hopefully won’t even understand the concept of opposing same-sex marriage.
Overall, it was a solid episode that took a bold stance on a controversial issue at the time, and history proved it right.
The parody commercial. In real life, there was a commercial that aired in 2009 called “The Gathering Storm.” It was put forth by the National Organization for marriage and it quickly gained notoriety for being one of the dumbest, worst-acted, and dishonest advertisements ever made. Here it is:
Futurama’s version is exaggerated even further. It includes a character explicitly saying “If robosexual marriage becomes legal, imagine the horrible things that will happen to our children, then imagine we said those things, since we couldn’t think of any. As a mother, those things worry me.” Since a common refrain against same-sex marriage was “how will we explain it to the children,” this calls it out by saying that most people advocating that just don’t have any idea how same-sex marriage works (Hint: It’s the same as straight marriage, except both people are the same sex). I just really like them taking the piss out of those assholes.
Leela and Zapp Brannigan get marooned in a garden of Earthly delights.
A death sphere has been seen destroying planets and is now headed for Earth. Zapp Brannigan (Billy West) fails to come up with a plan, so Richard Nixon (West) asks the Professor (West again) to come up with a plan. The Professor sends Leela (Katey Sagal) in a stealth ship to attack the death sphere and Zapp forces her to take him along, much to Leela’s frustration. Although the ship is invisible, Zapp and Leela are not. They make it to the death sphere, which is revealed to be called V-GINY. They get attacked by the ship and crash on a tropical planet. Leela awakens pinned under a tree which Zapp can’t move. Leela and Zapp strip to avoid overheating, but Zapp courteously provides her leaves to hide their naughty bits and forages for food.
Back on Earth, Fry (West) starts to worry about Leela, something that annoys Bender (John DiMaggio). Farnsworth determines that V-GINY was formed by the collision of a military satellite and an FCC satellite. He concludes that the death sphere is destroying “indecent” planets. He tries to convince the citizens of Earth to be less indecent so that V-GINY might not destroy them, but his efforts fail. Brannigan surveys the planet that they landed on and determines that the ship is destroyed and the planet contains no intelligent life. He and Leela watch on in horror as V-GINY destroys Earth. Leela, dehydrated, starts to imagine a talking snake comparing them to Adam and Eve of a new planet. As they discuss repopulating, an apple falls on Leela’s head.
The two start to kiss, but when Leela bites the apple, she gets momentarily rehydrated and starts to ask Zapp questions about his story. Slowly, it’s revealed that: The ship is working fine, Zapp’s been eating chocolates and drinking mineral water while she starved, he kept her dehydrated so that she’d be easier to trick, they’re on Earth which he faked the destruction of, and he put the tree on Leela. Literally everything has been so that Leela would bang him. Fry arrives and reveals they’re on a Pacific Island where the Planet Express crew went to do a purity chant to hopefully deter V-GINY. V-GINY arrives and explains the Earth may be redeemed if Leela and Zapp prove to be Adam and Eve by having sex. Leela complies to save the world and Fry is forced to watch as V-GINY labels it approved for all audiences.
I think this episode was first conceived as a Simpsons gag, due to the fact that they did an episode based on Homer and Marge being nude throughout and famously had the entire Springfield Methodist Church sing “In The Garden of Eden” by I. Ron Butterfly. It was fitting, much like this episode’s title, since the song “In-A-Gadda-Da-Vida” by Iron Butterfly is literally a mispronunciation of “In The Garden of Eden.”
I admit to not thinking much of this episode. Part of it is that, right after we finally got Futurama back, this episode basically conveys that Fry and Leela are not in a relationship, despite the fact that one episode prior, and one movie before that, we had them establish that they are in love. It didn’t feel like there had been anything to merit this change, except that the writers wanted them to go back so they could keep using some of their unproduced scripts. Also, a lot of the jokes in this episode feel cheap, which apparently is because this was them getting a bunch of the lines out that FOX wouldn’t have allowed them to use. I mean, V-GINY just isn’t that funny beyond the first use, and they never use it for anything more than just “ha, it sounds like vagina.”
Overall, this remains a bit of a let down.
Actually, although the name V-GINY really isn’t that funny, I do appreciate that the plot is a reference to two different Star Trek sources. The idea of a probe gaining sentience and having a name that’s a corruption of a longer term is based on V’Ger, the evolved Voyager 6 probe from Star Trek: The Motion Picture. The idea of two probes colliding and merging into one entity with combined form and mission comes from the original Star Trek episode “The Changeling.” I just appreciate that they managed to mash the two ideas up, much like the probe in the episode.
The Planet Express crew manages to get back on the air.
After entering the wormhole at the end of the last movie, the crew emerges in the “Panama Wormhole,” Earth’s main shipping channel. Zapp Brannigan (Billy West) is still chasing the Planet Express ship. The ships both crash causing a massive explosion that nobody seems to survive except for the Professor (West) who was in a safety sphere and Fry (West), who appears unharmed aside from electrical burns. The rest of the crew are revealed to be just heads on skeletons. The Professor shoves everyone in a rebirthing machine in order to bring them back to life. Everyone seems okay except for Leela (Katey Sagal), who is in a coma. Bender (John DiMaggio) discovers that he has a failing power supply, so the Professor replaces it with a doomsday device. Because the doomsday device output is so large, Bender has to keep partying to burn off the excess or he will die.
Fry, sad because of Leela’s coma, builds a robot version of her. By uploading all of the information about Leela on the Planet Express surveillance, the robot version gains Leela’s memories and personality. Due to not knowing she is a robot, she is horrified when she finds out about the real Leela. After she gets past the existential crisis, she and Fry start to resume the typical Fry/Leela relationship. After the last-ditch effort to wake Leela fails, the crew takes her to be eaten by the wild Cyclophage, a monster that only eats Cyclopes. At the funeral, Bender’s partying is so obnoxious that it wakes Leela up. The Cyclophage attacks, so everyone flees on the ship, with the monster, unseen, holding on to the bottom.
Back on Earth, Fry and the two Leelas try to reconcile their issues, but a fight ensues. Amy (Lauren Tom) gives Fry a gun to shoot one of them, for some reason, but Fry shoots himself by accident. He is revealed to also be a robot. It turns out that the real Fry had sacrificed himself to protect Leela from the initial crash, allowing her to live through it. The Professor tried to revive him, but failed, so Leela built a robot of Fry to replace him. However, the robot Fry overloaded, shocking her into a skeleton and wiping its memory. At that time, the original Fry revives as well. The two robots leave together and Fry and Leela try to work things out. However, Bender gets angered by all the romance, so he tries to stop partying and overload. One of his eyes falls out just as the Cyclophage comes back. It eats Bender, then explodes, leaving Bender somehow unharmed and back to normal. Everyone parties to celebrate.
Following the four films, Futurama was revived by Comedy Central, something that is mentioned in the opening to this episode. Given how often the show took shots at the Fox network’s management, it’s interesting that they never seemed to have the same animosity towards Comedy Central. Maybe it’s because the rules about content are so much looser on cable, but it may also be that Matt Groening and David X. Cohen really didn’t appreciate Fox cancelling their show twice (they changed their mind once) only for it to prove itself as a huge draw on Adult Swim. It probably also ticked them off that Fox didn’t want to revive the show like they revived Family Guy and appreciated that Comedy Central could recognize the fact that Futurama had power in syndication. Whatever they were feeling, the show acknowledges the change, then acknowledges the ending of Into the Wild Green Yonder, then moves on. It’s refreshing that they could so naturally restart the normal formula without just completely ignoring everything that had come before.
The episode manages to combine the show rebooting with the characters literally rebooting and being reborn. I appreciate that they never pretend that there’s going to be a major overhaul of anything in the series despite the fact that the majority of the characters are dead at the beginning of the episode. It’s basically assured from the moment that we find that out that they are all going to come back, and the show uses that to surprise us with the reveal of the Robot Fry. It’s a very Futurama twist.
Overall, I thought this episode was a solid return to form and it gave me hope that the show would produce some more of the quality episodes that it had previously. While I don’t think they ever quite matched “Godfellas,” many of these episodes were excellent.
My favorite joke has to be Studio 1²2¹3³. A lot of the staff on Futurama love math jokes, as do I, and this is a simple but fun one. 1^2 * 2^1 * 3^3 = 1*2*27 = 54. In other words, they’re at Studio 54, the famous nightclub, explaining why Bender is dressed in John Travolta’s outfit from Saturday Night Fever. The deeper layer to this joke is that Studio 54 was originally a TV studio which ran from 1943 to 1975. After CBS sold it, it was reborn as Studio 54, a nightclub that was the hottest thing in New York for a few years until the people that ran it, Steve Rubell and Ian Schrager, got arrested for tax fraud, which heralded its demise. However, it was eventually reborn (Oh, now I get it!) in 1998 as a theatre on Broadway.
There’s an adaptation of Mark Millar’s famous Elseworld comic and it’s pretty solid, if short.
In 1934, a rocket landed on Earth from an alien planet… in the middle of the USSR. In the 1950s, the Soviets under Joseph Stalin (William Salyers) reveal that they now have a Superman (Jason Isaacs), which shifts the Cold War arms race from nuclear weapons to superheroes. President Eisenhower tasks Lex Luthor (Diedrich Bader) with stopping the Soviet Superman, which leads to decades long rivalry between the two. As Superman takes control of the Soviet Union, he deals with facing Luthor, interacting with Wonder Woman (Vanessa Marshall), thwarting the terrorist Batman (Roger Craig Smith), fighting off the alien invader Brainiac (Paul “The Penguin” Williams), and dealing with Lex Luthor’s wife, Lois Lane (Amy Acker).
If you read the Superman: Red Son comic, then you already know the broad outline of this film, but it does do a good job adapting the story without lifting wholesale. It does cut out a lot of the images and subplots from miniseries, as well as a lot of the Easter eggs and references, but keeps the more prominent ones. Part of the cutting is because it’s short, clocking in at just 84 minutes. I realize that’s the standard length for this kind of story, but it still feels like a sizable subtraction due to the density of the source material.
The movie does do a good job of shortcutting much of the backstory by assuming that A) you know most of Superman’s origin story and B) you can apply that onto the new origin that this story is positing. I also appreciate how it doesn’t bother to do a lot of exposition on many of the alternate-version characters that the story presents. Batman, for example, is shown to be a child who lost his family due to Stalin’s gulags and blames Superman for not saving them. You don’t need to know how this version acquired all of his skills and armory, just that he has transferred Batman’s typical dedication to the war on crime to a war on Superman. He still has the same flair for the dramatic that the normal Batman has, but with a more chaotic aim. However, it does feel a little less justified in this movie than it did in the original storyline, where Batman’s parents were executed by Superman’s adopted brother, as opposed to blaming Superman for Stalin’s actions. That’s how a lot of the motives feel in this, like they’ve been abbreviated.
The film does a good job of also addressing the core issue of what the “Red Son” version of Superman addresses: What would happen to a Soviet Idealist with unlimited power? Superman in this series is not evil, although he does have fewer qualms with brutality or things that would normally be cruel to the regular Superman. Instead, this Superman is just convinced that capitalism is flawed and that only through Communism can the world be saved. He points out the natural flaws of the capitalist system (slavery, poor people dying from lack of welfare, exploitation of the vulnerable), things that the traditional Superman seems to accept as natural, but instead ignores the flaws of communism (literally forcing people to obey or be neutralized in the name of equality). Even though Superman has noble goals, the means he uses would never be considered by his normal counterpart.
It’s also interesting to show Lex Luthor as being more heroic than usual. In many modern takes on the character, Lex Luthor views himself as saving the world from Superman, who keeps humans from solving their own problems. This story takes that a step further by making Lex the nominal “good guy,” even though he is still essentially amoral. However, the story does make him a lot more relatable than the comic counterpart by making his relationship with Lois Lane sincere, rather than just nominal.
Overall, it’s a good film, but it just never quite hits the way it should due to trying to cram three issues into less than 90 minutes.
Fry finds out that he’s the chosen one yet again as Leela tries to save the environment.
This is my favorite of the four Futurama films. It’s got a ton of fun subplots, a lot of memorable jokes, and some creative visuals. The thing that holds it back the most is that it is essentially repeating the same plot idea of Fry being the Chosen One from “The Why of Fry.” Just like in that episode, Fry’s secret ability is his imperviousness to mind-reading, which likely derives from his being his own grandfather. The main thing this film does right is that it somehow builds up the connection between Fry and Leela throughout the story without having a lot of specifically romantic moments. Instead, it focuses on each of them doing the right thing to their own sense of morality and shows us that ultimately they both want to help each other, they both trust each other, and they’re both good people even if they aren’t always the smartest. Ken Keeler wrote the original finale in which Fry and Leela are implied to finally realize their feelings, but it was still nice to see them explicitly admit their love in this one.
The main thing I loved about this film was that all of the subplots and threads got adequate coverage and they all ended up playing in with each other, something that the show had sometimes struggled with. It just was well-done all around.
Here are the top 3.
Bender winning the poker tournament
Bender somehow wins the poker game by having a coaster dealt to him which contains the “King of Beers” logo on it. It’s even lampshaded by the commentators that it somehow counts, despite all logic. I just find it ridiculous that Bender’s luck apparently extends to bending the rules of poker.
2. The Striped Biologist Taunter
One of the extinct species contained within the Encyclopod is a species called the Striped Biologist Taunter. First, the name indicates there are multiple species of Biologist Taunters. Second, the species’s call is apparently “What are you gonna do, shoot us?” Third, they naturally evolved bullseyes, and that’s hilarious to me.
3. The Moon Landing
When Fry reads Richard Nixon’s thoughts, it’s revealed that the US faked the moon landing, but they did so on Venus. Given just how hard it is to land an object on Venus compared to the moon, it’s amazing to think of trying to fake a moon landing there. It just brings up so many more questions than it answers.
Out in space, a green wave brings life to a barren system with a violet dwarf star. On Mars, Leo Wong (Billy West) destroys a massive oasis and a habitat of the Martian Muck Leeches while trying to build “New Mars Vegas.” Leela (Katey Sagal) saves one of the leeches, which continually sucks blood from her. At an environmental protest, Frida Waterfall (Phil Hendrie), of the Waterfall family, ends up embedding her necklace in Fry’s (West) head accidentally after Leo tries to blow up the protestors. Leo gives Fry an entry chip to a poker tournament to keep him from suing. Leela supports the protestor, but Leo says he hired Professor Farnsworth (West) to do an environmental survey… which Leo is paying him to botch. Fry begins to hear people’s thoughts due to the necklace in his skull. He starts to go crazy until he meets a homeless man named Hutch (Hendrie) who gives Fry a tinfoil hat and reveals that he, too, can read minds. However, he is shocked to find that he can’t read Fry’s mind.
Back in New Mars Vegas, Bender (John DiMaggio) and the Robot Mafia are at the same theater and Bender hooks up with the Donbot’s (Maurice LaMarche) wife, Fanny (Tress MacNeille). Bender enters into the same poker tournament as Fry. Fry uses his mind-reading to cheat while Bender relies on luck from him being made up of 40% horseshoes, having the Donbot’s lucky foot as provided by Fanny, and stepping on a leprechaun. Bender and Fry make it to the final table and Fry gets four aces, but Bender somehow gets five kings, winning the tournament. However, this alerts the Donbot to Bender’s affair with Fanny, so the Robot Mafia drive the pair into the desert and shoot them. This is revealed to be a warning in Robot terms.
Leo, Leela, and Amy (Lauren Tom) are playing miniature golf. Leela complains about Leo’s sexism and mistreatment of the environment. Leo reveals that he’s building a giant miniature golf course with colossal holes. Leo plans to destroy a chunk of the galaxy to build it, including the violet dwarf system. Despite it having life on it, Farnsworth writes an environmental survey allowing Leo to destroy it. The environmental feminist protestors, or Feministas, go to protest at Leo’s club along with Leela, but end up accidentally killing the headless body of Agnew. Leela and the Feministas are declared outlaws and subsequently dedicate themselves to sabotaging Leo Wong. They use the muck leech as a mascot.
Fry gets abducted and introduced to the Legion of Mad Fellows, led by the Number 9 Man (David Herman). The Number 9 Man explains that the green wave is Chi, the thing that started all life in the universe. Chi previously had waned, but the presence of it in the violet dwarf system means that a new age is coming and Fry is the one who is supposed to guide it. Fry takes a job for Leo in order to spy on him. The Feministas keep gaining support, to the point that Leo asks Zapp Brannigan (West) to track them down. Bender agrees to help him for money. Farnsworth, Hermes (Phil LaMarr), and Zoidberg (West) get hijacked by the Feministas. Frida is killed by a mysterious “dark one.”
Fry is abducted again and informed that there was once an evolutionary arms race between the Dark Ones, who seek to destroy life, and the “Encyclopods,” the preservers of all life. After Chi subsided, the Encyclopods died out, but the violet dwarf star is actually an Encyclopod egg that they can hatch. However, a Dark One is going to try and destroy it. Since the Dark One’s thoughts are unreadable, but they can read minds, Fry is the only one who might be able to stop it. Fry gets a call from Leela and they arrange to meet, but Bender has leaked the location to Zapp. Zapp chases after the Feministas, who manage to narrowly escape thanks to Amy’s mini-golf expertise… until they’re caught anyway. The Feministas are convicted and put in prison.
With the Feministas gone, Fry seeks the Mad Fellows to help stop Leo. They give him the “Omega Device,” the only thing that can stop the Dark One if activated within a few feet of it. Fry and Hutch come up with a plan to find the Dark One at Leo’s ceremony to destroy the Violet Dwarf Star. Bender breaks the Feministas out of prison because it makes him public enemy number one again. They are helped by the Professor, Hermes, and Zoidberg who have joined their side. At Leo’s demolition, Fry searches for a person with unreadable thoughts and finds no one, except himself. Based on that, Fry concludes that HE is the Dark One, so he activates the Omega Device to kill himself. It does nothing to him, but kills the Martian Muck Leech, who is revealed to be the Dark One. As he dies he kills Hutch, revealed to be Frida’s lost brother, as Hutch pulls out Frida’s necklace and removes Fry’s powers. The Violet Dwarf hatches and the Encyclopod emerges. Zapp resumes his pursuit of the Feministas, but they escape in the Planet Express ship. Fry and Leela admit they love each other just as the ship goes into the wormhole, creating the opening for Futurama.
Turns out there’s life outside the universe and it is horny.
I admit this movie isn’t my favorite, but I do love David Cross as Yivo. The idea of another dimension occupied by only a single sentient lifeform isn’t unique to Futurama, but I think the idea of that life-form being super-horny for our universe is. You usually don’t associate galaxy-sized lifeforms from other dimensions with being attracted to normal life forms. It’s like if Cthulhu was featured in a porno… it’s weird on a lot of levels. That’s from a guy who reviewed Call Girl of Cthulhu, too.
The plotline of Fry and Colleen is really odd to me. First, why would she not tell Fry she was poly before asking him to move in? Second, she’s still dating new people, but none of her boyfriends appear to be. Are they open or is it just open for her? Third, she’s the Police Chief, but in New York the head of the police is the Commissioner who is appointed by the mayor. The chief of any department is the senior sworn member. Am I being pedantic on that one? Yes, but it still bothered me.
Overall, I do still think the movie has funny moments, but not a ton of them.
Bender goes to see the Robot Devil and asks for an army of the damned. The Robot Devil agrees, but only if Bender is willing to give the Devil Bender’s first-born son. Bender immediately goes to see his child. His son is so excited to see him and clearly just wants a hug. This puts him in Bender’s arms, which allows him to throw his son into a pit in Robot Hell. The Robot Devil responds with:
Wow! That was pretty brutal even by my standards.
A close second is the reveal that Kif’s planet’s term for wife, “fonfon ru” translates to “one who does not sleep with my superior officer.” That’s just so bizarrely specific.
Bender (John DiMaggio) wrecked the universe in the last movie, but apparently there’s just a hole in time and space now. It’s theorized that it’s a hole to another dimension, but no one is sure, so life moves on. Fry (Billy West) has met a new girl named Colleen (Britanny Murphy (R.I.P.)) who Leela (Katey Sagal) surprisingly gets along with. Bender, however, becomes upset when Fry announces he’s moving in with her. Amy (Lauren Tom) has agreed to marry Kif Kroker (Maurice LaMarche) and the ceremony ends up going okay.
The Professor (West), who has been monitoring the “anomaly,” proposes a team go to explore it, but his rival, Dr. Wernstrom (David Herman), wants to spend his team. They settle this in the top way of scientists: Deathball. Planet Express wins, but it’s revealed that one of the other team members is also dating Colleen, who has five boyfriends. Fry still moves in with her and her other four boyfriends, but quickly breaks up with her over the awkward situation. The crew goes to check the anomaly and Bender is sent to make contact, resulting in him touching the space-time hole with his ass. This causes a massive energy discharge that injures Bender.
Bender gets a visit from Calculon (LaMarche) at the hospital and becomes his stalker. Farnsworth and Wernstrom combine their minds to discover what the anomaly is made of, determining it to have a field that prevents any electrical devices from entering but not living matter. They are about to head to the anomaly again, but President Nixon (West) sends Zapp Brannigan (West) instead. Wernstrom and Farnsworth protest and are arrested by Colleen, the chief of police. Upon seeing her again, Fry becomes depressed and stows away on Zapp’s ship to find a place to be alone. Meanwhile, Bender becomes a member of the League of Robots, a secret organization that mostly drinks while complaining about Robot suffering. Kif is killed by Zapp trying to blow up the anomaly while Fry walks through it. Wernstrom and Farnsworth confirm that the anomaly is a portal to another dimension as Fry encounters a giant tentacled being.
Tentacles begin to cross through the anomaly and attack every living thing in the universe. Once the tentacle-mass reaches Earth it quickly gets through all of the defenses. Fry appears, connected to the tentacle, and announces that he discovered the meaning of life: To love the Tentacle. The crew members flee and try to protect themselves from being connected to the tentacle, but eventually only Amy, Leela, and Zapp are unaffected. They appeal to Bender (as robots are unaffected by the tentacle) for help. Bender ends up helping them, but it reveals him as a human sympathizer to other robots. Meanwhile, Fry establishes a church to worship the tentacle and free love. After Zapp convinces a grieving Amy to sleep with him, they get caught by the tentacle, leaving only Leela free.
Fry reveals that the tentacled creature is named Yivo (David Cross) and that shkle (the preferred gender pronoun because Yivo is all genders) loves the universe. Leela then breaks into the church and reveals that the tentacles are “gentacles,” and that Yivo is having sex with everyone in the universe at once. Everyone turns on Yivo and rejects the tentacles, even Fry. Yivo admits that shkle just wanted to bang the universe, but now shkle wants to love everyone truly. To show shkler power, Yivo resurrects Kif, who promptly dumps Amy for sleeping with Zapp. Yivo asks out everyone in the universe and they all go on a date at the same time. The universe is about to dump Yivo, but Yivo asks the universe to move in with shkler. Bender wants to go, but can’t, since robots can’t touch Yivo. Bender instead decides to take over Earth and sells his first-born son to the Robot Devil (Dan Castellaneta) for an army. However, as he approaches, everyone in the universe leaves for Yivo. Bender now feels lonely without his friends.
Yivo makes everyone promise not to talk to Earth, but Fry sends a letter anyway. Bender receives it and uses it as a justification to attack Yivo. Bender’s army drags Yivo into their universe and attacks him with Fry’s letter, which, being made of Yivo, can hurt Yivo. Yivo realizes Fry betrayed shkler and dumps the universe… except for Colleen. Life returns to normal as the anomaly disappears.
Futurama returns in a film that literally breaks the world.
The summary for this movie is so damned long I am just going to put it at the end. If you need a refresher, just skip down the page and come back.
This was the first of the four movies designed to reinvigorate Futurama to try and get it back on the air after its cancellation. Much like Family Guy, Futurama had been doing really well on Cartoon Network’s Adult Swim lineup, and since Family Guy got brought back, why not Futurama? This ended up being a good plan, not just because it gave us a few more seasons of a great show that includes some great episodes, but also because the used these movies to try and deal with a few of the hanging plotlines that the show hadn’t fully resolved. Mostly we got some apology to Seymour the dog, who first debuted in “Jurassic Bark” and was, by this point, famous for being the saddest thing ever animated. In this movie, it’s revealed that Seymour didn’t die waiting for Fry to come home, he lived for 12 years with the Fry duplicate that would eventually become Lars. This may seem like it was pulled from nowhere, but it actually answers the question of how a dog could be fast-fossilized while living in New York, a place not known for sudden volcanic eruptions.
A lot of the plot elements in this film were apparently just the ideas left on the table when the original show got cancelled, including the concept of a nude beach planet. The idea of scammers being able to convince literally everyone to give them their property was probably also left from the original run because it seems like internet scams of the types featured were more on the rise in 2004 than 2007. I think that the plotline with Lars was likely not written for the original series, because that’s not the kind of plot that really can be shown within a single half-hour of television and the writers didn’t like multi-episode arcs. However, the idea of Leela falling for an older, more grizzled, more mature Fry is something that I absolutely loved. It proves what we knew the whole time: Fry might not be the guy for Leela, but eventually he can be. He just has to work on himself. I also believe that this is what kicks off some actual character development in Fry that culminates in the fourth movie and continues into the finale of the series.
I also love the idea of “paradox-correcting time travel,” a version of time-travel that the universe fixes by murdering any paradox. Even funnier, the Globetrotters determine that the cause of the destruction is a “doom field.” Yes, in the future, doom is actually a measurable quantity, with the average person apparently having a background amount of 10 millidooms and a time-paradox clone having over 10 times the amount. We later see it spike all the way up to almost 1000, which would be when a person is actually “doomed.” This seems to be evocative of the Larry Niven “Known Space” series, where luck is actually a measurable quantity that can not only be utilized but can be carried down through breeding. Was this a direct reference? Probably not, but I still think the concept is similar.
Overall, this was a great movie to bring the show back and I think it’s the 2nd best of the films, despite a convoluted plot.
It’s the running gag of LaBarbara repeatedly leaving Hermes for Barbados Slim. She barely waits a second to leave him the first time, even though she’s told he’ll be normal in a few weeks. When Hermes returns with a new body, even though it’s on backwards, she returns, only to leave again a few moments later. At last, she ends up coming back to him only after he manages to save the entire Earth. It’s a huge exaggeration of the idea of a fickle spouse who won’t stay with a disabled partner, but since it’s really only a temporary inconvenience, it becomes more comic than tragic.
Planet Express discovers that they have been cancelled for the last 2 years, but that the executives that cancelled them have themselves been cancelled… in the form of being turned into executive powder. The crew throws a party and Hermes (Phil LaMarr) accidentally gets decapitated. Hermes’s head is placed in a jar until it can be reattached by Lars Fillmore (Billy West), who flirts with Leela (Katey Sagal) to Fry’s (West) annoyance. When Hermes’s wife LaBarbara (Dawnn Lewis) finds out about Hermes, she leaves him.
The crew goes on a delivery run to the Nude planet where it’s revealed that Fry has Bender’s (John DiMaggio) face tattooed on his ass. The members of the crew are approached by Nude Scammers, led by Nudar (David Herman), who all con them into giving their personal information, resulting in them getting overwhelmed by spam. Bender downloads a virus from spam, resulting in him being taken over by the Scammers. The Scammers then reveal they’ve stolen all of the property from the crew, including the business. Lars asks Leela out which upsets Fry, since he always thought they’d end up together.
While the Scammers search Planet Express for personal information, they determine that Fry’s tattoo is a binary code that allows for paradox-correcting time travel. Nibbler (Frank Welker) reveals himself and advises everyone that using the code would potentially destroy the universe. The Scammers use it anyway, but discover that there’s no way to return without waiting. Around this time, LaBarbara hooks up with Barbados Slim (DiMaggio). The Scammers send Bender back in time to steal valuable historical items and wait underneath the building until the time he left to come out. Bender also steals a new body for Hermes, but Zoidberg puts his head on backwards.
Farnsworth and the Globetrotters work together to dissect the tattoo version of time travel, discovering that any time duplicate is doomed to be killed by the universe. Bender finishes stealing a ton of stuff from history, but now the Scammers want to avoid destroying the universe, so they delete the code from Bender’s memory and order him to kill Fry. Fry escapes by reading the code in a mirror, sending himself back to January 1, 2000, 30 minutes after he was frozen. Bender is sent back to kill him, meeting a version of Bender from the end of the movie who puts the tattoo on Fry’s ass. Fry manages to elude him for 12 years, but Bender ends up blowing up Panucci’s pizza, killing Fry and fossilizing Seymour the dog. He returns to the year 3007 and tells the Scammers of his success. At Fry’s funeral, Fry appears and tells them that Bender actually killed a time duplicate from when he went into the past a second time to get free pizza, but ended up getting frozen again. He re-froze himself a second time for 7.95 years and reemerged in 3007. Fry wonders what life was like for his duplicate before Bender kills him.
In a flashback for the viewer, the duplicate rents a room above Panucci’s pizza and starts to spend time living with his family and Seymour while trying to move on from Leela. He ends up becoming attached to a purple haired narwhal named Leelu and becoming her caretaker. Eventually Leelu gets released into the wild, so Fry2 gets on a boat and tracks her down over 2 years to capture her and take her back. He manages to find her, but it turns out that she now has a family with an orange-colored narwhal, so he is forced to let her go and be happy.
Back in 3007, the Scammers have taken almost everything from everyone on Earth, as well as Robot Santa (DiMaggio), but Lars proposes to Leela. At their wedding, Hermes wins LaBarbara back, only for his body to be destroyed by a chandelier. Farnsworth mentions that all time-duplicates are doomed, leading Lars to say he’s calling off the wedding. Leela is heartbroken. After President Nixon (West) loses the Earth itself to the scammers, the population has to leave. The crew goes to Neptune where Robot Santa is too depressed to attack them. Leela convinces the citizens of Earth to fight back. The Scammers build a fleet of gold Death Stars, but Robot Santa has his elves produce weapons, along with help from Kwanzaa-bot (Coolio) and the Chanukah Zombie (Mark Hamill “Applause”). Zapp Brannigan (West) is put in charge of the attack and fortunately gets shot down quickly. Leela takes over, but she too cannot win. Instead, Hermes gets wired into the entire fleet and uses his vast knowledge of coordinated actions to destroy the Death Stars. Nudar reveals he has a doomsday device stolen from Farnsworth by Bender and tells the citizens of Earth to submit or die. Bender reveals that he actually double-crossed them and kept the bomb, despite being under their control at the time. They blow up the Scammers using the device.
Lars brings Hermes his body back and Fry uses the opportunity to set him back up with Leela, believing that it’s better to see Leela happy than being with her himself. However, the Scammers reappear, having worn doomproof vests, claiming that Lars has the same Bender tattoo as Fry. Lars uses a Bender duplicate to kill Nudar and himself. It turns out that Lars was actually the duplicate of Fry that Bender thought he killed. The explosion from Bender’s weapon just changed his voice and burned off all of his hair. Lars broke up with Leela because he realized that, as a duplicate, he was doomed to die and leave her alone. Leela admits that Lars is the only man she’ll ever love, admitting that Fry could be the love of her life someday. Bender goes back in time to put the tattoo on Fry when he gets frozen, creating a time loop, but then tells all of his duplicates to come up now instead of when they logically should have, creating hundreds of copies of himself. The Benders start exploding and a giant rift in time and space appears. Bender mutters “Well, we’re boned.”