END OF 2020 FILMS (Death to 2020, Yearly Departed): Laugh So You Don’t Cry – Netflix/Amazon Prime Review

If you missed these, we’re almost a month into the next year and it’s time to set the last one on fire.

SUMMARY

Death to 2020 – Presented as a mockumentary about the last year and how completely and ridiculously unbelievable it was from an objective viewpoint, this special has performances by Samuel L. Jackson as a reporter, Hugh Grant as a historian, Lisa Kudrow as a conservative pundit, Leslie Jones as a behavioral psychologist, Joe Keery as a millennial, Kumail Nanjiani as a tech billionaire, Tracy Ullman as Queen Elizabeth II, Cristin Milioti as a “Karen,” Diane Morgan as a British person, and Laurence Fishburne as a voice. 

Shut the f*ck up, Karen.

Yearly Departed – Presented as a complicated funeral for the year, a group of female comedians (Rachel Brosnahan, Sarah Silverman, Natasha Leggero, Tiffany Haddish, Patti Harrison, Natasha Rothwell, Ziwe Fumudoh, and Phoebe Robinson) all give hilarious eulogies about various things that “died” in 2020.

Like most of us watching this, she’s not wearing pants.

END SUMMARY

2020 sucked. There was a lot of death, a lot of loneliness, and a lot of my neighbors planning an insurrection to overthrow the US government unless their candidate won (HEY, FBI, THEY’RE NEXT DOOR AND THEY HAVE A LOT OF GUNS). However, through it all, we found out that there is a lot of shit in this world that really isn’t necessary (working in an office building for many jobs) and a bunch that is more necessary than we could ever have imagined (teachers, nurses, and other people we don’t pay well enough). These films are a testament to the insanity that was the last year. What’s funniest, I think, is how many of the things in these films you will have forgotten about because other, crazier things happened afterwards. 

Remember how people were quickly cancelling cop shows and films?

If I had to choose between them, and I don’t really because they’re both fairly short, but if I did, I would say that I enjoyed the mockumentary format of Death to 2020 more than the fake funeral of Yearly Departed. Viewing last year through a semi-objective lens and just reminding us how much shit actually happened during it feels almost like a self-parody. Like when the movie Airplane! just lifted lines directly from the film Zero Hour and that made it apparent that Zero Hour was itself a terrible and ridiculous movie. However, I did appreciate that Yearly Departed focused almost entirely on female comics, giving it a distinction that most specials don’t have. They each essentially give different comedy monologues and they are all amazingly funny, it’s just that the format gets a little old eventually.

Plus, only Samuel L. Jackson is capable of expressing the frustration of 2020.

Overall, I recommend checking both of these out to help you move forward into the new year strong.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Amazon Prime Mini-Review – The Marvelous Mrs. Maisel (Season 3)

Midge Maisel is back and her career is taking off for real.

SUMMARY (Spoiler-Free)

At the end of the last season, Midge. Maisel (Rachel Brosnahan) was asked by singer Shy Baldwin (Leroy McClain) to be his opening act on tour through the US and Europe, including the USO. This proves to be a good move for her, as she starts to get exposed to larger venues in Las Vegas and Miami, but takes a massive toll on her personal life and family life. Meanwhile, Susie (Alex Borstein), her manager, is attempting to help her new client, Sophie Lennon (Jane Lynch), with her dream of becoming a legitimate dramatic actress. However, Sophie’s superstar personality makes everything difficult. Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle), Midge’s parents, are dealing with losing their apartment and Abe’s career after he quit in protest during the last season. They’re forced to move in with Moishe and Shirley Maisel (Kevin Pollak and Caroline Aaron), the parents of Midge’s ex-husband Joel (Michael Zegen). Joel, meanwhile, is dealing with trying to open a nightclub over a gambling den in Chinatown.

MrsMaisel - 1USO
Feel the love.

END SUMMARY

This season is the first time that we really start to get an idea that just getting the break isn’t enough. Midge has clearly gotten her big break with Shy Baldwin, but she now has to deal with all of the work of actually having an audience and a venue and how it impacts her life. She’s chosen her career over her fiancé Benjamin (Zachary Levi) because it makes her happy, but that doesn’t mean she doesn’t regret things. She also spends a lot of time questioning her decision because it makes her unable to see her kids. It’s a good demonstration of the cost of success. 

MrsMaisel - 2Miami
Like dealing with Floridians. High cost of fame.

We also see Susie dealing with being successful for the first time in her life, managing to beg, borrow, threaten, and lie her client Sophie into a role as a lead on a highly-anticipated Broadway play. It’s made all the more frustrating because Sophie, who usually just plays the same comic character in her act, cannot bring herself to work well with others at first. I have to give credit to Borstein and Lynch, because their interplay is a damned-near-perfect representation of a person trying to direct a big personality who is used to getting their way. Having dealt with those in a number of capacities, watching Susie clearly suppress the reasonable urge to punch someone who is trying to ruin their own life was spot-on.

MrsMaisel - 3Sophie.jpg
It’s horrifying to watch rich people fail and realize they can’t really “fail.”

Most of the other plotlines are pretty entertaining, although none of them are really compelling. Abe Weissman’s character devolves a little as he loses his purpose and struggles to deal with how the “revolution” has changed since his youth. Rose is inspired to be more independent by Midge, but then kind of resents her for it. Joel dates a girl who runs a gambling den. All of them have some laughs, but I just never really cared about them much. 

Overall, I’m still enjoying the show, but it maybe needs to figure out what to do with everyone but Midge and Susie. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.