The Irregulars: Sherlock in Name Only, but Still Okay – Netflix Review

A show about a group of supernatural investigators working for a famous detective.

SUMMARY (Spoiler-Free)

Bea (Thaddea Graham) and Jessie (Darci Shaw) are sisters who make their living on the streets of London along with their fellow poor youths Billy (Jojo Macari) and Spike (McKell David). The four get hired by a doctor named John Watson (Royce Pierreson) to investigate a series of child kidnappings. Along the way, they are joined by Leopold (Harrison Osterfield), who introduces himself as a fellow working-class person despite his wealth and nobility, and aided by the Linen Man (Clarke Peters), an American mystic who contacts Jessie. Together, the group investigates into the strange and paranormal occurrences that surround Baker Street. At the same time, they are asked to help track down a missing person, the elusive detective and drug addict Sherlock Holmes (Henry Lloyd-Hughes). 

Guess which one is wealthy?


So, I will start off by saying that I am a major Sherlock Holmes fan, something I’ve probably brought up multiple times on this blog. Literally the only tattoo I have, and the only one I ever plan on getting, is a profile of the detective. Admittedly, this makes me a little biased when I say the following: This is not a Sherlock Holmes show. It’s not just the supernatural elements, because I have seen some solid Sherlock adaptations that involved mysticism. I’ve even seen some decent mostly out-of-character versions of Holmes and Watson (though not the terrible film Holmes and Watson), but this was not that. The characters bear almost no resemblance to their literary counterparts. This is not the story of the irregulars which Holmes regularly employed in the books, either. That’s not to say the show wasn’t bad, but if you’re a major fan of Sherlock Holmes, it’ll take you a bit to adjust. They’re not the central figures in the show, but they have a lot of impact and more screen time than I might have thought at first. 

Admittedly, not the traditional image of Holmes and Watson, but that could have been interesting.

The actual characters that the show focuses on, though, are pretty well-crafted. Bea is the leader and the one who tends to actually put many of the clues together. Leopold tends to have the education and the background knowledge to identify some of the more obscure elements. Jessie is the one who is actually a bit supernatural, but is constantly judged as being weak or fragile by Bea. Billy and Spike kind of vary a bit as the show goes on, from comic relief to muscle to tragic figures. It’s not that they don’t make an impact, but they are much less developed than the other three. 

Sets are typical for the time period.

That’s actually the biggest flaw with the show, is that it sometimes feels like it’s focusing too much on the mystery of the week and frequently doesn’t add much to the characters in the process. Despite a number of solid scenes with Billy and Spike, I don’t think we ever really got a good look at their characters. We find out their fears at a few points, mostly because the show has a supernatural horror edge, but even those seem kind of generic. That’s not to say the series isn’t enjoyable. It definitely is. The supernatural elements are entertaining and usually creative, the villains are sufficiently villainous, and all of the performances are solid. Once I got past the lack of real Sherlock elements, I found myself having an okay.

There are some good makeup effects.

Overall, if you like supernatural period shows, you’ll probably like this. 

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24) Three Stories (House)

Dr. Gregory House (Hugh “Seriously, I have range guys” Laurie) is basically Sherlock Holmes with a medical degree, a Vicodin addiction, and a limp. Never forget that Holmes was a cocaine and morphine addict, kids.


Really, making a Holmes medical drama is extra fitting, because the inspiration for Sherlock Holmes was Joseph Bell, a Scottish Surgeon famous for his demonstrations of deductive reasoning. It somehow brings everything full-circle. In addition to being extremely intelligent and observant, House is a Vicodin addict, has a pronounced limp, and is an almost entirely insufferable human being. But, his worth as a diagnostician usually outweighs the difficulty of working with him.

This episode is the closest thing I have to an example of a pataphysical structure. It’s not really one, because it doesn’t quite go far enough, but it’s close. In this episode, we see someone tell a supposedly true story, or three, as it were, that he is seen interacting with, changing things within, and reconfiguring as he goes. It’s not entirely unique in this, but the way it’s presented and what truth is revealed through the stories definitely reframes the episode in a very different way than most television shows would even try. And this is from a show that, aside from a handful of episodes, is known for being formulaic.

Not quite this formulaic, but you get the idea.

In a typical episode of House, a patient comes in to the Princeton-Plainsboro teaching hospital with a disease that nobody knows, House and his team, Drs. Foreman (Omar Epps), Cameron (Jennifer Morrison), and Chase (Jesse Spencer), misdiagnose the patient six or seven times before finally figuring out what’s wrong with them. During this process, House makes snarky and mean comments, says dirty/mean things to his boss Dr. Cuddy (Lisa Edelstein), and hangs with/screws up life for his only real friend Dr. Wilson (Robert Sean Leonard). This episode manages to avoid most of that. (Update: Wrote this before adding the image above, but it supports my summary)


housecarmen.jpgHouse agrees to lecture about diagnostics at the med school in exchange for fewer clinic hours. As part of the lecture, he decides to propose three hypothetical situations based on one single common symptom: Leg pain. The first is a farmer who was bitten by a rattlesnake. The second is a female volleyball player who appears to be having tendinitis. The third is Carmen Electra who has severe leg pain while mini-golfing. Which, according to House, in his combo flashback/story/lesson/fantasy, she was doing while wearing a traditional golfing outfit with short-shorts.

As I said before, the structure of these stories is really interesting. The med students make suggestions, and House’s hypotheticals play out based on them, while also interacting with them himself. It gives the stories a very different feel to have them be both metaphysical and yet physical at the same time to the characters. It creates a weird twist on reality within the show, which builds up to the climax.

houselecture.jpgAs the farmer’s story plays out, the farmer has a reaction to anti-venom, and it’s revealed that he lied about the snake, because his dog bit him. The dog had a prior bite report, so the dog would have to be put down if the farmer told the truth. House uses this to continue his frequent theme of “everybody lies.” Ultimately, the farmer loses his leg to an infection and his dog to euthanasia, but the farmer gets a prosthetic and a new dog. To balance it out, the volleyball player ends up having osteosarcoma, but beats it and keeps her leg.

The third story progresses a little differently. First, Carmen Electra turns out to be a male golfer, who complains of pain until given Demerol, which he grabs out of the nurse’s hand and injects himself. The students, naturally, assume that he’s a drug addict looking for a fix. However, the patient then starts to undergo organ failure, and the med students can’t figure out why, angering House. His team, as well as Wilson and Cuddy, arrive at the lecture, and determine that the patient was suffering from an aneurysm that led to an infarction, before further realizing that this is the story of how House got his limp.

HouseHospitalHouse, in the past, refuses to have his leg amputated, instead opting for a procedure to try and restore function. However, he suffers a heart attack and dies, briefly, seeing the other two stories he’s told during the lecture as visions. Wilson, in the present, asks if he believes the visions were real.

House responds that he finds it comforting to think they were just images his mind conjured as he died, because then all of life isn’t just a test. In the past, House is put into a coma, and his then-girlfriend Stacy will, on the advice of his future-boss Cuddy, subject House to a different surgical procedure than he requested, which results in the chronic leg pain he suffers now, the source of his drug addiction.


It’s not just because a cane looks classy.

Aside from the format, this episode also receives marks for having a main character reveal his secrets, albeit indirectly, before an audience of strangers. This episode is basically House’s origin story, but, more than that, it’s his confession and his justification for who he is. He’s an atheist, and for a very specific reason. He’s an addict, but he actually is constantly in pain. He’s an asshole to his boss, because he blames her for his situation, and might be right to do so. And, despite thinking that they were just meaningless images, House still used the two other stories as a way to cope with his own fate, and to enable himself to be honest about his past. It ends up being a complex, layered narrative, but Hugh Laurie manages to sell it, and the structure ends up drawing you further in than most stories could.

Also, the title is a pun on three-storied house, so that’s fun.

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If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (, follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

House is… difficult to find on a streaming service, but you can buy it on Amazon.