Rick and Mondays – S2E8 “Interdimensional Cable 2: Tempting Fate”

It’s another episode of wonderful interdimensional television, combined with Jerry having to deal with the fate of one of the universe’s greatest leaders.

SUMMARY

Jerry (Chris Parnell) is rushed to a space hospital due to eating a mutant bacteria which Rick (Justin Roiland) kept in a pint of Cherry Garcia. After he’s stabilized, Rick decides to entertain himself and the rest of the family by putting interdimensional cable on the television. The episode mostly consists of watching this as the B-plot.

S2E8 - 1Plumbus.png
Including how to make a Plumbus, which feels… dirty.

Meanwhile, Jerry finds out that the hospital wants him to donate his penis as a heart to save the life of Shrimply Pibbles, an intergalactic civil rights advocate. After an elderly alien (Werner Herzog) says that humans are too selfish about their penises to sacrifice one, Jerry promises to give his away… then immediately regrets it. He tries to get Beth (Sarah Chalke) to help bail him out, but she tells him to do it himself. He then attempts to turn popular opinion against Shrimply Pibbles, but fails massively, resulting in the crowd calling him out for trying to get out of his promise. The crowd hates him so much that they end up crowd-funding an artificial heart for Pibbles. Jerry, unable to deal with people hating him, tries to shove his penis in Pibbles’ chest, but is shot by security. He’s revived in the hospital and Beth tells him “You can’t make people like you. You just have to wait for their hating you to bore them.” He tries to be assertive, but the family shoots him down immediately.

S2E8 - 2Alien.png
And, no matter what IMDB tells you, this is NOT Shrimply Pibbles.

END SUMMARY

As Rick even says in the episode, this is a sequel to “Rixty Minutes,” (one of my add-ons to the 100 Greatest Episodes list) once again showcasing a series of short skits that all take place in parallel universes put forth by Justin Roiland. According to interviews, a few of the funnier ones were the ideas that Roiland really hated, which, out of spite, he would keep dissecting or destroying in such a fun way that they made it in. One of those is “Man Vs. Car,” which even contains the obviously slightly out of context line “Wouldn’t the car always win?”

S2E8 - 3ManVsCar.png
The Car has a slight advantage, admittedly.

Much like the first interdimensional cable, the beauty of the interdimensional cable shows and ads is that they are completely improvised, which gives them a unique feel compared to most television. Since Roiland apparently did most of them under the influence of some kind of substance, they also have a bit of an oblique way of being presented. For example, “Jan Quadrant Vincent 16” is the odd pitch of an action film involving multiple copies of Jan-Michael Vincent from Airwolf. It’s such an insane reference that Morty (Roiland) even asks if it’s important to know who Jan-Michael Vincent is for the ad to make sense. It turns out that, no, knowing who it is doesn’t add anything to the experience.

S2E8 - 4JanMichael.png
I would watch this. Although, Jan-Michael Vincent is now in his 70s.

Jerry’s story arc is pretty typical for Jerry. He felt like asserting himself in response to being perceived as selfish, but then refused to do anything to correct that after realizing that he does, in fact, want to keep his penis. Beth, rather than helping him, instead becomes focused on the options that she has to replace his penis, most of which are, apparently, vastly superior to Jerry’s current equipment. She even apparently memorizes a lot of the catalogue, being able to recognize one later on sight.

S2E8 - 5Vibrator.png
Where Jerry found one to attack the doctors is still unclear.

The biggest problem with this episode, compared to the original, is that it doesn’t contain any dialogue as amazing as Morty’s speech to Summer. However, I do find the lines of Jerry calling the doctors dicks for not giving Pibbles an artificial heart earlier and them calling him a dick do make me chuckle. Despite how much Jerry is usually a weeny, it’s also true that they were kind of dickish for not telling him that there was a possibility of getting Pibbles an artificial heart. In fact, they asserted exactly the opposite.

JOKER’S THEORY CORNER

Rick buys Eyeholes just to get back at Jerry. Jerry started the whole episode by trying to steal Rick’s Cherry Garcia ice cream. Then, he sees the ad for Eyeholes but acknowledges that, if you buy the cereal, the Eyeholes Man (Roiland) will show up and kick the crap out of you. Despite this, Rick doesn’t keep the Eyeholes in the garage or in his basement lab, but instead puts them in the kitchen so that Jerry, with his lack of respect for Rick’s food, will end up getting a beating.

S2E8 - 6Eyeholes.png
Also, he apparently can cross dimensions.

LEAVING THE CORNER

Overall, I give this episode a

B

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS – 18: Big Trouble in Little Sanchez

NEXT – 20: Look Who’s Purging Now

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

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Rick and Mondays – S2 E7 “Big Trouble in Little Sanchez”

We have two cosmetic plots which our minds mistake for thematic in this episode. Also, vampires are real.

SUMMARY

At breakfast, Morty (Justin Roiland) mentions that a lunch lady at his school was exsanguinated by two holes in her neck. Rick (Roiland) points out that it was probably a vampire, something that Summer (Spencer Grammer) is surprised to find out are real. She suggests that Rick transfer his mind into a teenage body so that he can help them find and kill the vampire, something that Rick angrily condemns. Beth (Sarah Chalke) tells Jerry (Chris Parnell) to support his daughter, only for Jerry to be revealed not to be paying attention, leading to a fight. Rick, still crotchety, tells them to fix their marriage or get a divorce. They respond that they’ve tried to do therapy, which Rick derides as “Earth therapy” and then tells them he’ll take them to a therapy center on an alien planet. Rick takes them both, still bickering, to the planet while Summer makes stakes for Buffy-ing.

S2E7 - 1Headache.png
Brain the size of a universe and he still can’t deal with this noise.

On the therapy planet, it’s revealed that a key part of the therapy is generating physical representations of how each partner views the other one. Jerry’s vision of Beth is as a Xenomorph-esque monster, while Beth’s vision of Jerry is a weak, worm like version who wants to offer his servitude and sexual favors in exchange for safety. Both of them are pissed at the other for these images, but Glexo Slim Slom (Jim Rash), the head couples’ counselor, tells them both that this is normal and part of the process. He takes Beth and Jerry, along with a number of other couples, through observations of the battles between the monsters generated by the couples, using it as a metaphor for how we envision our partner differently than they actually are. Unseen, Beth’s “Mytholog” communicates with Jerry’s and starts to cover her body with a layer of Jerry’s Mytholog’s blood.

S2E7 - 2Betholog.png
I don’t know biology, but four boobs seems like the wrong number.

Back on Earth, Rick appears at school in a teenage body, calling himself “Tiny Rick.” He quickly assists the kids in killing “Coach Feratu,” the vampire at the school. Rick’s about to put his mind back into his old body, but it turns out that Tiny Rick is fairly popular at the school and Summer’s crush Toby Matthews (Alex “I CREATED GRAVITY F*CKING FALLS AND AM MAGICAL” Hirsch) asks if he’ll be at a party later. Rick agrees to stay small for party purposes.

S2E7 - 3Stakes.png
He’s an old man in a kid’s body. They’re two vampire-slaying teens. This summer… the stakes have never been higher. Watch Rick and Morty in: Suck It, Vampires!

Beth and Jerry continue the therapy tour, only for it to appear that their Mythologs have escaped. It’s revealed that the Betholog camouflaged itself and escapes along with the Jerry Mytholog, both of them killing numerous people and rampaging throughout the facility. Glexo realizes what has happened and tells Beth and Jerry that their demons are actually co-dependant, making theirs the single worst marriage that he’s ever seen. He then abandons the two of them to die. Jerry finds a hiding spot, but Beth chooses to try to find a way out before she is abducted by Betholog. Jerry then manages to subdue his Mytholog, due to its blatant cowardice, and tells it to take him to Beth. Betholog tells her that she’s going to be used to produce an army of Jerry Mythologs to help her enslave the universe. Beth sarcastically points out that she should be trying to create more Bethologs, but the Betholog says that there can only be one of her, because she’s so much smarter and stronger than Beth because Jerry thinks Beth is so much stronger and smarter than she actually is.

S2E7 - 4Betholog.png
Beth meets her own worst… husband’s nightmare.

Back on Earth at the party, Tiny Rick sings a song that appears to be a cry for help from the older version of Rick trapped in a vat in the garage. At school, Tiny Rick continues to refuse to transfer his mind back into his original body. Summer complains, but Morty tells her to get her shit together. At the school dance, Rick sings a song that is clearly about being trapped in the garage. Summer gets him expelled by planting evidence that he killed Coach Feratu, which leads Rick to call her a psycho. Everyone then turns on Summer, having loved Tiny Rick. Tiny Rick goes to destroy his grown body, but Summer and Morty stop him by playing Elliot Smith, leading him to want to be back in his original body. He gets put back in and then destroys all of his clones, dubbing the experiment a failure. He then goes to pick up Beth and Jerry.

S2E7 - 5RickDance.png
Rick gets back-up dancers easily.

Jerry arrives with a gun to kill all of the Mythologs. Beth then thinks that Jerry is heroic, resulting in the machine cranking out first normal Jerrys, then muscular and heroic Jerrys. Jerry tries to save Beth, but is about to die, until he puts the Mytholog Maker on a heroic Jerry, leading to that version creating a literal Goddess Beth, who easily kills the Betholog. In the wreckage of the planet, Beth and Jerry reconcile as a nude, blood-covered Rick picks them up.

S2E7 - 6GodBeth.png
Granted, even the ideal Beth resembles A) a doctor and B) a goddess of destruction.

END SUMMARY

This episode, much like “Meeseeks and Destroy,” benefits heavily from the cuts between the A and B plots. While in that episode it allowed us to perfectly split between two advancing plotlines by cutting all of the boring scenes out, in this one it (slightly imperfectly) allows us to do that while also masking the fact that the timeline for this episode seems rather uncertain and uneven. We know that the events of the Tiny Rick plot take at least 3 days, but Beth and Jerry’s therapy appears to go off the rails immediately. Did they just wander around hiding from monsters for 2 days, did the initial tour just take that long, or did the events of their trip play out and then they were waiting for Rick for a few days? Whatever, I didn’t really notice at the time, and I’m sure Dan Harmon has some justification for it. Either way, the fact that I didn’t notice is a credit to the editing.

The vampire is pretty much my favorite plot instigator in the series. It’s so random that vampires are real and that not only is Rick aware of it, but considers people stupid for NOT being aware of it. It’d be the same as the reveal that dragons are real being met with a disinterested “and?”  To cap that off, it’s quickly revealed, offscreen, to be Coach Feratu, the least subtle vampire name in history, and he’s dispatched apparently within a few hours. Somehow, apparently, Morty and Summer hadn’t immediately concluded it was the Coach from the beginning, however. That’s why it’s even better when they have the stinger at the end where the head vampire points out that Coach Feratu is a terrible name to hide under and tells them to pick generic names from now on.

S2E7 - 7VampireKing.png
This guy definitely deserves to be in charge.

At the end of the episode, Jerry tries to connect the themes of the stories, but Rick just responds that the story connections are just cosmetic, not really thematic, which I guess is true. Rick’s story is more related to the fact that people are terrible at having perspective in High School and that accepting aging and the inevitability of death is part of life, while Beth’s and Jerry’s stories are more about how perception shapes relationships. There’s some stuff about how appearances reflect behavior in both stories, but not much more than that in common.

JOKER’S THEORY CORNER

Everything in this episode happens because Rick’s pissed off at breakfast. Well, not the vampire attacks, those clearly are independent of the rest of the episode, but everything besides that. If you watch the opening to the episode, it’s apparent that Rick is even more crotchety than usual. He acts disdainful towards the family during the vampire discussion, yells at Summer for proposing the kind of hi-jinks that Rick himself usually would jump to, then flat-out tells Beth and Jerry to get a divorce or fix their marriage in a very angry tone. Now, Rick would probably do any of these things normally, but the way he does them in this episode still seems pretty extreme. But, after running Beth and Jerry to the therapy planet, Rick ends up turning himself young like Summer suggested. He says this is because he felt bad about how he treated Summer, but I don’t think that’s entirely it. I think there’s another reason why Rick is pissed and why he chooses the path that he does.

S2E7 - 8Smiggles.png
Morty killed the Rabbichaun for this.

Anyone who has dealt with older people learns a horrifying fact about the eventual state of their body: You can’t keep eating all the crap you loved as a kid. Spicy food, greasy food, and especially ultra-sugary cereals will tear your insides up. And what is Morty eating for breakfast along with the hot food that his mother made for the family? Why, a delicious bowl of magical Strawberry Smiggles! Now, why do I think that Rick is upset by this? Well, admittedly, not much to go on, but it’s the one thing that Rick asks for that’s unrelated to any of the other conversation parts: The pepper. Every other time we see Rick eating breakfast in the series, he is fairly complimentary of the way that Beth prepares it, but this time we see him dissatisfied about the flavor. I think that’s Rick expressing his anger about not being able to do something because he’s too old. That’s why he does eventually decide to do the plan of making himself young again, even though it’s an overly-complicated solution to the vampire problem: Because that morning he really felt crappy about being old and wanted to get away from that for a few minutes. So, yeah, if Morty doesn’t pick the cereal, Rick probably isn’t as angry, and most of the stuff in the episode probably plays out differently.

NOW LEAVING THE CORNER

Overall, I give this episode an

B

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS – 17: The Ricks Must Be Crazy

NEXT – 19: Interdimensional Cable 2: Tempting Fate

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Rick and Mondays – S2 E6 “The Ricks Must Be Crazy”

Rick meets the closest thing he has to a match inside of a world of his own making.

SUMMARY

Rick (Justin Roiland), Morty (Roiland), and Summer (Spencer Grammer) are in a parallel dimension to see a movie. They get back in Rick’s car to get ice cream, but it doesn’t start. Rick tells Morty that it’s a problem with the “Microverse Battery.” Rick tells the car to keep Summer safe and teleports into the battery with Morty. Morty is astounded to find that Rick’s battery is run by a planet full of aliens who generate power for him as a side-effect of creating power for their own civilization. They believe Rick to be “Rick the Alien” and essentially worship him as the person who gave them modern civilization, unaware that he is siphoning off most of the planet’s power. Morty repeatedly points out the inherent immorality of this situation, but Rick refuses to actually engage in the debate.

S2E6 - 1Peace.png
He told them this means “Peace Among Worlds.”

In the microverse, President Chris (Alan “Curse this sudden but inevitable betrayal” Tudyk) informs Rick that they no longer need to generate power using Rick’s method (essentially walking on a treadmill) and instead have a new method thought up by the brilliant but angry scientist Zeep Zanflorp (Stephen “It sounds like a chilly ursine” Colbert). That method is the “Miniverse Battery,” which is substantially the same as the Rick’s Microverse Battery. Rick starts to recite all of Morty’s arguments to Zeep, who ignores them much like Rick did. Rick then realizes that there must be someone within the Miniverse who is working on their own version of a microverse, so Rick finds Kyle (Nathan Fielder), a scientist who is building a “Teenyverse Battery.” Once Rick, Morty, Zeep, and Kyle go into the Teenyverse, Zeep starts to use Morty/Rick’s arguments against Microverses, which leads Zeep to realize that his home universe is a Microverse. This enrages him and leads him to attack Rick. Kyle then realizes that he was born in a microverse within a microverse, which leads him to an existential crisis and he kills himself, trapping the rest within the Teenyverse.

S2E6 - 2Four.png
Three of these people created a universe. The other one turns into a car. 

Meanwhile, Summer is sitting in the car when a man walks up and knocks on the car. The car’s computer (Kari Wahlgren), detecting a potential threat, violently cuts him into small pieces. Another man sees it and approaches, but is only crippled after Summer begs the car not to kill him. The police approach the car, but since Summer asks the car not to kill or cripple anyone, the car resurrects one of the commanding officers’ dead children and then liquidates the child in front of his eyes, threatening to do the same for anyone who comes nearby.

S2E6 - 3Melt.png
Yes, the car traumatizes a grieving father by making him re-live the death of his son. FUN!

In the Teenyverse, months have passed. Morty left after getting fed up with Rick and Zeep’s fighting. Rick and Zeep have been constructing rudimentary mechanical exoskeletons out of wood and rock in order to do battle, but after proving to be basically equal, Morty and the Tree People who populate the Teenyverse capture them. Morty pretends to try and teach them the ways of simple natural living before threatening them into working together to get out of the Teenyverse into the Miniverse. Once out, Zeep and Rick seem to reconcile, but Rick soon realizes that Zeep plans on stranding them in the Miniverse. He tries to get Morty to turn into a car based on the nanomachines Rick secretly put in his blood, but they catch a cab instead and manage to return to the Microverse with Zeep. Inside the Microverse, Zeep and Rick race to Rick’s ship with Rick getting there first. He then proceeds to fist-fight Zeep and defeat him before leaving to the regular universe.

S2E6 - 4Smashy.png
Rick just killed a universe and the universe within that universe. FUN!

Back in the normal universe, right before Rick and Morty return, the military have surrounded Rick’s car. The car complains because Summer tells it not to kill anyone, cripple anyone, or use devastating psychological tactics. In response, the car brokers peace between the humans and the psychic spiders that populate the planet, leading the President of the planet to tell the military to leave the car alone as thanks. Rick then returns and starts the car, having reasoned that Zeep would provide power to the vehicle knowing that Rick would destroy the Microverse otherwise. However, Rick gets pissed when he finds out that all ice cream in the planet now has flies as part of the “spider-peace.” After the credits, Morty spontaneously transforms into a car.

S2E6 - 5IceCream.png
Guess who has a new worst fear? 

END SUMMARY

It’s interesting that, even more than other episodes where Rick literally meets versions of himself, this is the episode that creates the most explored Doppelgänger of Rick. Zeep isn’t quite as smart as Rick, as evidenced by a few small things throughout the episode, but he very clearly serves as Rick’s double, to the point that he not only duplicates Rick’s justifications for why the Microverse isn’t immoral, but also later duplicates Rick’s duplication of Morty’s arguments for why it is. We’ve seen Rick deal with doubles that he hates before, however, unlike the episodes dealing with the Citadel of Ricks, in this Rick doesn’t immediately recognize that Zeep is doing exactly what he is. This makes it even more humorous when we see Rick mocking Zeep for being a hypocrite, to Morty’s annoyance. This is an interesting subset of the Doppelgänger myth, with everyone being able to see that the two are identical except for the actual duplicates.

S2E6 - 6ZeepDouble.png
They’re both miserable drug addicts.

This episode was used brilliantly by Wisecrack to illustrate Dan Harmon’s dedication to the story circle. I’ve embedded it below, but here are the steps that Harmon says dictate a traditional story arc:

  1. A character is in a zone of comfort,
  2. But they want something.
  3. They enter an unfamiliar situation,
  4. Adapt to it.
  5. Get what they wanted,
  6. Pay a heavy price for it,
  7. Then return to their familiar situation,
  8. Having changed.

If you want a classic example of this, read The Hobbit. However, since television shows can’t have the main characters change every episode, he says that there is a special “Futility” arc that happens within television that basically makes the whole show take place within step 4 of the true arc. The TV arc is:

  1. The main character
  2. notices a small problem,
  3. and make a major decision.
  4. This changes things
  5. to some satisfaction, but
  6. there are consequences
  7. that must be undone
  8. and they must admit the futility of change.

This episode is pretty much exactly that, but it also contains other cycles involving a different character within their own sub-universe. It might even have continued if Kyle’s civilization had developed sufficiently to create yet another sub-universe, or if Kyle hadn’t responded to the realization of his universe’s nature by killing himself. Either way, I just love how perfectly structured this episode is under the rules of Dan Harmon’s TV futility arc.

The car telling Summer “My function is to keep Summer safe, not keep Summer being, like, totally stoked about, like, the general vibe and stuff. That’s you. That’s how you talk” is one of the funniest lines to me. The car is reminding her that it is doing its job, but only within the letter of the law, and everytime the car has to think around her, it’s making it think less of Summer. Ultimately, Summer’s restrictions on the car are what end up ruining Rick’s happy ending in the episode, so maybe it would have been better to just have the car emotionally cripple everyone? Or was it worth it for spider peace? Some things will never be certain.

JOKER’S THEORY CORNER

So, I think that the episode implies that Zeep isn’t as smart as Rick, even though Zeep says otherwise. First, Zeep has to use the Government’s resources to create a miniverse, as opposed to Rick building one in the garage. Second, Zeep’s miniverse is designed to power his civilization, whereas Rick’s just powers his battery, meaning that what is the be-all end-all of Zeep’s inventing is something so mundane to Rick that it doesn’t even power his lab, just his car. Third, his miniverse is larger than Rick’s microverse, despite producing the same amount of energy. I’m not counting the fact that he doesn’t master multiverse travel, because Zeep doesn’t live in a multiverse.

S2E6 - 7Aliens.png
Also, Zeep used way too much effort on his disguise. Engineers don’t do extra work.

If I was to hazard a guess as to why the Rick equivalent in the microverse isn’t as smart as Rick, I’d say that it’s probable that no sub-universe can be more complicated than the parent universe. I know that the science in this show is basically supermagic, but it does make sense that no engineer would bother to make a more complex, or even equally complex, version of their universe in order to just generate power.

Sorry, guys, I don’t have a great one for this episode, it’s kind of air-tight.

LEAVING THE CORNER

I can’t articulate why I like this episode so much. A lot of it is that Stephen Colbert’s portrayal of Zeep is hilarious, but I also just love watching Rick constantly ignore the obvious that he and Zeep are almost the same person.

Overall, I give this episode an

A-

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS – 16: Get Schwifty

NEXT – 18: Big Trouble in Little Sanchez

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time, Collection of TV Episodes, Collection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Rick and Mondays – S2 E5 “Get Schwifty”

Rick and Morty try to save the world through the power of their music.

SUMMARY

A giant floating head (Dan Harmon) appears in the sky above Earth and starts exclaiming “Show me what you got!” Rick (Justin Roiland) immediately recognizes the threat as a Cromulon and takes Morty (Roiland) to the Pentagon to inform the President (Keith “f*cking” David). It turns out that the Cromulons travel to planets seeking a live performance of a catchy new song. Unfortunately, the Cromulon’s arrival created an earthquake which killed all of Earth’s famous musicians except for Ice-T, who won’t make it in time to save the planet.  Desperate, the President asks Rick and Morty to perform. Rick proceeds to spontaneously compose the song “Get Schwifty” which, as the President says, is a jam. The head is pleased by this and teleports Earth to another galaxy filled with giant heads for another performance.

S2E5 - 1Bulldops.png
This is the face of a true artist. 

Meanwhile, Beth (Sarah Chalke), Jerry (Chris Parnell), and Summer (Spencer Grammer) evacuate to the local church where Principal Gene Vagina (Phil Hendrie) decides to go outside and pray to the head. By coincidence, the head tells Rick and Morty “I like what you got” at the same moment that Vagina is praying, so the people believe that Vagina’s prayer pleased the head. After the head moves Earth to a head-filled area, Vagina convinces everyone he can speak to the heads and turns the neighborhood into a cult under his rule.

S2E5 - 2Vagina.png
This is the face of a man who talks directly to God.

Rick is joined by Ice-T (Dan Harmon) to compose a new song. Morty wants to run away with his family, but Rick claims to not have enough charge in the portal gun. This is proven false when Rick shortly forgets his lie and grabs snacks for Ice-T. Morty, angry, steals the portal gun and ends up with Birdperson (Dan Harmon) who advises Morty indirectly to put his faith in Rick. Ice-T reveals himself to be an alien from Alphabetrium whose true form is that of Water T. He was punished for his lack of empathy by being frozen and banished, so he doesn’t care about what happens to Earth.

S2E5 - 3ICET.png
This is the face of a frozen elemental who gives zero f**ks.

Beth and Jerry are pleased with how Summer is behaving now that they are part of a cult, but when offered positions within the cult, they refuse, believing that using the Cult as a substitute for parenting doesn’t work. They’re summarily set to be launched into the sky by balloons.

S2E5 - 4Balloons.png
This is the face of a teen who is about to murder her parents. 

Rick begins to play his improvised song, but it is poorly received. Morty returns to find out that Earth is up, however, a rogue General, General Nathan (Kurtwood Smith), launches nukes at the Cromulons over the President’s objection. This disqualifies Earth and the Cromulons try to disintegrate it, but Ice-T blocks the shot and advocates that Rick and Morty should get a shot. They, along with the President, perform “Head Bend Over,” which wins the contest. At the same time, all of the Cromulons’ reactions to Rick and Morty are interpreted as being against Principal Vagina’s claims of being chosen by the heads, resulting in him being launched into the sky, temporarily.

S2E5 - 5Heads.png
This is the face of a face. Are you still reading these?

END SUMMARY

This episode marks the first time (aside from the temporary Giant Santa in “Anatomy Park”) that Rick and Morty face a public, global threat. It’s also the first time that we see them interacting with the President, who will later become the focus of the Season 3 Finale. Between these two episodes, it’s implied that the President will call on Rick and Morty to address a number of off-screen threats, but never allows Morty to take any pictures. Interestingly, the President doesn’t attempt to threaten Rick himself, which probably suggests that he believes that Rick won’t tell anyone or that telling Rick not to do something is the only way to guarantee that he does it. Justin Roiland says that he believes that Rick and the President were best friends in the past, but Rick’s intro in this episode suggests that they haven’t met before.

S2E5 - 6Bros.png
Of course, they’re bros by the end.

Rick and Morty’s arc is ostensibly about whether or not Rick actually cares about anything. While Birdperson seems to agree with Morty’s assertion that Rick doesn’t care about anything other than himself and never thinks about the consequences, Rick’s conversation with Ice-T makes it clear that he does actually care about stuff, even though he has spent a lot of his life trying to avoid it. It also confirms that Rick has a history of being a musician, something that he will spend more time doing after this episode. It’s implied that Rick basically comes up with two songs spontaneously, something that I imagine is extremely difficult, even if they have very repetitive lyrics.

S2E5 - 8FleshCurtains.png
Also, the Flesh Curtains is a great band name.

JOKER’S THEORY CORNER

I don’t have much in this episode, but I have one theory about Ice-T. When we see Ice-T leave from Rick, his last words to Rick are a dismissive statement that he’s just going to wander around the universe, but then he reappears spontaneously to say, in an unconvincing manner, that suddenly he cares more. It seems like a complete 180 of his character combined with a deus ex machina of him saving the planet from the Cromulons. So, what actually caused the change of heart?

S2E5 - 9TSacrifice.png
Vanilla was not the Ice for the Job.

Morty.

S2E5 - 7Morty.png
Even he thinks it’s unlikely.

Ice-T didn’t learn to care from Rick, he learned that you can give people another chance from Morty coming back. It stands to reason that, although Ice-T had left the planet, he still wanted to see the results of the contest, if only to know if he could return to the planet and resume his life of luxury and not giving a f*ck. That means he’s watching when Morty returns, despite having given up on Rick previously, and sees how happy Rick is to see him. We now know that Magma-Q, Ice-T’s father, is the one that banished him. This is likely the one thing Ice-T relates to and realizes that his father will be happy to see him, even if he won’t admit it. So, he decides to do the one thing that might reunite them: Pretend to care. That’s why he doesn’t sound convincing, because he’s not actually caring much about Rick and Morty, he just knows that’s the only way to see his father again. Of course, this still means he has realized he cares, just not about Rick and Morty.

LEAVING THE CORNER

This is a pretty solid episode, but it’s still less sophisticated and the storytelling is a lot less efficient than other stories. On the other hand, Mr. Bulldops would have been my profile name if it hadn’t been taken.

Overall, I give this episode an

B

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS – 15: Total Rickall

NEXT – 17: The Ricks Must Be Crazy

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Rick and Mondays – S2 E4 “Total Rickall”

Rick and Morty deal with an infestation of memory-altering parasites that take the form of wacky sitcom characters.

SUMMARY

Rick (Justin Roiland) returns home to the family to find Jerry’s (Chris Parnell) goofy older brother “Uncle Steve” (Tony Barbieri) at the table. Rick then shoots Steve, who is revealed to be an alien parasite that manipulates people’s memories. Rick warns that there are probably more of them and that they take on the role of wacky, zany characters. He’s supported by Mr. Poopybutthole (Roiland), a wacky, zany character who is now in the opening credits.

S2E4 - 1Opening
Seamlessly integrated. 

Rick locks the house down, writes down that there are only 6 people in the apartment, and puts the note on the wall, but soon a number of characters start appearing, including a Mr. Belvedere-style butler named Mr. Beauregard (Barbieri), Frankenstein’s Monster (Kevin Michael Richardson), and Summer’s (Spencer Grammer) magical ballerina lamb friend Tinkles (Tara Strong). All of the characters are introduced through “flashbacks” that resemble Family Guy cutaway gags. Rick and the Smith family soon are uncertain who is real, because, although the new characters are wacky and zany, so are the actual members of the Sanchez-Smith family.

S2E4 - 2Tinkles.png
It feels like even Frankenstein, a fellow parasite, thinks Tinkles is too far.

Eventually, Rick is threatening to shoot everyone and the parasites convince Morty (Roiland), Beth (Sarah Chalke), and Summer that Rick is a parasite… while also convincing Jerry that he’s a parasite and in a secret gay relationship with another parasite named Sleepy Gary (Matt Walsh). Morty is selected to execute Rick, but Morty realizes that the parasites cannot implant bad memories into people’s heads and shoots several of the parasites. Together, Rick, Morty, and the family go through the house, killing all of the parasites until only the family and Mr. Poopybutthole are left. Back at dinner, Beth shoots Mr. Poopybutthole who is revealed to not be a parasite. She tries to apologize at the hospital, but he declines to talk to her, saying only that he’s sorry that she doesn’t have any bad memories of him.

S2E4 - 3PoopyGunShot.png
That’s a hell of a gun, btw.

END SUMMARY

This episode is basically a hilarious parody of so many sitcom tropes at the same time that it almost matches the number of wacky characters. The idea that failing shows add off-kilter new characters to try and bring back some energy to the series is so old that The Simpsons did an episode about it featuring Homer (Dan Castellaneta) playing a new Itchy-and-Scratchy character called Poochie while also having a new “rad teen” character living in their house. That was in 1997. For the most part, this trope has been declining quite a bit in the past twenty years specifically because people started mocking it so ruthlessly. Still, this episode takes it and combines it with the “family member that has not previously been referenced” trope, but makes it into a sadistic infiltration plot by these shapeshifting, memory-altering parasites.

S2E4 - 4Poochie
And this was the best way to get rid of such zany add-ons.

It presents each of the parasites in a cutaway style much like Family Guy tends to use, which may be a shot at how modern shows always tend to play loose with continuity for the sake of making gags. Or maybe it was just funnier that way. Also, the characters get progressively more unconventional as the show goes on, following the typical trend on television writing that each character introduced tends to be incrementally crazier or more abnormal than the previous one, similar to “Flanderization.” We start off with the “goofy brother,” move to the stereotype cousin, and slowly continue until we have a Baby Wizard, a photography Raptor, and a Ghost in a Jar. The idea that the only way to find the “real” people is by finding terrible memories might be a shot at other shows for trying to keep sanitized backstories as opposed to Rick and Morty‘s gritty humor.

S2E4 - 5AllOfThem.png
… So EVERYONE is posing for the camera? Fourth wall be damned.

Mr. Poopybutthole being real is one of the best set-ups in television. It’s not the reveal itself. It’s HOW they decided to reveal it. It’s such a perfectly Rick and Morty tone shift that works so well because it’s a subversion of a subversion. The basic joke throughout the whole thing was that Mr. Poopybutthole was clearly an alien shapeshifter that had entered the show, while the twist is that he actually isn’t. This is even foreshadowed by the fact that he’s in the opening sequence, many of which are “bad memories” which the parasites can’t generate or alter. But the show then decides to take the shooting seriously, rather than as a comical error. They blow past any attempt to make a joke out of it and treat it like a REAL SHOOTING, despite the fact that, not 2 minutes beforehand, we’d been laughing at the ways that the Smith-Sanchez family was eliminating all of the wacky shapeshifters. So, even if you saw the twist coming, you almost certainly didn’t see how it would play out. It’s something many shows would never even consider, let alone pull off this well.

S2E4 - 6Dying.png
“Is this what dying feels like?” WHAT THE HELL, SHOW?

Also, can we just acknowledge that so many of the parasites are just inherently funny? Pencilvestyr? Reverse giraffe (voiced by Keith Freakin’ David)? Hamurai? Amish Cyborg? These are such great puns and sight gags. Their quips are also hilarious, including Frankenstein’s Monster’s line “I was on the wrong side of the pitchfork on this one.” The subplot where the Sleepy Gary parasite not only makes himself Beth’s husband and the parents of Morty and Summer but also makes himself Jerry’s secret lover is simultaneously horrifying and hilarious.

JOKER’S THEORY CORNER

Well, I was going to do a theory about what Mr. Poopybutthole is, but unfortunately Dan Harmon has already addressed that issue, saying that Mr. Poopybutthole is just a higher form of the memory parasites, so evolved that he can break the fourth wall and put himself directly into the show’s history when he wants. 

I already declined to address the popular theory that this episode, as well as the majority of “Mortynight Run,” follow a different Rick and Morty, since Dan Harmon also confirmed that the rocks in this episode are the same as the ones seen in that one and that they’re what carried the parasites.

Instead, I’m going to ask: Were the parasites the point?

So, we know that Rick has dealt with these parasites before, because he immediately recognizes what they are. He shoots “Uncle Steve” after only a few seconds, based on Jerry’s claim that he had been living there, but why was “shapeshifting memory-altering parasite” the first thing that Rick thought of? Because Rick had wanted the parasites. Think about it, Rick had brought that specific rock in from the garage, looking disappointed at it as he throws it away. When we first see him in Mortynight Run loading the car with rocks, he has a huge number, but he only throws away the one that had the parasites.

S2E4 - 7SteveShoot.png
Maybe you should have headed to Paris faster, Steve.

I think that Rick had brought the rock back not to harness the rocks (though that might have been a bonus), but because the rocks potentially were going to breed the parasites which he could then use to his advantage. After all, we know from the previous episode that Rick regularly captures and imprisons aliens for the purpose of exploiting them, and the ability to freely manipulate memories would be useful to anyone, particularly Rick. While in the garage, clearly, one or two of them hatched and escaped, with the first becoming “Uncle Steve.” Meanwhile, Rick determines that the rock is defective and throws it away, only to discover that the parasite inside it has escaped.

S2E4 - 8GreenRocks.png
That’s the eyebrow of a man who is done with his rocks.

Am I saying that the only evidence I have for this is that Rick knows what the shapeshifting parasites are and that he looks disappointed when he chucks out the rock? No, it’s that he doesn’t wing Uncle Steve. When Rick shoots Cousin Nicky, the second parasite, he shoots him in the shoulder because he’s unsure he’s a parasite, but when Rick shoots Steve, it’s straight through the temple. Rick is absolutely sure that Steve is a parasite. Could it be that Rick just knows that Jerry doesn’t have a brother? Unlikely, as A) this isn’t Rick’s original Jerry so it could be a possibility even if the original didn’t and B) Rick routinely proves he knows almost nothing about Jerry’s life, including not knowing what decade Jerry was born in (despite him being roughly Beth’s age). Is it that Jerry says Steve has been staying there for a year? Well, that’s likely to be what clinched it, but do you really think that’s enough to make Rick risk executing a potential family member? It’s Rick, so it’s not impossible, but I still think it’s likely that something made him think that parasites were the likely source of the new brother.

LEAVING THE CORNER

Since most of Rick and Morty is based on humor within the framework of nihilism and existential dread, I shouldn’t be surprised that this episode about how memory is the only way to really define our existence that involves wacky characters is one of my favorites.

Overall, I give this episode an

A

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS – 14: Auto-Erotic Assimilation

NEXT – 16: Get Schwifty

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Rick and Mondays – S2 E3 “Auto Erotic Assimilation”

It’s Invasion of the Body Snatchers meets every sitcom where the main character runs into their “unhealthy ex” on this week’s episode.

SUMMARY

Rick (Justin Roiland), Summer (Spencer Grammer), and Morty (Roiland) are in space when they pick up a distress beacon. Rick follows it so he can loot the ship, but they find survivors who tell everyone that there is an entity taking over the minds of those it infects. They’re immediately infected themselves. Rick prepares to fight, but it’s revealed that the hive-mind entity is actually Unity (Christina Hendricks), his ex-girlfriend.

S2E3 - 1Unity
It’s weird to be hit on by 6 bodies at once… I imagine. 

They return to the planet that Unity has recently taken over. Summer immediately is put off by the nature of Unity’s expansion by enslaving people to her will, despite the fact that Unity has improved the quality of life massively. Morty and Summer go off to explore the planet while Rick proceeds to rekindle his relationship with Unity. When another hive-mind named Beta-Seven (Patton Oswalt) comes to trade with Unity, Rick mocks him until he leaves, at which point he and Unity use Beta-Seven’s supplies to make mind-altering drugs and alcohol.

S2E3 - 2Beta7.png
Notice that Beta-7 Prime is looking at Unity’s rack(s?).

Back on Earth, Jerry (Chris Parnell) discovers that Rick has a secret basement lab under the garage. He and Beth (Sarah Chalke) get into a fight over her being unable to stand up to Rick until they find a captive alien. The two of them begin fighting more and more about Rick’s behavior until the alien, revealed to be Blim Blam the Korblock (John “I’m the f*cking Cryptkeeper” Kassir), escapes and tells them that they are the “f*cking worst” even by the standards of him, a baby-eating alien murderer with Space AIDS. He tells them that their marriage is terrible because they hate themselves and each other and Rick has nothing to do with that. He then leaves the planet forever just because he hates them too much to stay.

S2E3 - 3BlimBlam.png
Also, he has penis-fingers. 

Back on the Unity Planet, Unity’s alcohol and drug use has reached the point where she’s not able to maintain her control over the population and several people start to gain their freedom back. Unfortunately, this immediately leads to a race war between the people of the planet over the shape of their nipples. Morty and Summer are rescued, barely, by Unity. When they rejoin Unity and Rick, Summer tells Rick to leave with them, because he’s a terrible influence on Unity. He refuses and sends them away, only for Unity to realize that he’s bad for her, even though she loves him, and leave him in a letter.

S2E3 - 4RaceWar.png
Morty has seen this play out before, apparently.

Rick returns home and is confronted by Beth over the basement lab, which he immediately apologizes for and concedes the point to Beth. He then tells her he’s not going to leave and tells the kids that he left Unity. Immediately afterwards, in one of the bleakest sequences in the show, Rick then goes to the lab and attempts to commit suicide. He survives by passing out slightly before the death ray fires. Later, he confronts Beta-Seven in order to see Unity again, but Beta-Seven stops him and Rick leaves.

S2E3 - 5Suicide.png
Rick, mid-suicide attempt. Yeah, this is not a happy show.

END SUMMARY

We actually learn quite a bit about Rick in this episode. First, we learn that he has actually had relationships other than his failed marriage to Beth’s mother. Well, one relationship, at least. Given how much Rick continually disdains marriage and the idea of love, it makes sense that he might seek out relationships which, by their nature, almost certainly can’t lead to marriage. As for love, Rick certainly doesn’t seem to actually care about Unity in any loving manner and he very much uses her love of him to manipulate her into doing what he wants. However, at the end of the episode, Rick’s reaction to Unity’s break-up and the accompanying note leads him to be so depressed that he cries and attempts to kill himself, suggesting that he either actually did have feelings for her, or at least realizes that she didn’t deserve to be treated the way that he treated her. Literally any of those reasons would be a revelation about Rick’s character.

S2E3 - 6Stumble.png
Look at that anguish.

Second, we learn that Rick really has a thing for redheads, is pansexual, and has daddy issues. Given that Beth is a blonde, Rick has blue-grey hair (and, since his 14-year-old clone did, too, apparently always has), Jerry has brown hair, and Jerry’s mother has blonde hair, this means that Summer’s red hair is likely a recessive trait inherited from her grandmother, Rick’s ex-wife. As such, Rick’s insane lust over redheads, telling Unity to get all of them naked in a stadium, could be a sign that he still has repressed feelings for his wife, or maybe that’s part of the reason he fell for her in the first place. Additionally, we get a sign that Rick has some father issues when he tells Unity that he wants to have sex with her in front of any man that even remotely resembles his father. We even, disturbingly, get to hear this later when the stadium chants “go, son, go!” The idea of Rick, who is borderline amoral and an admittedly terrible father, being the product of another terrible parent is believable, but sadly common and mundane. Still, this is a revelation about Rick.

S2E3 - 7Fathers.png
Apparently his dad had short hair, glasses, and dressed business semi-casually.

Unity is a reference to Invasion of the Body Snatchers and other such films where a single hive-mind takes over. The difference is, with Unity, the episode actually makes the case that individual will is overrated when compared to societal progress. Unity might not allow the people to act according to their own desires, but the planet improves massively under her rule. Part of that is that people, especially the ones on this planet, suck. The minute they’re free, rather than trying to fight Unity or rebuild, they immediately start a race war. It’s hard to go downhill from that. It reminds me a little of a line from Alan Moore’s Miracleman: “If you see a kid about to drink bleach, you take the bleach out of his hand. There’s no discussion of ‘free will’ about it.” That same line of thinking is used in that series to justify taking complete control of humanity, but the result is a utopia, much like with Unity.

S2E3 - 8Miracleman.jpg
Admittedly, both Utopias involve a lot of statues.

Jerry’s and Beth’s plotline is basically just a continuation of their constant marital strife. In this, though, Blim Blam says something that often get overlooked: Rick is just the catalyst, he is not the cause. Beth hates herself for not living up to her own image of success, Jerry hates himself for his weakness and insecurity, and both of them hate the other for constantly keeping them from fixing those problems. In Unity’s letter, she actually acknowledges that she’s okay with Rick being Rick, but that her being okay with it means that she has problems with herself that she needs to address. The difference is, by leaving, Unity figures out how to address her problem, because she can’t separate from Rick enough while he’s present to ever work on herself.

JOKER’S THEORY CORNER

Alright, so, there are a few theories about the creature that Rick kills before he tries to kill himself. Sadly, a few were destroyed by Ryan Ridley and Justin Roiland, who stated that the creature is in unstoppable pain and therefore was being freed by death and that was its purpose in the narrative. One theory said that it was a creature possessed by Unity that Rick had saved to always be close to her, but the eyes are the wrong color for someone possessed by Unity. Instead, I think that the creature, which seems to be a Cronenberg, was the last thing Rick saved from his previous universe and, not to be dark, I think it was a mutated baby.

S2E3 - 9Creature.png
I hate myself for this theory already.

Hear me out, we witness a lot of people dying in the process of everyone becoming Cronenbergs and Rick and Morty were on the planet for a while after the mutations started. I think that Rick found an abandoned mutant baby that was suffering due to all of the changes and froze it, not to try and give it comfort, but to have a test subject. See, if you’re amoral or have… alternate morality… as Rick does, then a baby is likely going to be the best test subject for any genetic treatment since their cells are still changing, there are fewer of them, the test subject is easier to transport, and the subject’s metabolism is higher. I believe that Rick took the baby with them and planned on using it as a test subject to cure the Cronenberg-ism in case he and Morty ever needed to find another dimension. That way, they could just go back to their regular dimension, cure everyone, and resume life as usual.

S2E3 - ACronenberg.png
Russia has yet to notice.

This means that Rick’s killing of the creature is akin to murder, but is also probably an act of mercy in his opinion, since the baby would just die if it was sent back to C-137. However, what it mostly indicates is that Rick has completely given up on ever going back and he wanted to grant it a quick death rather than allow it to thaw and die slowly or get discarded by the Smith family. He also wanted to test that the death ray worked, of course, but it makes sense that Rick would want to double check that his suicide method is effective. After all, what if he just crippled himself or removed his ability to drink alcohol? That’d just make his life harder.

S2E3 - BComfort.png
He even tries to comfort it. 

So, yeah, that’s Rick killing a baby he mutated through his own incompetence which he planned on experimenting on so that he could have another escape option available. It’s Rick, he’s a monster. This shouldn’t shock you.

LEAVING THE CORNER

Overall, this is one of the darkest episodes of Rick and Morty and also one of the most subversive in its message. Since those things are what the show calls “The Wheelhouse,” that also makes it one of the best.

Overall, I give this episode an

A

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS – 13: Mortynight Run

NEXT – 15: Total Rickall

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Rick and Mondays – S2 E1 “A Rickle in Time”

Rick and Morty is back for a second season that they probably didn’t think they were gonna get. AND WE ARE SO LUCKY FOR IT.

SUMMARY

Rick (Justin Roiland), Morty (Roiland), and Summer (Spencer Grammer) have been taking advantage of time being frozen for the last six months and are finally cleaning everything up from the epic party at the end of last season. Rick unfreezes time, but reveals that their time is “unstable,” so they can’t interact with Beth and Jerry (Sarah Chalke and Chris Parnell). Rick sends the parents to Cold Stone for ice cream so as to avoid any issues.

S2E1 - 1Fight
How power and water work while time is frozen, I don’t know.

Summer and Morty start fighting over who Rick will treat as his new sidekick, which results in them being uncertain about their actions, splitting the universe into two separate timelines and sending the trio (or sextet, now) off of the traditional time-axis and putting them in a void dimension surrounded (and not surrounded) by Schrödinger’s cats. Rick tries to use a Time Crystal to fuse the timelines back together and re-enter the timestream, but it doesn’t work because Summer and Morty aren’t completely synchronized. Both Ricks become paranoid that the other Rick is trying to kill them to eliminate one timeline and each tries to kill the other, but this results in Rick becoming uncertain and splitting the timelines yet again, creating four simultaneous timelines. Morty knocks Rick unconscious.

S2E1 - 2Shooting.png
I hope neither of them hit one of Schrodinger’s cats.

Beth and Jerry hit a deer on the way home from ice cream. Jerry accidentally implies that Beth, a horse surgeon, can’t heal the deer, leading her to burst into a veterinary OR and take over. However, they discover that the animal was already wounded by a hunter, who shows up with his attorney claiming that he is legally entitled to the deer as the first person who injured it, based on “Brad’s Law.” The hunter is not stated to be Brad, but he looks like a Brad, and he admits that he’s not a very good hunter so he might have had this situation before. Undeterred, Beth continues to save the deer, but Jerry finds out that the only way they can save the deer is for Beth to admit she can’t save the animal and have it transferred out of the state. Beth is furious at having to say she can’t do the surgery, but agrees. However, Jerry reveals that this was a ruse and he, along with Cold Stone, arrange for Beth to finish the surgery successfully, releasing the deer back into the wild.

S2E1 - 3Lawyer.png
A lawyer walks into a vet’s OR… I forget the punchline.

Back at Schrödinger’s House, all 4 Ricks apologize to each other, when a testicle-headed Fourth Dimensional being named Schleemypants (Keegan-Michael Key) arrives and gives the team collars that re-synchronize the timelines. However, Schleemypants tries to arrest the three for Rick’s possession of a stolen Time Crystal, which Rick admits he IS guilty of. Rick then tricks Schleemypants into looking away and destroys Rick’s gun “Chris.” He then takes the collars off and splits time across 32 different timelines, resulting in him being able to attack Schleemypants from every direction without him being able to respond, due to his 4-D nature. Rick wins, but accidentally splits time again, resulting in them only having a short time to bring the 64 timelines back to 1. All of the versions of Rick fix the collars and Summer’s works immediately. One of the 64 Mortys, however, is not able to close their collar. The floor collapses, so that Morty’s Rick jumps after him into the void and gives his own collar to Morty, saving his life. Rick prepares to die, saying he’s okay with this, but then sees the broken collar, changes his mind, fixes it, and survives.

S2E1 - 4Testicle.png
He’s a timecop, but not the one you think of when you hear that.

Beth and Jerry, unusually happy thanks to Jerry’s actions earlier, arrive home and start mocking the collars, annoying the three. Meanwhile… or not meanwhile since it’s outside of time, but whatever the equivalent of meanwhile is in that case, Schleemypants is joined by another testicle monster (Jordan Peele) who tries to help him take revenge, but they mistake Albert Einstein (Roiland) for Rick, beat him up, and inspire him to formulate Mass-Energy Equivalence and, implicitly, special relativity as revenge.

END SUMMARY

This is another Rick and Morty episode that demonstrates how efficiently the show can use the transitions between A and B plots, but in a different way than in “Meeseeks and Destroy.” In the former episode, the cuts allowed each plot to skip all the boring stuff and just go to the next interesting thing. In this episode, the cuts serve to heighten the tension between each of the storylines by basically forming a series of cliffhangers. It also makes it less obvious when both stories have sudden left turns, like the entrance of the testicle monster or the hunter’s attorney.

The multiple timeline aspect of the A-plot is unbelievably well done, given that the audience has to be able to watch several things happening at once in order to really get the effect of the structure. By having them mostly synchronized but slightly offset or altered, the viewer is able to follow the differences between the two despite the speed with which some of them are appearing. The overlaid dialogue manages to sound simultaneous while still being discernable independently. That’s impressive.

S2E1 - 5Multiscreen.png
I mean, it still can be followed at 64 timelines pretty well. 

The fourth-dimensional being who simultaneously interacts with all of the timelines is a brilliant idea, even if it’s very difficult to really conceive of without thinking about it. However, Rick is able to quickly determine what’s happening, despite not being able to see through the fourth dimension, and manages to actually beat him. Since fourth dimensional beings generally are considered almost incomprehensible to three dimensional beings and nearly godlike, this would be akin to a stick figure outsmarting you and beating the hell out of you. It’s tough to envision, but that’s the best thing I can compare it to.

S2E1 - 6Chris.png
His “gun” turns you into a fetus, which is a hilarious attack method.

Beth and Jerry’s B-Plot is so ridiculous that it really perfectly balances the seriousness of the A-Plot. It even starts with insanity by revealing that Jerry managed to tip the Cold Stone staff over $400. Actually, this episode really highlights Jerry’s incessant need for approval from others, from his tipping the Cold Stone crew enough to merit them transporting a deer for him to his asking Beth about putting the deer out of its misery despite being unable to do it. However, it equally highlights Beth’s own massive insecurities, represented by her going to unbelievable lengths to save the deer just because people consider a horse surgeon to be incapable of working on cervine. At the end, Jerry plays into Beth’s fantasy, which apparently makes her willing to overlook his flaws more than usual.

Summer and Morty are also dealing with their own insecurities over the future of their relationships with Rick, which Rick responds to not by indulging, but by attempting to devastate and mock, including his famous claim to be able to prove mathematically that both of them are pieces of shit.

JOKER’S THEORY CORNER

It’s no secret that Rick’s appearance is a reference to Doc Brown from Back to the Future. Hell, he originally was Doc in Justin Roiland’s Doc and Mharti. But Doc Brown’s appearance was modeled, at least somewhat, on the image of Albert Einstein. In this episode, we see this come full circle when the fourth-dimensional testicle monsters confuse Einstein with Rick. But what if that’s not an accident?

S2E1 - 7Doc.jpg
Roiland’s art style was… unique

Rick stole a time crystal from somewhere or somewhen, that much is obvious. He immediately shows that he is aware of the fact that this is a crime when confronted. Given that fourth-dimensional creatures by default can find you at any time, I think that Rick has made himself resemble a famous scientist so that, in the event that the testicle monsters are hunting for him, they might end up finding someone else in a different time. After all, hairstyles are one of the things that Ricks are most willing to vary, and Rick used to have different hair, so it makes sense that he might have had a motive for his current “look.”

S2E1 - 8Einstein.png
Granted, Einstein clearly was more sedentary.

Overall, I give this episode a

B+

on the Rick and Morty scale.

Wubba-Lubba-Dub-Dub, I need a drink. See you in two weeks.

PREVIOUS –  11: Rick-sy Business

NEXT – 13: Mortynight Run

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.