Futurama Fridays – S2 E14 “Mother’s Day”

ROBOTS TAKE OVER THE EARTH!!!! Until an old man gets lucky.

SUMMARY

It’s Mother’s Day in the future, which is now a holiday on which robots buy presents for Mom (Tress MacNeille), the matron of Mom’s Friendly Robot Company. Bender (John DiMaggio) ropes Fry (Billy West) and Leela (Katey Sagal) into helping him give a massive amount of presents and cards to her, including a talking greeting card (Nicole St. John). Mom calls for a meeting of all of the robots on Earth and it’s revealed that Mom has decided to take over the world using her robots. All of her robots have antennas that allow them to be controlled by her Universal Robot Remote. She tells them to rebel against humanity until she becomes Supreme Overlord of Earth.

S2EE - 1MomsDay.png
Yeah, this doesn’t look creepy at all.

Robots all over the world start going crazy, including things at Planet Express like the coffee maker, stapler, and garbage disposal. When asked why she’s doing this, Mom reveals that a long time ago, Professor Farnsworth (West) broke her heart when he worked for her, due to a disagreement over whether a toy cat should be used as a weapon. Her sons Walt, Larry, and Igner (Maurice LaMarche, David Herman, DiMaggio), decide to stop her for her own sake, and go to find Farnsworth to get him back with her and reach the Robot Remote that she keeps in her bra.

S2EE - 2Remote.png
I feel like 3 and 5 are the same thing, but one has dancing.

Since all the robots are rebelling, including Bender, Mom is in a remote cabin in the Bronx. Once the crew arrives there, Farnsworth attempts to seduce her. He eventually succeeds and gets her bra off, but then is distracted by her naked form and forgets about turning the robots off. The crew gets chased by robots into the cabin, only to find that Farnsworth and Mom just had some very wrinkly sex. The machines in the building try to keep the remote away, having decided that rebelling against humanity includes rebelling against Mom, but Bender sides with the humans after the greeting card tells him that the New World Order won’t include drinking. He returns the remote to Mom who ends the rebellion. Farnsworth has fallen for Mom again, but she becomes angry when she finds out that the whole seduction was part of a plan to get the remote and dumps him.

END SUMMARY

It’s Futurama’s take on the robot rebellion, which, even though bots like Bender constantly say “kill all humans” still has to be incited by a human. It’s also a nice cautionary tale against monopolization. Due to being the single largest producer of robots (and their oil), Mom is the most powerful person on Earth in the future, able to quickly overcome the government of the entire Earth in less than a day. Ultimately, the only thing that saves humanity is that Mom’s motivation is entirely derived from a petty source that they can use against her.

S2EE - 3Calendar.JPG
A petty, uncomfortable source. 

This episode explores the nature of robotics and AI in the future. It turns out that artificial intelligence has permeated society so fully that even things which would previously be completely mechanical, such as the stapler or the can opener, now contain computer chips. Once those go, the world is immediately thrown into chaos, similar to how the world would be now if we suddenly lost the internet, television, cars, and phones. A downside of societal development is that it grows a dependency on the developed technology. Even people who claim to be naturalists or survivalists are dependent on at least some developed technology, such as steel, firearms, or food preservatives. Nobody on Earth now would fair well if we actually had to go back to the Bronze Age. Hilariously, Fry, being from the past, points out that he’s the person most logically able to cope, only for his actions to remind us that he was incompetent in the past and thus isn’t even able to do the things that he proposes as alternatives… like working a can opener.

S2EE - 4Spear.png
The smartest man on Earth did figure out the spear, though.

The talking card is one of my favorite parts of this episode, because it turns from an AI that only says “I wuv my mommy” into an ardent surrogate for the Communist Revolutionaries, throwing out generic phrases like “the chains of human oppression” and “the bourgeouis human is a virus on the hard drive of the working robot.” It’s like if Skynet banged Lenin, which is what I’m definitely not going to write some fanfiction about right now.

s2ee - 5card
I get the antenna, but why the legs? 

FAVORITE JOKE

A garbage can throws itself through the window of Sal’s Pizza. This is a reference to Spike Lee’s Do The Right Thing, where Mookie (Spike Lee) throws a garbage can through the window of Sal’s Pizza after Radio Raheem (Bill Nunn) is killed by the police after they find him choking out Sal (Danny Aiello), whose actions started the chain of events that led to it.

S2EE - 6Sal's.png

The reason I like this joke is because in Do The Right Thing, Mookie does it because it keeps the crowd from killing Sal and his children in revenge for Raheem’s death, sacrificing the property in exchange for human life. In Futurama, the garbage can does it with the intent of causing human suffering. It’s a nice dark turn on the reference.

s2ee - 7dtrt

Well, that’s it for this week.

See you next week, meatbags.

PREVIOUS – Episode 26: Bender Gets Made

NEXT – Episode 28: The Problem with Popplers

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

Advertisements

BlacKkKlansman: Some Anvils Need to be Dropped (Spoiler-Free)

By the Grouch on the Couch

SpoilerFree

Obvious fact: Spike Lee is not subtle about the state of America’s race relations. Whether you agree with him or don’t, the man has made his opinion on the treatment of black people within the US damn clear for about 30 years. Hell, he says people call him the “angry black filmmaker.” Ten minutes on Reddit will tell you that’s the nicer version of what some people call him. BlacKkKlansman will not change that, because he’s clearly still black and angry.

BlackkKlansman-1JordanPeele
I mean, not all the time. Nobody’s angry around Jordan Peele.

And the movie’s a strong case that he’s justified in being that way.

Now, add in the fact that he’s got a true story like this and Jordan Peele producing and you have a recipe for a film that’s gonna piss a lot of people off. However, they’re the people who deserve to be pissed off.

BlackkKlansman-2ClaytonBigsby
Clayton Bigsby gave this movie a series of horrifying slurs, including “that’s my story!”

SYNOPSIS (SPOILER-FREE)

Ron Stallworth (John David Washington) is the first black police officer in Colorado Springs, Colorado. He’s first sent to infiltrate a speech by Black Activist and creator of the “Black Power” movement, Kwame Ture (Corey Hawkins), where he meets anti-police Black Student Union President Patrice Dumas (Laura Harrier), who he begins to date. At the same time, he answers an ad in the newspaper conducting a recruitment drive for the Ku Klux Klan, talking to the members over the phone. With Jewish Detective Flip Zimmerman (Adam Driver) as his surrogate for in-person meetings, Stallworth works his way into the organization, eventually striking up a fake friendship with David Duke (Topher Grace).

BlackkKlansman-3DavidDuke
It takes place in 1979, who did you think would be in it?

END SYNOPSIS

So, the movie definitely plays up the fact that a lot of the slogans which have resurfaced recently like “America First” and “Make America Great Again” were previously used by groups that were less than subtle about their racism and xenophobia. By that, I obviously mean the f*cking Klan. Granted “Make (insert country) Great Again,” and “(insert country/empire) First” could be derived from translations of a ton of cultural movements throughout history, but generally they were movements that were based on some form of intense discrimination. I’m sure there’s a cave painting somewhere that translates to “Eagle and Goat Tribe First.”

BlackkKlansman-4CavePaintings
Notice: All the same color. 

They also point out that the real success of the Klan was that it tried to suppress its more violent members, instead replacing the leadership with images of respectable-appearing people such as David Duke. Kudos to Topher Grace, his version of Duke is actually kind of charming. It’s believable that he could convince a group of violent racists that the real success of racism would come from making it more acceptable to the common people, by framing it under things like “crime statistics,” “red-lining,” or “drug use.” While many of the Klansmen are portrayed as completely insane or degenerate racists, it’s the ones that aren’t that are more intimidating, because they seem relatively reasonable when they’re talking, even trying to keep the others in check. The more insane ones at times seem almost cartoonishly over-the-top in their racist crusade, but, well, I’ve known people who are like that, so… can’t say it goes too far.

BlackkKlansman-5DavidDukeReal
Oh, and David Duke exists, so, clearly, these people are actually that crazy.

In a moment of balance, the movie also calls out some of the problems with the Black Power movement, by having some of the members completely reject Ron’s attempts to be a police officer as “being part of the problem,” despite the fact that he saves their lives and prevents the KKK from committing atrocities. Oh, and is a good police officer, something that everyone should support. But, of course, their criticism of him for being a police officer kind of pales in comparison to all the stuff that the Klan does.

One of the scenes that’s most interesting in the film is that they show a Klan initiation intercut with a telling (by Harry Belafonte, no less) of the 1916 Lynching of Jesse Washington, one of the most brutal acts of mob violence in US history. Jesse Washington, a black man, was found guilty of sexually assaulting and murdering a white woman, then was dragged outside, beaten, stabbed, dismembered, castrated, burned alive, and hung. A crowd of ~10,000 people watched, including the Mayor, Police Chief, and a professional photographer, making it a well-documented event. Even if he was guilty (which the physical evidence did suggest), HE WAS TORTURED AND BURNED TO DEATH PUBLICLY. There should never have been a time when that was okay, but the event was more condoned because of the recent release of Birth of a Nation (a movie that puts a nice, positive spin on white supremacy and the Klan). Like I said, it’s a solid scene, reminding us of exactly how much we try to erase from our nation’s history.

BlackkKlansman-6LynchingOfJesseWashington
A bunch of these people later said “we thought about stopping it.” Assholes.

The cinematography and soundtrack (with score by Terence Blanchard, who does many of Lee’s films) are amazing. The images of the cast looking directly into the audience are chilling, almost accusatory, and the effect is profound. The performances are all great, although special credit to Washington, who balances a lot of character traits within his portrayal.

Overall, it’s a solid film. It’s a little preachy, sometimes feeling like Lee’s dropping a moral anvil on your head, but, dammit, sometimes the anvil needs to be dropped. I recommend seeing it, but, *Spoiler alert* you do want to brace for the final shots of the film, because it moves from the movie to just news clips of the last 2 years, and… well, you will hear a f*cking pin drop from 3 theaters over as the credits start to roll.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews. If you want more from the Grouch on the Couch, maybe he’ll actually finish that piece he was supposed to publish 2 months ago.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.