BlacKkKlansman: Some Anvils Need to be Dropped (Spoiler-Free)

By the Grouch on the Couch

SpoilerFree

Obvious fact: Spike Lee is not subtle about the state of America’s race relations. Whether you agree with him or don’t, the man has made his opinion on the treatment of black people within the US damn clear for about 30 years. Hell, he says people call him the “angry black filmmaker.” Ten minutes on Reddit will tell you that’s the nicer version of what some people call him. BlacKkKlansman will not change that, because he’s clearly still black and angry.

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I mean, not all the time. Nobody’s angry around Jordan Peele.

And the movie’s a strong case that he’s justified in being that way.

Now, add in the fact that he’s got a true story like this and Jordan Peele producing and you have a recipe for a film that’s gonna piss a lot of people off. However, they’re the people who deserve to be pissed off.

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Clayton Bigsby gave this movie a series of horrifying slurs, including “that’s my story!”

SYNOPSIS (SPOILER-FREE)

Ron Stallworth (John David Washington) is the first black police officer in Colorado Springs, Colorado. He’s first sent to infiltrate a speech by Black Activist and creator of the “Black Power” movement, Kwame Ture (Corey Hawkins), where he meets anti-police Black Student Union President Patrice Dumas (Laura Harrier), who he begins to date. At the same time, he answers an ad in the newspaper conducting a recruitment drive for the Ku Klux Klan, talking to the members over the phone. With Jewish Detective Flip Zimmerman (Adam Driver) as his surrogate for in-person meetings, Stallworth works his way into the organization, eventually striking up a fake friendship with David Duke (Topher Grace).

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It takes place in 1979, who did you think would be in it?

END SYNOPSIS

So, the movie definitely plays up the fact that a lot of the slogans which have resurfaced recently like “America First” and “Make America Great Again” were previously used by groups that were less than subtle about their racism and xenophobia. By that, I obviously mean the f*cking Klan. Granted “Make (insert country) Great Again,” and “(insert country/empire) First” could be derived from translations of a ton of cultural movements throughout history, but generally they were movements that were based on some form of intense discrimination. I’m sure there’s a cave painting somewhere that translates to “Eagle and Goat Tribe First.”

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Notice: All the same color. 

They also point out that the real success of the Klan was that it tried to suppress its more violent members, instead replacing the leadership with images of respectable-appearing people such as David Duke. Kudos to Topher Grace, his version of Duke is actually kind of charming. It’s believable that he could convince a group of violent racists that the real success of racism would come from making it more acceptable to the common people, by framing it under things like “crime statistics,” “red-lining,” or “drug use.” While many of the Klansmen are portrayed as completely insane or degenerate racists, it’s the ones that aren’t that are more intimidating, because they seem relatively reasonable when they’re talking, even trying to keep the others in check. The more insane ones at times seem almost cartoonishly over-the-top in their racist crusade, but, well, I’ve known people who are like that, so… can’t say it goes too far.

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Oh, and David Duke exists, so, clearly, these people are actually that crazy.

In a moment of balance, the movie also calls out some of the problems with the Black Power movement, by having some of the members completely reject Ron’s attempts to be a police officer as “being part of the problem,” despite the fact that he saves their lives and prevents the KKK from committing atrocities. Oh, and is a good police officer, something that everyone should support. But, of course, their criticism of him for being a police officer kind of pales in comparison to all the stuff that the Klan does.

One of the scenes that’s most interesting in the film is that they show a Klan initiation intercut with a telling (by Harry Belafonte, no less) of the 1916 Lynching of Jesse Washington, one of the most brutal acts of mob violence in US history. Jesse Washington, a black man, was found guilty of sexually assaulting and murdering a white woman, then was dragged outside, beaten, stabbed, dismembered, castrated, burned alive, and hung. A crowd of ~10,000 people watched, including the Mayor, Police Chief, and a professional photographer, making it a well-documented event. Even if he was guilty (which the physical evidence did suggest), HE WAS TORTURED AND BURNED TO DEATH PUBLICLY. There should never have been a time when that was okay, but the event was more condoned because of the recent release of Birth of a Nation (a movie that puts a nice, positive spin on white supremacy and the Klan). Like I said, it’s a solid scene, reminding us of exactly how much we try to erase from our nation’s history.

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A bunch of these people later said “we thought about stopping it.” Assholes.

The cinematography and soundtrack (with score by Terence Blanchard, who does many of Lee’s films) are amazing. The images of the cast looking directly into the audience are chilling, almost accusatory, and the effect is profound. The performances are all great, although special credit to Washington, who balances a lot of character traits within his portrayal.

Overall, it’s a solid film. It’s a little preachy, sometimes feeling like Lee’s dropping a moral anvil on your head, but, dammit, sometimes the anvil needs to be dropped. I recommend seeing it, but, *Spoiler alert* you do want to brace for the final shots of the film, because it moves from the movie to just news clips of the last 2 years, and… well, you will hear a f*cking pin drop from 3 theaters over as the credits start to roll.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews. If you want more from the Grouch on the Couch, maybe he’ll actually finish that piece he was supposed to publish 2 months ago.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

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Teen Titans Go! To the Movies (Spoiler-Free)

SpoilerFree

I didn’t intend to see this movie. I didn’t really hear much about this film aside from it existing. But, I was walking back past the theater and it was the next film that started that seemed worth seeing. And I could not have been more pleasantly surprised.

So, I loved the original Teen Titans cartoon. I thought it was well-crafted, well-animated, well-voiced, had great characters that were complex while still being relatable, and had some great plotlines that allowed all those things to shine. But, it came to an end and was reborn as Teen Titans Go! which was… different. Truthfully, I only watched like 3 episodes of the new show (one of which was about assembling a sandwich, another about waffles, and another that was about thwarting a pizza boy, so food is clearly a big thing in the show) before stopping because I just didn’t think it was that funny. It was lighter, to be sure, and definitely was supposed to be a comedy rather than a superhero show, but it was not my thing. Even with the same voice actors (WHO ARE ALL AMAZING), it still just didn’t grab me.

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The left one has over 200 episodes. The right one had 65. Would you have guessed that?

Then I watched this movie. If someone could tell me that the rest of the series after I quit watching was like this film, I would probably go binge it all right now. Hell, I probably will anyway, because this was actually pretty well done. Is it perfect? No, but it was funny and original, which is more than I can give most comedies.

SUMMARY (SPOILERS IF YOU HAVE LITERALLY NEVER SEEN A TRAILER)

So, in the Teen Titans universe, every superhero has a movie (and the real ones are parodied and mocked mercilessly) despite also being real superheroes. One person who really wants their own movie is Robin (Scott Menville), leader of the Teen Titans, consisting of Beast Boy (Greg Cipes), Starfire (Hynden Walch), Raven (Tara Strong), and Cyborg (Khary Payton). The movie consists mostly of them trying to get a movie made, part of which is finding their arch nemesis in the form of Slade (Will Arnett), a villain trying to take over the world, and part of it is convincing Director Jade Wilson (Kristen Bell) to make the movie.

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Will Arnett is just gold for animated superhero comedies.

END SUMMARY

First off, this movie is a DC Fan’s dream. There are references to DC comics, movies, and TV series in basically every shot of the city, ranging from the obvious (Mr. Freeze Pops) to the obscure (The Challengers of the Unknown are actually a minor plot point!) to the ridiculous (there’s a poster for the film Jonah Rex, a T-Rex version of Jonah Hex that should totally be real). There are animation sequences designed to mimic the live-action movies, the DC Animated Universe, the Arrowverse TV Shows, and even Superfriends. The cameos are so frequent I think it’s harder to think of a property that WASN’T in the movie than one that was. And so much of them are used as in-universe product placements that it really makes me think that this entire world runs on superheros. If you’re like me and you think that postmodern style mashups between all of these properties can be funny, then you will be laughing throughout… often at jokes that nobody else got. Laugh anyway.

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There are like 30 references in this one screen shot if it’s in HD.

Second, there are the meta-gags. There are so many of these sprinkled throughout, like everyone mistaking Slade for Deadpool (because Deadpool was a rip-off of Slade’s identity of Deathstroke) or calling Superman (voiced by Nicolas Cage) a “National Treasure.” There are at least two “this is Nicolas Cage voicing Superman” jokes that I caught and I’m sure there are more. There are countless jokes about how much DC and Marvel are willing to exploit their IP as much as possible. There is a cameo that makes fun of Stan Lee cameos. There are jokes about the fact that people will continually see superhero films at the expense of any other form of entertainment. There’s even a running gag about how overpowered Raven is and lampshading how boring a movie of a character like that fighting villains onscreen might actually be. The jokes just keep coming, sometimes buried under other jokes.

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A reminder that Cage loves Superman so much, his son Kal-El Cage is IN THIS FILM.

Then there are just the bizarre gags, like having an 80s-style song called “Upbeat Inspirational Song About Life” by MICHAEL FREAKING BOLTON  that plays out like you’re on LSD or having the group poop in a prop toilet on a movie set. They’re mostly for the kids but, like I said, sometimes they’re actually just the set-up for a much better joke. And the last line of the film made me laugh for like 5 straight minutes, because it was just such a bizarre shot at children’s movie moralizing. There are also several that I don’t think I got because I didn’t really watch the show, but the fact that they mostly were still entertaining was a good sign.

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That’s Michael Bolton as a Siberian Tiger playing the keytar on a rainbow fountain.

It honestly made me think of Arrested Development in the way that the humor was just kind of shotgunned at you from every direction. It just wasn’t quite as clever as the writing on Arrested Development, but, again, it’s ostensibly a kids’ movie. Some of the jokes had to be made for kids, but I don’t think they all really speak down to them. Maybe a better comparison is The Lego Batman Movie: you can enjoy it as is and think it’s funny, but the more you know about the property and the world in general, the more you enjoy the movie. Granted, Lego Batman was a better film in general, but that’s a really high bar.

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Can’t beat a movie with the Condiment King in it.

The casting in the movie is perfect, with most of the characters being voiced not by people who would play them in movies, but by people who just love the characters they’re voicing. It gives even the minor cameos a passion that adds something to the experience.

As to the plot, it comes off less as a traditional film and more a collection of 15-minute episodes that loosely interconnect until the 30-minute finale, but, honestly, it worked out great, because you never got bored nor knew exactly what gag was going to come next.

Overall, the only real “problem” with the movie is that it is still a kids’ film. The humor is either referential or juvenile, without a ton of other jokes for people who don’t love DC and are old enough that a 2-minute fart joke is 90 seconds too long. But, I still enjoyed it from start to finish. Hell, there are probably 3 scenes in it that are so funny that I would recommend seeing the movie just to see them.

If you love comic books or have kids, you need to see this movie. Oh, and if *SPOILER* the end credit stinger is true, and we are getting a sixth season of the original Teen Titans show (which Cartoon Network started re-running last year, so it’s very possible), then just finding out about that early might be worth the ticket price.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.