The Lego Movie 2: The Second Part – Everything’s Still Awesome (Spoiler-Free)

The Lego Movie, the movie that should have been crap but instead was a masterful meta-commentary, got a sequel which should have been crap, but instead was a masterful meta-commentary. I wonder if they actually help sales.

SUMMARY (Spoiler-Free)

It’s been five years since the events of “Taco Tuesday” depicted in the first movie. Duplo/Mini-Doll aliens from the Systar System have repeatedly invaded and destroyed Bricksburg, occasionally taking people and things away with them. In response, the citizens now live in “Apocalypseburg,” a Mad Max-esque desert wasteland. Emmet (Chris Pratt) is the only person who has maintained a positive attitude about their circumstances, something that annoys Wyldstyle/Lucy (Elizabeth Banks), who wants Emmet to be more gritty and dark. Emmet, however, is troubled by a dream of “Ourmomageddon,” which has all of the Lego citizens sucked into a void.

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Apocalypseburg does have some solid architecture going on.

One day, the town is attacked by the General Sweet Mayhem (Stephanie Beatriz), who abducts Lucy, Metalbeard (Nick Offerman), Batman (Will Forte), Benny the Spaceman (Charlie Day), and Princess Unikitty (Alison Brie) and takes them to the Systar System to meet the ruler of Systar, Queen Whatevra Wa-Nabi (Tiffany Haddish). Emmet takes off to rescue them, with the help of Rex Dangervest, a raptor-training space cowboy archeologist who has chiseled features under his baby fat (Also Chris Pratt).

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Saying “Galaxy Guarding” would be too much, clearly.

Also, the whole thing is actually a metaphor for the imagination of some kids.

END SUMMARY

So, up front, you have to see the first movie for this one to really work well. This movie goes straight into the meta-narrative that was sort of the big “twist” of the last movie: Everything that’s happening is both part of the narrative (i.e. the Lego World) and also a representation of the meta-narrative (i.e. what’s happening in the Real World). Stuff that happens in each one actually impacts the other, however, which almost makes this a pataphysical movie… something that is really unbelievably complex for a children’s film and impressively done so well that this movie is actually really easy to follow.

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The Queen, Whatevra Wa-Nabi is pretty straightforward, admittedly.

Unlike the last movie where the revelation is pretty late, this movie makes it pretty explicit up front that the “Systar System” is a representation of Finn’s (Jadon Sand) sister, Bianca (Brooklynn Prince). In fact, if you don’t get that pretty quickly, I’d actually say that the first few scenes don’t really make sense. For example, in the opening battle against the Duplos, the Duplo monsters respond to being shot with lasers with “okay, I eat lasers” and to being hit with batarangs with “you missed.” Anyone who has ever tried to play an imaginary game with a small child will immediately recognize this interaction. What’s great is that you could analyze almost every scene from both the normal and meta levels and both work perfectly. I’m not sure how Lord and Miller keep doing it, but I’m damned glad they are.

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These guys do good work. Weird, good work.

The messages of the movie, and yes there are several, similarly work on a bunch of levels, both as the lessons learned by the characters and also the lessons learned by the kids through the characters. Everything is a pretty wholesome moral, ranging from the value of family to the nature of maturity to the fact that it’s easier to be a judgmental dick than it is to genuinely keep opening yourself up to people and hope for better. No matter who you are, there’s something to get out of this movie.

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Sweet Mayhem provides great commentary on gender roles in film.

The music is just as fun as the last movie, particularly the movie’s signature song “Catchy Song” which is such an earworm while also being a song about how the song is an earworm. I also would give credit to all of Tiffany Haddish’s songs, which are hilarious and awesome, as well as Lonely Island’s song with Beck and Robyn.

Last, I have to complement how well the movie handles references, much like its predecessor. Unlike the last one, where most of the characters that pop up are just there because Finn’s dad (Will Ferrell) owned the kits, in this one, you can actually figure out why Finn and Bianca themselves would have these figures and the reasons range from funny to borderline profound. My personal favorite is ***MINOR SPOILER ALERT*** the fact that Finn keeps seeing Bruce Willis in ducts… because his dad showed him Die Hard and, as a teenager trying to be “mature,” that’s a movie that you tend to focus on ***SPOILER OVER***.

Overall, I loved this film. It definitely has a few slow scenes which tend to make more sense from the meta-level, but most of the movie is just so clever you’ll forget about it.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Netflix Review – BoJack Horseman: Season 5 (Spoiler-Free)

SpoilerFree

Given that I put one of the episodes of BoJack Horseman on my list of The Greatest Television Episodes while saying it was one of the best shows on television currently, it’s probably fair to say I’m a fan. It’s hard to say whether or not I love the show more after watching this season, but I definitely respect it more for its dedication to improvement. If this isn’t the best season of the show, it is damned close.

SUMMARY (Spoiler-Free)

BoJack (Will Arnett) starts working on his new show, Philbert, which co-stars Gina Cazador (Stephanie Beatriz), a veteran TV actress who starts casually sleeping with BoJack. Diane Nguyen (Alison Brie) and Mr. Peanutbutter (Paul F. Tompkins) deal with the end of their marriage, while Princess Carolyn (Amy Sedaris) tries to adopt a baby and produce Philbert. Todd Chavez (“Ya done f*cked up” Aaron Paul) has moved in with Princess Carolyn and is trying to make his asexual relationship work with Yolanda Buenaventura (Natalie Morales).

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Sadly, character actress Margo Martindale has disappeared after a pasta accident.

Some stuff happens. Literally describing any of it would be a spoiler and this season is too good to spoil.

END SUMMARY

I truly loved this season.

On some level, BoJack knows that its fans trust it by this point and that it can coast a little and play off of some of the formulas it has set-up, knowing that we’ll still find the elaborate gags and surrealist jokes funny. However, what really sets this show apart is its dedication to constantly build upon them. It doesn’t just subvert established tropes, it subverts the subversion, then subverts that subversion’s subversion. Then, sometimes it plays things straight and the tropes that in most shows would be tired and overused are played out like it’s the first time and we remember why we loved those tropes in the first place. This season does all of that and more, but it tries to really blend the darkness and sadness that is constantly in the show with elements of hope and a lot more social commentary.

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And a lot more meta-fiction.

Part of the beauty of the show has always been that BoJack is aware of how sitcoms work, since he was in a notoriously formulaic one, which gives him an excuse to point out that his life is devoid of growth. But, after spending years having characters in the show telling us how television characters are hopeless because they’re stuck in a sitcom and are never allowed to grow, the series has also been showing their growth. It’s not always in a straight line, to be sure, and there are lots of setbacks, but that’s because that’s how growth actually works. Sometimes you’ll skip the gym because you had a bad day. Sometimes you’ll quit altogether for a while when you start to think that it’s not worth prolonging your life when you hate it. But, then, maybe, after trying enough times, you’ll be a little better. Then you’ll screw up again, but maybe you’ll be better after that. It’s not ever easy, it’s not always even a choice you can make, and life can, and does, kick you down for no reason, but it’s possible to get better. Even a show about characters that are supposed to be stuck in a cycle can remind us that growth really is possible.

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Even if it’s just having only one bottle of vodka every day.

Now, you might watch this season and think that I’m nuts and that BoJack is just going to reset after all of this or that he’s reset after the last season, but after re-watching seasons two and three recently, this season really does show that he’s grown. Yes, he is still unbelievably flawed, but he’s past the stage of believing that it’s everyone else’s problem and he’s past the stage of believing that it can’t be changed. Those are both steps towards improvement. Also, the “reset” in this season isn’t entirely his fault, as he is caught up in an addiction that is, sadly, all too realistically portrayed (though it culminates in him doing something unspeakable). At the end of the season, he does something that almost no one else will ever do and asks to be held accountable for all of the things he has done. Because of that, even more than all of the other things, I do get the feeling that he might be becoming a better person… or horseman, whatever.

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Why yes, there’s an episode about #MeToo. It’s unrelated.

Another thing I noted was that this show, like Rick and Morty, is often criticized for the fact that it has such a compelling lead that it glamorizes being a shitty person. This season finally makes one thing clear: Even BoJack hates BoJack. You shouldn’t like him for being shitty, you should like him for learning how to NOT be shitty.

Also, it’s not just BoJack that grows with the story. All of the supporting characters have been tested and have changed (except, perhaps, Mr. Peanutbutter, something the season directly addresses). Diane is probably the most notable change at the end of the season, delivering a short speech in the last episode which is both touching and devastating. Princess Carolyn, too, has grown, and shows exactly how much during one episode of this season.

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It also shows us how far she’s come already.

The Good Place once said that it’s our connections to other people that make us want to be better, because we feel we owe it to each other to be better.  I think that’s true and I think that’s what makes the characters on BoJack grow, because as the show has gone on their connections have been severed, altered, and repaired, but they’ve mostly deepened through moments of genuine connection, even if they’re rare. The reason why that can happen here, as opposed to most sitcoms, is because things don’t just get dropped. The plots carry on, with things that were skipped over for a season or two resurfacing to confront the protagonists. Hell, they still call it “Hollywoo” after the D got destroyed in season one. That’s really the biggest subversion about the show, particularly for an animated series.

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It caused hell with title cards, though.

The humor in this season is a step up from the last one, which I thought was a little bit of a drop from the previous ones. They really went back to embracing the “shotgun approach” to comedy that I loved from seasons two and three, where jokes can be puns, sight gags, but mostly brick jokes that are set-up with such subtlety that I sometimes just had to pause, go back, and trace all the steps in order to show the proper respect for how amazing it was.

Like I said, I loved this season. I was a little worried after the last one, but this one just blew me away. All the returning characters were great, all the new characters were great, and the world of BoJack just keeps getting simultaneously more absurd and yet more honest. It’s a reflection of the real world through a mirror that shows our true selves, which sadly are kind of shitty. Still, we can get better… mostly if we have shows that keep reminding us how to do so.

Oh, and one of the episodes is one of the best half-hours of television I’ve ever seen, to the point that I’m adding it to the list of the 100 Greatest Television Episodes tomorrow.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All Time or the Joker on the Sofa Reviews

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.