“I’m Sick” Mini-Review – Come to Daddy: A Strange Story of Father and Son

Elijah Wood plays a man who finally gets to meet the father who abandoned him. 

SUMMARY (Spoiler-Lite)

Norval Greenwood (Elijah Wood) is a musician who still lives with his wealthy mother. He receives a letter from his estranged father asking him to come for a visit. Norval arrives and is greeted by his father (Stephen McHattie), a gruff older man. While he starts off as warm, Norval’s father quickly breaks Norval’s phone and then begins verbally abusing him and even threatening physical violence. Norval is revealed to be fairly unaccomplished and mostly lives off of his mother’s wealth. When Norval has finally had enough and confronts his father, he’s attacked with a meat cleaver, before his father suddenly drops dead of a heart attack. Unable to have the body stored at the local coroner due to a shortage of space, Norval is forced to keep the embalmed corpse with him in the house. However, he soon discovers another man (Martin Donovan) tied up in the basement and a pair of men (Michael Smiley and Simon Chin) coming for the prisoner. It turns out Norval’s dad wasn’t exactly who he thought he was.

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Stephen McHattie basically is the epitome of “wears a Hawaiian shirt over a wifebeater” in this.


The opening to this film includes a pair of quotes from Shakespeare and Beyonce. That should tell you what kind of movie you’re in for. This film doesn’t take itself too seriously in a lot of ways, including having over-the-top violence and ridiculous characters, but it’s still got enough stakes to keep you invested and enough twists to keep you guessing. I imagine it is going to be extremely divisive, particularly because of the amount of gore in the second half, but if you’re willing to take it in stride, this film can work.

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If this doesn’t make you chuckle a bit, then you won’t enjoy this film.

A big plus, naturally, is Elijah Wood’s performance. Playing a kind of douchey failure who is in rehab for alcoholism and lives with his mom doesn’t exactly seem like Wood’s wheelhouse, but he pulls it off really well. You can tell that he’s often full of sh*t, but you also realize that he knows it and that he’s doing it because he isn’t sure what he should do in his current situation. We spend essentially the entire movie with Norval, so it’s really essential that Wood’s performance keeps us invested, and it does. 

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Yes, he’s still good even with that mustache.

The dialogue in the movie is solid, containing some very odd, but definitely interesting conversations that would usually not make it to the film. For example, there’s a random line saying that people who are evil have “raisins for eyes,” and it’s just as weird in context. Similarly, the screenplay has a lot of elements in it that many movies would exclude, such as showing failed attempts to undo locked chains or the realistic complications to trying to ambush someone. The fights in the film, too, are more complicated and gritty than one would usually assume for this kind of story. 

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The shots give you an idea of how nuts some parts are.

The best thing the movie has going for it is that it is basically watching a huge catastrophe unfold from smaller origins, like seeing a small crack in a dam lead to a flood. Much like Noval, we’re unable to really fully grasp all of what’s happening because it just keeps coming at us faster and faster until we’re overwhelmed.  

Overall, I enjoyed the movie. I’m not saying it’s a must-see, but if you like Elijah Wood as an actor, maybe put it somewhere on your wish-list. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

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Netflix Review: October Faction – Men in Black Meets The X-Files but Without the Talent (Spoiler-Free)

We get another show about a secret group of monster hunters, but this one’s about a family.

SUMMARY (Spoiler-Free)

There’s an organization named Presidio that hunts monsters. They don’t appear to be associated directly with any one government and operate internationally. Two of their agents are Fred and Deloris Allen (J.C. MacKenzie and Tamara Taylor), who pretend to be insurance agents to their 17-year-old twins Viv and Geoff (Aurora Burghart and Gabriel Darku). When Fred’s father Samuel (Stephen McHattie) dies, the Allens move back to Fred’s hometown of Barrington-on-Hudson to take a break. While Viv and Geoff deal with school troubles, Fred and Deloris find out that the small town is not as safe as they had hoped. 

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They save a lot of money on bleach.


So, I can’t be alone in believing that this kind of premise is now slowly getting stretched thinner and needs a lot more work to stay believable. Harry Potter at least had most of the monsters and magical creatures reigned in by wizards who can adjust human memories and hide magical areas, but in this most of the monsters just kind of live in the human world and somehow hope no one notices things like fangs and gills. In the age of camera phones and satellite imaging, it becomes more insane that there would be a hidden world on this scale. They try to compensate by showing Presidio as having advanced technology, but nothing on the scale of, say, Men in Black, who only typically monitored a few hundred aliens at a time. I’m just saying, I’m running out of disbelief to suspend.

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This was the source material. I notice some differences in style and tone.

I’m also getting a little tired of the “twist” that humans might be monstrous to the monsters. It started with the book I Am Legend, but at least there it was focused on the idea that the main character was killing things he didn’t know are sentient. In this, one of the first kills we see is with a fairly likable vampire who the show tries to humanize… except that he and his wife had just murdered a guy in broad daylight so they could eat him. This isn’t True Blood, where at least vampires and such have alternatives to killing and thus can be integrated. Here, werewolves go crazy and kill stuff periodically, vampires have to eat people, and demonspawn have to sacrifice children. Sure, they show that some hunters are needlessly cruel, but any kind of metaphor for tolerance doesn’t really work when you’re essentially dealing with forced predation. That was one of the problems with Zootopia, although they at least handled it somewhat more gracefully. 

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If vampires just wrote ad copy and lived in the dark, no one would care. It’s the eating people.

The show does attempt to elicit some sympathy by portraying Presidio as preying on human magic users along with monsters, which both doesn’t make a ton of sense and also gets twisted. It’s like the show never decided who the bad guys were supposed to be in this show and they decided to make everyone kind of crappy to compensate. Motivations often don’t seem to make any sense in retrospect and the show really never gives us answers. I think they had a lot of character moments they wanted to get to and never figured out how to get their organically.

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Also, a swat team can take down most monsters, so… why are we concealing them?

To the show’s credit, some of the monster interactions are a little original and the family element is kind of interesting. There is a decent message in it about how violence only propagates violence. Eventually, when violence keeps escalating, all the lines between good and evil must blur and, in fact, the show does a great job of sacrificing some of its characters in the name of making that point. Still, it just never quite stood out for me. It might have done a little better if they’d tried harder to get the feel of the comic it was based off of, but the comic also wasn’t great, so… maybe Netflix just did the best it could with what it bought. 

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.