Here are the things I didn’t have time to review this week.
Tom and Janet (Joel McHale and Kerry Bishé) have been married for 14 years and still act like horny newlyweds, constantly in love and lust with each other and doing caring gestures towards each other. This, naturally, drives all of their friends insane. Eventually, they get a visit from a stranger (Stephen Root) before going on a couples’ retreat that changes everyone involved. The thing about this movie is that the idea of having a couple that is so in love that everyone hates them is pretty solid. After all, as they point out, why are you married if you don’t think of your partner as your best friend? The problem is that the movie ends up going too far beyond reality and, honestly, it just plays out pretty blandly. Good premise, bad execution. The performances are really good, which only hurts me more.
The Ones Below
Kate and Justin (Clémence Poésy and Stephen Campbell Moore) are a couple expecting a baby who, through an accident, are blamed by their neighbors for the loss of their pregnancy. Kate begins to suspect that Jon and Theresa (David Morrissey and Laura Birn) are trying to steal her baby, but Justin believes she’s just having a mental breakdown. The biggest problem with this movie is that it doesn’t leave as much ambiguity as you would want for this kind of set-up, nor is the payoff big enough to justify being able to guess the ending early on. Still, there are some good parts to it. It’s not a “must-see,” but it’s shot very well and for a first-time director, there are a number of solid elements.
If you loved the show Leverage, good news, it’s back. With Noah Wyle coming in as the newby and Aleyse Shannon replacing Aldis Hodge in some of the episodes as the tech person, the team is (mostly) back, albeit without Timothy Hutton (possibly due to the statutory rape allegations). The show pretty much starts to go back to formula, but when it’s a formula as fun as Leverage, you’re not too upset about that. I still absolutely love Gina Bellman, Christian Kane, and Beth Riesgraf in their roles as con-woman, hitter, and thief, respectively. It’s notable that the show has done a lot more “ripped from the headlines” this season, clearly addressing actual criminal behavior in the world that’s going unpunished, which will work for some people more than others. Personally, I liked it.
Too Hot to Handle (Season 2)
Well, the show about hot and horny people trying to find real romance is back and… yeah, it’s still dumb and trashy and I still watched the whole thing. I think they gave commentator Desiree Birch some better lines this season and it does help. Other than that, it is much the same as last season, with you rooting for some couples and against others. This season seemed to have a lot more brazen rule-breaking, so if you are into that, you will enjoy the show. If you don’t like trash, this will not be your thing.
The Naked Director
This show is a fictionalized account of the rise of Japanese adult film director Toru Muranishi (Takayuki Yamada) and adult film star Kaoru Kuroki (Misato Morita). It’s mostly an exploration of the Japanese pornograpnic film industry throughout the 1970s to 90s and how it reshaped Japan’s perception of indecency. It’s very interesting to see how restrictive japanese society was towards sexuality and how it has impacted their societal development over the last few decades.