Joker’s Oscar Ballot

 

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Explanations

Best Picture: Blackkklansman

Spike Lee has been snubbed too many times, so the Academy probably feel like they owe him, with the added bonus that it gives them the most direct way to show off their dislike of a current public figure. Also, it was a really well-done movie.

Best Director: Spike Lee

He’s literally never been nominated for this award before. He’s never had a nomination for Best Picture before. Meanwhile, they actually were against screenings of Do The Right Thing, because they were worried it would lead black people to riot. This was in 1989. Again, they are gonna feel like they owe him.

Best Actress: Olivia Colman

Look, I want it to be Glenn Close. I’ll be pretty happy if it’s Glenn Close. But Olivia Colman’s performance in The Favourite contains so many wonderful levels that you could spend hours dissecting it. She could have made Anne an ancillary character in the rivalry between two women, but no, she made her a focus.

Best Supporting Actress: Regina King

I think this is going to happen because the people who like the two nominees from The Favourite are going to split the ballot. That said, Regina King freaking nailed this performance, and she totally deserves the award.

Actor in a Leading Role: Christian Bale

I didn’t even like this movie that much, but damn, that’s a performance for the ages. Bale probably can’t mutilate his body with impunity for much longer, so this is a good chance to get an award for his particular brand of weigh shifting.

Best Supporting Actor: Richard E. Grant

If you haven’t seen Can You Ever Forgive Me, you’ll know that Richard E. Grant’s performance is one of the more amazing parts of a film that, for the most part, is fairly predictable. Yes, he has great dialogue, but his character could so easily have been much worse that it’s amazing how well he carries it.

Best Costume Design: The Ballad of Buster Scruggs

I know a lot of people probably think it’s going to be a period piece, but I think it was amazing how many costumes they put in this movie, and how varied and elaborate the costumes were. Liam Neeson’s coat alone took days to make.

Best Film Editing: The Favourite

Okay, all the people in Editing probably want it to be Blackkklansman because there was some pretty awesome tricks involving overlaying faces during shots, but if you’re a regular person, I think you vote for The Favourite. I’m a regular Joker, I pick that.

Best Sound Editing: A Quiet Place

Okay, this is one of the two Oscars where I’ll actually be pissed if I’m wrong. This movie was amazing and it was the completely perfect use of silence and sound that really makes it work.

Best Sound Mixing: A Star Is Born

This was, for me, one of the best parts of the film. If I can sit in a movie and go “wow, they really did a great job mixing this,” then that probably means at least a few other people did the same.

Best Documentary – Short Subject: Lifeboat

It’s a short film about refugees and it goes out of its way to humanize all of them, as well as the people who try to help them. It’s a great short film if you haven’t seen it.

Best Documentary – Feature Length: RBG

This category is bullsh*t as the best Documentary of last year was Won’t You Be My Neighbor and all other movies are lesser to that. But RBG was also a good movie.

Best Adapted Screenplay: Blackkklansman

This was an amazing true story that is amazingly well-adapted in this script. Some of the dialogue was among the best of last year.

Best Original Screenplay: Green Book

As I pointed out in my review, this is the only one that really generated controversy and I think that generally helps rather than hurts.

Original Score: Black Panther

 I think they’re going to give Black Panther something, and this was definitely one of the more stand-out parts of the film. It has an amazing score and it combines a lot of elements not seen in many films before it.

Best Animated Feature Film: Spider-Man: Into the Spider-Verse

This is the second award that I will actually be p*ssed off about if I’m wrong. This was the best animated movie and just flat-out one of the best movies I’ve ever seen. It’s a work of art with amazing dialogue and a great message.

Best Foreign Language Film: Roma

Like with Toy Story 3, I think the fact that this one was nominated for Best Picture means that it has a massive advantage. Also, this could win Best Picture and I would not be at all surprised, because this movie is a beautiful thematic tale with a lot of amazing shots.

Original Song: Shallow (A Star is Born)

This scene was the best scene in the movie, and the music video of it is hauntingly beautiful. It’s a great song, Bradley Cooper blew me away, and IT’S LADY FREAKING GAGA. Just accept that it’s amazing and let it make you happy.

Best Animated Short Film: Late Afternoon

This is basically a short-film about dementia that is told through some of the best animation transitions I’ve seen in a while. I almost picked Bao because everyone saw it since it was attached to a feature, but this film hit me so hard I can’t not pick it.

Best Production Design: Black Panther

Again, this was one of the best parts of the film, and had so much more thought put into it that I would ever have expected. It combined African Cultural History with Sci-fi perfectly.

Best Makeup and Hairstyling: Vice

This movie ages almost every character over several decades and does it so well it rarely looks like makeup and prosthetics.

Best Live-Action Short Film: Skin

First of all, why are all of the films about killing kids? Seriously, I think all of the shorts were about child-murder. Second, this was a short film about racism that kind of screws up the message. That seems like Oscar Bait to me.

Best Cinematography: Roma

Alfonso Cuaron is a freaking genius when it comes to cinematography and the fact that the film is in Black-and-white only makes this more obvious.

Best Visual Effects: Ready Player One

I actually don’t know that these were the best visual effects, but they were definitely the MOST visual effects.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.

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Oscar Review – Vice: Being Evil Is Bad and Stuff

Adam McKay brings us an off-kilter movie about the life of former Vice President Dick Cheney.

SUMMARY

The movie is narrated by Kurt (Jesse Plemons), a soldier, as he discusses the life of Dick Cheney (Christian Bale) as well as the impact his presence had on the Bush administration.

The film starts with an alcoholic Dick Cheney getting a DUI and being told to clean up his life by his wife, Lynne Cheney (Amy Adams). Later, Cheney works for the Nixon administration and discovers that the US secretly bombed Cambodia under the advice of Henry Kissinger (Kirk Bovill). Donald Rumsfeld (Steve Carell) ends up being distanced from Nixon, and Cheney, his intern, starts to fall out of grace, but then Nixon resigns and Rumsfeld is the Secretary of Defense and Cheney becomes White House Chief of Staff, due to them being the only members not really connected with the fallout.

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Behold, the face of… not Richard Nixon.

After the Ford administration ends, Cheney has a heart attack and becomes a Congressman from Wyoming, mostly with his wife’s help, and starts to support a bunch of policies that blatantly help corrupt corporations gain lucrative positions and greater control over industries. Cheney serves as Secretary of Defense during the first Bush Administration, but then decides to retire from public life after finding out that his youngest daughter, Mary (Alison Pill), is a lesbian. He then becomes the head of Halliburton and becomes fabulously wealthy.

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I have avoided a single joke about his name. I want that on the record.

Cheney gets asked to be the running mate for George W. Bush (Sam “Regular or Extra Menthol” Rockwell) during the 2000 Presidential Election, which Cheney agrees to on the condition that he be allowed to have more power than a typical Vice President. Bush, not particularly caring about actually being President, agrees. As VP, Cheney brings Rumsfeld in as Secretary of Defense, David Addington (Don McManus) as legal counsel, and Scooter Libby (Justin Kirk) as Chief of Staff. Together, they make all of the actual foreign policy and defense decisions in the administration. Then, 9/11 happens.

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Again, this is mostly a comedy film.

The movie depicts Cheney as using the attacks as a way to preside over the U.S. Invasions of Afghanistan and Iraq, resulting in numerous deaths and the rise of ISIS. Kurt, the narrator, served in the military during both of these invasions and witnessed killing of civilians and extrajudicial torture of prisoners.  Meanwhile, Cheney has multiple heart issues which eventually put him on his deathbed. He says a tearful goodbye to his family, but Kurt is killed while jogging and his heart saves Cheney’s life.

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He’s not in great health.

At the end of the movie, Liz Cheney (Lily Rabe) wins her father’s seat in Congress after speaking out against gay marriage, leading Mary Cheney to leave the family. The film then breaks the fourth wall and has an angry Cheney state that he has no regrets about anything he’s done. A mid-credits scene depicts a focus group where a right-wing viewer calls the film biased and violently attacks a panelist who disagrees while most of the other panelists focus on upcoming action movies.

END SUMMARY

Okay, so, this was the movie that I least imagined would get nominated for an Oscar out of all of the nominees, even Black Panther. I didn’t think super highly of A Star Is Born, but I thought it was Oscar bait. BlacKkKlansman seemed like a shoo-in, same with Roma. Bohemian Rhapsody wowed me with spectacle in the theater, so it wasn’t until later that I realized “oh, this dialogue is actually kind of lousy.” Green Book had Mahershala Ali’s performance in a film that makes Hollywood feel good. The Favourite was a period piece with great costumes and three amazing leads and artistic angles, so that’s basically a gimme. This movie, though…

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But Boots Riley gets nothing.

Adam McKay is a very talented director, ranging from Anchorman and Talladega Nights to The Big Short. He’s great at doing very stylized movies that have lots of solid comic elements, as well as occasional sudden shifts in tone or focus, like the “Afternoon Delight” scene in Anchorman or the multiple fourth-wall breaks to explain concepts in The Big Short. This movie has devices similar to those, but I think it went a little overboard on them while trying to handle a subject that it simultaneously wants to mock and also to take seriously. You have the framing device of the narrator, but also false endings, fourth wall breaks, the focus group, the double time shift from 9/11… it’s just a little too much structural mutation within a film that isn’t exactly sure what tone it wants to take. This film portrays horrible events and wants you to think about how horrible they are… but then makes a few one-liners about how ignorant Americans are. It’s not impossible to do both of these tones in one film, but I don’t think they quite pulled it off here.

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Those glasses are reserved for directors.

The film presents Dick Cheney as both a wasted dropout who lucked into a job and also a brilliant schemer who essentially uses Machiavellian tactics to gain power and wealth, but it never really connects with how he can be both. Yes, people are multifaceted, that’s the beauty of dealing with real people rather than archetypes, but even with Bale’s great performance (and it is absolutely fantastic), Cheney only seems to be a series of shifting characters, not one man that is all of these things. It clearly says that he’s a bad person, and the film takes the stance that everything he does is pretty much awful, but saying “oh, hey, this humorously over-the-top villain is bad” is a little less subtle than Bale’s performance merited.

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Again, the guy on the right is BATMAN.

That said, every performance in this is amazing. Bale’s so good you wouldn’t even believe he’s the same guy who played Batman or Patrick Bateman, while Rockwell reminds us once again that he is an almost unbelievable talent. If you haven’t watched Moon or Seven Psychopaths, you’re missing out. Amy Adams is a national freaking treasure and should be treated as such. Steve Carell, Lily Rabe, Alison Pill, Tyler Perry, all of them did amazing work. If there is one thing to be said about this, everyone was giving 110%.

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Jesse Plemons’ performance was heart-taking. I REFUSE TO APOLOGIZE FOR THIS DAD JOKE.

My biggest complaint, though, and it’s a very personal one to me, is that this movie breaks one of my cardinal rules of filmmaking: It tells the audience that you’re wrong to not like it. It presents all the people who aren’t excited about the film as either vapid idiots who don’t care enough about the world to pay attention or angry idiots who are going to be pissed about the liberalism of Hollywood. Even if you were to believe both of those things, and you very well might, just acknowledging these people to mock them doesn’t ever do anything positive. If you believe that what you’re saying, even if it will be criticized, is still worth saying, THEN F*CKING SAY IT. Don’t try to pre-defend yourself by taking shots at your detractors, just say what you believe and stand by it. 

Overall, I don’t dislike the movie, in fact I thought a lot of parts of it were good and inventive, but the structure was a little too messy for me to really think it was going to be an Oscar nominee. But maybe that’s why I only write for a few hundred people on the internet, rather than Time Magazine.

If you want to check out some more by the Joker on the Sofa, check out the 100 Greatest TV Episodes of All TimeCollection of TV EpisodesCollection of Movie Reviews, or the Joker on the Sofa Reviews.

If you enjoy these, please, like, share, tell your friends, like the Facebook page (https://www.facebook.com/JokerOnTheSofa/), follow on Twitter @JokerOnTheSofa, and just generally give me a little bump. I’m not getting paid, but I like to get feedback.